Review: ‘Aftershock: The Nicole P. Bell Story,’ starring Rayven Ferrell, Richard Lawson, Richard T. Jones, Bentley Green, Jazmin Lewis, Iyana Halley, Essence Renae and Denee Busby

November 29, 2025

by Carla Hay

“Aftershock: The Nicole P. Bell Story”

Directed by Alesia “Z” Glidewell

Culture Representation: Taking place in New York City, from 2000 to 2010 (with an epilogue in 2020 and 2021), the dramatic film “Aftershock: The Nicole P. Bell Story” (based on real events) features a predominantly African American cast of characters (with some white people and Latin people) representing the working-class and middle-class.

Culture Clash: A young woman fights for justice after her 23-year-old unarmed fiancé, who was not committing any crimes, is shot to death by undercover police officers in the early-morning hours of the day he was supposed to get married.

Culture Audience: “Aftershock: The Nicole P. Bell Story” will appeal primarily to people who are interested in watching dramatic versions of real stories about the intersections of police brutality and race relations, from an African American perspective.

“Aftershock: The Nicole P. Bell Story” has subject matter that is intended to make people uncomfortable because it tells the harsh realities of injustices when African Americans are victims of police gun violence, compared to victims of other races who experience the same types of violence. This biopic (about Nicole P. Bell’s fight for justice in the tragic shooting of her fiancé Sean Bell) has the qualities of a made-for-TV movie. The movie’s civil rights lessons and Rayven Farrell’s admirable lead performance make it worth watching.

Directed by Alesia “Z” Glidewell (who co-wrote the “Aftershock” screenplay with Cas Sigers-Beedles), “Aftershock” takes place in New York City from 2000 to 2010, with an epilogue taking place in 2020 and 2021. The movie was filmed on location in New York City.

“Aftershock” begins in the early-morning hours of November 2, 2006, by showing this fateful shooting. There are no words spoken and no context given in this opening scene. All viewers will see is that there’s a shootout on a dark street, and the shooters are aiming at people who’ve already been injured in a car.

The shooters are plainclothes police officers whose police badges are briefly seen underneath their jackets. An unconscious man in the front passenger seat is repeatedly shot, while another man who ran out of a car is gunned down on the street. There are no indications that men who were shot had any weapons.

The movie then flashes back to 2000, the year that 16-year-old Nicole Paultre (played by Ferrell) began dating 17-year-old schoolmate Sean Bell (played by Bentley Green), a popular student who was a star pitcher in their high school’s baseball team. Nicole and Sean are students at John Adams High School and live in New York City’s Queens borough. They both come from middle-class, two-parent households and have loving and stable families.

In the school hallway, Nicole is telling her friend Tila (played by Iyana Halley) about her crush on Sean, who happens to be walking nearby. Sean notices the two girls and approaches Nicole. He compliments Nicole by saying, “I like your pants.” Then he asks for her phone number because he tells he wants to hang out with her sometime. Nicole is smitten and elated.

The movie then shows a quick montage of Nicole and Sean dating, becoming lovers, Nicole being pregnant, and Sean giving her an engagement ring. The couple’s first child, a daughter named Jada, was born in December 2002. Their second child, a daughter named Jordyn, was born in June 2006.

Jada at 3 years old is played by Royce Jaliya Lewis. Jada at 9 to 10 years old is played by Zariah Luna. Jada at 17 to 18 years old is played by Kyrie McAplin. Jordyn at 5 months old is played by Yarrah Evanice Ddungu. Jordyn at 6 to 7 years old is played by Amara Garrison-Quick. Jordyn at 14 to 15 years old is played by Victoria Nuckles.

By October 2006, Nicole had almost given up hope that she and Sean would get married. The couple had financial struggles (they were living with Nicole’s parents), and Sean didn’t have a steady job. As depicted in the movie, Nicole was also beginning to suspect that Sean was cheating on her because he had unexplained absences and seemed to be hiding a secret.

When Nicole confronts Sean about his secrecy after she catches him telling a small lie, he confesses that he had been secretly planning their wedding, which is scheduled three weeks from that date, on November 2, 2006. Nicole is surprised but overjoyed. The day before the wedding, she has a small bachelorette party at her home, while Sean has his bachelor party at a strip club the night before the wedding date.

