A Simple Wedding, Aleque Reid, Christopher O'Shea, comedy, Houshang Touzie, Iran, James Eckhouse, LGBTQ, Maz Jobrani, movies, Peter Mackenzie, Rebecca Henderson, reviews, Rita Wilson, Sara Zandieh, Shohreh Aghdashloo, Tara Grammy
February 14, 2020
by Carla Hay
Directed by Sara Zandieh
Culture Representation: Taking place in Los Angeles and California’s Orange County, the romantic comedy “A Simple Wedding” features a cast of middle-class characters who are primarily of Iranian descent or white, with some representation of the LGBTQ community.
Culture Clash: A straight woman and a bisexual man fall in love with each other, despite coming from two different backgrounds: She has a conservative Iranian family and he has a non-traditional white American family.
Culture Audience: This movie will appeal mostly to fans of “opposites attract” romantic comedies or movies about contrasting families.
When a romantic comedy has the word “wedding” in the title, there’s a certain kind of audience it has in mind. And then there’s everyone else who’ll be repelled or will have no interest in watching what is sure to be a bunch of sappy clichés. But if you’re the type of person who hates stories that revolve around weddings because so many of these stories recycle the same tropes, then consider “A Simple Wedding,” which is a sharp and witty romantic comedy for people who usually hate romantic comedies. Even if it’s far from a groundbreaking film, “A Simple Wedding” is entertaining from beginning to end because of its unique take on cultures we normally don’t see in American films.
Directed by Sara Zandieh (who co-wrote the screenplay with Stephanie Wu), “A Simple Wedding” is about not only a couple who are opposites of each other but their family backgrounds are also very different. Nousha Housseini (played by Tara Grammy) is a Los Angeles housing attorney who’s smart, sarcastically funny, and going through a family ritual that she dreads: Her Iranian immigrant parents—mother Ziba (played by Shohreh Aghdashloo) and father Reza (Houshang Touzie), who live in nearby Orange County—have been setting up meetings with Nousha and eligible bachelors of Iranian descent, with the expectation that Nousha will enter into an arranged marriage.
Nousha, who’s in her early 30s, isn’t too keen on getting married to anyone because she doesn’t think she’s ready yet. And if she does get married, she wants it to be for love, not because it was arranged for her by other people. In the film’s opening scene, Nousha deliberately sabotages a meeting with her parents, her fiancé and his parents. It’s not shown or mentioned in the movie how long Nousha has been dating her fiancé. (Keep in mind that in certain cultures, it’s not unusual for people in arranged marriages to get engaged after knowing each other for a few days.)
While visiting at the other couple’s house with the would-be husband in attendance, Nousha offers a birthday cake to the wife and sings “Happy Birthday” in the seductive way that Marilyn Monroe famously sang the song to President John F. Kennedy. The mother doesn’t know what to make of this unexpected delivery and is very uncomfortable with the way Nousha is singing the song to her. It’s so unnerving that she cuts the meeting short and says that maybe Nousha isn’t the right match for her son. “Are you breaking up with me?,” Nousha says as she tries to hide her smile.
Mission accomplished. Her parents are disappointed that Nousha’s been eliminated as a prospective wife for this well-to-do and educated suitor, but Nousha is happy that her plan has worked perfectly to get out of being married off to him. As she argues with her parents later, she says that she thinks marriage is an outdated institution and she doesn’t want to be stifled by it. Meanwhile, her outspoken mother whines, “I can’t sleep until you get married!”
Nousha’s circle of friends includes a lesbian couple named Lynne (played by Rebecca Henderson) and Tessa (played Aleque Reid), who are mothers of a pre-school-age girl. When Nousha tells Tessa and Lynne about the breakup, they tell her that she was just in the relationship for the sex with the guy and to please her parents’ expectation that she would marry him. “Oh my God!” Nousha exclaims. “I was doing him for my mom!”
Lynne is one of Nousha’s co-workers, and she’s already spread the word that Nousha has broken up with her latest boyfriend and that she’s available to start dating someone new. Nousha figures out that her love life has become gossip fodder at her job, because after Nousha has told Lynne about the breakup, people in the office keep asking Nousha how she’s feeling, with a sympathetic tone in their voices. And one creepy male co-worker who’s been trying to hook up with Anousha reminds her in a hilarious way how he’s available if she’s interested. (She makes it clear that she’s not interested.)
Meanwhile, Lynne has been asking people at her job to join her in a public protest against sexism and misogyny. Nousha considers herself to be a progressive liberal, so she participates in the protest, which Lynne has named “Pussies Against Patriarchy.” The turnout isn’t very large (less than 20 people), but they are joined by an all-male group of feminists who call themselves The Minstrels.
