Cannes Film Festival, donkeys, drama, EO, film festivals, Italy, Jerzy Skolimowski, Lorenzo Zurzolo, Maciej Stepniak, Mateusz Kosciukiewicz, movies, New York Film Festival, Poland, reviews, Sandra Drzymalska, Tako, TIFF, Toronto International Film Festival
November 15, 2022
by Carla Hay
Directed by Jerzy Skolimowski
Polish, Italian and French with subtitles
Culture Representation: Taking place in Poland and Italy, the dramatic film “EO” features an all-white cast of characters representing the working-class, middle-class and wealthy.
Culture Clash: A former circus donkey named EO experiences highs and lows and different levels of freedom and captivity during his travels.
Culture Audience: “EO” will appeal primarily to people interested in an emotionally moving film that follows the life of a specific animal for a certain period of time.
“EO,” a dramatic film made to look like a documentary, tells the fascinating and sometimes-harrowing story of a lovable donkey named EO, whose life becomes uncertain after losing his circus home. The “EO” film is so impressive with its realism, some viewers might think that it’s a non-fiction movie. Of course, one of the biggest indications that “EO” is a fictional film is that Oscar-nominated French actress Isabelle Huppert has a role as a fictional character in the movie. Her screen time in “EO” is less than 15 minutes, but she makes her screen time very memorable, as she almost always does in her on-screen roles.
Directed by Jerzy Skolimowski (who co-wrote the “EO” screenplay with Ewa Piaskowska), “EO” is filmed cinéma vérité-style, shown entirely from EO’s perspective. “EO” had its world premiere at the 2022 Cannes Film Festival, where the movie won the Jury Prize and Cannes Soundtrack Award for Best Composer. “EO” composer Pawel Mykietyn’s score is certainly the musical soul of the film, because there are some sections of the movie with no human dialogue. “EO”—which also screened at the 2022 Toronto International Film Festival and the 2022 New York Film Festival—is Poland’s official entry for Best International Feature Film consideration for the 2023 Academy Awards.
“EO” begins in Poland, where is EO performing in a circus tent with his handler, an actress named Kasandara (played by Sandra Drzymalska), who treats EO with kindness and respect. Kasandra’s boyfriend is a circus co-worker named Wasyl (played by Maciej Stepniak), who is controlling and mean-spirited. An early scene in the movie shows Wasyl hitting EO because he doesn’t think EO is moving fast enough. Sensitive viewers be warned: There’s even worse animal cruelty later on in the movie.
The circus is under pressure because animal-rights activists are protesting outside while the circus operates. The activists want the circus to be shut down because they think that circuses and carnivals have rampant animal torture and other animal abuse. Early on in the movie, the circus goes bankrupt, so all the circus’ animals are repossessed. Kasandra is devastated.
The rest of “EO” shows what happens in EO’s life as he goes from place to place. His journey takes him from Poland to Italy. And his travels include living on a farm; being a stray animal; encountering a truck driver named Mateo (played by Mateusz Kościukiewicz); and befriending a young nomad named Vito (played by Lorenzo Zurzolo), who is training to be a priest and has a history of being the lover of an unnamed wealthy countess, played by Huppert.
There’s a lot more that happens in the movie, but it’s best if people know as little as possible about “EO” except the basic concept of the film and why EO ended up as a donkey without a permanent home. Viewers will be swept up in the suspense over what will happen to EO. And although it’s not really accurate to say that the movie’s donkey (whose real name is Tako) is acting, he certainly shows enough personality for viewers to feel empathy for him.
One of the standout characteristics of “EO” is the stunning cinematography by Michal Dymek. Many of the scenes are drenched in rich hues, such as red and blue, making the movie sometimes look like a very artsy nature documentary. And because the camera angles are often from the donkey’s perspective, viewers will get EO’s outlook on the contrasting beauty and horror at that exists this world for animals that are treated like property instead of like a member of Earth’s ecosystem family.
“EO” isn’t a completely perfect film, because the movie is occasionally slow-paced and has scenes that seem to drag on a little longer than necessary. However, the point of “EO” is that life for animals (especially when living in harsh conditions) can often be depressing and dull by human standards, even if the animals are surrounded by a gorgeous landscape. This isn’t the type of fantasy movie where a stray animal has to find a home and almost every scene is an adventure scene. “EO” is a striking and effective reminder that how we treat animals represents the best and worst of humanity.
Janus Films and Sideshow will release “EO” in select U.S. cinemas on November 18, 2022.