On the morning of the wedding, Nicole is woken up by her mother Laura Paultre (played b Jazmin Lewis), who urgently tells her that something has happened to Sean, who is at a local hospital. Nicole, Laura and Nicole’s older sister Shelby (played by Essence Renae) rush to the hospital, where police officers and hospital employees refuse to give them any information about Sean at first.

Slowly, they find out bits and pieces of information: Sean was gunned down in a police shootout where the cops fired 50 times at unarmed Sean and his two unarmed friends Joseph Guzman (played by Miles Stoter) and Trent Benefield (J’lan Oliver), who were in the club with Sean that night. Sean was shot four times. Joseph and Trent were severely wounded by survived, but Sean died.

The police officers, who were not in uniform at the time of the shooting and were working undercover to investigate the club for prostitution, gave this version of events: Joseph got into an argument with someone outside of the nightclub. Undercover cop Gescard Jesse Isnora (played by Byron Kenneth Brown Jr.) said he heard Joseph threaten the other man with a gun, while someone else in Sean’s friend group allegedly said he would get a gun in Sean’s car.

Isnora then altered his fellow undercover cops to a possible shooting that was going to take place. The cops surrounded Sean’s car and identified themselves as police officers, according to the cops’ statements. Sean (who was driving) tried to leave and accidentally crashed into one of the cop cars in an apparent panic.

At the same time, the police claimed that they saw someone else in the car duck down in what the cops assumed was to get a weapon. Sean and his friends actually did not have any weapons. Isnora and the other cops alleged that they felt their lives were in danger, so they opened fire. Witnesses came forward and said that the cops never identified themselves as police officers before they began shooting. In an investigation later concluded that five of the seven police officers at the scene used their guns to shoot.

What made this case so outrageous to many people was that Sean and his friends were unarmed, there was no proof that Sean and his friends threatened anyone, and the way the shooting was “overkill” (50 shots fired by police) on defenseless people when the cops never saw the victims with any weapons. And it shouldn’t be ignored that the victims being young black men had a lot to do with how the police responded to this situation.

“Aftershock: The Nicole P. Bell Story” has the expected scenes showing the grieving of Sean’s loved ones, including his parents (played by Kevin Jackson and Denee Busby); Nicole; Nicole’s sisters Shelby and Korie (played by Rejeanne Bennett); and Nicole’s mother and father (played by Malik Barnhardt). Nicole and her family get a visit from civil rights activist Rev. Al Sharpton (played by Richard Lawson), who recommends attorney Sanford “Sandy” Rubenstein (played by William DePaolo) to represent Nicole and her family in the subsequent criminal trial and civil lawsuit. Rubenstein is depicted in the movie as the person who suggested that Nicole legally change her last name to Bell, after she finds out that she can’t marry Sean posthumously.

At first the New York Police Department (NYPD) failed to discipline the police officers involved in the shooting. But after civil rights protests, negative media coverage, and internal investigation, the police officers were put on a leave of absence or suspended. The movie also shows that the NYPD disputed Sean’s life insurance claim until the NYPD’s internal investigation was completed.

An investigation revealed that five police officers of multiple races fired their guns in this case: Gescard Isnora, an African American man; Michael Carey (played by Kristin Lambert), a white man; Marc Cooper (played by Anthony Darrell), an African American man; Paul Headley (played by Gene Freeman), an African American man; and Michael Oliver (played by Michael Rubenstone), a white man, who fired the most bullets (31) in the shootout.

In the end, only Isnora, Cooper and Oliver were charged and went on trial in 2008 for the unlawful death of Sean. Isnora and Oliver were charged with first- and second-degree manslaughter, second-degree reckless endangerment, and first- and second-degree assault. Cooper was charged with two counts of reckless endangerment. Because this case got a lot of media attention, it’s already a well-known fact that in this bench trial (a trial without a jury), the judge decided that Isnora, Cooper and Oliver were not guilty on all of the charges

Meanwhile, Nicole, other members of Sean’s family, Guzman and Benefield filed civil lawsuits against New York City. In 2010, they won their civil lawsuits. Nicole and Sean’s family members got a $3.5 million judgment of the total $7.15 million judgment awarded to all the plaintiffs. In 2012, all of the shooter officers and their commanding officer were fired or forced to resign from the NYPD.

