Blitz, Film at Lincoln Center, film festivals, movies, New York City, New York Film Festival, Nickel Boys, The Room Next Door
August 1, 2024
The following is a combination of press releases from Film at Lincoln Center:
Film at Lincoln Center announces RaMell Ross’s Nickel Boys as Opening Night of the 62nd New York Film Festival at Alice Tully Hall on September 27. The adaptation of Colson Whitehead’s Pulitzer Prize–winning novel stars Ethan Herisse, Brandon Wilson, Hamish Linklater, Fred Hechinger, Daveed Diggs, and Aunjanue Ellis-Taylor. Secure tickets with Festival Passes, limited quantities on sale now. Single tickets for the general public go on sale September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Rare is the film of a major book that maintains the power and precision of its source material while also generating its own singular aesthetic. Yet RaMell Ross’s extraordinary realization of Colson Whitehead’s Pulitzer Prize–winning 2019 novel, about two Black teenagers who become wards of a barbaric juvenile reformatory in Jim Crow–era Florida, achieves just this. In breakout performances that cut to the bone, Ethan Herisse and Brandon Wilson play Elwood and Turner, whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century. Adapted by Joslyn Barnes and Ross, whose unforgettable Oscar-nominated documentary Hale County This Morning, This Evening (Closing night of New Directors/New Films, 2018) portrayed an Alabama community in moments of revelatory intimacy, has here fashioned a film of equal daring and intensity, buoyed by expressive, shallow-focus cinematography by Jomo Fray (All Dirt Roads Taste of Salt), pinpoint-precise editing by Nicholas Monsour (Nope), and deeply felt supporting performances from Aunjanue Ellis-Taylor, Hamish Linklater, and Daveed Diggs. Inspired by actual events, this harrowing tale comes to vivid life via an ingenious visual approach that brilliantly adapts the novel’s exercise in subjectivity. Ross’s Nickel Boys sets the beauty of the natural world against the cruel realities of American racism, and confirms its maker’s status as a visionary cinematic artist.
Nickel Boys is directed by RaMell Ross, with a screenplay by Ross and Joslyn Barnes, based on the book The Nickel Boys by Colson Whitehead. Produced by Dede Gardner, Jeremy Kleiner, David Levine, and Barnes. Orion Pictures and Amazon MGM Studios present a Plan B Entertainment / Anonymous Content / Louverture Films production. Orion Pictures/Amazon MGM Studios will release Nickel Boys in theaters on October 25 expanding through the fall.
“What an absolute honor for Nickel Boys to open the 62nd New York Film Festival… a daydream really, for the crew, the cast, and team who’ve committed so wholeheartedly to its vision,” said Ross. “It feels almost full circle, given Hale County This Morning, This Evening’s selection in 2018’s New Directors/New Films program. The New York Film Festival in particular constellates much of what one aspires toward through filmic production. Since just after my undergrad when I was wooed by the still and moving image, it has been an extraordinary compendium for global aesthetics.”
“Nickel Boys signals the emergence of a major filmmaking voice,” said Dennis Lim, Artistic Director, New York Film Festival. “RaMell Ross’s fiction debut, like his previous work in photography and documentary, searches for new ways of seeing and, in so doing, expands the possibilities of visual language. It’s the most audacious American movie I have seen in some time, and we are excited and honored to open the New York Film Festival with it.”
RaMell Ross is an artist, filmmaker, writer, and liberated documentarian. He has been awarded an Aaron Siskind Foundation Individual Photographer’s Fellowship, Howard Foundation Fellowship, a USA Artist Fellowship and was a 2022 Solomon Fellow at Harvard University. His feature experimental documentary Hale County This Morning, This Evening won a Special Jury Award for Creative Vision at the 2018 Sundance Film Festival and 2020 Peabody Award. It was nominated for an Oscar at the 91st Academy Awards and an Emmy for Exceptional Merit in Documentary Film. RaMell holds degrees in Sociology and English from Georgetown University and is an associate professor in Brown University’s Visual Art Department. His work is in various public and private collections such as The Museum for Modern Art, Virginia Museum of Fine Arts, and the High Museum.
