Alone, Betty Moyer, horror, John Hyams, Jonathan Rosenthal, Jules Willcox, Marc Menchaca, movies, reviews, Shelly Lipkin
October 23, 2020
by Carla Hay
Directed by John Hyams
Culture Representation: Taking place in unnamed parts of Oregon, the horror flick “Alone” features an all-white cast of characters representing the middle-class.
Culture Clash: A widow traveling by herself on a road trip is kidnapped by a stranger after a a road-rage incident.
Culture Audience: “Alone” will appeal primarily to people who like watching realistic and suspenseful “women in peril” movies.
If you consider how many movies are about women who’ve been kidnapped and held captive in an isolated area, then it’s pretty commendable that “Alone” takes this very unoriginal concept and still makes it a very suspenseful movie that isn’t tacky or overly melodramatic. “Alone” (directed by John Hyams) also makes great use of locations and having a small number of people in the cast to make this a satisfying thriller that is horrifying without being exploitative.
When it comes down to it, there are really only two main characters in this film: the kidnapper and his victim. The movie (written by Mattias Olsson) is told from the perspective of the protagonist Jessica Swanson (played by Jules Wilcox), a woman in her 30s who is on a road trip in an unnamed rural part of Oregon. Jessica is taking this trip by herself, and the beginning of the movie shows her closing the door of a U-Haul trailer where she’s packed her possessions, as she’s about to embark on this trip.
Jessica is moving somewhere to start a new life. She’s grieving over the death of her husband Eric (played by Jonathan Rosenthal), who’s shown in brief flashbacks in home videos that Jessica watches on her computer tablet. Eric died six months earlier, and his cause of death is revealed later in the story.
There’s almost nothing else about Eric that’s stated in the movie, such as how long he and Jessica were married or what he did for a living. But it’s very clear, based on the snippets of home videos that Jessica watches while she silently cries, that she and Eric were happy together. They had no children together, and Jessica seems to be a loner, because her concerned parents (who do not have names in the movie) are only people she checks in with by phone during her road trip. (Betty Moyer is the voice of Jessica’s mother. Shelly Lipkin is the voice of Jessica’s father.)
Jessica has an independent streak, because it’s revealed in her phone conversations with her parents that she impulsively decided to pack up and leave early for her road trip, after making plans for her parents to come over to her place and help her move. This sudden change of plans doesn’t case major problems with her parents, but they seem to be a little bit thrown-off they didn’t get a chance to help her pack and say goodbye to her. They’re also worried about her traveling by herself, but Jessica assures them that she will be just fine.
Her final destination is never talked about in the movie, but Jessica is heading north, and she begins her trip during the day. As she drives through an isolated, heavily wooded area of Oregon where each side of the road has only one lane, Jessica comes across a black Jeep that’s driving too slow in front of her. She tailgates the Jeep, but the driver either doesn’t see her or doesn’t take the hint to speed up. The Jeep’s license plates are covered in mud, making it impossible to get a clear view of the license plate number.
Finally, in frustration, Jessica decides to pass the Jeep, even though it means she would have to go in the lane for traffic that’s going in the opposite direction. She waits until the coast is clear and then goes in the opposite lane. But the driver of the Jeep (played by Marc Menchaca) sees her and speeds up, to indicate that he doesn’t want her to get in front of him.
Just as this happens, a big-rig truck is driving right toward Jessica, and it looks like she’s about to crash into it, but she’s able to increase her speed fast enough and swerve into the correct lane in front of the obnoxious Jeep driver, who then decides to tailgate her. Rather than continue this cat-and-mouse road rage situation, Jessica drives off the nearest side exit and waits long enough to let the Jeep drive ahead, so that by she gets back on the main road, the Jeep is nowhere in sight.
However, miles later, when she’s at a gas station, she’s startled by someone tapping on her window. It’s the Jeep driver: a bespectacled, red-haired man who’s in his late 30s or early 40s. This stranger tells Jessica that he’s sorry for the road-rage incident earlier. He makes a weird excuse that he had been texting while driving and didn’t see her at first, and when she swerved in front of him, he kind of got angry.
Jessica accepts his apology, but senses that something is “off” with this guy, because he’s being too nosy when he asks her what her name is, where she’s headed, and if she lives nearby. He doesn’t volunteer the same information about himself. Jessica tells him her first name only, and gives a vague reply that she’s headed north.
