Adrian Lyne, Ana de Armas, Ben Affleck, Brendan Miller, Dash Mihok, Deep Water, Devyn A. Tyler, drama, Finn Wittrock, Grace Jenkins, Hulu, Jacob Elordi, Jade Fernandez, Kristen Connolly, Lil Rel Howery, Michael Scialabba, movies, reviews, Tracy Letts, TV
March 17, 2022
by Carla Hay
Directed by Adrian Lyne
Culture Representation: Taking place in New Orleans, the dramatic film “Deep Water” features a cast of predominantly white characters (with a few Latinos and African Americans) representing the middle-class and wealthy.
Culture Clash: A wealthy husband, who has an open marriage, becomes the main focus of suspicion when some of his wife’s lovers end up dead.
Culture Audience: “Deep Water” will appeal primarily to people who are fans of stars Ben Affleck and Ana de Armas, who are the main attractions in this frequently dull and formulaic crime thriller.
“Deep Water” is proof that it’s not enough to have good-looking people in a stylish-looking film. It has a basic mystery that’s not very suspenseful, in addition to monotonous mind games played by the central married couple. Perhaps most disappointing of all is that “Deep Water” does nothing new or clever in the seemingly endless stream of movies about marital infidelity that causes chaos in people’s lives.
“Deep Water” director Adrian Lyne has made a career out of these types of movies, with a filmography that includes 1987’s “Fatal Attraction,” 1993’s “Indecent Proposal” and 2002’s “Unfaithful,” his previous film before “Deep Water.” Zach Helm and Sam Levinson adapted the “Deep Water” screenplay from Patricia Highsmith’s 1957 novel of the same name. Unfortunately, the movie has a drastically different ending from the book. The movie’s conclusion is intended to be shocking, but it just falls flat.
Executives at 20th Century Studios obviously thought “Deep Water” was an embarrassing dud, because the movie’s theatrical release was cancelled. “Deep Water” was then sent straight to Hulu and other Disney-owned streaming services where Hulu is not available. It’s also not a good sign that the stars of “Deep Water” have distanced themselves from “Deep Water” by not doing any full-scale publicity and promotion for the movie.
Up until the ending, the “Deep Water” movie (which takes place in the early 2020s) adheres very closely to the book’s original story, with some modern updates and a change of location. Wealthy married couple Vic Van Allen (played by Ben Affleck) and Melinda Van Allen (played by Ana de Armas) live in New Orleans with their precocious 6-year-old daughter Trixie (played by Grace Jenkins), who has an interest in science and is somewhat fixated on the children’s song “Old McDonald.” (In the “Deep Water” book, the story takes place in a small, fictional U.S. town called Little Wesley.) The Van Allens seem to have a perfect life of privilege and leisure. Vic is a retired millionaire because he invented a computer chip that’s used in war drones. Melinda is a homemaker/socialite.
It’s common knowledge among Vic and Melinda’s close circle of friends that Vic and Melinda have an open marriage, although Vic and Melinda have never really come right out and told their friends the details of this arrangement. Melinda flaunts her extramarital affairs by inviting her lovers to the same parties where she and Vic will be. At these parties (the movie has several of these party scenes), Melinda openly flirts with her lovers and sometimes has sexual trysts with them at the parties. Vic ends up meeting these lovers and is mostly polite but distant with them.
Vic and Melinda’s close friends include musician bachelor Grant (played by Lil Rel Howery); married couple Mary Washington (played by Devyn A. Tyler) and Kevin Washington (played by Michael Scialabba); and married couple Jonas Fernandez (played by Dash Mihok) and Jen Fernandez (played by Jade Fernandez). Whenever these friends try to tactfully talk to Vic about Melinda indiscreetly showing off her lovers, Vic brushes off their concerns. Vic gives the impression that he doesn’t want to be a possessive and jealous husband, and that he and Melinda have a “don’t ask, don’t tell” agreement when it comes to any of her extramarital affairs.
