Here is what this SAG Award winner said backstage in the SAG Awards press room.
In “Shameless,” there’s no limit to what you do. Are you more fearless about what you can do?
What a great question. I certainly have done things I never thought I would do. I grew up in western Maryland. I’m Lutheran, for God’s sake, so I read the scripts with this same horror that the audience has in watching it. Yeah, I think it’s made me bolder. Perhaps it’s my age, but I think Frank Gallagher has something to do with the fact that I feel freer to say what I really think. I don’t need your pity
You thanked your wife, Felicity Huffman, in your speech. How does she you support you, and what does that means you?
It’s a fairytale. We both love acting. We met in the theater when we were one of us was very young, and the other was a little bit older. And it’s all we’ve ever done. It’s the language that we have. Felicity’s about to start a new series. She’s about to do a pilot. We read each other scripts to each other. We work together. Don’t try this at home, but it’s what we do, and it seems to work. And I’m blessed. I am blessed. We have a blast. That’s it.
Do you have different closets for your awards?
I’ll admit to having a number of trophies and our house. We have a balcony and we put them up there thinking it would be discreet. And then I was going to direct a film, and I they said, “Where you want to do the first reading?” And I had all these young actors come to our house. And I said, “We’ll sit around that table in the balcony.” And I realized halfway through the first rehearsal that they were there were all these awards to William H. Macy behind them. And I realized this wasn’t the best place to do it after all. I think it may be have to be an actor to understand.
You’ve done versatile roles and characters. Is there a particular character or personality that you haven’t done that you want to do?
That’s a lovely question. The bad guy, but more than bad—the truly evil guy, which is tough because I don’t like violence. I don’t like going to movies that have a lot of violence. It upsets me, and I find it’s stupid sometimes. I’d like to play the bad guy, you know maybe it’s because I played Frank Gallagher. I’d like to play the unplayable roles: the Nazi, the racist, the Ku Klux Klan guy. I’d like to give a shot at those roles.
I love comedy. I have a tendency myself to only go to films that make me laugh. I’d rather laugh than anything else. I’m growing into my age. I can’t wait to play the older guy, whatever that is. The president, the senior lawyer.
Here is what these SAG Award winners said backstage in the SAG Awards press room.
How enjoyable has it been to bring this story to life? And do you think that any of the British royal family has watched it?
Claire Foy: We don’t know anything. You know it’s very difficult to get a straight answer from anyone or truthful answer, unless they actually come up to us and say, “We watched it. We loved it.” And we just don’t know, which is the nature of them and the beauty of them. We don’t know, but we do know that they have a Netflix subscription, and the chances are they might have know about its existence, but yeah we don’t know for definite anything, unfortunately.
John Lithgow: What was it like bringing these people to life? Completely wonderful. It was one of the best jobs I’ve ever had. Claire was in the first sentence that was spoken to me by my agent about this project. It was Peter Morgan, Stephen Daldry, Claire Foy, Winston Churchill and Netflix. And I had said “yes” at the word “Claire Foy.” I had seen her in “Little Dorrit” and “Wolf Hall.” I have many actor friends in London who have worked with Claire and know her, and the word “lovely” kept coming up.
It’s very true. She’s a completely wonderful person. She’s just as great an actor as she is a person. Everybody so delighted to hear that because they love her acting so much. And you know, it’s a beautifully written historical drama that doesn’t even look like historical drama because you get to know the characters so deeply, and they’re so beautifully played with such dimension by this incredible cast. So it was easy.
John, you are such a tall man, and Winston Churchill was so short. What’s the trick to playing that character?
Lithgow: You know, we rehearsed for about 10 days before we shot. And on about the ninth day, I asked Stephen Daldry, our director, I said, “You know, there’s an elephant in the room. Nobody has even mentioned the fact that I’m about 18 inches taller than Churchill.”
And Stephen said, “It’s not an issue.” I said, “What are we going to do?” He said, “Nothing. It’s not an issue.” And it never was. The only accommodation they made for my height was to build the Downing Street door about six inches taller than it actually is.
