comedy, drama, Farida Ouchani, Hippolyte Girardot, Iris Bry, Isabelle Huppert, Jean-Paul Salome, Kamel Guenfoud, Mama Weed, Mourad Boudaoud, movies, Nadja Nguyen, Paris, Rachid Guellaz, Rebecca Marder, Yasin Houicha, Youssef Sahraoui
July 25, 2021
by Carla Hay
Directed by Jean-Paul Salomé
French and Arabic with subtitles
Culture Representation: Taking place primarily in Paris, the comedy/drama “Mama Weed” features a cast of white, Middle Eastern and Chinese characters representing the working-class, middle-class and criminal underground.
Culture Clash: A middle-aged widow, who’s a language translator for a police department’s narcotics unit, steals a large supply of hashish from drug dealers and creates a persona as a savvy drug lord to sell the drug stash back to the unsuspecting drug dealers.
Culture Audience: “Mama Weed” will appeal primarily to people who are fans of star Isabelle Huppert and who are interested in dark comedies about drug trafficking, even if the story has some deliberately far-fetched elements.
There have been several movies about narcotics law enforcement agents who profit from selling drugs that they steal from drug dealers, but there’s none quite like “Mama Weed.” It’s a movie that has playful fun with the concept that a middle-aged widow who works as a translator for a Paris police department’s narcotics unit can “go rogue” and come up with a scheme to commit this crime. The movie’s dark comedic spin and Isabelle Huppert’s captivating performance make the hard-to-believe and absurdist elements of the plot easier to enjoy.
Directed by Jean-Paul Salomé, “Mama Weed” is based on Hannelore Cayre’s 2019 novel “The Godmother.” Salomé and Cayre co-wrote the “Mama Weed” screenplay. It’s a story that requires a certain suspension of disbelief that the protagonist gets away with as much as she does when she doesn’t do much to disguise her face and there are surveillance cameras in public areas where she does her deals. However, because she works in the same police narcotics unit that could potentially bust her for her misdeeds, she has access to information and resources that help her hide her criminal activities from her colleagues.
In “Mama Weed,” Huppert portrays Patience Portefeux, a translator for the Paris Police Department’s narcotics unit. She speaks Arabic, which is the first language of many the drug dealers who are arrested by the department. Patience is not a typical employee of a police department’s narcotics unit, because she has a Ph. D. in Arabic studies. What is she doing in a low-paying job at a police department? It’s never really explained, but it’s implied that because Patience is near the age range when most people retire, she hasn’t been able to find work anywhere else where she can use the type of education that she has.
Patience (who likes to wear black leather jackets and black jeans when she’s on the job) is not a frumpy, uptight woman who can’t handle the rough and dangerous work that she has to do as part of her job. Her work includes accompanying narcotics cops on their drug raids. She’s a fairly even-tempered police employee who doesn’t get easily rattled.
In the film’s opening scene, Patience is with her cop colleagues on a drug bust that involves Arabic-speaking drug dealers from a crime family whose last name is Abelaziz. The drug dealers have been arrested for possession of seven kilograms of hashish. Back at police headquarters, two of the suspects are being interrogated, with Patience acting as the translator.
One of the suspects won’t reveal any information and shouts at the interrogating cop, “Fuck you! I want a lawyer!” Another cop in the room starts to get rough with the suspect, by kicking him and hitting him. The suspect then spits on Patience, while the interrogating cop freezes in shock. Patience is horrified, but she takes this spitting assault in stride and doesn’t get emotional. Meanwhile, the violent cop angrily hauls off the suspect for what will probably be more police brutality.
After this tension-filled interrogation, Patience walks into her supervisor’s office to tell him what happened in the interrogation room and that the suspects probably won’t say anything incriminating while in custody. Patience’s boss Philippe (played by Hippolyte Girardot), who’s about the same age as she is, has recently been promoted to police chief. An upcoming drug bust will be the first under his command as chief of the department.
