2020 Venice International Film Festival: lineup announced

July 28, 2020

by Carla Hay

Frances McDormand in “Nomadland” (Photo courtesy of Searchlight Pictures)

The 77th annual Venice International Film Festival—which takes place September 2 to September 12, 2020 in Venice, Italy—has announced its lineup. The high-profile U.S. releases competing for the festival’s biggest prize (The Golden Lion) are director Chloé Zhao’s road-trip drama “Nomadland,” starring Frances McDormand; director Mona Fastvold’s “The World to Come,” starring Vanessa Kirby, Katherine Waterston and Casey Affleck; and director Hilal Baydarov’s “In Between Dying,” which is a joint production of the U.S. and Azerbaijan.

Because of the COVID-19 pandemic, the 2020 edition of the Venice International Film Festival is expected to have online  virtual screenings and events. Almost every film festival scheduled for 2020 that was scheduled to take place in or after March has been cancelled for the year or has been reconfigured as an online/virtual festival.

In 2018, the Venice International Film Festival signed the 5050×2020 pledge to have 50 percent of the festival’s films directed by females, by the year 2020. But the male-dominated lineup of directors for the 2020 edition of the festival shows that it has a long way to go in fulfilling that promise. Only 18 of the 61 feature-length films (or 29.5 percent) announced in the list below have female directors.

The Venice International Film Festival is one of the most important festivals in the world, and it serves as a launching pad for likely Oscar contenders. In 2019, movies that had their world premieres at the festival that went on to Oscar glory included “Joker” and “Marriage Story.”

The festival’s opening-night film (director Daniele Luchetti’s “Lacci”) and closing-niight film (director Stefano Mordini’s “Lasciami Andare”) are both Italian movies that are premiering out of competition.

Some of the other high-profile movies that will premiere out of competition in the 2020 edition of the festival include director Roger Mitchell’s comedy “The Duke,” starring Jim Broadbent and Helen Mirren; director Park Soon-Jung’s drama “Night in Paradise”; director Luca Guadagnino’s drama “Salvatore – Shoemaker of Dreams”; director Alex Gibney’s documentary “Crazy, Not Insane,” which examines the psychology of murderers; and director Nathan Grossman’s documentary “Greta” about environmentalist Greta Thunberg.

Here is the lineup for the 2020 Venice International Film Festival:

“And Tomorrow the Entire World,” Julia Von Heinz (Germany, France)
“Dear Comrades,” Andrei Konchalovsky (Russia)
“The Disciple,” Chaitanya Tamhane (India)
“In Between Dying,” Hilal Baydarov (Azerbaijan, U.S.)
“Laila in Haifa,” Amos Gitai (Israel, France)
“Le Sorelle Macaluso,” Emma Dante (Italy)
“Lovers,” Nicole Garcia (France)
“Miss Marx,” Susanna Nicchiarelli (Italy, Belgium)
“Never Gonna Snow Again,” Malgorzata Szumowska and Michal Englert (Poland, Germany)
“Nomadland,” Chloé  Zhao (U.S.)
“Nuevo Orden,” Michel Franco (Mexico, France)
“Padrenostro,” Claudio Noce (Italy)
“Pieces of a Woman,” Kornel Mundruczo (Canada, Hungary)
“Sun Children,” Majid Majidi (Iran)
“Wife of a Spy,” Kiyoshi Kurosawa (Japan)
“The World to Come,” Mona Fastvold (U.S.)

“Assandira,” Salvatore Mereu (Italy)
“The Duke,” Roger Mitchell (U.K.)
“Lacci,” Daniele Luchetti (Italy) – *Opening Film*
“Lasciami Andare,” Stefano Mordini (Italy) – *Closing Film*
“Love After Love,” Ann Hui (China)
“Mandibules,” Quentin Dupieux (France, Belgium)
“Mosquito State,” Filip Jan Rymsza (Poland)
“Night in Paradise,” Park Soon-Jung (South Korea)

“City Hall,” Frederick Wiseman (U.S.)
“Crazy, Not Insane,” Alex Gibney (U.S.)
“Final Account,” Luke Holland (U.K.)
“Greta,” Nathan Grossman (Sweden)
“Hopper/Welles,” Orson Welles (U.S.)
“La Verità Su La Dolce Vita,” Giuseppe Pedersoli (Italy)
“Molecole,” Daniele Segre (Italy) PRE-OPENING TITLE
“Narciso Em Ferias,” Renato Terra, Ricardo Calil (Brazil)
“Paolo Conte, Via Con Me,” Giorgio Verdelli (Italy)
“Salvatore – Shoemaker of Dreams,” Luca Guadagnino (Italy)
“Sportin’ Life,” Abel Ferrara (Italy)

OUT OF COMPETITION – Special Screenings

“30 Monedas – Episode 1,” Alex De La Iglesia (Spain)
“Omelia Contadina,” Alice Rohrwacher, JR (Italy)
“Princesse Europe,” Camille Lotteau (France)

“And Tomorrow The Entire World,” Julia Von Heinz (Germany, France)
“Apples,” Christos Nikou (Greece)
“The Best Is Yet to Come,” Wang Jing (China)
“Careless Crime,” Shahram Mokri (Iran)
“The Furnace,” Roderick Mackay (Australia)
“Gaza Mon Amour,” Tarzan Nasser, Arab Nasser (Palestine, France, Germany, Portugal, Qatar)
“Genus Pan,” Lav Diaz (Philippines)
“Guerra e Pace,” Martina Parenti, Massimo D’Anolfi (Italy, Switzerland)
“I Predatori,” Pietro Castellitto (Italy)
“La Nuit Des Rois,” Philippe Lacote (Ivory Coast, France, Canada)
“La Troisieme Guerre,” Giovanni Aloi (France)
“Listen,” Ana Rocha De Sousa (U.K., Portugal)
“Mainstream,” Gia Coppola (U.S.)
“The Man Who Sold His Skin,” Kaouther Ben Hania (Tunisia, France, Germany, Belgium, Sweden)
“Milestone,” Ivan Ayr (India)
“Never Gonna Snow Again,” Malgorzata Szumowska and Michal Englert (Poland, Germany)
“Notturno,” Gianfranco Rosi (Italy, France, Germany)
“Nowhere Special,” Uberto Pasolini (Italy, Romania, U.K.)
“Quo Vadis, Aida?,” Jasmila Zbanic (Bosnia and Herzegovina, Austria, Romania, The Netherlands, Germany, Poland, France, Norway.
“Selva Tragica,” Yulene Olaizola (Mexico, France, Colombia)
“The Wasteland,” Ahmad Bahrami (Iran)
“Yellow Cat,” Adilkhan Yerzhanov (Kazakhstan, France)
“Zanka Contact,” Ismael El Iraki (France, Morocco, Belgium)

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