Andy Garcia, Annie Mumolo, Barb & Star Go to Vista Del Mar, comedy, Damon Wayans Jr., Fortune Feimster, Ian Gomez, Jamie Dornan, Josh Greenbaum, Josh Robert Thompson, Kristen Wiig, Mark Jonathan Davis, movies, Patrick Bristow, Phyllis Smith, Reba McEntire, reviews, Reyn Doi, Rose Abdoo, Vanessa Bayer, Wendi McLendon-Covey
February 11, 2021
by Carla Hay
“Barb & Star Go to Vista Del Mar”
Directed by Josh Greenbaum
Culture Representation: Taking place mostly in the fictional U.S. cities of Taylorsville and Vista Del Mar, the comedy film “Barb & Star Go to Vista Del Mar” features a predominantly white cast (with some African Americans and a few Asians and Latinos) representing the middle-class and working-class.
Culture Clash: Two middle-aged female best friends unwittingly get ensnared in a villain’s scheme to get deadly revenge on the residents of Vista Del Mar, Florida.
Culture Audience: “Barb & Star Go to Vista Del Mar” will appeal primarily to fans of stars Kristen Wiig and Annie Mumolo (who co-wrote 2011’s Oscar-nominated “Bridesmaids”), but “Barb & Star Go to Vista Del Mar” is a disappointing, uneven dud.
When close friends Kristen Wiig and Annie Mumolo first wrote a movie screenplay together, it was for 2011’s hilarious “Bridesmaids,” which garnered an Academy Award nomination for the duo, as well as a best supporting actress Oscar nod for “Bridesmaids” co-star Melissa McCarthy. Unfortunately, Wiig and Mumolo’s next screenplay collaboration is the messy and frequently unfunny “Barb & Star Go to Vista Del Mar,” an awkward mishmash of repetitive jokes about being middle-aged women, with some sci-fi and musical theater elements that mostly fall flat. The movie definitely won’t be nominated for any awards, not even a Razzie, because “Barb & Star Go to Vista Del Mar” is ultimately forgettable.
Directed by Josh Greenbaum, “Barb & Star Go to Vista Del Mar” is a frequently unfocused movie that loses steam in the last third of the film. Greenbaum has a background in directing sitcoms, such as “Fresh Off the Boat” and “New Girl.” And that TV comedy background shows up in the most annoying ways in this movie. The music score sounds like it was made for a sitcom, and the music volume is turned up to irritating levels because it interrupts the flow of the movie.
Unlike “Bridesmaids,” which was made for adults, “Barb & Star Go to Vista Del Mar” tries to be more family-friendly and therefore loses a lot of potential to have raunchy humor that’s genuinely funny. However, there are moments where the filmmakers tried to throw in some adult-themed content, such as drug-fueled partying that ends up with some of the main characters having a sexual threesome. But this very adult scenario doesn’t really work in this film, because the movie is too cutesy with its sexual innuendo, thereby making the tone of the movie look confused and ultimately ineffective. Imagine if 2009’s “The Hangover” or 2017’s “Girls Trip” held back on a lot of the things that happened in the stories because the filmmakers wanted to make these movies suitable for underage kids to watch.
In “Barb & Star Go to Vista Del Mar,” Mumolo portrays widow Barb Quicksilver and Wiig portrays divorcée Star Testigivlio, two middle-aged best friends/housemates who talk in a Midwestern twang and embody every stereotype of being a very bland, sheltered and uptight middle-aged American woman. (The movie has a running joke about Barb and Star’s penchant for wearing culotte pants.) The movie doesn’t say which U.S. state Barb and Star live in, but their hometown is called Taylorsville, and it’s far enough away from Florida that they have to travel by plane to get to the Florida city of Vista Del Mar.
Barb and Star are motormouths who frequently talk over each other but don’t have much to say that’s meaningful. They obsess over trivial things, such as why they don’t want anyone to buy their favorite sofa at the Jennifer Convertibles furniture store where they work as sales clerks. They’re so attached to the sofa that they come up with excuses for customers not to buy it. In the end, it doesn’t matter, because one day their boss (played by Ian Gomez) calls Barb and Star into his office and tells them that they’re all losing their jobs because the company has gone out of business.
