2019 SXSW Conference and Festivals: SXSW Film Festival main programming announced

January 16, 2019

SXSW 2019 logo

The following is a press release from SXSW Conference and Festivals:

South by Southwest® (SXSW®) Conference and Festivals announced the features and episodic premieres lineup for the 26th edition of the Film Festival, running March 8-17, 2019 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. Jordan Peele’s “Us” was previously announced as the Festival’s Opening Night film, while Olivia Wilde, Jessica Brillhart and Marti Noxon have been announced as this year’s Film Keynotes.

The 102 features and episodics in this release will be shown across the nine days of SXSW, with dozens of additional titles to be announced February 6. The complete SXSW Film Festival program typically includes between 320 and 340 total projects. The 2019 program was selected from 2,351 feature-length film submissions, with a total of 8,490 films submitted this year. “As we head into our 26th edition, we couldn’t be more excited to once again share a completely fresh SXSW 2019 slate with our uniquely smart and enthusiastic SXSW audience,” said Janet Pierson, Director of Film. “As always, we looked for a wide range of work, contemplating scale, style, tenor and tone. We hope that this year’s outstanding array of films from accomplished to emerging talent will entertain, surprise, and provoke.” Interactive, Film, and Music badges include expanded access to more of the SXSW Conference and Festivals experience. With one unified conference that spans 25 tracks of programming SXSW offers more opportunities for networking, learning, and discovery than ever before.

SXSW’s next registration deadline is January 18, 2019 at 11:59pm PT. Early registrants benefit from discounted rates. Platinum badges give primary access to all SXSW programming.

Feature films in the SXSW lineup screen in the following categories: Narrative Feature Competition; Documentary Feature Competition; Headliners; Narrative Spotlight; Documentary Spotlight; Visions; Midnighters; 24 Beats Per Second; Global; Festival Favorites; and Special Events. The Episodic program consists of Episodic Premieres and the Episodic Pilot Competition.

Films screening in Festival Favorites, Midnighters, Shorts, Virtual Cinema, Episodic Pilot Competition, Title Design Competition, Music Videos and late-breaking Features will be announced on February 6.

All categories, with the exception of Special Events, will be eligible for section-specific Audience Awards. A selection of feature highlights include: “The Beach Bum,” directed by Harmony Korine; “Booksmart,” directed by Olivia Wilde; “Breakthrough,” directed by Bill Haney; “The Garden Left 1 Behind,” directed by Flavio Alves; “The Gift: The Journey of Johnny Cash,” directed by Thom Zimny; “Good Boys,” directed by Gene Stupnitsky; “I Love You, Now Die: The Commonwealth Vs. Michelle Carter,” directed by Erin Lee Carr; “J.R. ‘Bob’ Dobbs and The Church of the SubGenius,” directed by Sandy K Boone”; “Pink Wall,” directed by Tom Cullen; “Sakawa,” directed by Ben Asamoah; Untitled Seth Rogen/Charlize Theron Comedy, directed by Jonathan Levine; and “Us,” directed by Jordan Peele.

Episodic premiere highlights: “David Makes Man,” directed by Michael Francis Williams; “NOS4A2,” directed by Kari Skogland; “Shrill,” directed by Jesse Peretz and Carrie Brownstein; “Ramy,” created by Ramy Youssef, Ari Katcher and Ryan Welch; and “What We Do In the Shadows,” directed by Taika Waititi and Jemaine Clement.

The Narrative Feature Competition includes: “Alice,” directed by Josephine Mackerras; “Extra Ordinary,” directed by Mike Ahern and Enda Loughman; “Go Back to China,” directed by Emily Ting; “Mickey and the Bear,” directed by Annabelle Attanasio; “Ms. White Light,” directed by Paul Shoulberg; “Pig Hag,” directed by Sam Probst and Colby Holt; “Porno,” directed by Keola Racela; “Saint Frances,” directed by Alex Thompson; “South Mountain,” directed by Hilary Brougher; and “Yes, God, Yes,” directed by Karen Maine.

The Documentary Feature Competition includes: “Ernie & Joe,” directed by Jenifer McShane; “For Sama,” directed by Waad al-Khateab and Edward Watts; “Museum Town,” directed by Jennifer Trainer; “Nothing Fancy: Diana Kennedy,” directed by Elizabeth Carroll; “Stuffed,” directed by Erin Derham; Tread directed by Paul Solet; “Vision Portraits,” directed by Rodney Evans; “We Are The Radical Monarchs,” directed by Linda Goldstein Knowlton; “Well Groomed,” directed by Rebecca Stern; and “Why Can’t I Be Me? Around You,” directed by Harrod Blank and Sjoerd Dijk.

Eighteen Midnighters, Festival Favorites, Shorts, Episodic Pilot Competition, Virtual Cinema, Music Videos and Title Sequence Competition will be announced on Wednesday, February 6, 2019. SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. The Best Narrative Short, Best Documentary Short and Best Animated Short winners become eligible for the Academy Awards.

The 2019 SXSW Film Festival will include:

NARRATIVE FEATURE COMPETITION

Ten world premieres, ten unique ways to celebrate the art of storytelling. Selected from 1,346 narrative feature submissions in 2019.

Emilie Piponnier in “Alice” (Photo by Loll Willems)

Alice (France)
Director/Screenwriter: Josephine Mackerras
She did everything right until it all went wrong. Cast: Emilie Piponnier, Martin Swabey, Chloe Boreham (World Premiere)

Extra Ordinary (Belgium)
Directors/Screenwriters: Mike Ahern, Enda Loughman
Rose, a mostly sweet and mostly lonely small-town driving instructor, must use her supernatural talent to save the daughter of Martin (also mostly sweet and lonely), from a washed-up rockstar who is using her in a satanic pact that will reignite his fame. Cast: Maeve Higgins, Barry Ward, Will Forte, Claudia Doherty (World Premiere)

Go Back to China (China, U.S.)
Director/Screenwriter: Emily Ting
After spoiled rich girl Sasha Li (Anna Akana) blows through half of her trust fund, she is cut off by her father (Richard Ng) and forced to go back to China and work for the family toy business. Cast: Anna Akana, Richard Ng, Lynn Chen, Kelly Hu, Kendy Cheung, Aviva Wang (World Premiere)

Mickey and the Bear
Director/Screenwriter: Annabelle Attanasio
A headstrong Montana teenager navigates a loving but volatile relationship with her single, veteran father. In a desperate search for independence and her own identity, she risks family, heartbreak and her standing in the only place she can call home. Cast: Camila Morrone, James Badge Dale, Calvin Demba, Ben Rosenfield, Rebecca Henderson (World Premiere)

Ms. White Light
Director/Screenwriter: Paul Shoulberg
Lex Cordova’s business is dying. She has a unique ability to connect with her clients that are terminally ill. It’s just everyone else that she has a problem with. Valerie is a no bullshit woman who loves living her life. Her only way out is thru Lex. Cast: Roberta Colindrez, John Ortiz, Judith Light, Carson Meyer, Zachary Spicer (World Premiere)

Pig Hag
Directors: Sam Probst, Colby Holt, Screenwriter: Colby Holt
Jodie, a woman in her mid-thirties, struggles with the pressure to find a partner and have children. When she attends a Guns N’ Roses concert, she thinks she may have met a potential match — until he immediately ghosts on her. Cast: Anna T Schlegel, Tony Jaksha, Pete Zias, Michael Henry, Nate Stoner, Maxwell Esposito, Amanda DeSimone, Alex Myerchin, Andrew Kudla (World Premiere)

Porno
Director: Keola Racela, Screenwriters: Matt Black, Laurence Vannicelli
When a group of naive teens working at a movie theater in a small Christian town discover a mysterious film hidden in its basement, they unleash an alluring succubus who gives them a sex education…written in blood. Cast: Evan Daves, Larry Saperstein, Jillian Mueller, Glenn Stott, Robert Tann, Bill Phillips, Katelyn Pearce, Peter Reznikoff (World Premiere)

Saint Frances
Director: Alex Thompson, Screenwriter: Kelly O’Sullivan
At the start of the summer, Bridget has an abortion just as she lands a much-needed job in affluent Evanston, Illinois — nannying a six-year old. Cast: Ramona Edith-Williams, Kelly O’Sullivan, Lily Mojekwu, Charin Alvarez, Jim True-Frost, Max Lipchitz, Mary Beth Fisher, Francis Guinan, Bradley Grant Smith (World Premiere)

South Mountain
Director/Screenwriter: Hilary Brougher
When her teenagers head off to camp and her husband abruptly leaves her to begin a new family, Lila is left to her own curious and chaotic devices for a summer in her rural home in the Catskill mountains. Cast: Talia Balsam, Scott Cohen, Andrus Nichols, Michael Oberholtzer, Naian Gonzalez, Midori Francis, Macaulee Rusnak Cassaday, Isis Masoud, Violet Rea, Guthrie Mass (World Premiere)

Yes, God, Yes
Director/Screenwriter: Karen Maine
After an innocent AOL chat turns racy, a Catholic teenager in the early 00s discovers masturbating and struggles to suppress her urges in the face of eternal damnation. Cast: Natalia Dyer, Timothy Simons, Wolfgang Novogratz, Francesca Reale, Susan Blackwell, Parker Wierling, Alisha Boe, Donna Lynne Champlin (World Premiere)

Narrative Feature Competition Jury: Barbara Chai, Senior Editor for the Wall Street Journal; Ira Madison III, Writer and Host of the podcast Keep It!; Jada Yuan, Inaugural 52 Places Traveler for the New York Times.

DOCUMENTARY FEATURE COMPETITION

Ten world premieres: 10 real world stories that demonstrate innovation, energy and bold voices. Selected from 1,005 feature documentary submissions in 2018.

Joe Smarro and Ernie Stevens in “Ernie & Joe” (Photo by Matthew Busch)

Ernie & Joe
Director: Jenifer McShane
Ernie & Joe follows two officers with the San Antonio Police Department mental health unit who are diverting people away from jail and into mental health treatment — one 911 call at a time. (World Premiere)

For Sama (United Kingdom)
Directors: Waad al-Khateab, Edward Watts
For Sama tells the epic story of a young woman’s journey through love, war and motherhood across five years of the uprising in Aleppo, Syria. (World Premiere)

Museum Town
Director: Jennifer Trainer, Screenwriters: Noah Bashevkin, Pola Rapaport, Jennifer Trainer
From the ashes of a deserted factory, an ambitious center for contemporary art has emerged. With MASS MoCA, a familiar story of deindustrialization in a rural American town finds an unconventional route to recovery. (World Premiere)

Nothing Fancy: Diana Kennedy (United Kingdom, U.S.)
Director: Elizabeth Carroll
Award-winning cookbook author, diehard environmentalist and feisty British nonagenarian Diana Kennedy reflects on an unconventional life spent mastering the cuisines of Mexico. (World Premiere)

Stuffed (Canada, U.S.)
Director: Erin Derham
Stuffed is a documentary feature film about the surprising world of taxidermy and the passionate artists across the world who see life where others only see death. (World Premiere)

Tread
Director: Paul Solet
Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him. (World Premiere)

Vision Portraits
Director/Screenwriter: Rodney Evans
A feature-length documentary that chronicles the creative paths of blind and visually impaired artists including a photographer (John Dugdale), dancer (Kayla Hamilton), writer (Ryan Knighton) and the film’s director, Rodney Evans. (World Premiere)

We Are The Radical Monarchs
Director: Linda Goldstein Knowlton
Meet the Radical Monarchs, a group of young girls of color at the front lines of social justice. Set in Oakland, the film documents the journey of the group as they form, grow, and earn badges for units like “Black Lives Matter” and “Radical Beauty” (World Premiere)

Well Groomed
Director/Screenwriter: Rebecca Stern
Well Groomed travels the humorous, visually stunning world of Competitive Creative Dog Grooming alongside the colorful women transforming their beloved poodles into living sculptures. (World Premiere)

Why Can’t I Be Me? Around You
Directors/Screenwriters: Harrod Blank, Sjoerd Dijk
Rusty, a male race enthusiast, decides at 53 to get breasts. His father cuts his pay, his motorcycle friends abandon him and the women he dates all reject him. Rusty pursues her new identity and only hopes to gain acceptance from others. (World Premiere)

Documentary Feature Competition Jury: Karen Han, Entertainment Reporter at Polygon; Adam B. Vary, Senior Film Reporter for BuzzFeed News; Katie Walsh, Film Critic for the Tribune News Service

HEADLINERS

Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.