This guy seems to want to continue the conversation, but Jessica politely cuts it short and tells him that she needs to go. However, he’s obviously seen her U-Haul trailer, so he can figure out that she might be someone who’s not from the area and might be unfamiliar with the terrain if she gets kidnapped. Because you know that’s exactly what’s going to happen.
The movie builds up suspense to this kidnapping, by showing this mystery man encountering Jessica at other times during the trip, just like a predator stalking his prey. His name is revealed toward the end of the movie, but for the purposes of this review, he’ll just be referred to as the “kidnapper” from now on.
The next time Jessica sees the man who will kidnap her, his Jeep is blocking the road, and he’s got the car lid up, as if he’s having car problems. He’s also got his arm in a sling. Because his car is stopped in the middle of the lane, Jessica stops her car.
He flags her down and tells her that his car engine suddenly died, and he needs a ride to the nearest gas station. He also asks Jessica to help him move his Jeep off of the road. In a lot of kidnapping movies like this, the victim is fooled too easily and makes bad decisions in order to be polite or look like a Good Samaritan. What’s great about this movie is that the victim doesn’t make bad decisions and doesn’t easily fall for a seemingly harmless-looking person.
Instead of agreeing to let this strange man into her car, Jessica offers to call the nearest gas station for him. She tells him she that she can use her car’s GPS to find it. Seeing that Jessica is no fool and that she has a working cell phone, the kidnapper then says that he knows which gas station it is, and then tries to get Jessica to open the car door so that she can help him move his car out from the road.
Of course, getting a “stuck” car off of the road is what a tow truck is supposed to do. Jessica knows it, the kidnapper knows it, and she senses that this guy is up to no good because he’s acting as if she’s the only one who can help him. And it’s a red flag that he declined Jessica’s offer to call the nearest service station, and there’s no mention if he has his own phone to call for help. Jessica makes an excuse that she has to go because she’s late for a meeting, and she drives away.
It should come as no surprise that the kidnapper doesn’t really have an arm injury. He wore a sling on his arm to make himself look harmless. Faking an arm injury by wearing a sling or a cast is a tactic that kidnappers sometimes use to lure their victims when they ask for the victims’ help as a way to catch them off-guard. It’s a tactic that notorious serial killer Ted Bundy used for many of his victims.
During her road trip, when Jessica parents call her or she calls them, Jessica doesn’t really tell her parents about her encounters with this stranger, because there’s nothing they can do about it. What exactly can she say anyway? This guy didn’t break any laws with her. She doesn’t know his name or license plate number. She only has the description of him and his Jeep.
However, Jessica starts to become frightened when she sees the man in the Jeep again. This time, it’s at night and she’s at a nearly deserted rest stop. She quickly leaves the area and calls 911 when she thinks he’s following her. But it’s a false alarm, because it’s another car that was behind her.
However, as soon as she hangs up the phone, Jessica suddenly loses control of her car, which swerves off into a grassy area by the side of the road. When she gets out of the car, she sees that one of her tires has been slashed. As she gets back into the car to call for help, that’s when the guy in the Jeep suddenly drives up, uses a tire iron to smash her front passenger window, assaults her and kidnaps her.
Jessica wakes up to find that she’s in a locked basement in an isolated cabin in the woods. She begs the mystery kidnapper to let her go and promises she won’t tell anyone. He replies with a sadistic smile, “Do you think you’re the first one to say that?” The rest of the movie shows Jessica’s ordeal in trying to escape.
The believability of “Alone” rests largely on how the actors portray their characters. And fortunately, Willcox and Menchaca give very believable performances in their roles. The horror of “Alone” comes from the fact that there are many real-life kidnappers and serial killers who look like “average people” with “average lives” but they have an evil, twisted side to them that’s well-hidden from a lot of people. And as previously stated, “Alone” doesn’t make the female victim a gullible dimwit, which is an annoying flaw of other kidnapping movies.
The only slightly false note in “Alone” is when Jessica calls 911 and tells the 911 operator that she doesn’t know where she is and can’t even give a general location. This is after viewers see that Jessica’s car is equipped with GPS. However, this fairly minor plot hole could have an explanation that maybe Jessica was in panic mode and wasn’t thinking clearly.
In terms of kidnapping movies, “Alone” doesn’t do anything innovative. But it keeps the suspense throughout the entire film and presents enough realistic scenarios that it will definitely serve as a cautionary tale for anyone taking a long road trip alone. This movie is proof that you don’t need flashy action stunts or a large cast to make a very effective thriller.
Magnet Releasing released “Alone” in select U.S. cinemas and on digital and VOD on September 18, 2020.