But beyond that, I go through life, and everybody I meet says, “You’re so much taller than I thought.” You don’t think that much about height when you look at film and television, thank God. This is the one enormous difference between me and Winston.
Here is what this SAG Award winner said backstage in the SAG Awards press room.
This honor that you’ve been given tonight is not only for your incredible acting repertoire but also for what you’ve done in the community and things that you campaign for that you believe in. How much do you think it’s important to use awards shows like this to raise these issues in to comment on them?
I don’t know if you can’t be a little bit entertaining at the same time. It probably falls on deaf ears. I’m not sure. So many people are activists now, and they so understand about expressing themselves and taking that platform to use it. It may be it may kind of melt, but on the other hand, I think that stars that people really have affection for and have and care for in some degree, I think what they say does land home—or I hope it doesn’t just land on the ears of people who are inclined as they are already.
The main thing you really should be talking about is legislation. Any activist should really be talking about how to mount some kind of legislation against whatever it is that they are opposed to. You’ve got to change the laws. Trump is changing the laws now and that’s he’s trying to change the laws, but you know …
I don’t want to make this comparison. I’m not making it anyway, but the Nazis, they changed the law if it didn’t agree with them. They just change them, and they could do whatever they wanted. Now that was over a period of time. And so I think we have to be vigilant and stop certain behaviors so that someone who has not thought something through doesn’t get too far in the process.
If they get too far they might believe it themselves that it’s true and it should be pursued. So we need to be vigilant and we need to agree when he may have a good idea or she may have a good idea. And we should be resistant when they don’t. Oh my gosh, I feel like I’m talking to someplace in Germany many decades ago.
What do you wish you knew then that you know now that takes you into every job you do?
I guess I wish I’d known to just be more myself instead of trying to stretch my myself my face my voice everything into a character. Although I’ve had great fun with all those characters, and if I had another idea I would do one. Although I didn’t know this—see I
wasn’t ignorant I even as a young child. I knew to use sunscreen. I really did. I used to read my mother’s beauty magazines, and they would say, “Look at the skin on your behind, how good it is, compared to the skin on your face.” This is meant for an older woman.
And I thought, “That’s true. Your skin on your behind is covered up most of the time and you are not subject to the ultraviolet rays of the sun.” So I started using sunscreen, although I have been lapse. I have to admit that and that’s the result, but if I hadn’t, I think I would look better than I do now, even though I do look pretty good. But I think using sunscreen is good advice for men and women—not just women. I don’t want to make that a woman’s issue at all.
Here is what this SAG Award winner said backstage in the SAG Awards press room.
Could you expand a bit on why you decided to comment on what you commented about tonight? Was it a tough decision or an easy decision?
No, it wasn’t a tough decision to come up with what I wanted to say. I am not an immigrant. I was born here, so in terms of how I can speak about it from a personal standpoint from my youth or something wasn’t available to me, so I just wanted to have an opportunity to mention the inclusivity that I think is required right now in general. The ACLU, to me, represents that sort of across the board, and they do really rely on funds from people like you and me. So at this time, it’s an odd thing because this has been a very celebratory time in my life, in terms of my work being recognized at the same time it’s sort of dovetailing with a very interesting time in our country.
And so even as I was getting ready tonight as excited as honored as I was, I felt the duality of the celebration and also the seriousness of people who are at JFK right now people, who are at LAX, people who are at airports all over the country. It just feels like a grave time. At the same time I also feel very honored and proud so I’m trying to find a place to put it where I can be celebratory and also give the day its appropriate weight.
In this time of women’s marches and whatnot, what did you take away from Marcia Clark?
Everything I possibly could. To me, she was and is an incredibly, smart, complicated—not without flaws—human woman and I find that very relatable. I too am full of flaws and complications, and sometimes I think more and more this is less true. Certainly on television, you are seeing such diverse complicated characters now more than you used to, but still what we’ve got going on outside of the entertainment industry sort of strikes a little bit of fear. I feel very honored to have played her, and I don’t know when I’ll come across a role like that again.
As an actor in this political climate, do you feel pressured to kind of make these statements?