Philippe is concerned but not surprised that the suspect spit on Patience. He can’t get too disturbed by it though because it’s part of law enforcement’s job to expect suspects to attack anyone who works in law enforcement. Philippe also isn’t too concerned that the suspect isn’t giving up information while in custody, because the police department already has enough incriminating evidence in the form of secret audio recordings that they made of these drug dealers.
A lot of what Patience does in the office is translate this type of surveillance, which she sometmes has to do live, as these conversations are being recorded. It’s this part of the job that causes a turning point in her life and serves as the catalyst for what happens when Patience ends up “going rogue.” And there’s an extra complication that makes Patience’s criminal activities even riskier: Patience and Philippe (who’s an available bachelor) have been secretly sleeping with each other.
The word “romance” isn’t really the best description for this relationship, because although Patience is very fond of Philippe, she’s not in love with him. However, Philippe seems to be in love with Patience and drops hints that he wants them to live together. It’s a suggestion that she tactfully brushes off, because she seems to like her independence and wants to keep living alone in her condo apartment.
Patience has been a widow since 1994, when her husband Martin suddenly died of a stroke when he was 34 years old. Patience and her late husband have two adult daughters—Hortense (played by Iris Bry) and Gabrielle (played by Rebecca Marder)—who are both in their 20s. Based on conversations that Patience has with her daughters, Patience hasn’t had much of a dating life since her husband died. Getting intimately involved with Philippe seems like something that happened because she spends so much time at work and they’re both available.
Patience’s husband Martin died while they were on vacation in Oman. It was an annual trip that the family used to take and always looked forward to every year. But after Martin died, Patience didn’t want to go back to Oman because it brought back painful memories of his death. She still talks about Oman with a lot of affection though, as if she still has good memories of where she and her family used to go in Oman.
There are some other more immediate problems in Patience’s life because she’s been struggling financially. For years, she’s been paying off debts that her late husband owed. In addition, her ailing mother (played by Liliane Rovère), who doesn’t have a first name in the movie, is in an assisted living facility. Patience is a few months’ behind on paying the facility fees.
It’s later revealed in the movie that Patience’s mother is a Holocaust survivor. Patience’s father was an Algerian immigrant who met Patience’s mother in 1962. Patience’s Algerian heritage on her father’s side provides context for why she loves speaking Arabic and why she got her university education in Arabic studies.
At the assisted living facility, a kind, middle-aged Moroccan woman named Kadidja (played by Farida Ouchani) is the main caretaker for Patience’s mother. Patience and Kadidja have a friendly rapport with each other where they trust and respect each other. Kadidja knows what Patience does for a living. Kadidja is also very good at handling Patience’s mother, who can be cranky and stubborn. Patience and her mother seem to have a fairly good relationship that has been occasionally marred by typical mother-daughter squabbles.
One day on her job, Patience is listening in on live surveillance by narcotics cops, who have been tracking a suspected drug courier in his early 20s. This suspect is driving a truck carrying a large shipment of hashish, and the truck is headed for Paris. (The cops have a GPS tracking device on the truck.) Patience overhears someone mention the suspect’s name, and she’s immediately alarmed. His name is Afid (played by Yasin Houicha), and based on his description and where the cops have been tracking him, he sounds exactly Kadidja’s son.
Patience uses her personal cell phone to breach protocol by secretly calling Kadidja to warn her that Afid is under surveillance by police and is about to be busted for this hash haul. Patience frantically advises Kadidja to call Afid and tell him about this impending drug arrest and to make an unplanned detour so he can find a way to hide or get rid of the drug stash before the cops can catch up to him. Patience also tells Kadidja to be careful of how she talks to Afid on his phone because the conversation will be recorded by the cops.
Afid does what his mother tells him to do, so that by the time the narcotics police catch up to him, Afid is arrested but there are no drugs in the truck. The cops think they have enough evidence on Afid to keep him in custody anyway, because of previous surveillance recordings where he incriminated himself as working with ths drug cartel. However, the narcs are frustrated because Afid won’t tell anyone where he hid the large supply of hash. They hope that Afid can give up information on his drug connections so they can bust the dealers who are higher-ranked in this drug cartel, but Afid isn’t likely to snitch.