Film at Lincoln Center announces Pedro Almodóvar’s The Room Next Door, starring Julianne Moore and Tilda Swinton, as the Centerpiece selection for the 62nd New York Film Festival, making its U.S. premiere at Alice Tully Hall on October 4. Secure your ticket and more with Festival Passes, limited quantities on sale now. Single tickets go on sale September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Ingrid (Julianne Moore), a best-selling writer, rekindles her relationship with her friend Martha (Tilda Swinton), a war journalist with whom she has lost touch for a number of years. The two women immerse themselves in their pasts, sharing memories, anecdotes, art, movies—yet Martha has a request that will test their newly strengthened bond. Pedro Almodóvar’s finely sculpted drama, his first English-language feature, is the unmistakable work of a master filmmaker, a hushed and humane portrayal of the beauty of life and the inevitability of death, graced with incandescent performances by Moore and Swinton that tap the very essence of being. Adapting Sigrid Nunez’s treasure of a novel, What Are You Going Through, Almodóvar has exquisitely reframed his career-long fascination with the lives of women for an American vernacular, capturing Manhattan and upstate New York with enraptured affection. A Sony Pictures Classics release.
“I am delighted that The Room Next Door will be the Centerpiece of the New York Film Festival,” said director Pedro Almodóvar. “This festival has been my bridge to New York audiences for decades, so it only felt natural that the two protagonists go see a film at the Alice Tully Hall in one of the scenes of the movie. It was very moving for me to shoot in a place that holds so very dear memories to me, and where I hope to keep on treasuring them in a not so distant future.”
“Few filmmakers are as closely associated with the New York Film Festival as Pedro Almodóvar, and it is a true pleasure to present his first English-language feature as this year’s Centerpiece selection,” said Dennis Lim, Artistic Director, New York Film Festival. “The Room Next Door is the work of an artist at the height of his powers: a wise, exquisitely acted, achingly beautiful film that feels perfectly calibrated to this moment.”
The Room Next Door marks NYFF mainstay Pedro Almodóvar’s 15th festival selection, of which a record-setting nine titles have been gala presentations. He made his NYFF debut in 1988 with Women on the Verge of a Nervous Breakdown (NYFF26) as the Opening Night selection, and also opened NYFF with All About My Mother (NYFF37). Bad Education (NYFF42) and Volver (NYFF44) were selected as Centerpieces, and Live Flesh (NYFF35), Talk to Her (NYFF40), Broken Embraces (NYFF47), and Parallel Mothers (NYFF59) were Closing Night selections. Additional NYFF selections include The Flower of My Secret (NYFF33), The Skin I Live In (NYFF49), Julieta (NYFF54), Pain and Glory (NYFF57), The Human Voice (NYFF58), and Strange Way of Life (NYFF61).
Pedro Almodóvar (b. Calzada de Calatrava, September 25, 1949) left his small town for Madrid as a teenager to realize his dreams of becoming a filmmaker. Arriving with few prospects, he secured “proper” employment at the National Telephone Company of Spain, which allowed him to purchase his first Super 8 camera. For the next 12 years, Almodóvar split his time between this serious day job and crazy nights collaborating with theater groups and punk bands, writing for underground magazines, and making short films with his friends. In 1980, after a year and a half of filming on a shoestring budget, Almodóvar made his feature-length debut with Pepi, Luci, Bom. Since then, he has never stopped writing and directing films, which include the Academy Award winners All About My Mother (1999) and Talk to Her (2002).