I think we should all now be able to speak our minds as we see fit. I do think silence is not golden at this particular time. I do think if you have a platform in a place to say it with a large audience and you can reach further than you, then you should take the opportunity. But I don’t want anyone to feel that they’re failing if they’re not doing it or if they forget to or they get overwhelmed.
It’s what happens to you when you get up there. I could never have said this to you a year ago because I haven’t had the experience, but I have been getting up there more than I ever have. It is hard to keep your bearings, and when you feel the extra desire to communicate a larger world view, you do feel that that weight. But I think people should do whatever they’re moved to do in general.
What have all these accolades done for you as an actress?
Well, that’s hard too. That’s a blessing and a curse because now I fear the next time I come out of the gate with something people will be going, “Well that wasn’t as good as Marcia Clark.” But that’s just a normal human reaction to having some success.
I’m 42 years old, and I’ve been working for a long time, and I’ve certainly been employed and made my living as an actress for many, many years, but this is a whole new world that I’m living in, absolutely. And with that does come a whole new set of neuroses—at least for me particularly, where I do think, “Oh God, I hope I don’t disappoint next time I put something out there.”
The award winners of the 2017 Sundance Film Festival were announced on January 28 in Park City, Utah. Jessica Williams hosted the ceremony. Williams is also the star of “The Incredible Jessica James,” a comedy film that premiered at Sundance this year and was acquired by Netflix. Four juries consisting of filmmakers and other people in the entertainment industry chose the winners. The 2017 Sundance Film Festival took place January 19 to January 29 in Park City.
Here is the complete list of winners:
U.S. Dramatic Competition
Grand Jury Prize: “I Don’t Feel at Home in This World Anymore”
Audience Award: “Crown Heights”
Directing: Eliza Hittman, “Beach Rats”
Waldo Salt Screenwriting Award: Matt Spicer and David Branson Smith, “Ingrid Goes West”
Special Jury Award for Breakthrough Performance: Chanté Adams, “Roxanne Roxanne”
Special Jury Award for Breakthrough Director: Maggie Betts, “Novitiate”
Special Jury Award for Cinematography: Daniel Landin, “Yellow Birds”
U.S. Documentary Competition
Grand Jury Prize: “Dina”
Directing: Peter Nicks, “The Force”
Orwell Award: “Icarus”
Audience Award: “Chasing Coral”
Special Jury Award for Editing: Kim Roberts and Emiliano Battista, “Unrest”
Special Jury Award for Storytelling: Yance Ford, “Strong Island”
Special Jury Award for Inspirational Filmmaking: Amanda Lipitz, “Step”
World Cinema Documentary Competition
Grand Jury Prize: “The Nile Hilton Incident”
Audience Award: “I Dream in Another Language”
Directing Award: Francis Lee, “God’s Own Country”
Screenwriting: Kirsten Tan, “Pop Aye”
Special Jury Award for Cinematic Visions: Jun Geng, “Free and Easy”
Special Jury Award for Cinematography: Manu Dacosse, “Axolotl Overkill”
World Cinema Documentary Competition
Grand Jury Prize: “Last Men in Aleppo”
Audience Award: “Joshua: Teenager vs. Superpower”
Directing Award: Pascale Lamche, “Winnie”
Special Jury Award for Masterful Storytelling: Catherine Bainbridge, Alfonso Maiorana, “Rumble: The Indians Who Rocked the World”
Special Jury Award for Editing: Ramona S. Diaz, “Motherland”
Special Jury Award for Cinematography: Rodrigo Trejo Villanueva, “Machines”
Next Audience Award: “Gook”
Alfred P. Sloan Feature Film Prize: “Marjorie Prime”
Cinergy Entertainment Group is planning to open a 90,000-square-foot Cinergy Entertainment complex in Edinburg, Texas, at Resaca Market at La Sienna. Construction begins this summer with a target opening of May 2018.
Cinergy Entertainment will have 10 auditoriums, 18 lanes of bowling, two full-service bars, multiple escape rooms, a fully loaded game floor with more than 110 interactive games, a redemption store, premium dining options, a multi-level laser tag arena, Sky Walker with a zip line (a gravity-defying, black light overhead ropes course) and multiple event rooms. The complex’s auditoriums will also have large wall-to-wall screens, enhanced sound and spacious electric recliner seating.
