Review: ‘Hell of a Summer,’ starring Fred Hechinger, Finn Wolfhard, Billy Bryk, Abby Quinn, D’Pharaoh Woon-A-Tai, Krista Nazaire and Matthew Finlan

April 2, 2025

by Carla Hay

Abby Quinn, Finn Wolfhard, Krista Nazaire and Fred Hechinger in “Hell of a Summer” (Photo courtesy of Neon)

“Hell of a Summer”

Directed by Billy Bryk and Finn Wolfhard

Culture Representation: Taking place in an unnamed U.S. city, the horror film “Hell of a Summer” features a predominantly white group of people (with one African American and one Indigenous person) representing the working-class and middle-class.

Culture Clash: Counselors at a summer camp experience a deadly rampage by masked serial killer.

Culture Audience: “Hell of a Summer” will appeal primarily to people who don’t mind watching slasher films that rip off all of their ideas from better slasher films.

Cast members of “Hell of a Summer.” Pictured in front row: Billy Bryk, Finn Wolfhard and Krista Nazaire. Pictured in back row: Abby Quinn, Julia Lalonde and Fred Hechinger. (Photo courtesy of Neon)

The derivative and dull horror movie “Hell of a Summer” wants be like 1996’s original “Scream” movie and 1980’s summer-camp horror flick “Friday the 13th.” “Hell of a Summer” is woefully inferior to both films and has comedy and scares that are unimpressive. “Hell of a Summer” has a talented cast but ultimately falls short of being an entertaining horror movie because of the weak screenplay that doesn’t have enough originality or wit.

Written and directed by Billy Bryk and Finn Wolfhard, “Hell of a Summer” is their feature-film directorial debut. Bryk and Wolfhard, who are better known as actors, also co-star in “Hell of a Summer,” which had its world premiere at the 2023 Toronto International Film Festival. “Hell of a Summer” takes place in an unnamed U.S. city, but the movie was actually filmed in the Canadian province of Ontario.

It would be an understatement to say that “Hell of a Summer” is riddled with horror movie clichés. All of the movie’s plot aspects have been copied from other movies. The location (a remote area in the woods) and many of the characters are also just lazy collections of stereotypes.

“Hell of Summer” borrows so heavily from “Scream” (masked killer slays young people who talk in self-referencing quips, with a surprise reveal toward the end) and “Friday the 13th” (masked killer slays counselors at an isolated summer camp), it’s like a mashup of both movies but very watered down, without anything to make any ideas in “Hell of a Summer” truly creative and unique. It’s like if someone tried to mix chocolate syrup and milk together and sold it as chocolate milk, but it ends up tasting like stale water.

“Hell of a Summer” is a checklist of body counts until it’s revealed who’s responsible for the murderous mayhem. What makes the original “Scream” a classic horror film is that the characters were memorable, and much of the dialogue was genuinely entertaining. “Friday the 13th” was not a great horror movie, but it had a great villain, which is the reason why “Friday the 13th” (just like “Scream”) became a long-running successful horror franchise. “Hell of a Summer” doesn’t go beyond having hollow characters and a lot of boring dialogue.

“Hell of a Summer” begins by showing the murders of John (played by Adam Pally) and Kathy (played by Rosebud Baker), the spouses who own Camp Pineway, which is getting ready to host its annual summer camp. John and Kathy are sitting around a campfire. Kathy asks John to perform the song “Pineway,” which he sings while playing an acoustic guitar

Kathy temporarily leaves the campfire area to get some beer nearby. She comes back to the campfire to find John impaled with the guitar neck. A terrified Kathy runs away to her car, but a killer wearing a devil’s mask is hiding in the back seat and murders Kathy from behind with a knife.

And so begins the body counts in “Hell of a Summer,” which assembles a group of mostly annoying people in their 20s to be the next potential victims. All of these other characters are the camp counselors. They have arrived early for orientation sessions before the summer camp attendees are expected to be there.