The drug dealers who were expecting this large shipment are predictably furious. They are from the Cherkaouis crime family, led by two menacing brothers (played by Kamel Guenfoud and Youssef Sahraoui), who don’t have first names in the movie. These two brothers are hauled in for questioning by police, since the brothers were heard on audio surveillance. However, there’s not not enough evidence to put the brothers in jail, so they are let go.
In a private conversation between Philippe and Patience at the police station, he admits that he’s very embarrassed that this drug bust was bungled under his supervision. Patience tries to comfort him. The subject comes up about the narcotics unit using canines to detect drugs. Philippe mentions that after the dogs are retired from police work, they get sent to a local shelter. If the dogs don’t get adopted by a certain period of time, then they’re euthanized.
Philippe goes to an animal shelter website on his phone to show Patience some of the former polce dogs who are up for adoption there. Patience semi-jokes that he should help her adopt a dog. She sees a male German Shepherd on the wesbite that immediately catches her eye. And it plants an idea in her head: What if she got a former police dog to find that large supply of missing hash?
The next thing you know, Patience now owns the German Shepherd that she saw on the shelter website. She’s given the dog the name DNA. Patience tests his drug-sniffing skills when she lets him loose on some local drug dealers she sees on the streets. When she sees that the dog’s drug-sniffing skills are still very strong, she gets to work to find that drug stash.
Patience drives around with her dog DNA in places where she thinks someone would be able to hide the drug supply that went missing from the truck that Afid was driving. One of these places is a remote-looking field that has a locked shed. The dog goes crazy when she drives by and immediately runs up the shed, which is locked.
Patience breaks into the shed and—voilà—she finds the missing supply of hash. It’s not spoiler information to say that Patience found this drug stash, because people seeing this movie should already know that the main part of the story is that she’s selling stolen drugs by pretending to be a drug lord. The spoiler information is whether or not she gets caught.
The hash supply is so large that Patience has to rent a truck and go back to the shed more than once to retrieve it all. She hides all the hash (which is wrapped tightly in plastic brick-sized packages) in her apartment building’s storage room that she knows isn’t being used. And she thinks of small but important details, such as putting hanging air refresheners in the storage space to try to mininize the smell of hashish.
Patience plans to sell all the hash to the same drug dealers who were going to buy the stash before Afid got arrested. To entice the these drug dealers, she offers them a “discount.” She wants to use the money to pay off all her bills, give some money to Kadidja to help with Afid’s legal problems, and use the rest of the money to live off of comfortably in retirement.
It’s a very risky plan that yields some comical results. One of the problems that Patience encounters is her nosy neighbor Colette Fo (played by Nadja Nguyen), a Chinese immigrant who’s suspicious of Patience’s sudden interest in the building’s unused storage space. Patience has bought a lock for the storage space so only Patience can access the space for the time being. (The movie conveniently never shows a superintendent in the building.)
Patience then creates a false persona as an out-of-town drug lord named Mrs. Ben Barka. Because she speaks fluent Arabic, she disguises her ethnic identity by pretending to be Middle Eastern. Some people might be offended that all of the movie’s drug dealers are of Middle Eastern heritage, because in reality there are plenty of white drug dealers who exist in France.
The Cherkaouis brothers have never heard of Mrs. Ben Barka, so they send two bumbling henchmen named Scotch (played by Rachid Guellaz) and Chocapic (played by Mourad Boudaoud) to check out Mrs. Barka to see if she’s legitimate and not an undercover cop. She’s able to easly fool them because she’s picked up enough drug-dealing lingo from her job to sound convincing. Patience finds out later that the drug dealers have privately given Mrs. Barka the nickname Mama Weed.
But here’s the part of the movie where viewers have to suspend disbelief: While Patience is interacting with these dealers as Mrs. Barka/Mama Weed, she is able to avoid being identified by her cop colleagues who have the Cherkaouis drug cartel under audio and video surveillance. Some of it can be explained away, because at the police station, she has access to evidence that she could steal, delete or destroy if necessary.