“Aftershock: The Nicole P. Bell Story” does a fairly good job of giving the perspectives of Nicole and her family in this tragedy. Because the movie is subtitled “The Nicole P. Bell Story,” it doesn’t go into specifics about the viewpoints of Guzman and Benefield. The movie is also not really concerned about what was going on internally at the NYPD, except for a few scenes showing Lieutenant Gary Napoli (played by Robert Lewis Stephenson, also known as Bobby Stephenson) scolding the accused officers, who are under his supervision.

In one scene, Lieutenant Napoli meets privately with Isnora and advising him to not talk to anyone but an attorney about what Isnora knows. In another scene in a conference room, Lieutenant Napoli listens with incredulous disgust when five gun-shooting cops tell their versions of what happened and admit they didn’t actually see any weapons on the victims before starting the shootout. Lieutenant Napoli tells them to leave the room and contact the police union to get attorneys. “Where headed for a shitstorm,” he says.

Nicole is depicted as someone who nearly collapses from the weight of her grief, but she finds strength with the support of loved ones, Rev. Sharpton and her attorney. What fuels her fire is how Sean and the other victims were being made to look like villains by certain people, just because these young men had been drinking alcohol at a club on the night that they were shot by police, and Sean’s blood alcohol level showed that he was legally intoxicated at the time he was killed.

It’s mentioned several times that Isnora (the cop who instigated the shootout) had been drinking heavily while on duty on the night of the shooting, but certain NYPD supporters constantly overlooked or diminished that fact. Nicole is so upset over how Sean’s blood alcohol level at the time of his death is being used as another weapon against him, she goes from someone who avoided talk to the media to being an outspoken advocate for Sean in the media. And by extension, she also becomes a civil rights activist for causes that have to do with unlawful police brutality against African Americans.

Ferrell portrays Nicole as someone who has compassion, grit and determination. She channels her grief into something positive that would later help form the foundation of the Black Lives Matter movement years later. Her performance as Nicole has very heart-wrenching emotional moments, but they don’t veer into over-the-top melodrama. There isn’t a false note in her performance.

The supporting cast members do fine jobs in their roles, except for Lawson, who gives an underwhelming depiction of Rev. Sharpton. The real Al Sharpton is known for his fiery and passionate persona, especially when it comes to civil rights and other political issues. In this movie, Lawson’s wooden and stiff acting makes Sharpton look fairly subdued and unrecognizable except for having a similar hairstyle. This lackluster performance doesn’t ruin the movie, but it’s a disappointing aspect.

The movie’s cinematography and editing have many familiar formulas that are over-used in made-for-TV-films, such as zoomed-in closeups, montages that breeze through life events, and flat lighting. The pacing of the courtroom scenes gets a little sluggish, but the dialogue is easy to understand for anyone who doesn’t want to get bored or confused by legal jargon. The movie’s soundtrack choices are stuck in 1990s, with songs like K-Ci & JoJo’s “All My Life,” Boyz II Men’s “It’s So Hard to Say Goodbye to Yesterday,” and a cover version of the Fugees’ “Ready or Not” prominently featured. For a movie where the events take place in the 21st century, the song choices are oddly outdated.

Some of the movie’s dialogue is a bit corny. When Rev. Sharpton meets with Nicole for the first time, he says about the controversy over Sean’s tragic death: “This is the biggest thing since Amadou Diallo.” It’s a reference to the tragedy of an unarmed 23-year-old Guinean immigrant student Amadou Diallo, who was shot to death in 1999 by three plainclothes white NYPD cops, who mistook him for another man who was a rape suspect. Although it’s unknown if Sharpton really made this insensitive comment to Nicole and her family, it seems like Sharpton making this remark is something that was fabricated for the movie.

Despite these flaws, “Aftershock: The Nicole P. Bell Story” is a worthy tribute to Sean Bell and the legacy he left behind that continues with Nicole Bell’s activism. The movie makes good use of including some real-life archival news footage, without overdoing the news footage or making it a distraction. As sad and unsettling as this tragedy is, “Aftershock: The Nicole P. Bell Story” is a necessary declaration that there are and will continue to be many people who are killed in ways that are similar to how Sean Bell was killed. And there’s still much more work to be done to prevent these tragedies from happening.

Faith Media Distribution released “Aftershock: The Nicole P. Bell Story” in select U.S. cinemas on November 28, 2025. The movie will be released on digital and VOD on December 15, 2025.