Matthew McConaughey and Snoop Dogg in “The Beach Bum” (Photo courtesy of Neon/Vice)

The Beach Bum
Director/Screenwriter: Harmony Korine
The Beach Bum follows the hilarious misadventures of Moondog (Matthew McConaughey), a rebellious rogue who always lives life by his own rules. Co-starring Snoop Dogg, Zac Efron, and Isla Fisher, The Beach Bum is a refreshingly original and subversive. Cast: Matthew McConaughey, Snoop Dogg, Isla Fisher, Stefania Lavie Owen, Jimmy Buffett, Zac Efron, Martin Lawrence (World Premiere)

Booksmart
Director: Olivia Wilde, Screenwriters: Emily Halpern, Sarah Haskins, Susanna Fogel, Katie Silberman
On the eve of graduating high school, two academic superstars and best friends realize they should have worked less and played more. Determined to not fall short of their peers, the girls set out on a mission to cram four years of fun into one night. Cast: Kaitlyn Dever, Beanie Feldstein, Jessica Williams, Will Forte, Lisa Kudrow, Jason Sudeikis (World Premiere)

Good Boys
Director: Gene Stupnitsky, Screenwriters: Lee Eisenberg, Gene Stupnitsky, Beth Stelling, John Phillips
The writers of Superbad and the producers of Sausage Party take on sixth grade in Universal Pictures’ Good Boys, an R-rated comedy about three friends on an epic one-day odyssey of bad decisions. Cast: Jacob Tremblay, Keith L. Williams, Brady Noon, Molly Gordon, Midori Francis, Josh Caras (World Premiere)

The Highwaymen
Director: John Lee Hancock, Screenwriter: John Fusco
Texas Ranger Frank Hamer reflects on what made him a great lawman as he comes out of retirement to hunt down Bonnie and Clyde. Cast: Kevin Costner, Woody Harrelson, Kathy Bates, Kim Dickinson (World Premiere)

Untitled Seth Rogen/ Charlize Theron Comedy
Director: Jonathan Levine, Screenwriter: Dan Sterling
An ambitious diplomat with a spotless reputation and a hard-partying journalist hilariously redefine “international relations” as they try to keep their red-hot romance under wraps. Cast: Seth Rogen, Charlize Theron, O’Shea Jackson Jr., Andy Serkis, June Diane Raphael, Ravi Patel and Alexander Skarsgård (World Premiere)

Us
Director/Screenwriter: Jordan Peele
An original nightmare from Oscar-winner Jordan Peele (Get Out), starring Lupita Nyong’o and Winston Duke, Us pits an average American family against a terrifying opponent: doppelgängers of themselves. Cast: Lupita Nyong’o, Winston Duke, Elisabeth Moss, Tim Heidecker, Yahya Abdul-Mateen II, Anna Diop, Evan Alex, Shahadi Wright-Joseph, Madison Curry, Cali Sheldon (World Premiere)

NARRATIVE SPOTLIGHT

High profile narrative features receiving their World, North American or U.S. premieres at SXSW.

Ethan Hawke in “Adopt a Highway” (Photo by Nolwen Cifuentes)

Adopt a Highway
Director/Screenwriter: Logan Marshall-Green
After being released from prison following a 20-year sentence for a minor offense, an ex-con must learn to navigate the world while coming to terms with his own life which has moved on — all while caring for an abandoned baby he finds in a dumpster. Cast: Ethan Hawke, Elaine Hendrix, Diana Gaeta Marshall-Green, Betty Gabriel, Mo McRae, Chris Sullivan, Nate Mooney, Christopher Heyerdahl, Anne Marie Johnson (World Premiere)

The Art of Self-Defense
Director/Screenwriter: Riley Stearns
The Art of Self-Defense stars Jesse Eisenberg and is set in the world of karate. Eisenberg plays a man who is attacked on the street and enlists in a local dojo, led by a charismatic Sensei (Nivola), in an effort to learn how to defend himself. Cast: Jesse Eisenberg, Alessandro Nivola, Imogen Poots (World Premiere)

Come As You Are
Director: Richard Wong, Screenwriter: Erik Linthorst
Three young men with disabilities embark on a road trip to a brothel in Montreal catering to people with special needs to lose their virginity and embrace their independence. Inspired by a true story and remake of the Belgian film Hasta La Vista. Cast: Grant Rosenmeyer, Hayden Szeto, Ravi Patel, Gabourey Sidibe, Janeane Garofalo, C.S. Lee, Jennifer Jelsema, Martha Kuwahara, Delaney Feener, Asta Philpot (World Premiere)

The Day Shall Come (United Kingdom, U. S.)
Director: Chris Morris, Screenwriters: Chris Morris, Jesse Armstrong
An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a criminal by fueling his madcap revolutionary dreams. Cast: Marchánt Davis, Anna Kendrick, Danielle Brooks, Denis O’Hare (World Premiere)

Frances Ferguson
Director: Bob Byington, Screenwriter: Scott King
A small town’s reaction to scandal. Cast: Kaley Wheless, Nick Offerman, Keith Poulson, David Krumholtz (World Premiere)

I’m Just F*cking With You
Director: Adam Mason, Screenwriters: Gregg Zehenter, Scott Barkan
A young man and his sister endure a night of increasingly frightening practical jokes while spending the night at a secluded motel. Cast: Keir O’Donnell, Hayes MacArthur, Jessica McNamee (World Premiere)

Mother’s Little Helpers
Director/Screenwriter: Kestrin Pantera
When Joy Pride, a groovy 70’s burn-out on the caboose of the flower power movement learns she has weeks to live, her estranged children come together to do right by a mother who always did them wrong. Cast: Breeda Wool, Melanie Hutsell, David Giuntoli, Sam Littlefield, Kestrin Pantera (World Premiere)

Olympic Dreams
Director: Jeremy Teicher, Screenwriters: Alexi Pappas, Jeremy Teicher, Nick Kroll
In the Athlete Village at the Olympic Winter Games, Penelope (Alexi Pappas), a cross-country skier, befriends Ezra (Nick Kroll), a volunteer dentist, after a disappointing finish in her race. Penelope and Ezra share a special but limited time together. Cast: Nick Kroll, Alexi Pappas, Gus Kenworthy, Morgan Schild, Jamie Anderson (World Premiere)

The Peanut Butter Falcon
Directors/Screenwriters: Tyler Nilson, Michael Schwartz
A young man with Down syndrome runs away from the retirement home where he lives to chase his dream of becoming a professional wrestler. Cast: Shia LaBeouf, Dakota Johnson, Zack Gottsagen, John Hawkes, Bruce Dern, Thomas Haden Church, Jon Bernthal, Jake “The Snake” Roberts, Mick Foley (World Premiere)

Pink Wall (United Kingdom)
Director/Screenwriter: Tom Cullen
Six scenes. Six years. Six moments that shaped the relationship of Jenna and Leon. Pink Wall examines what defines us, the pressures of gender expectations, and our perpetual struggle between life and ambition. Cast: Tatiana Maslany, Jay Duplass (World Premiere)

Run This Town (Canada)
Director/Screenwriter: Ricky Tollman
A political aide tries to corral his brash, outspoken boss when a young researcher at a newspaper gets word of a scandal that could make or break both of their careers. Cast: Ben Platt, Nina Dobrev, Mena Massoud, Damian Lewis, Jennifer Ehle, Scott Speedman (World Premiere)

Sword of Trust
Director: Lynn Shelton, Screenwriters: Lynn Shelton, Mike O’Brien
A curmudgeonly pawnshop owner and his man-child sidekick team up with an out of town couple to cash in on a family heirloom: a sword believed by alt history conspiracy nuts to be proof that the South won the Civil War. Cast: Marc Maron, Jon Bass, Michaela Watkins, Jillian Bell, Toby Huss, Dan Bakkedahl, Tim Paul, Whitmer Thomas (World Premiere)

Villains
Directors/Screenwriters: Dan Berk, Robert Olsen
When a pair of amateur criminals break into a suburban home, they stumble upon a dark secret and two sadistic homeowners who will do anything to keep it from getting out. Cast: Bill Skarsgard, Maika Monroe, Kyra Sedgwick, Jeffrey Donovan (World Premiere)

The Wall of Mexico (U.S., Mexico)
Directors: Zachary Cotler, Magdalena Zyzak, Screenwriter: Zachary Cotler
A young white handyman, hired by a wealthy Mexican-American family to upkeep their ranch, finds himself caught between disgruntled locals and the family’s outrageously decadent daughters and discovers that something quite unusual is happening at the ranch. Cast: Jackson Rathbone, Esai Morales, Marisol Sacramento, Carmela Zumbado, Alex Meneses, Moises Arias, with Mariel Hemingway, and Xander Berkeley (World Premiere)

DOCUMENTARY SPOTLIGHT

Shining a light on new documentary features receiving their World, North American or U.S. premieres at SXSW.

No photo credit given
A scene from “Any One of Us”

Any One Of Us
Director: Fernando Villena
Through the inspiring journey of a recovering athlete, Any One of Us offers an unprecedented glimpse into the traumatic world of spinal cord injuries. (World Premiere)

Autonomy
Director: Alex Horwitz
A feature documentary about the emerging technology of self-driving vehicles and the big questions they raise: what is control and who do we become as we relinquish it to machines? (World Premiere)

Bellingcat — Truth in a Post-Truth World (Netherlands)
Director/Screenwriter: Hans Pool
Bellingcat — Truth in a Post-Truth World explores the exclusive world of Bellingcat, a highly-skilled and controversial collective of “citizen investigative journalists” dedicated to redefining breaking news in the 21st century. (North American Premiere)

Breakthrough
Director/Screenwriter: Bill Haney
Breakthrough tells the story of a renegade, blues-playing, Nobel prize-winning Texas scientist who created a cure for the world’s deadliest disease. Narrated by Woody Harrelson with a country-blues soundtrack. (World Premiere)

Building the American Dream
Director: Chelsea Hernandez
In Texas, construction workers face the deadliest conditions in the country. Building the American Dream follows three immigrant families who are rising up to seek justice and equality in an industry rife with exploitation. (World Premiere)

Community First, A Home for the Homeless
Director: Layton Blaylock
Community First, A Home for the Homeless, is a feature documentary about a totally unique concept for mitigating homelessness. Conceived and created in Austin, Texas, Community First! Village is truly transforming the lives of homeless people. (World Premiere)

Human Nature
Director: Adam Bolt, Screenwriters: Adam Bolt, Regina Sobel
A once-in-a-lifetime scientific discovery called CRISPR gives us the power to change what it means to be human. Now it’s up to us to decide how far we should go. (World Premiere)

I Love You, Now Die: The Commonwealth Vs. Michelle Carter
Director: Erin Lee Carr
Teen Michelle Carter’s actions shocked a nation — but what really happened behind closed doors? This HBO special showcases the prosecution’s point of view and alternately the defense’s. Which side do you fall on? (World Premiere)

It Started As a Joke
Directors: Julie Smith Clem, Ken Druckerman
It Started As a Joke documents the decade-long run of the Eugene Mirman Comedy Festival. The film celebrates Eugene’s unique brand of humor and reminds us of the healing properties of comedy – even in the most challenging of life’s circumstances. (World Premiere)

Jump Shot
Director: Jacob Ryan Hamilton
Jump Shot uncovers the inspiring true story of Kenny Sailors, the developer of the modern day jump shot in basketball, and how he defined the game, but why the game never defined him. (World Premiere)

Kathy Griffin: A Hell of a Story
Director: Troy Miller, Screenwriter: Kathy Griffin
In her first ever comedy concert film, Comedian Kathy Griffin details the aftermath of lost work and being the subject of a federal investigation following the release of her now infamous photo depicting President Donald J Trump. (World Premiere)

Qualified
Director: Jenna Ricker
In the world of motorsports, the Indianapolis 500 has long been considered the only race. In May 1977, Janet Guthrie — the first woman to attempt Indy — earned herself a spot in the prestigious field of 33. (World Premiere)

Red Dog
Directors: Casey Pinkston, Luke Dick
In the early 1980’s, the only family that toddler Luke knew were the strippers, bouncers, and outcasts that made OKC’s rowdiest strip club their home. (World Premiere)

The River and the Wall
Director: Ben Masters
Five friends venture into the unknown wilds of the Texas borderlands to document the environment before a wall is built. As the wilderness gives way to the bustling Rio Grande Valley, they encounter the unexpected and enter uncharted emotional waters. (World Premiere)

Running with Beto
Director: David Modigliani
Follow Beto O’Rourke behind the scenes of his breakaway campaign to unseat Ted Cruz in the US Senate. With intimate access to the candidate, his family and team, the film captures Beto’s rise from a virtual unknown to a national political sensation. (World Premiere)

Sunset over Mulholland Drive (Germany)
Director: Uli Gaulke, Screenwriters: Uli Gaulke, Marc Pitzke
The vital power of creativity — a behind the scenes look into Hollywood’s retirement home. (North American Premiere)

VISIONS

Visions filmmakers are audacious, risk-taking artists in the new cinema landscape who demonstrate raw innovation and creativity in documentary and narrative filmmaking.