Patience only wears a hijab and sunglasses for her disguise. That doesn’t sound like it would be enough to disguise her identity if she’s caught on surveillance video, but she’s careful to try to stay out of camera range as much as possible. Even more inexplicably, she often doesn’t bother to wear sunglasses in places where there’s sure to be video surveillance that’s not controlled by the police. Luckily for her, the quality of this surviellance video is so low that her image shows up as quite blurry.
As for possibly being recorded by the police’s audio surveillance, viewers of this movie will have to assume that the officers won’t recognize Patience’s voice on the recordings when she speaks Arabic, or that Patience got to the audio surveillance evidence first and was able to get rid of it. There are several scenes in the movie that imply that the French-speaking cops in the narcotics unit completely trust Patience in her job when she’s given access to surveillance recordings where people speak Arabic. They leave her to do the translating and transcribing with little to no supervision or independent verification.
There is one person in the police department who notices that Patience bears a striking resemblance to the Mrs. Barka/Mama Weed who’s suddenly being seen with members of the drug cartel that the police want to arrest. (It’s very easy to predict who’s the first to notice.) However, Patience laughs it off when it’s mentioned to her. The person who sees the physical resemblance doesn’t want to believe that Patience is capable of being the experienced drug lord that Mrs. Barka/Mama Weed appears to be, so it doesn’t take much for this person to dismiss these suspicions.
As far-fetched as Patience’s plan might seem to be, it’s actually fairly shrewd because she would be one of the last people ever suspected of concocting this plan. Hiding in plain sight, indeed. This movie’s concept wouldn’t work if Patience weren’t an insider in the police department’s narcotics unit, with access to evidence and information about how the narcotics investigations were being handled.
What would motivate someone like Patience to commit these very hazardous crimes? The movie points out in subtle and nuanced ways that Patience has a history of being closer to criminals than she would like to publicly admit. Near the beginning of the film, Hortense bitterly mentions that her late father Martin was a “crook” who left behind “20 years of debt” that Patience was stuck with having to pay. Patience chastises Hortense and tells her not to talk about her dead father in that way.
Throughout the movie, Patience sometimes makes offhand remarks to her cop colleagues that she has some sympathy for the drug dealers because she seems to think that drug-related punishments don’t fit the crimes. Her comments get mildly surprised reactions but not enough to arouse suspicion. However, it explains why she was eager to help Kadidja, even though Kadidja is not a close friend.
And there’s probably some unspoken anger and bitterness behind Patience wanting to steal the drug stash and sell it. Patience most likely thinks that at her age and with her education, she should be doing better in her life. Instead, she’s stuck in a low-paying job and barely able to pay her bills and debts. It’s easy to see how someone like Patience might think that she got a raw deal in life and wants to take it out on the justice system—or at least take it out on the police department that’s underpaying her.
As for the drug dealers being so gullible, there are many real-life true crime cases where criminals do the dumbest things and make the most illogical decisions out of pure greed. It’s not implausible to think that these drug dealers wouldn’t really care about where Mama Weed got her drug supply, as long as they know they’re getting a huge discount. In their minds, they might think Mama Weed is the stupid one for selling the hash for below the market value.
And that’s one of the messages of this movie: Don’t be surprised by what people will do because of greed. Patience is one of the people who’s not immune to greed becoming a blind spot that clouds her judgment. One of the best things about “Mama Weed” is that it doesn’t make Patience a criminal mastermind. She makes some mistakes that cause some very close calls for her.
However treacherous things might get for Patience and other people, the movie keeps a sly comedic tone, with plenty of wisecracking (especially between Patience and Colette), to remind viewers not to take it all too seriously. A slapstick shootout scene toward the end of the movie is filmed a little awkwardly and almost brings “Mama Weed” into cartoonish territory. But because of Huppert’s immense talent in balancing comedy and drama, her performance is worth watching in this unconventional crime caper.
Brainstorm Media and Music Box Films released “Mama Weed” in select U.S. cinemas on July 16, 2021, and on digital and VOD on July 23, 2021. The movie was previously released in various countries (including France and Canada) in 2020.