The EPIC (Experience Perfection in Cinema) Auditorium has a 64′ x 35′ silver screen, Dolby Atmos sound system with more than 62 channels, bright digital images utilizing a 4K projection system, ultra-plush electric leather recliner seating, and the newest movies every week. All auditoriums will feature luxury electric recliner seating with swivel table and extra wide space between rows for maximum comfort.
With a record 14 nominations (including Best Picture), the contemporary musical “La La Land” is the leading contender at the 89th Annual Academy Awards, which will be presented at the Dolby Theatre in Los Angeles on February 26, 2017. Jimmy Kimmel is hosting the ceremony, which be telecast in the U.S. on ABC. “La La Land” ties the record previously held by 1950’s “All About Eve” and 1997’s “Titanic,” which each had 14 Oscar nominations.
Other movies that received several nominations for the 89th Annual Academy Awards included “Moonlight” and “Arrival” (eight nominations each); “Hacksaw Ridge,” “Lion” and “Manchester by the Sea” (six nominations each); and “Fences” and “Hell or High Water” (four nominations each).
The nominations also set a record for the most nominations for African-Americans and other people of color. For the first time in Academy Awards history, people of color were nominated in all of the major categories in the same year: Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress. The ethnic diversity in the nominees comes after the Academy changed its membership policies in 2016 to include more women and people of color, following the #OscarsSoWhite controversy that slammed the Oscars for not having any African-American nominees in the actor/actress categories for the 2016 and 2015 ceremonies.
The nominations for the 2017 Oscars were also noteworthy for the strides made by streaming services. “Manchester by the Sea” because the first movie from a streaming service (Amazon) not a traditional film studio, to get an Oscar nomination for Best Picture.
The documentary “O.J.: Made in America,” which was an ESPN miniseries totaling more than seven hours, qualified for the Academy Awards because “O.J.: Made in America” had a limited run in U.S. theaters. “O.J.: Made in America” is up for the prize of Best Documentary Feature.
Another noteworthy nominee was “Arrival,” which became one of the few science-fiction films to get an Oscar nomination for Best Picture.
“Hell or High Water”
“La La Land”
“Manchester by the Sea”
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”
Isabelle Huppert, “Elle”
Ruth Negga, “Loving”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”
Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”
Michael Shannon, “Nocturnal Animals”
Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Michelle Williams, “Manchester by the Sea”
Damien Chazelle, “La La Land”
Mel Gibson, “Hacksaw Ridge”
Barry Jenkins, “Moonlight”
Kenneth Lonergan, “Manchester by the Sea”
Denis Villeneuve, “Arrival”
Best Adapted Screenplay
“Arrival,” Eric Heisserer
“Fences,” August Wilson
“Hidden Figures,” Allison Schroeder and Theodore Melfi
“Lion,” Luke Davies
“Moonlight,” Barry Jenkins; Story by Tarell Alvin McCraney
Best Original Screenplay
“20th Century Women,” Mike Mills
“Hell or High Water,” Taylor Sheridan
“La La Land,” Damien Chazelle
“The Lobster,” Yorgos Lanthimos, Efthimis Filippou
“Manchester by the Sea,” Kenneth Lonergan
“Arrival,” Bradford Young
“La La Land,” Linus Sandgren
“Lion,” Greig Fraser
“Moonlight,” James Laxton
“Silence,” Rodrigo Prieto
Best Documentary Feature
“13th,” Ava DuVernay, Spencer Averick and Howard Barish
“Fire at Sea,” Gianfranco Rosi and Donatella Palermo
“I Am Not Your Negro,” Raoul Peck, Remi Grellety and Hebert Peck
“Life, Animated,” Roger Ross Williams and Julie Goldman
“O.J.: Made in America,” Ezra Edelman and Caroline Waterlow
Best Documentary Short Subject
“4.1 Miles,” Daphne Matziaraki
“Extremis,” Dan Krauss