A scene from “Becoming Leslie” (Photo by Tim Pipe)

Becoming Leslie
Director: Tracy Frazier, Screenwriters: Sandra Guardado, Tracy Frazier
Becoming Leslie reveals the inner and bizarre world of Leslie Cochran, a cross-dressing homeless misfit who became the most iconic and unlikely civic symbol of Austin, Texas. (World Premiere)

The Garden Left Behind
Director: Flavio Alves, Screenwriters: John Rotondo, Flavio Alves
A Mexican trans woman struggles to build a life for herself as an undocumented immigrant in New York City. Cast: Michael Madsen, Ed Asner, Carlie Guevara, Danny Flaherty, Alex Kruz, Anthony Abdo, Dawn Young, Tamara M. Williams, Miriam Cruz, Brock Yurich (World Premiere)

J.R. “Bob” Dobbs and The Church of the SubGenius
Director: Sandy K Boone, Screenwriters: Sandy K Boone, Jason Wehling
This film explores the underground movement that has galvanized the imaginative, the artistic, the nerdy, even the deranged – to examine the simmering dystopia in their culture, and do absolutely nothing about it… except, maybe, poke fun at it all. (World Premiere)

Jezebel
Director/Screenwriter: Numa Perrier
A true story. In the last days of her mother’s life, 19-year-old Tiffany crashes with five family members in a Las Vegas studio apartment. In order to make ends meet, her sister, a phone sex operator, introduces her to the world of fetish cam girls. Cast: Tiffany Tenille, Numa Perrier, Stephen Barrington, Bobby Field, Brett Gelman, Rockwelle Dortch, Zoe Tyson, Dennis Jaffee, Jessa Zarubica (World Premiere)

Leave the Bus Through the Broken Window (Hong Kong, U.S.)
Director: Andrew Hevia
A broken-hearted filmmaker navigates an unfamiliar city, an international art fair and his personal baggage in this intimate, playful and unexpectedly comedic documentary. (World Premiere)

One Man Dies a Million Times (Belarus)
Director/Screenwriter: Jessica Oreck
Set in the future, a story about seeds and genetic diversity, about growth and decay, about love and war, and about hunger of all kinds. Cast: Alyssa Lozovskaya, Maksim Blinov (World Premiere)

Red 11
Director: Robert Rodriguez, Screenwriters: Robert Rodriguez, Racer Rodriguez
Rob, an independent filmmaker, loses his investor’s money only to find out his investors are the Cartel. He checks himself into a medical research facility to pay off his debt, but quickly realizes it won’t be that easy. Cast: Roby Attal, Lauren Hatfield, Carlos Gallardo, Alejandro Rose Garcia, Rebel Rodriguez, Racer Rodriguez, Eman Esfandi, Steven Brudniak, Brently Heilbron, Pierce Foster Bailey (World Premiere)

Romantic Comedy (United Kingdom)
Director: Elizabeth Sankey
Musician and writer Elizabeth Sankey investigates the past, present and future of romantic comedies, assisted by a chorus of critics, actors and filmmakers. (World Premiere)

Sakawa (Belgium, Netherlands)
Director/Screenwriter: Ben Asamoah
What human story lies behind the phenomenon of ‘internet fraud’? In Sakawa we meet three Ghanaian youngsters who, out of desperation, turn to internet scamming with the help of black magic. (North American Premiere)

Tito (Canada)
Director/Screenwriter: Grace Glowicki
A desperate man seeks refuge from the predators hunting him by befriending a cheerful intruder. Cast: Grace Glowicki, Ben Petrie (World Premiere)

EPISODIC PREMIERES

Presenting world premieres of prestige serials slated for release and accompanied by show-runners, directors and cast members featuring extended Q&As.

No photo credit given
Aidy Bryant in “Shrill”

David Makes Man
Showrunner: Dee Harris-Lawrence, Screenwriter: Tarell Alvin McCraney
A richly layered, deeply personal work about a 14-year-old prodigy from the projects who is haunted by the death of his closest friend. Set in South Florida, the series is inspired by events in McCraney’s own life, exploring childhood trauma and the power of imagination. Cast: Akili McDowell, Nathaniel McIntyre, Isaiah Johnson, Ade Chike Torbert, Cayden Williams, Jordan Bolger, Travis Coles, Phylicia Rashad, Alana Arenas (World Premiere)

NOS4A2
Showrunner/Screenwriter: Jami O’Brien
NOS4A2 introduces Vic, a young woman who has a supernatural ability to find lost things. This ability puts her on a collision course with the evil and immortal Charlie Manx, a supernatural villain who feeds off the souls of children. Cast List: Zachary Quinto, Ashleigh Cummings, Jahkara J. Smith, Olafur Olafsson, Virginia Kull, Ebon Moss-Bachrach (World Premiere)

Ramy
Showrunner: Bridget Bedard, Screenwriter: Ramy Youssef
Ramy, a first generation American Muslim on a spiritual journey, explores the challenges of being caught in between an Egyptian community that thinks life is moral a test, and a millennial generation that thinks life has no consequences. Cast: Ramy Youssef, Mohammed Amer, Hiam Abbass, Amr Waked, May Calamawy, David Merheje, Laith Nakli, Steve Way (World Premiere)

Shrill
Showrunner: Alexandra Rushfield, Screenwriters: Alexandra Rushfield, Lindy West and Aidy Bryant
From Executive Producers Lorne Michaels and Elizabeth Banks comes Shrill, a comedy series starring Aidy Bryant (Saturday Night Live) as Annie, a fat young woman who wants to change her life — but not her body. Annie is trying to start her career while juggling bad boyfriends, a sick parent, and a perfectionist boss. Cast: Aidy Bryant, Lolly Adefope, Luka Jones, Ian Owens, John Cameron Mitchell (World Premiere)

What We Do in the Shadows
Showrunners: Jemaine Clement, Paul Simms, Screenplay: Jemaine Clement
Based on the feature film of the same name from Jemaine Clement and Taika Waititi, FX’s new comedy What We Do in the Shadows follows vampire roommates who have lived together for hundreds and hundreds of years. Cast: Matt Berry, Kayvan Novak, Natasia Demetriou, Harvey Guillén, Mark Proksch (World Premiere)

24 BEATS PER SECOND

Showcasing the sounds, culture and influence of music and musicians, with an emphasis on documentary.

Dona Onete in Amazonia Groove (Photo by Jacques Cheuiche)

Amazônia Groove
Director/Screenwriter: Bruno Murtinho
Leaving Belem and crossing much of the Para State Amazon region, its towns and riverside villages, Amazônia Groove reveals artists and their traditions, faith and mysticism, music and life that pound in the northern region of Brazil. (North American Premiere)

Bluebird
Director: Brian Loschiavo
Discover the origin stories of megastars like Garth Brooks and Taylor Swift while following emerging singer-songwriters as they chase their dreams inside The Bluebird Cafe, Nashville’s accidental landmark that has altered the course of music history. (World Premiere)

The Boy Band Con: The Lou Pearlman Story
Director: Aaron Kunkel
The Boy Band Con: The Lou Pearlman Story charts the life and crimes of boy band impresario Lou Pearlman. The film tracks his life from discovering NSYNC and Backstreet Boys, to his perpetration of one of the largest ponzi schemes in US history. (World Premiere)

Boy Howdy! The Story of CREEM Magazine
Director: Scott Crawford, Screenwriters: Scott Crawford, Jaan Uhelszki
Ripping back the curtain on legendary rock rag CREEM Magazine’s wild and disruptive newsroom; a dysfunctional band of unruly outsiders who weren’t all that different from the artists they covered. (World Premiere)

Brainiac: Transmissions After Zero
Director: Eric Mahoney
The film explores the seminal 90’s band Brainiac from Dayton, OH and its creative force Tim Taylor. Just days before signing a major record contract Taylor was killed in a bizarre auto accident leaving his family and bandmates to pick up the pieces. (World Premiere)

Carmine Street Guitars (Canada)
Director: Ron Mann, Screenwriter: Len Blum
Five Days in the life of Greenwich Village guitar shop Carmine Street Guitars.

The Chills: The Triumph and Tragedy of Martin Phillipps (New Zealand)
Director: Julia Parnell, Rob Curry
New Zealand music genius Martin Phillipps fights his creative demons, conquers the music world, inspires a generation, and then retreats into depression, addiction and anonymity. (World Premiere)

David Crosby: Remember My Name
Director: A.J. Eaton
David Crosby reflects on his life of music stardom, while forging new paths to relevancy at his age of 77 in this deeply personal documentary. (World Premiere)

Everybody’s Everything
Directors: Sebastian Jones, Ramez Silyan
Everybody’s Everything is the story of artist Lil Peep (Gustav Ahr) from his birth in Long Island and meteoric rise as a genre blending pop star & style icon, to his death due to an accidental opioid overdose in Arizona at just 21 years of age. (World Premiere)

The Gift: The Journey of Johnny Cash
Director: Thom Zimny, Screenwriter: Warren Zanes
Johnny Cash stands among the giants of 20th century American life. But his story remains tangled in mystery and myth. This documentary brings Cash the man out from behind the legend. (World Premiere)

Mr. Jimmy
Director: Peter Michael Dowd
Dowd Akio Sakurai has dedicated his life to honoring Jimmy Page. For 30 years he recreated vintage Zeppelin concerts note-for-note in small Tokyo clubs. Moving to L.A. to pursue his tribute dream, cultures clash and Akio’s idyllic vision meets reality. (World Premiere)

Nothing Stays The Same: The Story of The Saxon Pub
Director: Jeff Sandmann, Screenwriters: Jeff Sandmann, Jeffrey Brown, Lisa Kay Pfannenstiel
Nothing Stays the Same celebrates the last 30 years of live music in Austin, while also examining the challenges faced by musicians and music venues in one of the fastest-growing cities in the country, all through the lens of the legendary Saxon Pub. (World Premiere)

Show Me The Picture: The Story of Jim Marshall (United Kingdom)
Director: Alfred George Bailey
Jim Marshall was a maverick with a camera. An outsider who captured the heights of Rock’N’Roll music and the seismic changes of an era, from the Beatles and Jimi Hendrix, to the civil rights movements and some of the most iconic moments of the 60’s. (World Premiere)

Strange Negotiations
Director: Brandon Vedder
A documentary exploring the existential, artistic and family life of musician and former evangelical, David Bazan (Pedro The Lion), set against America’s own crisis of faith highlighted during the 2016 presidential election. (World Premiere)

Teen Spirit (United Kingdom)
Director/Screenwriter: Max Minghella
The film follows Violet, a shy teenager who enters an international singing competition with the help of an unlikely mentor. Driven by a pop-fueled soundtrack, Teen Spirit is a visceral and stylish spin on the Cinderella story. Cast: Elle Fanning (U.S. Premiere)

Who Let The Dogs Out (Canada)
Director: Brent Hodge, Screenwriters: Brent Hodge, John Diemer, Jasleen Kaur
The origin story of the smash hit “Who Let the Dogs Out” goes back further than anyone could have imagined; steeped in legal battles, female empowerment and artist integrity, which beckons the question: will we ever know who let the dogs out? (World Premiere)

Wild Rose (United Kingdom)
Director: Tom Harper, Screenwriter: Nicole Taylor
A musician from Glasgow dreams of becoming a Nashville star. Cast: Jessie Buckley, Julie Walters, Sophie Okonedo (U.S. Premiere)

GLOBAL

A diverse selection of international filmmaking talent, featuring innovative narratives, artful documentaries, premieres, festival favorites and more.

No photo credit given
Tihana Lazović in “Aleksi”

Aleksi (Serbia)
Director/Screenwriter: Barbara Vekarić
A character piece about funny and troubled girl in her 20s, forced to move back in with her overbearing family. Cast: Tihana Lazović, Goran Marković, Sebastian Cavazza, Nataša Janjić, Jason Mann, Aljoša Vučović, Neda Arnerić, Leon Lučev (North American Premiere)

Aurora (Finland)
Director/Screenwriter: Miia Tervo
Aurora, a commitment-phobic party animal, meets Iranian Amir one night at a hot-dog stand in Lapland. Amir is running from death and Aurora is running from love. They need each other in order to finally stop running. Cast: Mimosa Willamo, Amir Escandari, Oona Airola, Hannu-Pekka Björkman, Miitta Sorvali (North American Premiere)

Being Impossible (Venezuela, Bolivarian Republic of)
Director: Patricia Ortega, Screenwriters: Patricia Ortega, Enmanuel Chávez
A young woman discovers she was submitted to several surgeries to correct her intersexual body as a baby. She has to find her own self outside gender binaries. (North American Premiere)

Cachada: The Opportunity (El Salvador)
Director/Screenwriter: Marlén Viñayo
Five Salvadoran saleswomen want to take their cruel life stories to the stage. During the rehearsal process of their play, they’ll discover themselves as victims and victimizers in a cycle of violence that has plagued their families for generations. (World Premiere)

Days of the Whale (Colombia)
Director/Screenwriter: Catalina Arroyave Restrepo
Two young graffiti artists of Medellín defy a criminal gang when they decide to paint the mural of a whale over a threat written in a wall. Cast: Laura Tobón, David Escallón, Carlos Fonnegra, Christian Tappan, Julián Giraldo, Natalia Castaño, Margarita Restrepo (World Premiere)

La Mala Noche (Ecuador, Mexico)
Director/Screenwriter: Gabriela Calvache
She is the perfect woman until she decides to be free. Cast: Nöelle Schönwald, Cristian Mercado, Jaime Tamariz, Ariana Freire (World Premiere)

Vai (New Zealand)
Directors: Nicole Whippy, ‘Ofa-Ki-Levuka Guttenbeil-Likiliki, Matasila Freshwater, Amberley Jo Aumua, Mīria George, Marina Alofagia McCartney, Dianna Fuemana, Becs Arahanga
Vai is a portmanteau feature film by nine Polynesian directors and filmed on seven different pacific islands. It is about the journey of empowerment through culture, over the lifetime of one woman, Vai. (World Premiere)

X&Y (Denmark, Sweden)
Director: Anna Odell, Screenwriters: Anna Odell, Jakob Beckman
Swedish director and visual artist, Anna Odell (The Reunion), conducts a social experiment in which she aims to challenge the gender roles that men and women have in the society of today. Cast: Anna Odell, Mikael Persbrandt, Trine Dyrholm, Vera Vitali, Shanti Roney, Sofie Gråbøl, Jens Albinus, Thure Lindhardt (North American Premiere)

SPECIAL EVENTS

Live soundtracks, cult re-issues & much more. Our Special Events section offers unusual, unexpected and unique one-off film events.