One of the Minstrels is a lanky, boyishly good-looking artist/DJ named Alex Talbot (played by Christopher O’Shea), who locks eyes with Nousha during the protest. They start flirting with each other, and Nousha gives him her business card. He doesn’t wait long to call her and ask her out on a date.
Over dinner at a hipster-looking dive café, Alex and Nousha talk about their childhood crushes that they would be embarrassed to tell most people. For Nousha, it was David Hasselhoff. For Alex, it was Celine Dion. (And he confesses that Celine is still a major turn-on for him.)
Nousha immediately assumes that Alex must be gay, but he tells her that he’s sexually attracted to men and women—and that he’s attracted to Nousha. She then reveals that she can do a pretty good Celine Dion impersonation because her mother is a big fan, and Anousha learned how to impersonate Celine Dion when she was a child so “my mother would like me better.” After much pleading from Alex, Nousha reluctantly does her Celine Dion impersonation for him while sitting at the café table. That pretty much seals the deal, so it’s no surprise that when they go back to Alex’s place, they become lovers.
During their whirlwind romance, Alex and Nousha spend as much time as they can with each other, but Nousha is very hesitant at first to introduce him to her parents. Alex is the type of free-spirited, avant-garde artist who hangs up on his wall a drawing that he did of Saddam Hussein kissing Andy Warhol. She also has some concerns about Alex’s financial stability—as a struggling artist, his low income is unpredictable—and the fact that she makes a lot more money than he does.
Although Nousha and Alex are both politically liberal, they have different personalities. Nousha is ambitious, high-strung and practical, while Alex is more of a laid-back, “go with the flow” dreamer. Because they spend so much time together and because Nousha doesn’t care for Alex’s dumpy loft in a low-income area, it’s only a matter of time before they move in together to a place that’s more suited to Nousha’s comfort level. But Nousha still doesn’t tell her parents about Alex, because she thinks he won’t fit in with her family.
It’s not just because Alex isn’t Muslim or because her family also disapproves of couples living together before they get married. It’s also because Alex has a very unconventional family, whom he affectionately calls “crazy.” His parents divorced when he was 16, and his father Bill (played by Peter Mackenzie) ended up marrying another man. Meanwhile, Alex’s mother, Maggie Baker (played by Rita Wilson), is still bitter about the divorce and has given up on finding love again. She has a lot of animosity toward Bill’s husband Steven (played by James Eckhouse), whom she blames for breaking up her marriage.
During a Facetime chat that Nousha has with her mother, Ziba sees a shirtless Alex in the background, so Nousha finally tells her mother about her relationship with Alex. When the inevitable time comes to meet Nousha’s family—which includes her maternal grandmother (played by Jaleh Modjallal)—Nousha warns Alex that her family will pressure them into getting married. Needless to say, Nousha and Alex do in fact get engaged. And her family— following the tradition of the bride’s family hosting the wedding—wants to goes all-out for the occasion. However, Nousha insists that the wedding should be a small event in her parents’ backyard.
During the wedding plans, Nousha’s Uncle Saman (played by Maz Jobrani), who is her father’s brother, comes to visit the family. Saman is a war veteran who has never been married and doesn’t have kids. (People who first meet him assume that he’s gay, but he’s not.) Saman gets pulled into the rehearsals for the wedding march because Alex’s mother Maggie needs a partner for the procession. Bill and Steven are paired together, and Nousha’s parents are also coupled up, so it would look awkward for Maggie to not have someone to walk with too. Because of underlying tensions and because of the big cultural differences in the two families, there are several arguments and moments of discomfort that are played for laughs in the movie.
Fortunately, “A Simple Wedding” has a well-cast group of actors who handle their performances with believability, charm and great comedic timing. These actors know that the right pauses and facial expressions can turn a scene from something that would land with a thud to a scene that will make people burst out laughing. A lot of the dialogue also looks improvised.
As the story’s protagonist, Nousha is not a typical heroine of a wedding movie. She’s bossy, she’s impatient, and she’s frequently cynical about the concept of “happily ever after.” And even though she’s an attorney, she’s not that straight-laced, since she likes to get high on various substances—and not all of them are legal. Alex is very sweet and eager-to-please (perhaps too eager, since he decides to give himself the nickname Mohammed), but he still maintains a strong sense of identity and feels comfortable with who he is.
The movie has some slapstick moments that look a bit awkward, but the real humor is in the snappy remarks and reactions of the story’s characters. “A Simple Wedding” is worth seeking out for people looking for an enjoyable romantic comedy that has a slightly raunchy sense of humor but still has a sentimental soft spot inside.
Blue Fox Entertainment released “A Simple Wedding” in select U.S. cinemas and on VOD on February 14, 2020.