Demian Bichir, drama, film festivals, Finlay Wojtak-Hissong, Kim Dickens, Land, movies, reviews, Robin Wright, Sarah Dawn Pledge, Sundance, Sundance Film Festival, Warren Christie
February 9, 2021
by Carla Hay
Directed by Robin Wright
Culture Representation: Taking place primarily in rural Wyoming, the dramatic film “Land” features a predominantly white cast of characters (with one Latino and some Native American) representing the middle-class and working-class.
Culture Clash: A depressed, middle-aged widow, who is grieving over the loss of her husband and son, decides to isolate herself in a remote mountain cabin without knowing a lot of basic survival skills.
Culture Audience: “Land” will appeal primarily to people who are interested in a movie about coping with grief where the acting is better than some of the plot developments.
The dramatic film “Land” is a lot like the rural mountainous area that serves as the backdrop of this story. There are peaks and valleys and a lot of spaces to fill in between, with some parts handled in a rougher way than others. “Land” is the feature-film directorial debut of actress Robin Wright, who also stars in the movie, which had its world premiere at the 2021 Sundance Film Festival.
“Land” features a lot of scenes of her Edee Holzer character in solitude and sometimes dealing with dangerous elements of the terrain. The performances of Wright and co-star Demián Bichir (the two actors who have the most screen time in the film) elevate “Land” to make it easier to watch this mostly grim and sometimes uplifting movie. It’s a solid directorial debut from Wright, who manages to bring emotional gravitas to a character who remains an enigma for almost the entire movie.
“Land” is supposed to take place mostly in Wyoming, but the movie was actually filmed primarily in Moose Mountain in the Canadian province of Alberta. As a director, Wright displays talent in how striking and immersive she can make the movie’s scenes look, physically and emotionally. (Bobby Bukowski was the cinematographer for “Land.”)
Where the movie needed improvement most was in the screenplay written by Jesse Chatham and Erin Dignam. The story dips a little too much into some formulaic “life in the wilderness” tropes before trying to throw in some tearjerking sentimentality during a certain part of the movie where it’s expected. Still, there’s enough to hold people’s interest for anyone curious to see how the movie ends.
The beginning of “Land” shows Edee (whose name is pronounced “ee-dee”) in a therapy session. The therapist asks Edee, “How are you feeling right now?” Edee replies, “I’m feeling like it’s really difficult to be around people because they just want me to get better. Why would anybody want to share it that? They can’t anyway.” The therapist says, “But that means you’re alone with your pain.”
Edee is about to be “alone with her pain” for a lot of this story. The next thing you know, she’s packed up a U-Haul, thrown away her cell phone, and headed to a run-down remote cabin in the mountains. The previous owner was an elderly man who passed away years ago. The person renting out the property is a man named Colt (played by Brad Leland), who meets her at the cabin to make sure that Edee has what she needs to move into the place.
Edee knows that the house hasn’t been cleaned or repaired in a long time, but she tells Colt that she doesn’t care. She also asks Colt to have someone pick up the rental car with the U-Haul. Colt expresses concern that Edee would be in this isolated area without a car, but she assures him that this is how she wants to live. Colt also asks Edee if she knows how to take care of herself in this rural environment, but she shrugs off his doubts. Edee also makes it clear to him that she wants to be left alone.
It turns out that Edee is woefully unprepared for what she experiences in this mountain area. Cleaning up the cabin (which has no indoor plumbing or electricity) is easy compared to dealing with freezing temperatures, finding fresh food, and being on the alert for the occasional wild bear. (You can easily predict how the bear scenario goes.) Edee doesn’t even know how to chop wood or go fishing when she starts living at the cabin, but she learns how through trial and error.
During her period of complete isolation, Edee has flashbacks to three very important people in her life: Her husband Adam (played by Warren Christie), their son Drew (played by Finlay Wojtak-Hissong) and Edee’s sister Emma (played by Kim Dickens), who’s close to Edee’s age. Emma was the one who recommended the therapist whom Edee was seeing before Edee decided to leave her old life behind and go “off the grid” to live in solitude.
As soon as the flashbacks start about Adam and Drew (who’s about 7 or 8 years old in the flashbacks), it’s obvious that they have died and that’s why Edee is so depressed. The flashbacks show that Edee and Emma had a very close relationship, but their closeness wasn’t enough for Edee to overcome her depression. An incident is shown that indicates that at one point, Emma was afraid that Edee might harm herself.
Why was Edee so unprepared to be in this rural environment? It turns out she kind of has a death wish that’s not really suicidal, but more like “I’m going to rough it in the wilderness, and if I can’t handle it, oh well …” But there are moments, such as when she has a bear encounter and some other near-disasters, where she does show a will to survive.