The movie’s protagonist is a cheerful dork named Jason Hochberg (played by Fred Hechinger), a 24-year-old who has been a Camp Pineway counselor for the past six years. Near the beginning of the film, after Kathy and John have been murdered, Jason is shown getting a car ride to the camp, with his mother Maggie Hochberg (played by Susan Coyne) driving the car. Maggie wants Jason to become a lawyer, and she expresses disappointment that Jason has chosen to spend his summer being a Camp Pineway counselor again instead of doing an internship that he rejected.

Maggie also disapproves of the low salary that Jason gets as a Camp Pineway counselor: “One hundred dollars a week is not employment,” she says. Jason comments to Maggie about Camp Pinaway: “I have my whole life to be a lawyer, but how many summers do I get to spend here?” Maggie replies, “A lot, apparently.” This is the type of mundane dialogue that the movie wants to pass off as comedy-worthy.

The other counselors at the camp are:

  • Claire (played by Abby Quinn), who is smart, sarcastic and the obvious potential love interest for Jason.
  • Christian, nicknamed Chris (played by Wolfhard) is a nerdy goofball.
  • Bobby (played by Bryk) is Chris’ easygoing best friend who might or might not be secretly in love with Chris.
  • Shannon (played by Krista Nazair) is a self-absorbed diva who rejects the advances of any of the men who show a romantic interest in her.
  • Demi (played by Pardis Saremi) is an even more self-absorbed diva, and she wants to document her camp activities on social media.
  • Mike (played by D’Pharaoh Woon-A-Tai) is a vain and arrogant self-described ladies’ man.
  • Ezra (played by Matthew Finlan) is a flamboyant “drama queen” who wants to stage a “political re-imagining” play of “Pinocchio” at the camp.
  • Ari (played by Daniel Gravelle) is an aspiring screenwriter.
  • Miley (played by Julia Doyle) is a generic young adult with a forgettable personality, which means she won’t last long in this slasher flick.
  • Noelle (played by Julia Lalonde) is a moody loner who has a fascination with mysticism and the occult.

When the counselors arrive, some are concerned that they don’t see John and Kathy. However, Jason finds a note from John and Kathy saying that John and Kathy had to temporarily leave to take care of a minor emergency. Jason doesn’t know it at the time, but that note was not written by John and Kathy.

One by one, certain people in this group of camp counselors get murdered by someone wearing a devil’s mask. After the first murdered body is discovered, the remaining counselors panic and try to leave, but they find out that they can’t use their cars, which have all been disabled. The camp counselors also find out that all of their phones were stolen, which is the least believable part of the movie, because most people in real life keep their phones nearby so that the phones are close enough to reach.

“Hell of a Summer” tries to pad out its very thin and flimsy plot with tedious storylines about potential hookups and unrequited crushes. Jason has a crush on Demi. Ari and Chris have a crush on Shannon. Claire has an obvious crush on Jason, even though she says she has a boyfriend. And then the inevitable happens when the people in the group start to suspect each other of being the killer. One person in particular is repeatedly accused of being the prime suspect.

All of the technical aspects of “Hell of a Summer” (directing editing, cinematography, etc.) are very mediocre. And although the cast members, particularly Hechinger, try to do their best to convince viewers that “Hell of a Summer” is a clever horror comedy, they can’t overcome the inane dialogue and unrealistic scenarios that pollute this dreadful dud. “Hell of a Summer” has a few quirky moments, but this horror comedy ripoff is more likely to elicit yawns instead of laughs.

Neon will release “Hell of a Summer” in U.S. cinemas on April 4, 2025. The movie will be released on digital and VOD on April 22, 2025. “Hell of a Summer” will be released on 4K Ultra HD, Blu-ray and DVD on July 8, 2025.

Review: ‘Knock at the Cabin,’ starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn and Rupert Grint

February 1, 2023

by Carla Hay

Ben Aldridge, Kristen Cui, Jonathan Groff and Dave Bautista in “Knock at the Cabin” (Photo courtesy of Universal Pictures)

“Knock at the Cabin”

Directed by M. Night Shyamalan

Culture Representation: Taking place primarily in an unnamed city in Pennsylvania, the horror film “Knock at the Cabin” features a racially diverse cast of characters (white, Asian and African American) representing the working-class and middle-class.