During the course of the story, three of Melinda’s past and present lovers are shown in the movie: musician Joel Dash (played by Brendan Miller), who ends up moving away to New Mexico; lounge pianist Charlie De Lisle (played by Jacob Elordi), who has been giving piano lessons to Melinda; and real-estate developer Tony Cameron (played by Finn Wittrock), who is visiting the area to scout for some property. All three men are good-looking and younger than Vic, but Vic has a lot more money than they do. And at some point or another, all three of these lovers are separately invited into the Van Allen home for a social visit.
Melinda has apparently made it a habit to invite each of her extramarital lovers to parties and other social gatherings, but never so that all of the lovers are in the same place at the same time. At these events, Melinda introduces a lover as her “friend,” even though it’s obvious that he’s more than a friend. When Melinda and Vic are at these parties, Melinda spends more time and is more affectionate with her lovers than she is with her husband. Vic often just stands by and doesn’t confront her about it.
There are several scenes that show Melinda drunk at these parties, or coming home drunk, implying that she abuses alcohol. Some of the couple’s friends seem to feel sorry for Vic, because they think he doesn’t deserve to be a cuckold. More than once, Vic is told that he’s a “good guy” who’s well-respected in the community. Not much is told about Melinda’s background (she’s an immigrant who can speak English and Spanish), but several scenes in the movie show that Melinda thinks that she’s quite the seductress.
In the beginning of the movie, it’s mentioned that a man named Martin McCrae, who was one of Melinda’s lovers, has been missing for the past several weeks. Friends and acquaintances of the Van Allen spouses are gossiping that Vic could have had something to do with the disappearance. At a friend’s house party, where Melinda has invited Joel, the gossip goes into overdrive after Vic and Joel have a private conversation in the kitchen, and Vic tells Joel that he killed Martin. Joel can’t tell if Vic is joking or not, but he takes Vic’s comments as a threat, and he quickly leaves the party. Word soon spreads that Vic made this “confession,” and more people in the community begin to wonder if Vic could have murdered Martin.
Before Joel moves to New Mexico because of a job offer, he’s invited to dinner at the house of Vic and Melinda. Vic seems to delight in making Joel uncomfortable with snide remarks. Vic also makes backhanded insults at Melinda. When Vic and Joel are alone together, Vic once again tells Joel that he killed Martin by hitting Martin on the head with a hammer. However, Vic tries to make light of uneasy comments that he makes, by trying to pass them off as misguided sarcasm. Vic’s passive-aggressiveness is an obvious sign that Melinda’s extramarital affairs bother him.
Someone who doesn’t take Vic’s wisecracks lightly is fiction author/screenwriter Don Wilson (played by Tracy Letts), who has recently moved to the area. Don has had middling success by selling a few screenplays that haven’t been made into movies yet. One of these screenplays is about a man (whom Don based on his own personality/background) who uncovers a murder conspiracy in his town.
Vic and Melinda meet Don and Don’s much-younger wife Kelly Wilson (played by Kristen Connolly) at an outdoor party attended by many of the Van Allen couple’s friends. Don likes noir mysteries, so he fancies himself to be an amateur detective. Throughout the movie, Don lets it be known to anyone who’ll listen, including Vic, that he suspects that Vic has something to do with what happened to Martin, whose murdered body is later found shot to death.
Vic’s reputation appears to be saved when another man (who’s never seen in the movie) is arrested for Martin’s murder. However, Martin isn’t the only lover of Melinda’s who ends up dead. It’s enough to say that who’s responsible for the crimes is revealed about halfway through the movie. But even if that information didn’t happen until the end of the film, there are too many obvious clues. The only mystery in the story is if the guilty party will be caught.
One of the biggest failings of “Deep Water” is how it reveals almost nothing about how and why Vic and Melinda fell in love with each other, or even how long they’ve been married. Without this context, it might be difficult for a lot of viewers to care about this couple. Vic and Melinda’s marriage is presented as just a blank void, dressed up with a superficial parade of parties, squabbling and occasional sex. (Affleck and de Armas were a couple in real life when this movie was made, but they’ve since had a breakup that reportedly wasn’t very amicable.)