As Barb and Star leave the store in shock, a friend of theirs named Mickey Revelet (played by Wendi McLendon-Covey) sees them walking down the street and runs over to talk to them. Mickey raves to Barb and Star about just coming back in town from the vacation that she and her man Miguel took in Vista Del Mar, Florida. (It’s a fictional city in Florida. The movie was actually filmed in Mexico City and Cancun, Mexico.)
Mickey brags that not only did she have a lot of fun and get a splendid tan, but she also says that going to Vista Del Mar had this effect on her: “I feel like I got a soul douche.” That’s the type of dialogue in the movie that’s supposed to be funny. Before Mickey leaves, she hands Barb and Star a travel brochure for Vista Del Mar. McLendon-Covey was a scene-stealing character in “Bridesmaids,” but “Bridesmaids” fans will be disappointed that her role in “Barb & Star Go to Vista Del Mar” is really just a quick cameo, since she’s only in the movie for about five minutes.
Barb and Star’s idea of fun is getting together not with a book club but with a talk club, which consists of other boring women who are around the same age. The members of the talk club gather to discuss a single topic per meeting. Shortly after Barb and Star lose their jobs, they’re at a talk club meeting, which is led by a bossy snob named Debbie (played by Vanessa Bayer) at Debbie’s home. Three other women are also in attendance: Pinky (played by Fortune Feimster), Delores (played by Phyllis Smith) and Bev (played by Rose Abdoo), who all do whatever Debbie expects them to do.
The talk club has certain rules that Debbie is fanatical about enforcing. When one of the club members is one minute late, Debbie locks the door and won’t let her inside. And the three cardinal rules of the club are (1) No wearing of sneakers; (2) No swearing, except for the “f” word; and (3) No lying. When Debbie announces that this meeting topic will be jobs, Barb and Star look at each other with dread because they’re embarrassed to talk about how they’ve become recently unemployed.
As the members of the club go around the room to talk about their jobs, (pharmacist Debbie is ecstatic when she describes how much she loves shaking pills in bottles while listening to music), Barb and Star continue to act as if they still work at the furniture store. However, the guilt of lying gets to Star, who blurts out that she and Barb lied and they actually got laid off recently. A furious Debbie kicks Barb and Star out of the club.
With their social life in shambles, Barb and Star decide to follow Mickey’s advice and take a vacation in Vista Del Mar. On the plane, there’s a sequence that goes on for far too long where Barb and Star ramble on about what kind of lady would be an ideal friend to lots of other women. They call her Trish and imagine all sorts of scenarios and personality traits that this ideal woman would have. And as soon as this becomes the entire plane conversation in the movie, you just know that there will be a character named Trish that shows up at some point.
Now for the weird and clunky sci-fi part of the story. It’s shown in the beginning of the movie that underneath the quiet streets of suburban Taylorsville is a high-tech underground bunker where a villain lives named Sharon Gordon Fisherman (also played by Wiig), who wants to kill the people of Vista Del Mar for a revenge reason that’s revealed in the movie. (It’s the most obvious reason possible.) The only way to get to the bunker is through a secret entrance in a tree trunk. Yes, it’s that kind of movie.
Sharon has a skin condition that makes her look unusually pale and sensitive to being in sunlight. She always wears white clothing. And she wears her hair in a jet-black bob, which kind of makes her look like a cross between Gloria Vanderbilt and Tilda Swinton, if they wanted to look like a Goth who only wears white. Sharon has a bitter demeanor and she seems to have problems emotionally connecting to people.
Sharon has three people working for her: an unnamed elderly scientist (played by Patrick Bristow), a handsome henchman named Edgar Pagét (played by Jamie Dornan), and a precocious boy named Yoyo (played by Reyn Doi), who’s about 9 or 10 years old. In the movie’s opening scene, Yoyo is shown riding his bike while delivering newspapers and singing Barbra Streisand and Barry Gibb’s 1980 hit “Guilty.” However, Yoyo is no mild-mannered paperboy.
The scientist tells Sharon that he’s found a way to genetically modify mosquitos so that one mosquito sting can kill a large animal in minutes. When the scientist finds out that Sharon wants to use these mosquitos to kill humans, he objects to this plan and then is on the receiving end of Sharon’s deadly wrath. Shortly after that, Sharon orders Yoyo to activate a remote control in an earring that he’s wearing. The remote control sets off a bomb that was in a newspaper that Yoyo delivered to someone’s front porch.