Culture Clash: Two husbands and their 7-year-old adopted daughter are held hostage in a remote cabin by four strangers, who tell them that one of the family members must choose to kill another family member, or else there will be an apocalypse that will kill everyone on Earth except the three family members. 

Culture Audience: “Knock at the Cabin” will appeal primarily to people who are fans of filmmaker M. Night Shyamalan and horror movies with apocalyptic themes.

Abby Quinn, Nikki Amuka-Bird, Dave Bautista and Rupert Grint in “Knock at the Cabin” (Photo by PhoByMo/Universal Pictures)

The apocalyptic horror film “Knock at the Cabin” has a more predictable story than the novel on which it is based, but the movie still delivers many tension-filled scenes and memorable characters. The cast members, particularly Ben Aldridge and Kristen Cui, elevate the film with their credible performances. “Knock at the Cabin” is one of those movies where you can figure out from watching the trailers how everything is probably going to end. It’s one of the few movies from filmmaker M. Night Shyamalan that does not have a shocking twist.

Shyamalan directed “Knock at the Cabin” and co-wrote the movie’s screenplay with Steve Desmond and Michael Sherman. The movie’s screenplay is adapted from Paul Tremblay’s 2018 novel “The Cabin at the End of the World,” which has a very different turn of events than the movie version of this book. It’s easy to see why the filmmakers chose to make these changes, because there are many things in the book that would not be as “crowd-pleasing” to movie audiences.

Even though “Knock at the Cabin” plays it very safe in how the movie was adapted from the book, there’s still enough in the movie that brings a level of gripping suspense, thanks to skilled editing and capable acting performances. Except for flashbacks and scenes showing events on TV news, “Knock at the Cabin” takes place primarily in a remote area in an unnamed city in Pennsylvania. The filmmakers of “Knock at the Cabin” wisely chose not to clutter up the movie with extraneous characters and locations that are not in “The Cabin at the End of the World.”

“Knock at the Cabin” begins with showing a kind and intelligent 7-year-old girl named Wen (played by Cui) collecting grasshoppers in an open field and putting them in a bottle. Wen is an aspiring veterinarian—she says she wants to be “take care of animals” when she grows up. She is cataloguing the statistics of the grasshoppers that she has collected, and she has even named the grasshoppers. Wen (who is an only child) and her two gay fathers Andrew (played by Aldridge) and Eric (played by Jonathan Groff) are on a vacation trip in this isolated wooded area of Pennsylvania, where the family is staying at a cabin.

Suddenly, a hulking man named Leonard (played by Dave Bautista) emerges from the woods. He approaches Wen and makes small talk with her. At first Wen is wary of this stranger, but she starts to warm up to him when he shows an interest in her grasshopper collection by helping her get a grasshopper and asking her about the collection. Wen says she will turn 8 years old in six days. Leonard tells Wen that he wants to be her friend and he needs to go inside the home where her parents are.

Leonard is not alone. He has three companions with him, who all have the same intentions. Redmond (played by Rupert Grint) has an angry personality. Sabrina (played by Nikki Amuka-Bird) has a calm personality. Adriane (played by Abby Quinn) has a cheerful personality. Leonard is their leader, and he has a “take charge” personality. All four of these strangers are armed and dangerous.

As already shown in the movie’s trailers, all four of these strangers break into the cabin and take Andrew, Eric and Wen hostage. Andrew and Eric put up a fight in self-defense. Eric gets into a losing brawl with Sabrina, and he gets a concussion from being knocked to the ground. Andrew and Eric are then tied to chairs, although (as the movie trailer already reveals) Wen is not tied up, and she briefly escapes.

Leonard tells this captured family that they have to make a choice: someone in the family has to voluntarily kill someone else in the family, or else there will be an apocalypse where everyone on Earth except this family of three will be killed. Every time someone in the family refuses to kill someone else in the family, a plague will descend on Earth until the world-ending apocalypse will happen.