“Joe’s Violin,” Kahane Cooperman and Raphaela Neihausen
“Watani: My Homeland,” Marcel Mettelsiefen and Stephen Ellis
“The White Helmets,” Orlando von Einsiedel and Joanna Natasegara
Best Foreign Language Film “Land of Mine,” Martin Zandvliet (Denmark)
“A Man Called Ove,” Hannes Holm (Sweden)
“The Salesman,” Asghar Farhadi (Iran)
“Tanna,” Martin Butler and Bentley Dean (Australia)
“Toni Erdmann,” Maren Ade (Germany)
Best Animated Feature
“Kubo and the Two Strings,” Travis Knight and Arianne Sutner
“Moana,” John Musker, Ron Clements and Osnat Shurer
“My Life as a Zucchini,” Claude Barras and Max Karli
“The Red Turtle,” Michael Dudok de Wit and Toshio Suzuki
“Zootopia,” Byron Howard, Rich Moore and Clark Spencer
Best Animated Short
“Blind Vaysha,” Theodore Ushev
“Borrowed Time,” Andrew Coats and Lou Hamou-Lhadj
“Pear Cider and Cigarettes,” Robert Valley and Cara Speller
“Pearl,” Patrick Osborne
“Piper,” Alan Barillaro and Marc Sondheimer
Best Live Action Short Film
“Ennemis Interieurs,” Selim Azzazi
“La Femme et le TGV,” Timo von Gunten and Giacun Caduff
“Silent Nights,” Aske Bang and Kim Magnusson
“Sing,” Kristof Deak and Anna Udvardy
“Timecode,” Juanjo Gimenez
Best Original Score
“Jackie,” Mica Levi
“La La Land,” Justin Hurwitz
“Lion,” Dustin O’Halloran and Hauschka
“Moonlight,” Nicholas Britell
“Passengers,” Thomas Newman
Best Original Song
“Audition (The Fools Who Dream)” from “La La Land” — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
“Can’t Stop the Feeling” from “Trolls” — Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster
“City of Stars” from “La La Land” — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
“The Empty Chair” from “Jim: The James Foley Story” — Music and Lyric by J. Ralph and Sting
“How Far I’ll Go” from “Moana” — Music and Lyric by Lin-Manuel Miranda
Best Production Design
“Arrival,” Patrice Vermette, Paul Hotte
“Fantastic Beasts and Where to Find Them,” Stuart Craig, Anna Pinnock
“Hail, Caesar!,” Jess Gonchor, Nancy Haigh
“La La Land,” David Wasco, Sandy Reynolds-Wasco
“Passengers,” Guy Hendrix Dyas, Gene Serdena
Best Makeup and Hair
“A Man Called Ove,” Eva von Bahr and Love Larson
“Star Trek Beyond,” Joel Harlow and Richard Alonzo
“Suicide Squad,” Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson
Best Costume Design
“Allied,” Joanna Johnston
“Fantastic Beasts and Where to Find Them,” Colleen Atwood
“Florence Foster Jenkins,” Consolata Boyle
“Jackie,” Madeline Fontaine
“La La Land,” Mary Zophres
Best Film Editing
“Arrival,” Joe Walker
“Hacksaw Ridge,” John Gilbert
“Hell or High Water,” Jake Roberts
“La La Land,” Tom Cross
“Moonlight,” Nat Sanders and Joi McMillon
Best Sound Editing
“Arrival,” Sylvain Bellemare
“Deepwater Horizon,” Wylie Stateman and Renee Tondelli
“Hacksaw Ridge,” Robert Mackenzie and Andy Wright
“La La Land,” Ai-Ling Lee and Mildred Iatrou Morgan
“Sully,” Alan Robert Murray and Bub Asman
Best Sound Mixing
“Arrival,” Bernard Gariepy Strobl and Claude La Haye
“Hacksaw Ridge,” Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace
“La La Land,” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
“Rogue One: A Star Wars Story,” David Parker, Christopher Scarabosio and Stuart Wilson
“13 Hours: The Secret Soldiers of Benghazi,” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth
Best Visual Effects
“Deepwater Horizon,” Craig Hammack, Jason Snell, Jason Billington and Burt Dalton
“Doctor Strange,” Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould
“The Jungle Book,” Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon
“Kubo and the Two Strings,” Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff
“Rogue One: A Star Wars Story,” John Knoll, Mohen Leo, Hal Hickel and Neil Corbould
Here’s a look at the movies that received more than one nomination for the 2017 Academy Awards:
Stars and Strikes will open two new locations: one in Huntsville, Alabama in September 2017 andAugusta, Georgia, in November 2017.
