Clara Rugaard, Dan Fogler, Dennis Adres, Derek Jacobi, Ferdia Walsh-Peelo, Jamie Ward, Jason Isaacs, Juliet and Romeo, Ledisi, Lidia Vitale, Martina Ortiz Luis, Max Parker, movies, music, musicals, Nicholas Podany, Quinn Scott Bogart, Rebel Wilson, reviews, Rupert Everett, Sarah Lazzaro, Tayla Parx, Timothy Scott Bogart
May 9, 2025
by Carla Hay
Directed by Timothy Scott Bogart
Culture Representation: Taking place in the 1301, in Verona, Italy, the musical film “Juliet & Romeo” (based on the play “Romeo & Juliet”) features a predominantly white cast of characters (with some black people and Latin people) representing the working-class, middle-class and wealthy.
Culture Clash: A teenage boy and a teenage girl fall in love with each other, even though their families are feuding with each other.
Culture Audience: “Juliet & Romeo” will appeal primarily to people who are fans of William Shakespeare’s “Romeo and Juliet” and the movie’s headliners, but this bland and muddled musical’s drastic change to the original story’s ending might be too much of a turnoff to many viewers.
“Juliet & Romeo” is a musical with forgettable songs, a romance with no sizzle, and an ending with a terrible revision and tone-deaf announcement about an unwanted sequel. Everyone in this misguided flop looks like they’re dong Renaissance Faire cosplay. Without question, “Juliet & Romeo” will be ranked as one of the worst “Romeo and Juliet” movie adaptations of all time. The movie is supposed to take place in Verona, Italy, in 1301, but it looks and sounds like a Hollywood throwaway musical from 2001.
Written and directed by Timothy Scott Bogart, “Juliet & Romeo” (which takes place over the course of four days) is such a mind-numbing misfire, Juliet (played by Clara Rugaard) and Romeo (played by Jamie Ward) are only in a handful of scenes together. And when Romeo and Juliet are together, they spend most of their time being coy and talking about superfical nonsense. Not once do you believe that these two characters have such a deep connection and a burning passion for each other that they would literally die for each other, which is the famous ending of the “Romeo and Juliet” play that William Shakespeare wrote in the 1590s. And brace yourselves: Bogart has said in interviews that he conceived his “Juliet & Romeo” movies to be a trilogy.
The pop/rock songs in “Juliet & Romeo” aren’t completely terrible, mainly because talented people are singing the songs. Evan Kidd Bogart (Timothy Scott Bogart’s younger brother) and Justin Gray wrote the original songs for “Juliet & Romeo.” The problem with the songs is that they don’t have any catchy and memorable hooks. The lyrics are very bland and don’t add much to the story of Romeo and Juliet. These songs could be on any D-list pop album and you wouldn’t be able to tell that these songs were written for a movie about Romeo and Juliet.
The first scene of “Juliet & Romeo” is actually the funeral of Romeo and Juliet, who are shown embracing each other in a coffin. The funeral service is conducted by Friar Lawrence (played by Derek Jacobi), a clergyman who flip-flops during the story when it comes to his approval of Romeo and Juliet’s romance. The movie then flashes back to three days earlier and shows what happens during those three days and then shows the funeral that took place on the fourth day and what happened after the funeral.
While it’s possible that some people seeing this movie have never heard of the famous ending of “Romeo and Juliet,” by putting Romeo and Juliet’s funeral in the movie’s first scene, it ensures that this spoiler information is revealed from the start. It also shows that the filmmakers don’t have enough respect for the intended impact of the original ending of “Romeo and Juliet” because not only did they reveal this information too early in the movie, but they also used it as a cheap gimmick to fabricate a very different ending. This altered ending is as cringeworthy and superficial as the rest of the movie.
A great deal of the tragedy of “Romeo and Juliet” is because these two doomed lovers died mainly because their prominent Verona families are locked in a bitter feud and would not accept the couple’s relationship. Romeo comes from the Montague family, led by his parents Lord Montague (played by Jason Isaacs) and Lady Montague (played by Lidia Vitale), who are cold and domineering. Juliet comes from the Capulet family, led by her parents Lord Capulet (played by Rupert Everett) and Lady Capulet (played by Rebel Wilson), who are gregarious and manipulative.
