Boise, comedy, coronavirus, COVID-19, film festivals, Los Angeles, Mark Duplass, movies, New York City, Parker Seaman, reviews, Tribeca Film Festival, Wes Schlagenhauf, Wes Schlagenhauf Is Dying
July 7, 2022
by Carla Hay
“Wes Schlagenhauf Is Dying”
Directed by Parker Seaman
Culture Representation: Taking place on the West Coast of the United States in 2020 (with some flashbacks to 2017), the comedy film “Wes Schlagenhauf Is Dying” features a predominantly white cast of characters (with a few Asians, Latinos and African Americans) representing the working-class and the middle-class.
Culture Clash: Two aspiring filmmakers, who are best friends and work partners, go on a road trip from Los Angeles to Boise, Idaho, to visit a quarantined friend who has been infected by COVID-19.
Culture Audience: “Wes Schlagenhauf Is Dying” will appeal primarily to people who are interested in comedies with a COVID-19 theme, no matter how silly and time-wasting those comedies are.
Dull and very manipulative, “Wes Schlagenhauf Is Dying” is the worst type of filmmaking with a COVID-19 theme. Viewers will have a hard time caring about the self-absorbed cretins at the center of this insipid comedy. It’s yet another movie about the COVID-19 pandemic that fails to have much purpose other than to try to cash in on this horrific pandemic that has killed millions of people.
Directed by Parker Seaman, “Wes Schlagenhauf Is Dying” also represents the type of self-referential filmmaking that has insecure filmmakers desperately trying to make themselves look cool by constantly telling everyone watching the movie how cool they are. In these types of movies, the filmmakers usually portray versions of themselves while they go on rants or excursions where they trade barbs that are supposed to be witty and hip but are actually very mindless and juvenile, with no self-awareness of how awful and boring the filmmaking is. “Wes Schlagenhauf Is Dying” had its world premiere at the 2022 Tribeca Film Festival in New York City.
Unfortunately, a large chunk of “Wes Schlagenhauf Is Dying” is a road trip, so viewers are stuck with the two obnoxious main characters who make fools out of themselves on this trip. Parker (played by Seaman) and Devin (played by Devin Das), also known as Dev, are best friends, work partners and aspiring feature film directors who live in Los Angeles. Parker and Dev, who are both in their 20s, pay their bills by working as co-directors of commercials and music videos, until they can get their first big break in the movie industry. Seaman and Das co-wrote the terrible screenplay for “Wes Schlagenhauf Is Dying.”
The movie opens in 2017, on the set of a commercial that Parker and Dev are directing. They’re having a hard time because their stoner/slacker friend Wes Schlagenhauf (playing a version of himself) has a job to dress up as a dancing bear for this commercial, but Wes is being difficult. Parker and Dev want Wes to look like he’s dancing naturally. Wes whines in response: “You’re telling me to dance naturally in a fucking bear costume!”
Parker and Dev remind Wes that even though he’s their friend, and they are the co-directors of this commercial, it wasn’t easy to get him cast for this acting gig. More arguing ensues, until Wes snaps and walks off of this non-union job. Wes yells before he heads out the door while still in the costume: “You poked a bear, you guys! Huge mistake!” After he leaves, Parker and Dev wonder how they’re going to get another bear costume in time to finish this commercial.
The movie then fast forwards to 2020, at the beginning of the COVID-19 pandemic lockdowns. Parker and Dev now work from home. Within the first 10 minutes of the movie, it’s obvious that Parker thinks he’s the bossy “alpha male” of this duo. Parker acts like he thinks he’s not only smarter than Dev but also smarter than almost everyone Parker meets. Parker’s arrogance isn’t backed up with any real intelligence, since he continues to make irrational and moronic decisions.
A conversation reveals that after Wes’ meltdown in the bear costume, Wes abruptly quit the entertainment business, and he decided to move back to his hometown of Boise, Idaho. Not much is known about Wes, except he’s described as someone who “loves baseball, cocaine and LSD.” Wes hasn’t really kept in regular touch with Parker and Dev, who both still have a little bit of resentment over how Wes wrecked the job opportunity they gave to him and how he suddenly decided to leave Los Angeles.
However, things aren’t so bad with Parker, Dev and Wes that they’ve stopped communicating with each other. During a video conference call, Wes tells Dev and Parker that he’s sick with COVID-19 and is quarantining at home, where Wes lives with his mother and stepfather. Contrary to what the movie’s title suggests, Wes never gives the impression in this phone call that he’s dying or that he needs to go to a hospital.
Parker immediately thinks that Dev and Parker should visit Wes by going on a road trip to Boise, and that they should make a documentary about it. Dev is reluctant at first, but Parker convinces Dev to go. During the road trip, Parker and Dev check in on Wes on a regular basis to see how he’s doing.
Actor/filmmaker Mark Duplass has a cameo as a version of himself in “Wes Schlagenhauf Is Dying.” Mark shows up on video because he’s on the roster for a service called Cameo, which has famous people sending personal video messages to people who pay a fee for these video messages. Parker and Dev have signed up to have Mark do a personal “get well soon” message for Wes.
The rest of the movie is an idiotic slog, as Parker and Dev have some not-very-funny misadventures during their road trip, where they predictably have agruments with each other. The first of many signs that “Wes Schlagenhauf Is Dying” is a bad movie is when Parker and Dev, who work with digital technology in their jobs and are supposed to be tech-savvy, get lost on their road trip. Viewers are supposed to believe that these two bozos suddenly don’t know how to use a smartphone to get directions. It’s just a lazy way to stretch out the already very thin plot.
Parker and Dev share the same agent, whose name is Chelsea (played by D’Arcy Carden), and they have a deal where Parker and Dev are always supposed to work together on jobs that they get. But there’s a tedious subplot about how one of these director pals betrays his friend by going behind the other’s back to take a lucrative commercial job for himself. As part of the deceit, he tells Chelsea that the other friend knows and approves of this decision to work solo, which is a dumb lie because Parker and Dev having the same agent means that the lie will inevitably be exposed. The movie also keeps repeating a very unfunny joke of Parker trying to persuade Dev to tell Parker the password for Dev’s Disney+ account.
It gets worse. By the time Dev and Parker arrive at the place where Wes lives, the movie takes some very ludicrous twists and turns until the very end. The story’s big “reveal” is truly an insult to viewers. Everything about “Wes Schlagenhauf Is Dying” looks like an amateurish skit that could have been a very short film but instead was elongated into a feature film that’s just a waste of everyone’s time.