Andrew (the more outspoken and more assertive husband) is immediately skeptical and thinks that these four strangers are mentally ill. Andrew mentions later in the movie that he’s a human rights attorney, which goes a long way in explaining why Andrew thinks he can argue his way out of this horrible situation. At first, Andrew and Eric also think that this home invasion is a hate crime because Andrew and Eric are a gay couple. But Leonard denies it and says that he and his three cohorts did not know in advance that the targeted family would have a same-sex couple.

Andrew and Eric refuse to kill anyone in their family. As already shown in the movie’s trailer, as a result, a plague happens that kills numerous people near the Pacific Ocean. (Shyamalan continues his tradition of appearing in small roles as an actor in the movies that he directs. In “Knock at the Cabin,” he briefly appears on the cabin’s TV set as a co-host of an infomercial that is interrupted by breaking news.) Leonard shows the family the TV news to prove that this plague happening.

Andrew is convinced that the four strangers knew in advance that this catastrophe was going to happen. Leonard insists that he, Sabrina, Leonard and Adriane were all strangers with the same visions who found each other through the Internet. Leonard also says that several families over time have had to make the same decision. And he emphatically states that he, Sabrina, Leonard and Adriane are “heartbroken” that they have to force Andrew and Eric to make this life-changing decision.

In order to make themselves relatable, Leonard and the rest of the home invaders tells the captured family more about themselves. Leonard says he’s from Chicago and has two jobs: He’s an elementary schoolteacher who runs an after-school program for second graders, and he’s a bartender.

Sabrina is a hospital nurse who works at an intensive-care unit in Southern California. She says she feel guilty about Eric getting injured in their fight, so she tends to Eric’s head wounds. Sabrina also says that the rules are that Eric must be thinking clearly when making his decision with Andrew. But who exactly is making these “rules”?

Adriane says she’s a line cook at a Mexican restaurant in Washington, D.C. “I love to feed people,” she adds. Later in the movie, Adriane says she has a pre-teen son named Charlie, and she begs the hostage family to not let the apocalypse happen, or else her son is going to die.

Redmond is an ex-con who works at a gas company in Medford, Massachusetts. He mentions coming from an abusive family where “my father used to beat the shit out of me.” Later, Andrew is convinced that he knows Redmond from a traumatic event that happened in Andrew’s past.

As the tension builds over what decision will be made, “Knock at the Cabin” shows flashbacks of Andrew and Eric’s life together before this home invasion. Viewers will find out that Andrew’s parents (played by McKenna Kerrigan and Ian Merrill Peakes) disapprove of him being gay, while Eric’s mother (who is never seen in the movie) is accepting of Eric’s sexuality. Andrew and Eric also went to China to adopt Wen when she was a baby, but Andrew had to pretend to be the brother of Eric’s non-existent wife, in order to avoid any homophobic restrictions that would prevent them from adopting Wen.

There are also flashbacks to happy family times with Andrew, Eric and Wen, such as when they’re driving in their car while K.C. and the Sunshine Band’s 1975 hit song “Boogie Shoes” is playing. Andrew, Eric and Wen love this song so much, they sing loudly and joyfully move to the beat of the song. “Boogie Shoes” will be used again later in the movie in an emotionally powerful scene.

Because “Knock at the Cabin” is a horror movie, not everyone will make it out alive. At a certain point, it becomes very obvious which of the husbands will be more open to the idea of killing someone in the family, in order to save the world. But will that husband be able to convince his spouse?

There are no real surprises in “Knock at the Cabin,” except for how much the movie removed some of the risk-taking plot developments from “The Cabin at the End of the World.” With a total running time of 100 minutes, “Knock at the Cabin” is a taut thriller that doesn’t drag on for longer than the story needed, although some parts of the movie get a little repetitive. Knock at the Cabin” is a very Hollywood movie version of the book, but it’s ultimately satisfactory entertainment for horror fans who don’t want to see anything too disturbing on screen.

Universal Pictures will release “Knock at the Cabin” in U.S. cinemas on February 3, 2023.

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