Vic and Melinda tell each other “I love you” several times, but viewers don’t see any credible passion or respect between these two spouses. The only thing that viewers will find out about what retired Vic likes to do in his free time at home is that he hangs out with his pet snails that he keeps in an aquarium room. The snails are supposed to be symbolic of how Vic acts in his marriage to Melinda.
It could be a marriage of convenience. It could be that Vic and Melinda don’t want the hassle of getting a divorce. They are also devoted parents to Trixie—Vic is more patient with Trixie than Melinda is—and these spouses might not want their child to grow up with divorced parents.
Regardless of the reasons why Vic and Melinda have decided to stay married to each other, “Deep Water” is more concerned with staging repetitive scenes where Melinda tries to make Vic jealous with her lovers, and then she tries to take his mind off of her affairs by getting Vic to have sex with her. Melinda also makes rude comments to Vic such as: “Joel might be dumb, but he makes me enjoy who I am,” and “If you were married to anyone else, you’d be so fucking bored. You’d kill yourself.”
In one of the movie’s party scenes, Vic makes an attempt to show Melinda that he’s attractive to other women when he does something he almost never does at a party: He dances. And he asks Don’s wife Kelly to be his dance partner, as they twirl together and snuggle flirtatiously on the dance floor. Other people, including Melinda, notice the chemistry between Vic and Kelly. Predictably, Melinda gets jealous and tries to re-assert her status as the most desirable and sexiest woman in Vic’s life.
In addition to the superficiality of Vic and Melinda’s marriage, another aspect of “Deep Water” that makes it look phony is that the movie repeatedly tells viewers that Vic is supposed to be very rich, but Vic and Melinda apparently have no house servants, since no servants are ever seen working for this family. Melinda does the family’s cooking, which is not entirely unrealistic for someone of her marital wealth. However, Melinda being the family cook doesn’t ring true when Melinda comes across as a pampered trophy wife who can stay out all night and party with her lovers whenever she feels like it. It wouldn’t have that been hard to cast a few people as background extras to portray servants, since it’s hard to believe that Melinda and/or Vic do their own housecleaning and upkeep of their large home.
An underdeveloped characteristic of “Deep Water” that should have been explored in a more meaningful way is how some people tend to think that those who are wealthy are automatically better than people who aren’t wealthy. In the scene where Don meets Vic for the first time, Don impolitely tells Vic that Vic is probably the person most likely to have done something harmful to Martin. Grant, who is Vic’s most loyal friend, tries to diffuse the tension by smiling and saying: “The moral of the story is Vic is a genius. And he’s rich as fuck.”
Grant’s comment is a reflection of how some people think that being smart and wealthy is the equivalent of being a “good person,” without taking into account that being a “good person” has nothing to do with how much intelligence or money someone has. This false equivalence is a huge dismissal of core values that define people’s true characters and personalities. “Deep Water” seems to make a half-hearted attempt to show how some people are more likely to excuse or overlook bad conduct from someone who is intelligent and rich, but the movie ultimately takes the lazy route by just going for cheap thrills that have been in similar movies.
There’s nothing inherently wrong with the cast members’ performances, but there’s nothing that will make viewers feel any real emotional connection to any of these characters. Affleck and de Armas, regardless of their real-life romantic relationship while filming this movie, don’t have much that’s compelling about how they portray Vic and Melinda. After all, Affleck has played many privileged jerks on screen, while de Armas often has the role of a character who uses sex or sex appeal to get what she wants.
A chase scene toward the end of “Deep Water” is extremely hokey and not very believable. “Deep Water” was already paddling around in a sea of mediocrity for most of the movie. But by the time the movie reaches its terrible ending, it ruins any chances that “Deep Water” could have been a “guilty pleasure” thriller.
Hulu will premiere “Deep Water” on March 18, 2022.