Joe Bob Briggs (Photo by Tracy Vonder Brink)

How Rednecks Saved Hollywood with Joe Bob Briggs
Director/Screenwriter: Joe Bob Briggs
America’s drive-in movie critic uses 200 video clips and photos to tell the 500-year history of the American redneck in a multimedia comedy performance.

Love, Death & Robots
Showrunners: David Fincher, Tim Miller, Josh Donen, Jennifer Miller
Love, Death & Robots, an animated anthology series presented by Tim Miller and David Fincher, is a genre orgy of Not-Suitable-For-Mainstream shorts. (World Premiere)
Followed by extended Q&A with with Tim Miller and David Fincher.

Ra: Path of the Sun God
Director: Lesley Keen
Austin based electronic and experimental label Holodeck Records is partnering with Austin Film Society for a special live re-score screening of the 1990 animated film Ra: Path of the Sun God, a beautiful re-telling of one of Ancient Egypt’s most famous myths.

Rebel Without A Crew: Filmmaking Master Class with Robert Rodriguez
Join Robert Rodriguez as he gives a master-class in micro-budget guerilla filmmaking, featuring behind the scenes moments from his new $7,000 film, RED 11. The event will be followed by the World Premiere of RED 11.

Untitled Rick Rubin Project ( Work-in-Progress)
Directors: Morgan Neville, Jeff Malmberg
An intimate look at the creative process through the lens of legendary music producer Rick Rubin.

True Stories
Director: David Byrne, Screenwriters: Stephen Tobolowsky, Beth Henley, David Byrne
David Byrne’s 1986 musical comedy, inspired by theater director Robert Wilson, tabloid newspapers, and filmmakers Robert Altman and Federico Fellini, remains a unique artistic vision that celebrates the singular citizens of a fictional Texas town. David Byrne will appear in-person for Q&A following screening of new 4K restoration.

About SXSW

SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of the interactive, film, and music industries. An essential destination for global professionals, the event features sessions, showcases, screenings, exhibitions, and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2019 will take place March 8-17, 2019. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend. SXSW 2019 is sponsored by Capital One, Mercedes-Benz, Bud Light, and The Austin Chronicle.

2019 New Orleans Jazz & Heritage Festival: Rolling Stones, Katy Perry, Dave Matthews Band among headliners

January 15, 2019

The Rolling Stones
The Rolling Stones (Photo by Dave J Hogan)

The Rolling Stones, Katy Perry, Dave Matthews Band, Jimmy Buffett & The Coral Reefer Band, Chris Stapleton and Bob Seger & The Silver Bullet Band are among the headliners at the 50th New Orleans Jazz & Heritage Festival, which will take place at the New Orleans Fairgrounds from April 25 to April 28 and from May 2 to May 5, 2019. It will be the first time that the Rolling Stones will perform at the event, which is also known as Jazz Fest,

Other artists announced for Jazz Fest 2019 include Santana, Van Morrison, Al Green, Earth, Wind & Fire, Trombone Shorty & Orleans Avenue with Nevilles, Gladys Knight, The Revivalists, Leon Bridges, John Fogerty, Chaka Khan, Herbie Hancock, Tank and The Bangas, Bonnie Raitt, Irma Thomas, Gary Clark Jr., The Head and The Heart, The Doobie Brothers, Jimmy Cliff, Ziggy Marley, Aaron Neville, Boz Scaggs, Galactic, Jerry Lee Lewis, Indigo Girls, Rebirth Brass Band, Mavis Staples, Los Lobos, Big Freedia, Kamasi Washington, Rita Coolidge, Buddy Guy, Preservation Hall Jazz Band, Taj Mahal & the Phantom Blues Band, Ivan Neville’s Dumpstaphunk,Ani DiFranco, the Radiators, Hurray for the Riff Raff, Little Feat, Anders Osborne, North Mississippi Allstars, Karl Denson’s Tiny Universe, The Dirty Dozen Brass Band, Foundation of Funk, George Porter Jr. & Runnin’ Pardners, Steve Earle & the Dukes and The Soul Rebels.

March 30, 2019 UPDATE: The Rolling Stones have canceled their Jazz Fest 2019 performance on May 2 because lead singer Mick Jagger is being treated for an undisclosed medical problem. Click here for more information.

April 4, 2019 UPDATE: Fleetwood Mac has replaced the Rolling Stones at Jazz Fest 2019.

April 8, 2019 UPDATE: Fleetwood Mac has canceled its Jazz Fest 2019 performance due to singer Stevie Nicks having the flu. The band has postponed four of its tour dates because of the illness. Jazz Fest issued this statement that said in part: “Stay tuned for updates about May 2 talent and tickets.”

New Orleans Jazz & Heritage Festival Jazz Fest

 

2019 Grammy Awards: Alicia Keys is hosting the show

January 15, 2019

by Carla Hay

Alicia Keys
Alicia Keys (Photo by Trae Patton/NBC)

Alicia Keys is set to host the 61st Grammy Awards, which will take place at Microsoft Theater in Los Angeles on February 10, 2019.  CBS will have the U.S. telecast of the show. It will be the first time that Keys, who has won 15 Grammys, will host the show. She is also an actress and is a coach on NBC’s “The Voice.” She hosted the Soul Train Music Awards in 2004. James Corden hosted the Grammy Awards in 2017 and 2018.

In a statement, Keys said: “I know what it feels like to be on that stage, and I’m going to bring that vibe and energy. I’m so excited to be the master of ceremonies on the biggest night in music and celebrate the creativity, power and, magic. I’m especially excited for all the incredible women nominated this year! It’s going up on February 10!”

Recording Academy President/CEO Neil Portnow added, “A dynamic artist with the rare combination of groundbreaking talent and passion for her craft, Alicia Keys is the perfect choice as host for our show. Throughout her exciting career, I have watched her become a powerful force within the music industry and beyond. As an artist who speaks to the power of music for good, a role model, and a spokesperson for change, we are thrilled to have her on board for what’s sure to be an unforgettable GRAMMY Awards.”

Grammy Awards executive producer Ken Ehrlich commented: “Alicia is one of those rare artists who meld true musical genius with heartfelt emotional lyrics to create a unique approach to everything she does. We have no doubt that she’ll bring all of that as she guides millions of GRAMMY viewers through what we believe will be a very special show in February.”

Keys won her first five Grammys for her 2001 debut album, “Songs in A Minor.” She has sold 30 million records worldwide, according to Sony Music.

Fyre Festival documentary duel: Two competing movies premiere in the same week

January 14, 2019

by Carla Hay

Fyre Festival

The notorious Fyre Festival is the subject of two documentary films that are premiering in the same week. “Fyre Fraud” (directed by Jenner Furst and Julia Willoughby) premieres on Hulu on January 14, 2019, while “Fyre: The Greatest Party That Never Happened” (directed by Chris Smith) premieres on Netflix on January 18, 2019, in addition to “Fyre” having a limited theatrical release on January 18 in New York City and Los Angeles. Although it’s not unusual for two separate documentary films to cover the same subject, it’s extremely rare for them to premiere in the same week.

Fyre Festival was one of the biggest music-industry frauds of this decade. The event, which was heavily promoted on the Internet, was advertised as a star-studded music festival in the Bahamas, offering a luxury experience that was scheduled to take place over two weekends in late April/early May 2017. Instead, attendees arrived at the festival site to find a garbage-filled area with very little shelter except flimsy tents and limited, substandard food options. Fyre Festival was cancelled one day before it was set to begin, and event founder/promoter Billy McFarland was eventually sentenced to six years in prison for fraud. Hip-hop star Ja Rule, who was advertised as a co-founder of the festival, quickly distanced himself from this disaster after the event was cancelled. Ja Rule issued a public apology, placed all the blame on McFarland, and avoided any criminal prosecution, although he and McFarland had several lawsuits brought against them.

There are sure to be many reviews comparing “Fyre Fraud” and “Fyre.” Hulu is making an effort to give “Fyre Fraud” an advantage by having the movie premiere first, and emphasizing that the film has an exclusive interview with McFarland that was done after the festival was cancelled and before he went to prison. “Fyre Fraud” also has media resources such as Mic (the news site aimed at millennials) and music-industry trade magazine Billboard as executive producers of the film. Meanwhile, Netflix’s “Fyre” has Vice Studios as a media partner in producing the documentary. Based on the official trailers and descriptions each documentary, “Fyre” seems to have a more straight-forward approach to the subject matter, while “Fyre Fraud” aims to take a more scathing look at the sociological circumstances that allowed this fraud to become as big as it was. Hulu describes “Fyre Fraud” as a “true-crime comedy,” which indicates that there will be a mocking tone to the film.

Meanwhile, the directors of each documentary have accused each other of questionable ethics, according to TechCrunch. The “Fyre” team said they turned down McFarland’s demands to be paid for an interview. McFarland eventually went to the “Fyre Fraud” filmmakers, who agreed to pay McFarland a six-figure sum (reportedly between $100,000 to $200,000) to be interviewed for “Fyre Fraud.” Meanwhile, the “Fyre Fraud” team says the ethics of “Fyre” are compromised because the film had executive producer involvement from James Ohliger and Elliot Tebele, two co-founders of Jerry Media, the company that marketed the Fyre Festival. A former Jerry Media employee interviewed in “Fyre Fraud” claims that high-ranking Jerry executives knew early on that the festival was a scam, but willingly perpetuated the scam out of greed. “Fyre” director Smith says that despite Jerry Media’s involvement in the film, he still had separate editorial control and did not shy away from depicting Jerry Media’s responsibility in the Fyre Festival fiasco.

FYRE FRAUD

Here is Hulu’s trailer and description of “Fyre Fraud”:

https://www.youtube.com/watch?v=ljkaq_he-BU

The Fyre Festival was the defining scam of the millennial generation, at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era. Marketing for the 2017 music event went viral with the help of rapper Ja Rule, instagram stars, and models, but turned epic fail after stranding thousands in the Bahamas. Featuring an exclusive interview with Billy McFarland, the convicted con-man behind the festival; “Fyre Fraud” is a true-crime comedy bolstered by a cast of whistleblowers, victims, and insiders going beyond the spectacle to uncover the power of FOMO and an ecosystem of enablers, driven by profit and a lack of accountability in the digital age.

Emmy™ nominated and Peabody™ award-winning directors Jenner Furst and Julia Willoughby Nason executive produce along with Michael Gasparro, The Cinemart, MIC and Billboard.

DIRECTORS STATEMENT:

“Fyre Fraud” is more than the story of a failed music festival in the Bahamas – this dark comedy is a cautionary tale for a generation.

Billy McFarland offers us a window into the mind of a con artist, the insidious charm of the fraudster and how they can capture our imaginations, our investment, and our votes in the age of Trump. McFarland’s staggering ambition metastasized in a petri dish of late-stage capitalism, corporate greed, and predatory branding, all weaponized by our fear of missing out.

Our aim was to set the stage for a strange journey into the moral abyss of our digital age, going beyond the meme to show an ecosystem of enablers, driven by profit and willing to look the other way, for their own gain.

We draw on countless cultural references, on true crime tension, and on humor – but we did not intend to create a toothless comedy about the Fyre Festival. We hope this film can pierce our collective apathy and disrupt our own millennial peers, if only for an instant – to look at these stories for what they truly are, and to halt this algorithm before it devours us whole.

FYRE: THE GREATEST PARTY THAT NEVER HAPPENED

Here is Netflix’s trailer and description of “Fyre: The Greatest Party That Never Happened”:

An exclusive behind the scenes look at the infamous unraveling of the Fyre music festival. Created by Billy McFarland and rapper Ja Rule, Fyre was promoted as a luxury music festival on a private island in the Bahamas featuring bikini-clad supermodels, A-List musical performances and posh amenities. Guests arrived to discover the reality was far from the promises.
Chris Smith, the director behind the Emmy Award Nominated documentary “Jim & Andy: The Great Beyond,” gives a first-hand look into disastrous crash of Fyre as told by the organizers themselves.
Written & Directed by: Chris Smith (“Jim & Andy: The Great Beyond Featuring a Very Special, Contractually Obligated Mention of Tony Clifton” (2017), “American Movie” (1999 Sundance Grand Jury Prize for Documentary), “Collapse” (2009)) Produced by Library Films, Jerry Media, Matte Projects VICE Studios, and VICE Studios. Executive Producers: Brett Kincaid, Max Pollack, Matthew Rowean, Gabrielle Bluestone, James Ohliger, Elliot Tebele. Edited by Jon Karmen, Koehler.

 

 

2019 Kitten Bowl: Information revealed about this year’s event

January 14, 2019

Kitten Bowl VI
Kitten Bowl VI (Photo courtesy of Hallmark Channel)

The following is a press release from Hallmark Channel:

Hallmark Channel hosts the nation’s most beloved rescue pet adoption event of the year when “Kitten Bowl VI” premieres exclusively on, Sunday, February 3, 2019 (2 p.m. ET/PT). “Kitten Bowl” returns after a successful run at Super Bowl Live in Minneapolis in 2018 and will feature kittens rescued from across the country, all of whom will be vying for the National Championship of Feline Football trophy. The 2019 game also marks a milestone of more than 25,000 shelter pet adoptions since “Kitten Bowl” premiered in 2014.