Edee is very aware that she’s ill-prepared to last long in this environment unless she knows how to catch her own food. During the harsh winter, there are no plants or fruit to eat. And through a series of circumstances, all the non-perishable food that was in the cabin is now gone.
Therefore, during a brutal winter, Edee begins to starve and almost freeze to death. She eventually collapses from hunger and hypothermia in the living room of her house, and she wakes up at night to find that a man and a woman have come to her rescue. The man’s name is Miguel Borras (played by Bichir) and the woman is a nurse named Alawa Crowe (played by Sarah Dawn Pledge), who gives Edee the necessary medical treatment because Edee refuses to be taken to a hospital.
It’s revealed later in the movie that Edee was found because Miguel had passed by the house when he had gone hunting earlier that day and noticed that smoke was coming out of the house’s chimney. When he passed by later that evening after his hunting trip, he noticed that there was no smoke coming from the chimney, so he went to investigate. When Miguel saw an unconscious Edee in the house, he called Alawa. Miguel and Alawa know each other because as part of his job, he delivers water to the Native American reservation where she lives.
Alawa voices her suspicions to Edee in asking her why Edee is avoiding being around people. Edee assures Alawa and Miguel that she’s not an outlaw or someone who’s trying to hide for shady reasons. Alawa still looks skeptical, but Miguel is more compassionate and understanding. He offers to help Edee recover at home instead of taking her to a hospital. Alawa reluctantly agrees.
After Edee recovers from her near-death experience, Miguel comes back to her house (against her wishes) and tells her that he wants to teach her how to hunt and trap animals for food. (This is not a good movie to watch if you’re a hardcore vegan or vegetarian, although nothing gets too graphic in the hunting scenes.) Miguel tells Edee that after she’s learned these skills, he will leave her alone.
And it should come as no surprise that Edee and Miguel end up becoming close, and she lets him hang out with her longer than she originally expected. There are many scenes of them forming a gradual friendship while Miguel teaches Edee how to catch her own food. Miguel has a German Shepherd named Potter as his constant companion, and Edee grows fond of the dog too, even though she told Miguel that she’s more of a cat person.
Eventually, Miguel opens up to Edee and tells her that he’s a widower whose wife and daughter were killed in a car accident. Edee remains vague about her past when she interacts with Miguel, and she will only say with pain in her eyes, “I had a family once.” Toward the end of the movie, it’s revealed how Edee’s husband and son died.
Miguel is the type of person who offers sage advice in the way that people do in movies like this one, where the right person comes along at the right time. He’s a true gentleman who doesn’t try to take advantage of someone who’s living in isolation. Some of his dialogue can be on the corny side, such as when he lectures Edee about her starvation collapse: “Only a person who’s never been hungry would think starvation is a good way to die.”
But there are some whimsical moments that lighten the mood, such as a running joke that Miguel and Edee have over how off-key he is when he sings Tears for Fears’ “Everybody Wants to Rule the World,” which seems to be one of his favorite songs. Edee also affectionately gives Miguel the nickname Yoda, in a nod to the wise and prophetic “Star Wars” character. She’s shocked when Miguel tells her that he’s never seen a “Star Wars” movie.
To its credit, “Land” does not fall into a “romance novel” cliché trap of having a woman being “rescued” by a handsome stranger, and then they fall in love and live happily ever after. That’s not to say that Edee and Miguel don’t have a deep emotional connection. But having them go down a “romance novel” route wouldn’t ring true, since Edee has a lot of self-healing to do and isn’t ready to jump into another serious relationship.
However, some details of “Land” also needed more authenticity. Throughout the movie, Edee is dressed a little too much like a catalogue model for outdoorsy clothing when she’s supposed to be someone who’s given up on life and wants to be alone. Why bother dressing up if she doesn’t want to be seen by anyone? Edee’s “no makeup” look and unfussy hair look realistic, but her clothing sometimes does not.
Those are minor flaws though, because the rapport between Edee and Miguel is what makes this movie worth watching. Because it takes a while to get to that point, some viewers might find “Land” to be a little too slow-paced in the first third of the movie. There’s not much about Edee’s background that is revealed, although it’s implied that Emma is Edee’s closest living relative.
The blanks aren’t completely filled in, and that’s probably because scenes were cut from the film. The Internet Movie Database page for “Land” lists several cast members playing characters who weren’t in the movie. It appears that there were more flashback scenes that didn’t make the final cut. Overall, “Land” is more of a somber character study of grief than a tension-filled wilderness saga, with enough glimmers of hope and empathetic performances that prevent the movie from being completely depressing.
Focus Features will release “Land” in U.S. cinemas on February 12, 2021. The movie’s VOD release date is March 5, 2021.