Sharon then dispatches Edgar to go to Vista Del Mar to let loose the lethal mosquitos on the city’s population. Edgar is infatuated with Sharon and there’s a not-very-believable subplot that Edgar wants to be her boyfriend, but she’s been resistant to the idea. Sharon has a dead personality, so it’s very far-fetched that someone like Edgar (who could have his pick of women) would be pining after someone who lacks charisma and is very self-absorbed. But maybe Edgar likes women who play very hard-to-get.
And so, when Edgar goes to Vista Del Mar and inevitably meets Barb and Star, it’s at a hotel bar. He’s pining over Sharon and distracted in thinking about her, while Barb and Star try to strike up a conversation with him. There are some shenanigans that happen between Barb, Star and Edgar that leads to a very cliché plot development in a movie about two female best friends: They end up competing with each other over a man. Take a wild guess who it is.
In addition to the sci-fi elements of the movie that are very poorly conceived (with tacky visual effects), “Barb & Star Go to Vista Del Mar” has some musical song-and-dance interludes that come out of nowhere. The first is when Barb and Star arrive at the Palm Vista Hotel, and all the people in the lobby break into a musical number to greet Barb and Star. Edgar also has an extensive musical number on the beach that involves an obvious stunt double.
There are also some other bizarre things in the movie that don’t work well either. For example, Star has a conversation with a talking crab named Morgan Freemond (voiced by Josh Robert Thompson), and the “joke” is that the crab sounds like Morgan Freeman and gives advice to the lovelorn Star. Damon Wayans Jr. has a useless role in the movie as a spy named Darlie Bunkle, who makes contact with Edgar. The running gag with Darlie is that he’s supposed to be undercover and always lectures Edgar to keep their communication “private,” but Darlie always bungles and reveals his own identity so that it’s out in the open and not “private” at all.
If the movie wasn’t trying so hard to appeal to underage audiences, it could’ve had more fun showing adults acting and talking like adults. Instead, by playing it too coy and too safe, the movie’s humor fails to be edgy or genuine. There’s a recurring character in the movie named Richard Cheese (played by Mark Jonathan Davis), who’s a singer/pianist in the hotel lounge. The joke is that Richard keeps singing about how much he loves women’s breasts, and he comes up with all sorts of ways to say the word “breasts.” It’s a mildly funny gag, but the humor is very juvenile, like 10-year-old boys giggling about saying slang words for this part of the female anatomy.
“Barb & Star Go to Vista Del Mar” is a story about two middle-aged single women who go on what’s supposed to be a fun-filled vacation together, but the movie is so watered down, that Barb and Star might as well have been teenagers. Barb and Star are sheltered women, but it would’ve been funnier to have them experience culture shock in a raunchier environment. “Barb & Star Go to Vista Del Mar” is one of those movies where the trailer makes the film look a lot funnier than it actually is.
Wiig and Mumolo (who are also two of the movie’s producers) are capable of doing much better work. Barb and Star are fairly one-note. And except for a brief mention of why they are single (Barb’s husband Ron died in an accident, while Star’s husband Carmine left her for another woman), there’s no backstory for these two central characters. It seems as if the filmmakers were trying to do a middle-aged version of 1997’s “Romy & Michele’s High School Reunion” (another movie about two sheltered best friends who travel somewhere to party), but “Barb & Star Go to Vista Del Mar” lacks a lot of the charm that made “Romy & Michele’s High School Reunion” a hit.
“Barb & Star Go to Vista Del Mar” isn’t a completely terrible movie, because viewers can find some laughs here and there. (People who are under the influence of alcohol or other substances while watching are more likely to find this movie funny.) Wiig has better comedic timing than Mumolo, while Dornan has some deliberately campy moments that can’t save this embarrassing film. Andy Garcia and Reba McEntire have unremarkable cameos in the movie. Considering the level of talent involved in this movie, it’s a misfire in so many ways, and it will just make people appreciate “Bridesmaids” even more.
Lionsgate will release “Barb & Star Go to Vista Del Mar” on VOD on February 12, 2021.