The shelter pet adoption effort around “Kitten Bowl” began with five shelter partners five years ago. Through partnership with North Shore Animal League America, “Kitten Bowl” neighborhood shelter partners grew to 500 and will exceed that number in 2019. During “Kitten Bowl” weekend, shelter partners of North Shore Animal League America show clips from the show while showcasing beautiful animals from local areas in need of loving, forever homes. Many shelters will give away Hallmark Channel’s coveted “Kitten Bowl” trading card packs and the five shelters who adopt the most animals during the adoption event will receive cash grants. The “Kitten Bowl” adoption event runs from February 2-February 16.

TV personality, author and animal advocate Beth Stern returns as host for this year’s event from Hallmark Channel Stadium. Stern embodies the spirit of adoption in her everyday life, having fostered countless animals in need. Stern’s tireless year-round efforts to find homes for animals makes her a synergistic fit to lead the charge for “Kitten Bowl VI.”

On the day of the big game, Stern is joined by Dean Cain and former NFL player Rodney Peete for all the play-by-play action along with commentary by former NFL running back Rashad Jennings and fourtime Pro Bowl quarterback Boomer Esiason, making “Kitten Bowl VI” the MUST SEE event on the day of the big game.

North Shore Animal League America and Last Hope Animal Rescue and Rehabilitation drafted the 2019 teams. “Kitten Bowl” is part of Hallmark Channel’s evergreen pet initiative, ADOPTION EVER AFTER, which highlights the plight of homeless animals and the joys rescued and adopted pets bring into our lives.

“Kitten Bowl VI” is produced by 3 Ball Entertainment with Todd A. Nelson, Ross Weintraub and Kathy Sutula serving as executive producers.

2019 Cat Bowl: Hallmark Channel reveals details of inaugural event

January 14, 2019

(Photo by Aaron Burns/Crown Media United States)

The following is a press release from Hallmark Channel:

Hallmark Channel announces the first-ever annual “Cat Bowl,” part of the network’s core philanthropic effort ADOPTION EVER AFTER, which uses entertainment programming to showcase animals available for adoption in neighborhoods all across America, is set to premiere exclusively on the network, Saturday, February 2, 2019 (10 p.m. ET/PT). “Cat Bowl” is a companion program to the network’s storied pet franchise, “Kitten Bowl,” the first animal competition on television to create awareness for the plight of homeless animals and the joys that adopted pets bring to our lives. The “Kitten Bowl” franchise is responsible for the adoption of more than 25,000 shelter pet adoptions over five years through partnership with North Shore Animal League America and its shelter partners across the country.

“Cat Bowl” will showcase adorable and adoptable adult ‘cat-letes’ as they compete on the gridiron for a special place in viewers hearts. Inspirational stories of senior and special needs cats will highlight the special event. During each year’s broadcast of “Kitten Bowl,” awareness for pet adoption rises dramatically. Hallmark Channel announces that with its partner North Shore Animal League America, “Cat Bowl” and “Kitten Bowl” will be a part of the biggest pet adoption event in the country. More than 500 shelter partners will showcase local animals available for adoption from February 2-February 16.

TV personality, author and animal advocate Beth Stern is the host for this year’s event from Hallmark Channel Stadium. Stern is joined by Hallmark Channel star Alison Sweeney and “Home & Family” co-host Cameron Mathison for all the play-by-play action. The special will also feature Where Are They Meow, stories that follow up on some former “Kitten Bowl” cat-letes such as Jerry Mice, Puma Esiason and last year’s star, Swirl.

North Shore Animal League America and Last Hope Animal Rescue and Rehabilitation drafted the cats for a more heartwarming “Senior Bowl” than has ever taken place on the gridiron.

“Cat Bowl” is part of Hallmark Channel’s evergreen pet initiative, ADOPTION EVER AFTER, committed to educating the public about the many rewards of pet adoption in hopes of inspiring viewers to open their homes and hearts to shelter pets.

“Cat Bowl” is produced by 3 Ball Entertainment with Todd A. Nelson, Ross Weintraub and Kathy Sutula serving as executive producers.

2019 Critics’ Choice Awards: ‘Roma’ is the top winner

January 13, 2019

by Carla Hay

https://www.youtube.com/watch?v=fp_i7cnOgbQ

With four prizes, including Best Picture, Alfonso Cuarón’s Spanish-language film “Roma” was the top winner at the 24th Annual Critics’ Choice Awards, which were presented at the Barker Hangar in Santa Monica, California, on January 13, 2019. The CW network had the U.S. telecast of the show, which was hosted by Taye Diggs. The awards are voted for by the Broadcast Film Critics Association and the Broadcast Television Journalists Association. Cuarón is also the director, writer, cinematographer, as well as one of the editors and producers of Netflix’s “Roma,” which is inspired by his childhood in Mexico and the housekeeper/nanny who helped raise him and his siblings. It’s the first time that a film not in the English language and a film from a streaming service has won Best Picture at the Critics’ Choice Awards. In addition to Best Picture,  “Roma” won the Critics’ Choice Awards for Best Director, Best Cinematography and Best Foreign Language Film. The victories weren’t too surprising, since “Roma” has been named Best Picture of 2018 at most of the U.S.-based critics associations.

What was surprising at the 2019 Critics’ Choice Awards were ties in two categories: Best Actress in Limited Series or Movie Made for Television, which went to Amy Adams of “Sharp Objects” and Patricia Arquette of “Escape at Dannemora.” Adams insisted that Arquette join her on stage so they could do a joint acceptance speech. The other tie occurred for Best Actress, which went to Glenn Close of “The Wife” and Lady Gaga of “A Star Is Born,” who gave separate acceptance speeches. Lady Gaga was especially emotional, as she tearfully dedicated her award to people affected by addiction, and said in her speech that the real star of “A Star Is Born” are “bravery and perseverance.” Lady Gaga was also one of the winners of the first award given at the ceremony: Best Song, which went to “Shallow” from “A Star Is Born,” a song she co-wrote for the movie.

“The Favourite,” which went into the ceremony with the most nominations (14), ended up winning just two prizes: Best Acting Ensemble and Best Actress in a Comedy (for Olivia Colman). “The Favourite” cast did not attend the show because they were out of the country. The superhero flick “Black Panther,” which had 12 nods, ended up winning three Critics’ Choice Awards: Best Visual Effects, Best Production Design and Best Costume Design.

“Vice,” the dark comedy about former U.S. Vice President Dick Cheney, went into the ceremony with nine nominations and won three prizes: Christian Bale, who plays Cheney in “Vice,” was named Best Actor, as well as Best Actor in a Comedy. “Vice” also won the award for Best Hair and Makeup.  Meanwhile, “Crazy Rich Asians” won Best Comedy; Mahershala Ali of “Green Book” won Best Supporting Actor; and Regina King of “If Beale Street Could Talk” won Best Supporting Actress. Movies that had several nominations but ultimately didn’t win any Critics’ Choice Awards were “BlacKkKlansman,” “Bohemian Rhapsody” and “Mary Poppins Returns.”

In the TV categories, “The Americans” and “The Marvelous Mrs. Maisel” triumphed with the most awards (three each). “The Americans” won Best Drama Series; Best Actor in a Drama Series (for Matthew Rhys, who did not attend the award show); Best Supporting Actor in a Drama Series (for Noah Emmerich). “The Marvelous Mrs. Maisel” won for Best Comedy Series; Best Actress in a Comedy Series ( for Rachel Brosnahan); and Best Supporting Actress in a Comedy Series (for Alex Borstein), all repeating the same awards at the 2018 Emmy Awards.

“The Assassination of Gianni Versace: American Crime Story” won two Critics’ Choice Awards: Best Limited Series and Best Actor in a Limited Series or Movie Made for Television (for Darren Criss), which were also two of the numerous Emmy Awards won by the series. Other two-time Critics’ Choice Award winners in the TV categories were “Sharp Objects” and “Barry.” “Sharp Objects” claimed victories for Adams and Patricia Clarkson, who was named Best Supporting Actress in a Limited Series or Movie Made for Television. Repeating their wins at the 2018 Emmy Awards, Bill Hader of “Barry” won Best Actor in a Comedy Series, while Henry Winkler of “Barry” won Best Supporting Actor in a Comedy Series. Hader and Winkler did not attend the Critics’ Choice Awards. Sandra Oh of “Killing Eve” was named Best Actress in a Drama Series, repeating her 2019 Golden Globe win. Meanwhile, previous Critics’ Choice Award winners “Atlanta” and “The Handmaid’s Tale” were completely shut out and didn’t win any awards this year.

Special non-competitive awards given at the ceremony included the #SeeHer Award (a prize for an actress who plays inspiring characters), which went to Claire Foy this year.  There was also the Creative Achievement Award, which went to Chuck Lorre, the creator/executive producer of numerous hit TV series such as “The Big Bang Theory,” “The Kominsky Method” and “Two and a Half Men.”

Here is the complete list of nominees and winners for the 2019 Critics’ Choice Awards”

*=winner

MOVIES

BEST PICTURE
“Black Panther”
“BlacKkKlansman”
“The Favourite”
“First Man”
“Green Book”
“If Beale Street Could Talk”
“Mary Poppins Returns”
“Roma”*
“A Star Is Born”
“Vice”

BEST ACTOR
Christian Bale – “Vice”*
Bradley Cooper – “A Star Is Born”
Willem Dafoe – “At Eternity’s Gate”
Ryan Gosling – “First Man”
Ethan Hawke – “First Reformed”
Rami Malek – “Bohemian Rhapsody”
Viggo Mortensen – “Green Book”

BEST ACTRESS
Yalitza Aparicio – “Roma”
Emily Blunt – “Mary Poppins Returns”
Glenn Close – “The Wife”* (tie)
Toni Collette – “Hereditary”
Olivia Colman – “The Favourite”
Lady Gaga – “A Star Is Born”* (tie)
Melissa McCarthy – “Can You Ever Forgive Me?”

BEST SUPPORTING ACTOR
Mahershala Ali – “Green Book”*
Timothée Chalamet – “Beautiful Boy”
Adam Driver – “BlacKkKlansman”
Sam Elliott – “A Star Is Born”
Richard E. Grant – “Can You Ever Forgive Me?”
Michael B. Jordan – “Black Panther”

BEST SUPPORTING ACTRESS
Amy Adams – “Vice”
Claire Foy – “First Man”
Nicole Kidman – “Boy Erased”
Regina King – “If Beale Street Could Talk”*
Emma Stone – “The Favourite”
Rachel Weisz – “The Favourite”

BEST YOUNG ACTOR/ACTRESS
Elsie Fisher – “Eighth Grade”*
Thomasin McKenzie – “Leave No Trace”
Ed Oxenbould – “Wildlife”
Millicent Simmonds – “A Quiet Place”
Amandla Stenberg – “The Hate U Give”
Sunny Suljic – “Mid90s”

BEST ACTING ENSEMBLE
“Black Panther”
“Crazy Rich Asians”
“The Favourite”*
“Vice”
“Widows”

BEST DIRECTOR
Damien Chazelle – “First Man”
Bradley Cooper – “A Star Is Born”
Alfonso Cuarón – “Roma”*
Peter Farrelly – “Green Book”
Yorgos Lanthimos – “The Favourite”
Spike Lee – “BlacKkKlansman”
Adam McKay – “Vice”

BEST ORIGINAL SCREENPLAY
Bo Burnham – “Eighth Grade”
Alfonso Cuarón – “Roma”
Deborah Davis and Tony McNamara – “The Favourite”
Adam McKay – “Vice”
Paul Schrader – “First Reformed”*
Nick Vallelonga, Brian Hayes Currie, Peter Farrelly – “Green Book”
Bryan Woods, Scott Beck, John Krasinski – “A Quiet Place”

BEST ADAPTED SCREENPLAY
Ryan Coogler, Joe Robert Cole – “Black Panther”
Nicole Holofcener, Jeff Whitty – “Can You Ever Forgive Me?”
Barry Jenkins – “If Beale Street Could Talk”*
Eric Roth and Bradley Cooper & Will Fetters – “A Star Is Born”
Josh Singer – “First Man”
Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee – “BlacKkKlansman”

BEST CINEMATOGRAPHY
Alfonso Cuarón – “Roma”*
James Laxton – “If Beale Street Could Talk”
Matthew Libatique – “A Star Is Born”
Rachel Morrison – “Black Panther”
Robbie Ryan – “The Favourite”
Linus Sandgren – “First Man”

BEST PRODUCTION DESIGN
Hannah Beachler, Jay Hart – “Black Panther”*
Eugenio Caballero, Barbara Enriquez – “Roma”
Nelson Coates, Andrew Baseman – “Crazy Rich Asians”
Fiona Crombie, Alice Felton – “The Favourite”
Nathan Crowley, Kathy Lucas – “First Man”
John Myhre, Gordon Sim – “Mary Poppins Returns”

BEST EDITING
Jay Cassidy – “A Star Is Born”
Hank Corwin – “Vice”
Tom Cross – “First Man”*
Alfonso Cuarón, Adam Gough – “Roma”
Yorgos Mavropsaridis – “The Favourite”
Joe Walker – “Widows”

BEST COSTUME DESIGN
Alexandra Byrne – “Mary Queen of Scots”
Ruth Carter – “Black Panther”*
Julian Day – “Bohemian Rhapsody”
Sandy Powell – “The Favourite”
Sandy Powell – “Mary Poppins Returns”