Romeo also has a loyal adopted brother named Mercutio (played by Nicholas Podany), who was adopted as an orphan. Also in Romeo’s family is his cousin Benvolio (played by Max Parker), who doesn’t have a personality that stands out. Juliet has a hothead cousin named Tybalt (played by Ferdia Walsh-Peelo), who is constantly picking fights with Romeo. Expect to see many brawls and chase scenes on streets and in alleyways, as if this movie is confused and thinks it’s “West Side Story.”
Why are the Montagues and the Capulets feuding? Don’t expect this movie to give clear answers. There’s a lot of shouting and scheming about who’s going to be loyal to the government and who’s gong to be loyal to the Pope. At one point, Lord Montague slaps Romeo hard in the face and snarls, “You stand with this family, or you stand alone, son.” Meanwhile, Juliet’s parents give her distress by arranging for her to be engaged to a count named Paris (played by Dennis Adres), whom she doesn’t know. Juliet finds out about this engagement before she’s even met Paris.
“Juliet & Romeo” spends way too much time on side characters. Juliet has a clique of female friends named Rosaline (played by Tayla Parx), Veronica (played by Martina Ortiz Luis) and Lilly (played by Quinn Scott Bogart) who are like a tamer 1590s Verona version of the “Sex and the City” women. There’s even a “female empowerment” sextet song titled “The Mask I Wear,” where each of them gets a solo with Lady Capulet and a newly created character named Vesante (played by Ledisi), whose purpose just seems to be so Grammy-winning singer Ledisi could have a role in this movie. Too bad the song packs a punch like a limp wrist.
Mercutio is having a romance with Veronica, so the movie shows them on dates and the first time that they spend the night together. Rosaline had a thing going with Tybalt, but she loses interest in him because he’s too much of a jerk. Is this the Romeo and Juliet story, or is it a teen soap opera? And by the way, Romeo, Juliet, and most of their friends in this movie look much older than the teenagers they are supposed to be.
Surprisingly, Walsh-Peelo (who’s arguably the most talented male singer in the “Juliet & Romeo” cast; see for the 2016 movie “Sing Street” for proof) does not get any solo songs as Tybalt, the story’s chief villain. He’s only heard in the group song “Streets on Fire,” which also features Rugaard, Ward, Parx, Ledisi, Podany and Parker. It seems like such a waste of Walsh-Peelo’s musical talent.
Other characters in the movie include Juliet’s nurse from childhood (played by Sarah Lazzaro), who would be called a nanny in modern times, but her character is sidelined for the teen romances. There’s also an unnamed apothecary (played by Dan Fogler), who invents the fateful potion that is consumed by Romeo and Juliet. He is depicted in this movie as a “mad scientist” type who does experiments on rats. And if you waited your whole life to see this story’s friar and apothecary do a duet called “I Should Write This Down” in a musical, then “Juliet & Romeo” is the movie for you.
Juliet and Romeo meet when she is visiting Verona from France, where she has been living as a student. They flirt with each other, but she won’t tell him her name the first time that they meet. Later, when Romeo is getting chased in an alley fight by Tybalt and some of his cronies, Juliet grabs Romeo and kisses him so that his face can be obscured. We’re supposed to believe that the guys chasing Romeo suddenly forget what he’s wearing because they don’t notice Romeo kissing Juliet as they run right past them.
When Juliet and Romeo kiss again in another scene, she says to him: “I can’t tell if your poetry is prose.” She pauses and says, “Poetry it is then,” as she leans into him to give him another kiss. Rugaard is a little more convincing than Ward at showing emotions, but they lack the necessary chemistry together to be believable as a legendary couple. Ward shows more passion in the fight scenes than the love scenes, which is not the way to do things in one of the most famous love stories of all time.
Some of the cast members in “Juliet & Romeo” were in Timothy Scott Bogart’s 2023 feature-film directorial debut “Spinning Gold,” a very flawed biopic of his father Neil Bogart, a record company executive who helped artists such as Kiss, Donna Summer and Parliament-Funkadelic become major stars. Parx, Fogler and Ledisi were in “Spinning Gold,” which had the cast members do their own singing when performing songs from famous artists. “Spinning Gold” and “Juliet & Romeo” have the same problems: good singing trapped in a movie with a bad screenplay and mishandled direction. And when a movie about Romeo and Juliet doesn’t have an authentic-looking romance, it’s doomed to fail.
Briarcliff Entertainment released “Juliet & Romeo” in U.S. cinemas on May 9, 2025.