Film at Lincoln Center announces Steve McQueen’s Blitz, starring Saoirse Ronan and Elliott Heffernan, as the Closing Night selection of the 62nd New York Film Festival, making its North American premiere on October 10 at Alice Tully Hall. Secure tickets with Festival Passes, limited quantities on sale now. Single tickets for the general public go on sale September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Blitz, an authentic and astonishing recreation of London during its blitzkrieg by the Germans during World War II, pushes the artistry of Steve McQueen (12 Years a Slave, NYFF51) to ever more impressive levels. Working on a vast scale, McQueen sets things at human eye level, telling his original tale from the parallel perspectives of working-class single mother Rita (Saoirse Ronan) and her 9-year-old son, George (newcomer Elliott Heffernan), as they become separated within the labyrinth of a city under siege. Alternately overwhelming and tender, McQueen’s dazzling film offers a multicultural portrait of 1940s London too infrequently seen on screens. While Ronan and Heffernan emotionally match one another beat for beat, the supporting cast, including Kathy Burke, Benjamin Clémentine, Harris Dickinson, Stephen Graham, Hayley Squires, and Paul Weller, is uniformly superb, fleshing out a film that feels positively Dickensian in its scope and storytelling. An Apple Original Film, Blitz will premiere in theaters on November 1 ahead of its global premiere on Apple TV+ on November 22.
The film stars Academy Award and BAFTA Award nominee Saoirse Ronan and newcomer Elliott Heffernan, with Harris Dickinson, Benjamin Clementine, Kathy Burke, Paul Weller, Stephen Graham, Leigh Gill, Mica Ricketts, CJ Beckford, Alex Jennings, Joshua McGuire, Hayley Squires, Erin Kellyman, and Sally Messham. Blitz was directed, produced, and written by Steve McQueen, whose Lammas Park produces alongside Tim Bevan and Eric Fellner of Working Title Films, and Arnon Milchan, Yariv Milchan, and Michael Schaefer for New Regency, with producers Anita Overland and Adam Somner.
“It is with immense pride, gratitude, and fondness that I’m able to return to the New York Film Festival with Blitz,” said McQueen. “I’ve been lucky enough to have enjoyed a number of memorable experiences at the festival and with New York audiences, and I’m enormously grateful to have been invited back for Closing Night.”
“Blitz is a vivid and visceral depiction of life during wartime, a meticulous historical account that resonates unmistakably with our current age of endless war,” said Dennis Lim, Artistic Director, New York Film Festival. “We are thrilled to welcome back to the festival Steve McQueen, one of the most daring artists at work today, with one of the greatest achievements of his career.”
The Closing Night selection continues the relationship between McQueen and the New York Film Festival that began in 2008 with the premiere of his debut feature, Hunger (NYFF46). In 2020, three of the five works in his acclaimed Small Axe anthology were featured in NYFF58, with Lovers Rock presented as the Opening Night selection, and Mangrove and Red, White and Blue shown in the Main Slate section. Blitz is McQueen’s eighth film in the festival; additional titles that have been featured are Shame (NYFF49), 12 Years a Slave (NYFF51), and Occupied City (NYFF61).
Academy Award winner and British Film Institute Fellow Steve McQueen is a British artist and filmmaker. His critically acclaimed first feature, Hunger (NYFF46), starring Michael Fassbender as an IRA hunger-striker, won the Camera D’Or at the Cannes Film Festival. He reteamed with Fassbender for his follow-up feature, Shame (NYFF49), for which Fassbender won the Volpi Cup for Best Actor at the Venice Film Festival. McQueen’s 12 Years a Slave (NYFF51) dominated the awards season, winning the Academy Award, Golden Globe, BAFTA, and AAFCA Awards for Best Picture while McQueen received DGA, Academy, BAFTA, and Golden Globe directing nods. His fourth feature, Widows (2018), starring Viola Davis, was one of the best reviewed films of the year. In 2020, McQueen’s anthology series Small Axe was awarded Best Picture by the Los Angeles Film Critics Association, and received 15 BAFTA Television nominations. Three of the five films in the series played at the 58th New York Film Festival, with Lovers Rock opening the fest, and two of the five selected for the 2020 Cannes Film Festival.
McQueen’s last work was the 2023 documentary feature, Occupied City (NYFF61), an excavation of the Nazi occupation of Amsterdam. McQueen also co-directed and produced the BAFTA-winning three-part series Uprising (2021) and served as a co-producer on Three Minutes – A Lengthening (2021), directed and co-written by Bianca Stigter.
The recipient of many accolades for his work as a visual artist, McQueen was awarded with the Turner Prize in 1999, and represented Great Britain at the Venice Biennale in 2009. He has exhibited and held his artwork in major museums around the world.