BEST HAIR AND MAKEUP
“Black Panther”
“Bohemian Rhapsody”
“The Favourite”
“Mary Queen of Scots”
“Suspiria”
“Vice”*

BEST VISUAL EFFECTS
“Avengers: Infinity War”
“Black Panther”*
“First Man”
“Mary Poppins Returns”
“Mission: Impossible – Fallout”
“Ready Player One”

BEST ANIMATED FEATURE
“The Grinch”
“Incredibles 2”
“Isle of Dogs”
“Mirai”
“Ralph Breaks the Internet”
“Spider-Man: Into the Spider-Verse”*

BEST ACTION MOVIE
“Avengers: Infinity War”
“Black Panther”
“Deadpool 2”
“Mission: Impossible – Fallout”*
“Ready Player One”
“Widows”

BEST COMEDY
“Crazy Rich Asians”*
“Deadpool 2”
“The Death of Stalin”
“The Favourite”
“Game Night”
“Sorry to Bother You”

BEST ACTOR IN A COMEDY
Christian Bale – “Vice”*
Jason Bateman – “Game Night”
Viggo Mortensen – “Green Book”
John C. Reilly – “Stan & Ollie”
Ryan Reynolds – “Deadpool 2”
Lakeith Stanfield – “Sorry to Bother You”

BEST ACTRESS IN A COMEDY
Emily Blunt – “Mary Poppins Returns”
Olivia Colman – “The Favourite”*
Elsie Fisher – “Eighth Grade”
Rachel McAdams – “Game Night”
Charlize Theron – “Tully”
Constance Wu – “Crazy Rich Asians”

BEST SCI-FI OR HORROR MOVIE
“Annihilation”
“Halloween”
“Hereditary”
“A Quiet Place”*
“Suspiria”

BEST FOREIGN LANGUAGE FILM
“Burning”
“Capernaum”
“Cold War”
“Roma”*
“Shoplifters”

BEST SONG
“All the Stars” from “Black Panther”
“Girl in the Movies” from “Dumplin’”
“I’ll Fight” from “RBG”
“The Place Where Lost Things Go” from “Mary Poppins Returns”
“Shallow” from “A Star Is Born”*
“Trip a Little Light Fantastic” from “Mary Poppins Returns”

BEST SCORE
Kris Bowers – “Green Book”
Nicholas Britell – “If Beale Street Could Talk”
Alexandre Desplat – “Isle of Dogs”
Ludwig Göransson – “Black Panther”
Justin Hurwitz – “First Man”*
Marc Shaiman – “Mary Poppins Returns”

TELEVISION

BEST DRAMA SERIES
“The Americans” (FX)*
“Better Call Saul” (AMC)
“The Good Fight” (CBS All Access)
“Homecoming” (Amazon)
“Killing Eve” (BBC America)
“My Brilliant Friend” (HBO)
“Pose” (FX)
“Succession” (HBO)

BEST ACTOR IN A DRAMA SERIES
Freddie Highmore – “The Good Doctor” (ABC)
Diego Luna – “Narcos: Mexico” (Netflix)
Richard Madden – “Bodyguard” (Netflix)
Bob Odenkirk – “Better Call Saul” (AMC)
Billy Porter – “Pose” (FX)
Matthew Rhys – “The Americans” (FX)*
Milo Ventimiglia – “This Is Us” (NBC)

BEST ACTRESS IN A DRAMA SERIES
Jodie Comer – “Killing Eve” (BBC America)
Maggie Gyllenhaal – “The Deuce” (HBO)
Elisabeth Moss – “The Handmaid’s Tale” (Hulu)
Sandra Oh – “Killing Eve” (BBC America)*
Elizabeth Olsen – “Sorry For Your Loss” (Facebook Watch)
Julia Roberts – “Homecoming” (Amazon)
Keri Russell – “The Americans” (FX)

BEST SUPPORTING ACTOR IN A DRAMA SERIES
Richard Cabral – “Mayans M.C.” (FX)
Asia Kate Dillon – “Billions” (Showtime)
Noah Emmerich – “The Americans” (FX)*
Justin Hartley – “This Is Us” (NBC)
Matthew Macfadyen – “Succession” (HBO)
Richard Schiff – “The Good Doctor” (ABC)
Shea Whigham – “Homecoming” (Amazon)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Dina Shihabi – “Jack Ryan” (Amazon)
Julia Garner – “Ozark” (Netflix)
Thandie Newton – “Westworld” (HBO)*
Rhea Seehorn – “Better Call Saul” (AMC)
Yvonne Strahovski – “The Handmaid’s Tale” (Hulu)
Holly Taylor – “The Americans” (FX)

BEST COMEDY SERIES
“Atlanta” (FX)
“Barry” (HBO)
“The Good Place” (NBC)
“The Kominsky Method” (Netflix)
“The Marvelous Mrs. Maisel” (Amazon)*
“The Middle” (ABC)
“One Day at a Time” (Netflix)
“Schitt’s Creek” (Pop)

BEST ACTOR IN A COMEDY SERIES
Hank Azaria – “Brockmire” (IFC)
Ted Danson – “The Good Place” (NBC)
Michael Douglas – “The Kominsky Method” (Netflix)
Donald Glover – “Atlanta” (FX)
Bill Hader – “Barry” (HBO)*
Jim Parsons – “The Big Bang Theory” (CBS)
Andy Samberg – “Brooklyn Nine-Nine” (Fox)

BEST ACTRESS IN A COMEDY SERIES
Rachel Bloom – “Crazy Ex-Girlfriend” (The CW)
Rachel Brosnahan – “The Marvelous Mrs. Maisel” (Amazon)*
Allison Janney – “Mom” (CBS)
Justina Machado – “One Day at a Time” (Netflix)
Debra Messing – “Will & Grace” (NBC)
Issa Rae – “Insecure” (HBO)

BEST SUPPORTING ACTOR IN A COMEDY SERIES
William Jackson Harper – “The Good Place” (NBC)
Sean Hayes – “Will & Grace” (NBC)
Brian Tyree Henry – “Atlanta” (FX)
Nico Santos – “Superstore” (NBC)
Tony Shalhoub – “The Marvelous Mrs. Maisel” (Amazon)
Henry Winkler – “Barry” (HBO)*

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Alex Borstein – “The Marvelous Mrs. Maisel” (Amazon)*
Betty Gilpin – “GLOW” (Netflix)
Laurie Metcalf – “The Conners” (ABC)
Rita Moreno – “One Day at a Time” (Netflix)
Zoe Perry – “Young Sheldon” (CBS)
Annie Potts – “Young Sheldon” (CBS)
Miriam Shor – “Younger” (TV Land)

BEST LIMITED SERIES
“A Very English Scandal” (Amazon)
“American Vandal” (Netflix)
“The Assassination of Gianni Versace: American Crime Story” (FX)*
“Escape at Dannemora” (Showtime)
“Genius: Picasso” (National Geographic)
“Sharp Objects” (HBO)

BEST MOVIE MADE FOR TELEVISION
“Icebox” (HBO)
“Jesus Christ Superstar Live in Concert” (NBC)*
“King Lear” (Amazon)
“My Dinner with Hervé” (HBO)
“Notes from the Field” (HBO)
“The Tale” (HBO)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Antonio Banderas – “Genius: Picasso” (National Geographic)
Darren Criss – “The Assassination of Gianni Versace: American Crime Story” (FX)*
Paul Dano – “Escape at Dannemora” (Showtime)
Benicio Del Toro – “Escape at Dannemora” (Showtime)
Hugh Grant – “A Very English Scandal” (Amazon)
John Legend – “Jesus Christ Superstar Live in Concert” (NBC)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Amy Adams – “Sharp Objects” (HBO)* (tie)
Patricia Arquette – “Escape at Dannemora” (Showtime)* (tie)
Connie Britton – “Dirty John” (Bravo)
Carrie Coon – “The Sinner” (USA Network)
Laura Dern – “The Tale” (HBO)
Anna Deavere Smith – “Notes From the Field” (HBO)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Brandon Victor Dixon – “Jesus Christ Superstar Live in Concert” (NBC)
Eric Lange – “Escape at Dannemora” (Showtime)
Alex Rich – “Genius: Picasso” (National Geographic)
Peter Sarsgaard – “The Looming Tower” (Hulu)
Finn Wittrock – “The Assassination of Gianni Versace: American Crime Story” (FX)
Ben Whishaw – “A Very English Scandal” (Amazon)*

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Ellen Burstyn – “The Tale” (HBO)
Patricia Clarkson – “Sharp Objects” (HBO)*
Penelope Cruz – “The Assassination of Gianni Versace: American Crime Story” (FX)
Julia Garner – “Dirty John” (Bravo)
Judith Light – “The Assassination of Gianni Versace: American Crime Story” (FX)
Elizabeth Perkins – “Sharp Objects” (HBO)

BEST ANIMATED SERIES
“Adventure Time” (Cartoon Network)
“Archer” (FX)
“Bob’s Burgers” (Fox)
“BoJack Horseman” (Netflix)*
“The Simpsons” (Fox)
“South Park” (Comedy Central)

#SEE HER AWARD
Claire Foy

CREATIVE ACHIEVEMENT AWARD
Chuck Lorre

2019 Songwriters Hall of Fame: Missy Elliott, Cat Stevens, Dallas Austin, John Prine among inductees

June 12, 2019

Songwriters Hall of Fame

The following is a press release from the Songwriters Hall of Fame:

Musical titans Dallas Austin, Missy Elliott, Tom T. Hall, John Prine, Jack Tempchin & Yusuf / Cat Stevens will become the latest inductees of the Songwriters Hall of Fame at the organization’s 50th Annual Induction and Awards Dinner. These legendary songwriters wrote mega-hits such as, “The Boy Is Mine”, “The Rain (Supa Dupa Fly),” “Angel From Montgomery,” “Ballad of Forty Dollars,” “Peaceful Easy Feeling” and “Moonshadow.” The star-studded induction event is slated for Thursday, June 13 at the Marriott Marquis Hotel in New York City. Additional special award honorees will be announced soon.

SHOF Chairman Nile Rodgers said, “The first thing you need to know is it’s about the song, the second thing you need to know is it’s about the song, the third thing you need to know is it’s about the song. That’s true now more than ever but It has always been about the song so I’m very proud that in my first year as Chairman of the Songwriter’s Hall of Fame that we are recognizing some of the culturally most important songwriters of all time. The 2019 slate of inductees represents diversity and unity across genres and gender, highlighting our dedicated mission to honor music creators who have enriched our lives. These are writers who in their time literally transformed music and helped make what’s happening today possible”.

Established in 1969, the Songwriters Hall of Fame (SHOF) serves as a vital bridge between music’s past and future.  In the Hall, musical pioneers are enshrined and celebrated, while the organization’s outreach to the music community grooms the next generation of troubadours. To qualify for induction, a songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

Dallas Austin

Dallas Austin
Dallas Austin (Photo by Mr. Watson)

Since the late 80s, Dallas Austin has written over 50 hit singles which have debuted on Billboard’s Hot 100 list with 17 songs spending numerous weeks in the Top 10 list.  From the 80’s to present, he has written multiple  Billboard  number one hits, including “The Boy is Mine” from Brandy and Monica, and TLC’s “Creep.” Additionally, Austin’s work with TLC garnered such songs as “Ain’t too Proud to Beg,” “Hat 2 da Back,” and “Unpretty” which appeared on the group’s critically acclaimed “Fanmail” album and resulted in a Grammy for “Best R&B Album” at the 42nd Annual Grammy Awards in 1999.

Another Bad Creation’s “Playground,” “lesha,” Boys II Men’s “Motownphilly,” Monica “Don’t Take it Personal,” Pink “Just Like a Pill” and TLC  “What about Your Friends” are key projects whose inaugural albums or initial hit singles were written and produced by Austin. They exemplify his role as an innovator, creator and developer of what we know as Pop and R&B music today and have broadened his own vision for the future.

Not many other artists can claim to write songs for the variety of talent or music genre that Austin has experienced. He has had the joy of working and writing songs with the legendary “Queen of Soul” Aretha Franklin, the P-Funk man himself George Clinton, the “King of Pop,” Michael Jackson and one of the biggest selling female artists in history, Madonna “Secret”. He has also written with Santana, After 7, Erick Sermon, Johnny Gill, Bjork, Brand New Heavies, Fishbone, Grace Jones, Tricky, Usher, Shakira, Janet Jackson, Macy Gray, Gwen Stefani, Duran Duran, Lionel Richie and Natalie Cole.

Missy Elliott 

Missy Elliott
Missy Elliott (Photo by Derek Blanks)

One of the most significant female artists in contemporary music history, Missy Elliott is a groundbreaking solo superstar, pioneering songwriter-producer, and across-the-board cultural icon. The five-time GRAMMY® Award winner – with nominations spanning three decades – has attained unprecedented success, including U.S. sales in excess of 30 million. Missy’s six studio albums have each been RIAA platinum certified or better, marking her as the only female rapper to achieve that remarkable accomplishment.