The Stars and Strikes in Huntsville is a 54,000-square-foot facility located at 930 Old Monrovia Road NW. The Stars and Strikes in Augusta is a 55,000-square-foot facility located at 4238 Wrightsboro Road.
Each location will house 24 bowling lanes, eight of which are VIP lanes in the signature Main St Lounge. The Main St Lounge features VIP bowling lanes in an upscale setting that is ideal for corporate and group events of all sizes. In addition to bowling, Stars and Strikes will feature other attractions, including a 7,000-square-foot arcade and prize store, a multi-story laser tag arena, bumper cars, the 7/10 Grille restaurant and a large full-service bar surrounded by big screen TVs for sports viewing. The 7/10 Grille is an American restaurant that offers fresh, seasonally inspired cuisine, including a variety of appetizers, salads, sandwiches, specialty pizzas and other house-made items. Each location will also have multiple private party rooms for events, highlighted by an upscale corporate event room that will seat 200 with a full private bar.
Stars and Strike’s new attraction Escape-ology will be prominently featured in each new facility. Escape-ology is an entertaining, interactive amusement concept where you use your powers of deduction to solve a mystery. While it looks and feels like an ordinary room, it’s actually a real-life mystery adventure game designed for small groups of friends, families and co-workers. Your team is on the clock and must solve the puzzles and figure out the clues to earn your freedom and “Escape from the Room.”
Universal Orlando Resort has announced that its ride Race Through New York Starring Jimmy Fallon will officially grand open on April 6, 2017.
According to a Universal Orlando press release, the attraction will give guests the ultimate “Tonight Show” experience as they get up close and personal with the show’s most hilarious segments before taking off on a wild and action-packed race through New York City against “Tonight Show” host Jimmy Fallon himself.
To celebrate the attraction’s Grand Opening, “The Tonight Show Starring Jimmy Fallon” will take the show on the road with tapings from Universal Orlando Resort from April 3 through 6. Additional details on celebrity guests and how to become a part of the show audience will be released over time.
As they experience the attraction, guests will make their way through Studio 6B to board the world’s first-ever flying theater, which seats up to 72 audience members, for the race of a lifetime. They will speed through the streets of New York City and all the way to the moon and back, encountering iconic landmarks from the Statue of Liberty to the Empire State Building to everything in between.
“Race Through New York Starring Jimmy Fallon” will be the first attraction at Universal Studios Florida to feature an all-new Virtual Line experience, allowing guests to spend less time waiting in line and more time discovering even more incredible thrills throughout Universal Studios. The Virtual Line system is accessible via the Official Universal Orlando Resort App or at kiosks located outside the attraction entrance.
Live Nation Entertainment has acquired a majority interest in the BottleRock Napa Valley music, wine, craft brew and culinary festival. According to a Live Nation press release, BottleRock will remain under the leadership of festival producer Latitude 38 Entertainment, whose founders will continue to be significant shareholders and owners of the festival.
BottleRock Napa Valley (held annually each May at the Napa Valley Expo Center in Napa, California) showcases more than 30 local wineries and dozens of restaurants. Celebrating its fifth year, the 2017 festival is set for May 26 to May 28, and is expecting more than 120,000 attendees with Foo Fighters, Tom Petty & the Heartbreakers, and Maroon 5 headlining.
In keeping with Live Nation’s strategy, BottleRock Napa Valley will operate independently under the continued leadership of Latitude 38 Entertainment founders Dave Graham, Justin Dragoo and Jason Scoggins. Live Nation currently has more than than 80 festivals in its global festival portfolio, including Austin City Limits, Bonnaroo, Lollapalooza, Reading, Leeds, Governor’s Ball, Electric Daisy Carnival and Rock Werchter.