The NYFF Main Slate selection committee is chaired by Dennis Lim, NYFF Artistic Director, and includes Florence Almozini, Justin Chang, K. Austin Collins, and Rachel Rosen.
Presented by Film at Lincoln Center, the New York Film Festival is an annual showcase of the best in world cinema. Since 1963, NYFF has shaped film culture and continues an enduring tradition of introducing audiences to bold and remarkable works from celebrated filmmakers as well as fresh new talent. We’re pleased to announce that the 62nd edition of the festival has been extended by a day, and now takes place September 27–October 14, 2024.
Secure your tickets for Opening Night and more with Festival Passes, limited quantities on sale now. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. Become an FLC Member by August 13 to secure NYFF62 pre-sale access and discounted tickets year-round.
New York Film Festival Opening Night Films
2024 Nickel Boys (RaMell Ross, US)
2023 May December (Todd Haynes, US)
2022 White Noise (Noah Baumbach, US)
2021 The Tragedy of Macbeth (Joel Coen, US)
2020 Lovers Rock (Steve McQueen, UK)
2019 The Irishman (Martin Scorsese, US)
2018 The Favourite (Yorgos Lanthimos, Ireland/UK/US)
2017 Last Flag Flying (Richard Linklater, US)
2016 13TH (Ava DuVernay, US)
2015 The Walk (Robert Zemeckis, US)
2014 Gone Girl (David Fincher, US)
2013 Captain Phillips (Paul Greengrass, US)
2012 Life of Pi (Ang Lee, US)
2011 Carnage (Roman Polanski, France/Poland)
2010 The Social Network (David Fincher, US)
2009 Wild Grass (Alain Resnais, France)
2008 The Class (Laurent Cantet, France)
2007 The Darjeeling Limited (Wes Anderson, US)
2006 The Queen (Stephen Frears, UK)
2005 Good Night, and Good Luck (George Clooney, US)
2004 Look at Me (Agnès Jaoui, France)
2003 Mystic River (Clint Eastwood, US)
2002 About Schmidt (Alexander Payne, US)
2001 Va savoir (Jacques Rivette, France)
2000 Dancer in the Dark (Lars von Trier, Denmark)
1999 All About My Mother (Pedro Almodóvar, Spain)
1998 Celebrity (Woody Allen, US)
1997 The Ice Storm (Ang Lee, US)
1996 Secrets & Lies (Mike Leigh, UK)
1995 Shanghai Triad (Zhang Yimou, China)
1994 Pulp Fiction (Quentin Tarantino, US)
1993 Short Cuts (Robert Altman, US)
1992 Olivier Olivier (Agnieszka Holland, France)
1991 The Double Life of Véronique (Krzysztof Kieślowski, Poland/France)
1990 Miller’s Crossing (Joel Coen, US)
1989 Too Beautiful for You (Bertrand Blier, France)
1988 Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987 Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986 Down by Law (Jim Jarmusch, US)
1985 Ran (Akira Kurosawa, Japan)
1984 Country (Richard Pearce, US)
1983 The Big Chill (Lawrence Kasdan, US)
1982 Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981 Chariots of Fire (Hugh Hudson, UK)
1980 Melvin and Howard (Jonathan Demme, US)
1979 Luna (Bernardo Bertolucci, Italy/US)
1978 A Wedding (Robert Altman, US)
1977 One Sings, the Other Doesn’t (Agnès Varda, France)
1976 Small Change (François Truffaut, France)
1975 Conversation Piece (Luchino Visconti, Italy)
1974 Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973 Day for Night (François Truffaut, France)
1972 Chloe in the Afternoon (Eric Rohmer, France)
1971 The Debut (Gleb Panfilov, Soviet Union)
1970 The Wild Child (François Truffaut, France)
1969 Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968 Capricious Summer (Jiri Menzel, Czechoslovakia)
1967 The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966 Loves of a Blonde (Milos Forman, Czechoslovakia)
1965 Alphaville (Jean-Luc Godard, France)
1964 Hamlet (Grigori Kozintsev, Soviet Union)
1963 The Exterminating Angel (Luis Buñuel, Mexico)
FILM AT LINCOLN CENTER
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