Born in Portsmouth, VA, Missy first made waves for her inventive songwriting and production work, becoming a certified hitmaker.  Elliott’s milestone solo debut, 1997’s RIAA platinum certified Supa Dupa Fly proved to be a landmark debut. Immediately acclaimed upon release as a boundary-shattering masterpiece, Supa Dupa Fly spawned a string of blockbuster Missy penned hit singles, including “Sock It 2 Me,” “Hit Em Wit Da Hee,” “Beep Me 911,” and of course groundbreaking “The Rain (Supa Dupa Fly).” Da Real World followed in 1999, showcasing the record-breaking #1 hit, “Hot Boyz (Remix) (Feat. Lil’ Mo, Nas, Eve & Q-Tip).”

2001’s Miss E…So Addictive was yet another platinum certified milestone, a worldwide sensation that established Elliott as hip-hop’s preeminent female artist. With its six note undeniable hook, the album’s “Get Ur Freak On” redefined contemporary pop and hip hop, earning Missy her first-ever Grammy Award (for “Best Rap Performance”).” Her album Under Construction debuted at #3 on the Billboard 200 upon its 2002 release and has since been certified 2x platinum for 2.5 million sales in the U.S. alone. The iconic song “Work It,” the album’s lead single made history by spending an incredible 10 weeks at #2 on Billboard’s “Hot 100.”  Missy’s sixth studio album, 2005’s The Cookbook featured the Grammy-nominated “We Run This” and the chartbusting and beloved anthem “Lose Control (featuring Ciara & Fatman Scoop).”

Missy’s massive accomplishments extended far beyond her own solo works, including innumerable guest appearances on singles and remixes by a truly diverse span of musical artists. As one of modern pop’s definitive songwriters and producers, Elliott’s star-studded list of songwriting credits continues to grow, including collaborations with Beyoncé (“Signs”), Whitney Houston (“In My Business”), Ciara (“One Two Step”), Monica (“So Gone”), Destiny’s Child (“Confessions”),  SWV (“Can We”), Fantasia (“Free Yourself” and “Bump What Your Friends Say”),  Mary J Blige (“I Never Been”), Aaliyah (“One In A Million,” “If Only Your Girl Knew,” and “Hot Like Fire”), Tweet (“Call Me”), Jennifer Hudson (“I’m His Only Woman”),  Nicole Wray (“Make It Hot”), Mya (“My Love Is Like Whoa”), Total (“What About Us” and “Trippin”), and 702 (“Where My Girls At?” and “Stello”) among others.

Recent years have seen a series of surprise event appearances like her unforgettable performance at 2015’s Super Bowl XLIX. In 2016, Elliott united with former First Lady Michelle Obama for “This Is For My Girls,” an all-star anthem to female empowerment.

 

John Prine

John Prine (Photo by Danny Clinch)

Two-time Grammy-winner John Prine is among the English language’s premier phrase-turners. Almost 50 years into a remarkable career, Prine has drawn effusive praise from the likes of Bob Dylan, Kris Kristofferson, Bonnie Raitt, Roger Waters, Tom Petty, Bruce Springsteen and more. With music relevant to any age, Prine’s iconic songs like “Sam Stone,” “Angel From Montgomery,” “Paradise,” “Hello In There,” “Illegal Smile,” “That’s The Way The World Goes ‘Round,” “Speed Of The Sound Of Loneliness,” “In Spite of Ourselves,” “I Just Want To Dance With You,” and many more have established him as a legendary singer, songwriter and performer.

He is a Nashville Songwriters Hall of Fame member, a PEN New England Lyrics Award recipient, and a Rock & Roll Hall of Fame nominee. His work has been recognized as part of the Recording Academy’s Grammy Hall of Fame and his songs have been recorded by Johnny Cash, Carly Simon, Bette Midler, Bonnie Raitt, Norah Jones, George Strait, Miranda Lambert, Zac Brown Band and many others.

Prine’s first album featuring new material in 13 years, The Tree Of Forgiveness, was released last year to overwhelming acclaim garnering three nominations at this year’s 61st Grammy Awards including Best Americana Album and Best American Roots Song (for the album track “Summer’s End”). In addition, his inaugural music festival, All The Best, will take place Nov 11-15 in Punta Cana, Dominican Republic.

Tom T. Hall

Tom T. Hall (Photo by Rebecca Lawrence)

Born May 25, 1936 in Olive Hill, KY, Tom T. Hall wrote music that elevated and enriched American culture, giving voice to the experiential intricacies of common people and exemplifying compassionate honesty.

“He’s a master of deceptive simplicity,” said new-century troubadour Jason Isbell. “The American songbook would be greatly lacking without his contributions.”

President Jimmy Carter said Country Music Hall of Fame member Hall, known as “The Storyteller,” was “As well qualified as anyone I know to tell the history of our country and love and hate and achievement and disappointment and happiness and tears among the people who have made our country, and who still exemplify its finest merits.”

Johnny Cash wrote to Hall, “You are my all-time favorite songwriter.”

Hall recorded 33 Top 20 country hits, including masterworks “Ballad of Forty Dollars,” “A Week in a Country Jail,” “The Year Clayton Delaney Died,” “(Old Dogs, Children and) Watermelon Wine,” and “I Love.” He also penned the Jeannie C. Riley smash “Harper Valley, P.T.A.,” the Alan Jackson chart-topper “Little Bitty,” and “That’s How I Got To Memphis,” recorded by greats including Bobby Bare, Solomon Burke, Rosanne Cash, Eric Church, Bill Haley, and Buddy Miller.

His songs have been recorded by Johnny Cash, Lester Flatt and Earl Scruggs, Duane Eddy, Patty Griffin, Buddy Miller, George Jones, Gram Parsons, and many more.

“Songwriters aren’t good songwriters, people are good songwriters,” he said. “You sit down as a person and write a song. If you’ve written a song by the time you stand back up, you’re a songwriter. But the person comes first. You can’t look at the thing from somewhere up above, or from some place of supposed knowledge.”

In later life, Tom T. collaborated with his wife, Dixie Hall, in composing hundreds of bluegrass music standards. The Hall’s songs placed them in the International Bluegrass Hall of Fame.

Jack Tempchin

Jack Tempchin (Photo by Joel Piper)

Jack Tempchin is a legendary California hit songwriter whose best known compositions, “Peaceful Easy Feeling” and “Already Gone”. Both are on ‘EAGLES Their Greatest Hits: 1971-1975’, awarded *Best-Selling U.S. Album of the 20th Century* by the RIAA. Tempchin has five Eagles contributions total, including co-writes “The Girl From Yesterday” from the Eagles ‘Hell Freezes Over’ 1994 release, plus co-writes “It’s Your World Now” and “Somebody”, from Eagles 2007 ‘Long Road Out Of Eden’ release.

In 1976, Jack Tempchin was first signed by Clive Davis to Arista Records along with Jules Shear and Richard Stekol in a band known as The Funky Kings. Classic-rocker Johnny Rivers heard the Funky Kings’ Jack Tempchin track, “Slow Dancing (Swayin’ To the Music)” recorded the song, and made it a Billboard Top 10 hit in 1977. Later that same year, country crooner Johnny Duncan took it Top 10 on the Country charts.

In 1980, the Eagles took a 14 year vacation. Tempchin then occupied the vacant writer’s seat next to Glenn Frey. Together, they co-wrote a dozen radio hits for Glenn Frey’s solo career including, “True Love”, “The One You Love”, “Party Town”, “Sexy Girl”, “I Found Somebody”, “Soul Searchin”, “Livin’ Right”, and “Part Of You, Part Of Me”… the official soundtrack song for Oscar-winning movie ‘Thelma & Louise’. Tempchin and Frey also co-composed “Smuggler’s Blues” & “You Belong to The City” specifically for the original ‘Miami Vice’ TV show soundtrack, which reached Number 1 on the Billboard 200 in both 1985 and 1986.

Jack Tempchin songs have been performed live or recorded by many artists of note, including: George Jones, Tom Waits, Buck Owens, Emmylou Harris, John Fogerty, Glen Campbell, Chris Hillman, Jackson Browne, Dwight Yoakam, Linda Ronstadt, Patty Loveless, Trisha Yearwood, Tanya Tucker, Jim Lauderdale, Johnny Duncan, Richie Havens, Taj Mahal, Randy Meisner, Sammy Kershaw, Kate Wolf, Tom Rush, Little Texas, The Paladins, New Riders Of the Purple Sage, Olivia Newton-John, Wilson-Philips, Brett Dennen, Rob Thomas (Matchbox 20) and Jim James (My Morning Jacket), among other greats.

 

Yusuf Islam/ Cat Stevens

Yusuf Islam, also known as Cat Stevens (Photo by Danny Clinch)

Cat Stevens came of age amid the creativity and excitement of London’s West End with its many theatres, cinemas, and folk clubs. Musical success came quickly both as a performer and as a songwriter. Singles such as “I Love My Dog” and “Matthew & Son” established Cat as a pop star, however, his songs were also hits for other artists such as The Tremeloes with “Here Comes My Baby” and P.P. Arnold with “The First Cut is the Deepest” – the latter going on to be a massive hit across five decades for artists including Rod Stewart, Sheryl Crow, and Keith Hampshire.

In 1968 Cat emerged from a near fatal bout of Tuberculosis as a spiritual seeker with a new stripped-down style. Albums such as Tea for the Tillerman, and Teaser and the Firecat saw him ascend to the top echelons of superstardom with fans worldwide captivated by iconic songs such as “Wild World”, “Father & Son”, “Oh Very Young” and “Moonshadow”. Set to honest and intimate acoustic arrangements, the lyrics of his songs reflected aspirations of a better world using some of the most imaginative symbolism of his or any generation. Cat’s success continued through the 70s where he would also show himself to be a musical innovator. His experimental techno-pop instrumental “Was Dog A Doughnut?” has been hailed by the likes of The Roots’ Questlove and Wu-Tang Clan’s GZA as having had a profound influence on the birth of hip-hop and electro genres.

1977 saw Cat embrace Islam and a year later he changed his name to Yusuf. He spent almost three decades dedicated to charity, education, raising a family, and exploring his faith. He wasn’t completely absent from music, however, as he became a pioneer of the English Nasheed (devotional) genre in the West, releasing spoken word recordings as well as much loved albums for children including A is for Allah and I Look, I See.

In 2006, Yusuf / Cat Stevens made his full return to the music industry and he has recorded a further four albums to date including 2017’s GRAMMY nominated The Laughing Apple. The universality of his message of peace has resulted in his songs being absorbed into the public consciousness and the timelessness of his music is perhaps best summed up “Peace Train”, a seminal anthem of hope and unity which is as relevant today as it was in the 70s.  

In addition to his music, Yusuf / Cat Stevens is the recipient of numerous international humanitarian awards. He has also received some of the most prestigious awards for a songwriter including ASCAP Songwriter of the Year in 2005 (also Song of the Year) and again in 2006 for “The First Cut is the Deepest,” the 2007 Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers and Authors, and he was inducted into the Rock and Roll Hall of Fame in 2014.

About The Songwriters Hall of Fame:

The Songwriters Hall of Fame celebrates songwriters, educates the public with regard to their achievements, and produces a spectrum of professional programs devoted to the development of new songwriting talent through workshops, showcases, scholarships and Master Sessions at NYU Steinhardt School of Culture, Education and Human Development, University of North Carolina and at Stuyvesant High School. West Coast educational activities are held at The GRAMMY Museum, which hosts the permanent Songwriters Hall of Fame Gallery, and at the University of Southern California. Out of the tens of thousands of songwriters of our era, there are approximately 400 inductees who make up the impressive roster enshrined in the Hall of Fame. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song. The list of inductees include Kenneth Gamble & Leon Huff, Barry Mann & Cynthia Weil, Jerry Leiber & Mike Stoller, Eddie Holland, Lamont Dozier & Brian Holland, Smokey Robinson, Paul Williams, Hal David & Burt Bacharach, Billy Steinberg & Tom Kelly, Bob Dylan, Isaac Hayes & David Porter, Carole King, Paul Simon, Billy Joel, Jon Bon Jovi & Richie Sambora, Elton John & Bernie Taupin, Brian Wilson, James Taylor, Don Schlitz, Bruce Springsteen, Phil Collins, Alan & Marilyn Bergman, Loretta Lynn, Jimmy Webb, Van Morrison, Kris Kristofferson, Dolly Parton, Garth Brooks, Diane Warren, Carole Bayer Sager, Stevie Wonder, Steven Tyler & Joe Perry, Mac Davis, Leonard Cohen, Ray Davies, Cyndi Lauper,  Desmond Child, Mick Jones & Lou Gramm, Elvis Costello, Marvin Gaye, Nile Rodgers & Bernard Edwards, Lionel Richie, Bill Withers, Neil Diamond, Jay Z, Tom Petty, Toby Keith, Max Martin, Jimmy Jam & Terry Lewis, Berry Gordy, Kenneth “Babyface” Edmonds, Robert Lamm & James Pankow, Bill Anderson, Steve Dorff, Jermaine Dupri, Alan Jackson, Kool & The Gang, John Mellencamp and Allee Willis, among many others.

Full biographies and a complete list of inductees are available on the Songwriters Hall of Fame website at https://www.songhall.org. Joining online is quick and easy: https://www.songhall.org/join.

Ticket Information: 

Tickets for the Songwriters Hall of Fame event begin at $1,500 each, and are available through Buckley Hall Events, 914-579-1000. Net proceeds from the event will go toward the Songwriters Hall of Fame programs.  Songwriters Hall of Fame is a 501(c)3 organization.  The non-deductible portion of each ticket is $170. Contributions, for which no goods or services are received in exchange, are fully tax-deductible as provided by law.

