Adan Canto, Alicia Sanz, Bradley Parker, Chinaza Uche, Duncan Novak, horror, Jonathan Sadowski, Kentucky, movies, reviews, The Devil Below, Will Patton, Zach Avery
April 6, 2021
by Carla Hay
Directed by Bradley Parker
Culture Representation: Taking place in the fictional rural town of Bluefield, Kentucky, the horror flick “The Devil Below” features a predominantly white cast of characters (with a few African Americans) representing the middle-class and working-class.
Culture Clash: Four geologists and their tour guide try to solve the mystery of an abandoned mine that trapped 195 people decades earlier, and the explorers uncover sinister forces during their excursion.
Culture Audience: “The Devil Below” will appeal primarily to people who don’t mind watching formulaic and mindless horror movies.
There’s absolutely nothing creative or original about the dreadfully predictable horror flick “The Devil Below.” It’s about a group of people who go somewhere remote and “forbidden” to try to find out why numerous people have mysteriously died or vanished in this death trap. The group of explorers think nothing will happen to them. And you know what happens next. Even though this concept has been recycled countless times in horror movies, there are ways to bring some freshness to this concept, but the “The Devil Below” fails miserably.
Directed by Bradley Parker and written by Eric Scherbarth and Stefan Jaworski, “The Devil Below” (formerly titled “Shookum Hills”) checks every horror cliché box in this lazy and unimaginative story. The acting is mediocre and the dialogue is forgettable. The movie starts off explaining that the death trap is a now-abandoned coal mine that was owned by the Shookum Hills Mining Company in the fictional rural town of Bluefield, Kentucky. In 1970, 33 people died and 162 went missing in an unexplained mining accident.
The opening scene shows another death in the present day: A miner named Schuttmann (played by Will Patton) is with his son Eric (played by Duncan Novak) near the mine, when a strange force seems to grab Eric and pull him down into the mine shaft. Meanwhile, someone or something stabs Schuttman in the neck. It won’t be the last that viewers will see of Schuttman though.
Sometime later (the movie doesn’t saw how much later), a feisty tour guide named Arianne (played by Alicia Sanz) is getting ready to lead a group of four geologists, who want Arianne to take them to the Shookum Hills mine, which is no longer on any current maps. Arianne doesn’t want to tell these geologists that she has no idea how to find the place. She needs the money that they’re paying her, so she decides to just “wing it” and hope they won’t figure out that she doesn’t really know how to get to the abandoned mine.
The four geologists are:
- Darren Atkins (played by Adan Canto), the group’s ambitious and aggressive leader who has a checkered past that is eventually revealed in the story,
- Terry Ellis (played by Jonathan Sadowski), a structural geologist, who is the jokester of the group.
- Shawn Harrison (played Chinaza Uche), a field geologist/comparative mythologist, who is the skeptical worrier in the group.
- Jaime Cowan (played by Zach Avery), the laid-back and easygoing member of the group.
The town of Shookum Hills in Kentucky burned down years ago and also isn’t on any current maps. On the way to the abandoned mine that Arianne doesn’t really know how to find (Arianne and the four geologists are in Arianne’s Jeep), she decides to stop at a nearby convenience store. The store is predictably dark and dingy, and the scruffy store clerk looks at this obvious out-of-towner with some suspicion.
When Arianne shows the clerk an old map of the Shookum Hills mine and asks how to get there, he immediately becomes hostile and says he doesn’t know. When Arianne leaves, the clerk gets on the phone and tells the person on the other line, “Dave, we have a problem.” The next thing you know, Arianne and the geologist crew are being chased through the woods by some of the local residents in a truck.
Arianne figures out that the people chasing them will go straight to the mine if they lose track of Arianne’s Jeep. And sure enough, that’s what happens. Arianne sees the direction where the truck is headed. And that’s how Arianne and the geologists find the mine. Or is it a sinkhole from hell? It’s easy to predict what will happen from there.
Shawn explains why he’s skittish about being there: “The prevailing theory is there was never actually a coal mine but America’s response to the well to hell … The Russians drilled about eight miles in Siberia until the drill broke, and they lowered a heat-resistant microphone into the well and heard this sound. Some say it’s the screams of the damned.” He then plays a scratchy audio recording of people wailing in agony. And with that, Shawn has already telegraphed what’s going to happen in this story.
As the body count piles up, “The Devil Below” uses the annoying horror movie trickery of making it look like someone has died but that person is really still alive. The first two-thirds of the movie are quite dull, but the last third is just absolutely moronic. Let’s put it this way: People who should have no logical reason to realistically move about or be alive, due to severe bodily injuries, end up acting as if they only have some pesky bruises. What’s lurking inside the mine is also very stereotypical.
The cinematography of “The Devil Below” is an ugly brownish hue for most of the film, except in the underground mine scenes, which at times has a bright red glow. This underground death trap is supposed to be hellish, so of course the filmmakers chose the most predictable color to represent hell. There’s a certain hell that viewers will experience if they watch “The Devil Below” to the very end. And that’s the hell of knowing that they wasted time watching this idiotic and boring movie.
Vertical Entertainment released “The Devil Below” in select U.S. cinemas, on digital and VOD on March 5, 2021.