Ashley Judd, Bryce Dallas Howard embody family love for pets in ‘A Dog’s Way Home’

January 11, 2019

Jonah Hauer-King and Ashley Judd in “A Dog’s Way Home” (Photo by James Dittiger)

The dramatic film “A Dog’s Way Home” chronicles the heartwarming adventure of Bella (voiced by Bryce Dallas Howard), a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human. The film, which is directed by Charles Martin Smith, has a cast that includes Jonah Hauer-King as Lucas and Ashley Judd as Lucas’ single mother Terri, who are Bella’s owners; Alexandra Shipp as Olivia, Lucas’ co-worker who is with Lucas when they find her as a stray puppy; and Edward James Olmos as Axel, a homeless veteran who takes ownership of Bella during her journey. The adult Bella is played by Shelby, a mixed breed that in real life was a stray dog rescued from an animal shelter. “A Dog’s Way Home” opens in North American cinemas on January 11, 2019. Here are photos and videos from the movie:

 

2019 Athena Film Festival: programming lineup announced

January 9, 2019

by Carla Hay

Athena Film Festival

The ninth annual Athena Film Festival—which takes place at New York City’s Barnard College from February 28 to March 3, 2019—continues its tradition of offering an intelligently curated and diverse lineup of female-focused programming. Most of the feature-length films are those that have already been released in theaters or have premiered at other events, but the Athena Film Festival has such a unique focus that it’s worth attending for people who haven’t seen these movies yet, want to see the movies again, and/or are interested in checking out the panel discussions or short films. The event always has some gems to offer that catch on later with the general public. (In 2017, for example, Athena Film Festival had one of the first public screenings of clips from the first season of the Hulu series “The Handmaid’s Tale,” long before the show would go on to win several major awards.) In most cases, the films’ directors attend the festival and do intros or Q&As at the screenings.

The 2019 Athena Film Festival’s opening-night film, closing-night film and the narrative and documentary centerpiece films will all have their New York or U.S. premieres at the event. The film that is probably getting the most buzz is Rachel Lears’ “Knock Down the House,”  a documentary about four very different female candidates for the U.S. House of Representatives in the 2018 mid-term elections. One of candidates in the film is Alexandria Ocasio-Cortez, who made history by becoming the youngest woman (at age 29)  to serve in Congress. The opening-night film is “Fast Color,” directed by Julia Hart, starring Gugu Mbatha-Raw as a superhero forced to go into hiding. The narrative centerpiece film is the detective thriller “Out of Blue,” directed by Carol Morley and starring the always-great Patricia Clarkson. The documentary centerpiece film is Amy Berg’s “This Is Personal,” which takes a look at the modern women’s movement.

For those on the lookout for movies originally released in 2018 that are getting awards buzz, the clear standout film is “The Favourite”—starring Olivia Colman, Rachel Weisz and Emma Stone—which has been collecting prizes at pretty much every major awards show. Also noteworthy is “Can You Ever Forgive Me?,” which has been garnering a lot of praise and awards for co-stars Melissa McCarthy and Richard E. Grant, as well as screenwriters Nicole Holofcener and Jeff Whitty. The performances of Regina Hall in “Support the Girls” and Rosamund Pike in “A Private War” have been getting notable recognition. For their respective roles in this films, Hall was named Best Actress by the New York Film Critics Circle, while Pike received a Golden Globe nomination. Meanwhile, the documentary “On Her Shoulders” made it on the Oscars shortlist for Best Documentary Feature. (The nominations for the 91st Academy Awards will be announced on January 22, 2019.)

Here is the programming lineup for the 2019 Athena Film Festival. More information can be found at the official festival website. (All descriptions listed below are courtesy of the festival.)

 

NARRATIVE FEATURES

A Private War

Director: Matthew Heineman

Writers: Marie Brenner and Arash Amel

One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.

 

Ask for Jane

Director: Rachel Carey

Writers: Rachel Carey and Cait Cortelyou ‘09

The true story of determined women in the 1960s who quietly provided the phone number of reliable abortion doctors to women in need. Operating like a spy network, using blindfolds, code names, and secret locations, the Jane Collective helped over 11,000 women receive safe, illegal abortions until they were legalized in 1973.

Can You Ever Forgive Me?

Director: Marielle Heller

Writers: Nicole Holofcener and Jeff Whitty

Based on a true story, Melissa McCarthy stars as Lee Israel, the best-selling celebrity biographer who makes her living profiling the likes of Katharine Hepburn and Tallulah Bankhead. Unable to get a new publishing gig, Lee turns to artistic deception, abetted by her loyal friend Jack.

 

Don’t Talk To Irene

Director and writer: Pat Mills

When an overweight and unpopular teenager is suspended from school, she must endure two weeks of community service at a nearby retirement home. She secretly signs up the residents for a dance-themed reality show to prove that you don’t have to be perfect to be perfectly awesome.

 

Fast Color – OPENING NIGHT FILM & NEW YORK PREMIERE

Director: Julia Hart

Writers: Julia Hart and Jordan Horowitz

This fantasy, superhero re-mix stars Gugu Mbatha-Raw as a hero forced to run when her superhuman abilities are discovered. Years after abandoning her family, the only place she has left to hide is home. Lorraine Toussaint and David Strathairn co-star.

*February 12, 2019 UPDATE:

I Am Somebody’s Child: The Regina Louise Story

Director: Janice Cooke

Writer: Camille Thomasson

“I Am Somebody’s Child: The Regina Louise Story” tells the journey of a young African-American girl who navigated over 30 foster homes and psychiatric facilities before age 18, and the one woman, Jeanne, who believed in her. After 25 years, Jeanne is finally able to adopt Regina in the same courthouse that denied them previously.

Jinn

Director and writer: Nijla Mu’min

In writer-director Nijla Mu’min’s debut feature, an African-American teenager’s world is turned upside down when her mother, a popular TV meteorologist, abruptly converts to Islam, prompting both mother and daughter to reevaluate their identities.

On the Basis of Sex

Director: Mimi Leder

Writer: Daniel Stiepleman

The compelling story of Supreme Court Justice Ruth Bader Ginsburg’s early years, as she crafts a national legal strategy to win equal rights for women and fights to succeed in a profession notably hostile to women. The screenplay was a 2014 Athena List winner.

 

Out Of Blue – NARRATIVE CENTERPIECE AND U.S. PREMIERE

Director and Writer: Carol Morley
Detective Mike Hoolihan (Patricia Clarkson) is called to investigate the shooting of a leading astrophysicist. As Mike tumbles down the rabbit hole of the disturbing case, she finds herself grappling with cosmic secrets that may hold the key to unraveling the crime, while throwing into doubt her very understanding of reality.

 

Rafiki

Director and writer: Wanuri Kahiu

In their community “good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. When love blossoms between them, the two girls are forced to choose between happiness and safety.

 

Saint Judy – NEW YORK PREMIERE

Director: Sean Hanish

Writer: Dmitry Portnoy

Based on a remarkable true story, when an Afghan woman flees her home after being persecuted by the Taliban, immigration attorney Judy Wood (Michelle Monaghan) takes her case. In the process, she changes U.S. asylum law and saves the lives of countless people.

Support the Girls

Director and writer: Andrew Bujalski

The general manager at a highway-side ”sports bar with curves” who has incurable optimism and faith in her girls, her customers, and herself, is tested over the course of a long, strange day.

The Favourite

Director: Yorgos Lanthimos

Writers: Deborah Davis and Tony McNamara

Set in early 18th-century England, this award winning comedy-drama stars Olivia Colman as Queen Anne and Rachel Weisz and Emma Stone as cousins whose quarreling take center stage as each jockeys to be the court favourite of a frail and mercurial Queen Anne.

The Miseducation of Cameron Post

Director: Desiree Akhavan

Writers: Desiree Akhavan and Cecilia Frugiuele

In this drama directed by Desiree Akhavan, Chloë Grace Moretz plays a teenager sent away to a remote “treatment center” after being caught in the backseat with the prom queen. As she is subjected to questionable gay conversion therapies, she finds both challenges from and solace in fellow residents.

 

Working Woman

Director: Michal Aviad

Writers: Michal Aviad, Sharon Azulay Eyal, Michal Vinik

Orna’s life at work becomes unbearable when her boss, a major Israeli developer, makes inappropriate advances. Caught between the need to support her family and the increasingly disturbing behavior of her boss, Orna fights for her job and her sense of self-worth.

 

DOCUMENTARIES

93Queen

Director: Paula Eiselt

Set in the Hasidic enclave of Borough Park, Brooklyn, a tenacious group of Hasidic women challenge stereotypes and power structures in their tight-knit community by creating the first all-female volunteer ambulance corps in New York City. This film was a 2015 Athena Work in Progress film.

Be Natural: The Untold Story of Alice Guy-Blaché

Director: Pamela B. Green

In 1896, Alice Guy-Blaché was the first female film director at age 23. She went on to write, direct, produce, or edit more than 1000 films and became one of the early film industry’s biggest stars. Then she vanished from history.

 

Dykes, Camera, Action!

Director: Caroline Berler

Stonewall, the feminist movement, and the experimental cinema of the 1970s, set the stage for lesbian filmmakers to transform how society views queerness. In this moving and often hilarious film, lesbian filmmakers share their stories and discuss how they express their queer identity through film.

Knock Down The House – CLOSING NIGHT FILM & NEW YORK PREMIERE

Director: Rachel Lears

A young bartender in the Bronx, a coal miner’s daughter in West Virginia, a grieving mother in Nevada and a registered nurse in Missouri build a movement of insurgent candidates challenging powerful incumbents in Congress. One of their races will become the most surprising political upset in recent American history.

Lady Parts Justice in the New World Order

Director: Ruth Leitman

Led by The Daily Show’s co-creator Lizz Winstead, the Lady Parts Justice League barnstorms the country to support abortion providers and defend women’s reproductive rights. Using comedy as the ultimate weapon to mobilize voters for the 2018 elections, they use a boots-on-the-ground strategy to protect bodily autonomy for all.

Life Without Basketball

Directors: Tim O’Donnell, Jon Mercer

After the International Basketball Federation forbids head coverings, making it impossible for Muslim women to maintain their religious convictions while on the court, Bilqis Abdul-Qaadir fights to change the rules. With her victory, she becomes the first Division I basketball player to play wearing the hijab and inspires the young Muslim women she coaches.

 

Netizens

Director: Cynthia Lowen

The proliferation of cyber harassment spreads from the web to the most intimate corners of women’s lives. As the internet becomes the next frontier of civil rights, three women who are targets of harassment confront digital abuse and strive for equality and justice online. The film was a 2017 Athena Work in Progress film.

 

Nothing Without Us: The Women Who Will End AIDS

Director: Harriet Hirshorn

A compelling portrait of the inspiring and remarkable women at the forefront of the global AIDS movement who work tirelessly to end the 30-year old pandemic and help women around the world at risk of HIV and AIDS.

On Her Shoulders

Director: Alexandria Bombach

With deep compassion and an elegance that matches her calm and steely demeanor, 23 year-old Nadia Murad survives the 2014 genocide of the Yazidis in Northern Iraq and escapes ISIS to become a relentless beacon of hope for her people.

 

The Feminist

Director: Hampus Linder

This personal and compelling portrait follows Gudrun Schyman, spokesperson of Sweden’s Feminist Initiative political party as she moves between small towns, refugee camps, and the corridors of power. In the process, she inspires women across the globe and becomes one of Sweden’s most influential politicians.

The Great Mother

Directors: Dave LaMattina and Chad Walker

When two U.S. born children share that their mother is being deported, immigration activist Nora Sandigo steps up to become their legal guardian, saving them from the fate of  “immigration orphans’’ trapped in the foster care system. Six years later, Nora’s charges have grown to nearly 1,000 children.

 

This is Personal – DOCUMENTARY CENTERPIECE

Director: Amy Berg

While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for years. Their stories expose the fundamental connection between the personal and the political, and asks: how can intersectionality birth a new social justice movement?

Warrior Women

Directors: Elizabeth A. Castle and Christina D. King

Madonna Thunder Hawk, unapologetic organizer of the American Indian Movement,  has cultivated a ragtag gang of activist children—including her daughter Marcy—into the We Will Remember survival group. Through their story, the film highlights the struggle for native rights and how activists pass their legacies from generation to generation.

What She Said: The Art of Pauline Kael

Director: Rob Garver

This nuanced portrait of Pauline Kael, among the most famous and divisive film critics of all time, uses never-before-seen archival film, wide-ranging interviews and her own writings voiced by Sarah Jessica Parker, to capture her complexity while revisiting late-twentieth-century cinema through her lens.

 

Whispering Truth to Power

Director: Shameela Seedat

After her appointment as South Africa’s Public Protector in 2009, Thuli Madonsela immediately faces violent protests, court interdicts, political and personal attacks, and death threats, as this remarkably steadfast woman seeks justice in a country still coming to terms with its apartheid past.

Worlds of Ursula K. Le Guin

Director: Arwen Curry

Explore the remarkable life and legacy of the late feminist author Ursula K. Le Guin. She holds her ground on the margins of “respectable” literature until the sheer excellence of her work forces the mainstream to embrace her science fiction and fantastic writings.

 

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