Review: ‘Scamanda’ (2025), starring Nancy Moscatiello, Charlie Webster, Aletta Bernal, Jaymie Bailey, Lisa Berry, Jose Martinez and Arlette Lee

February 9, 2025

by Carla Hay

Amanda Riley in “Scamanda” (Photo courtesy of ABC)

“Scamanda” (2025)

Culture Representation: The four-episode documentary series “Scamanda” (based on the 2023 podcast of the same name) features a predominantly white group of people (with a few Asians and Latin people) talking about the case of Amanda Riley, a former children’s educator from San Jose, California, who was convicted in 2022 of wire fraud for soliciting more than $100,000 in online donations, based on her lie that she had cancer.

Culture Clash: Beginning in 2010, Riley pretended she had cancer and duped hundreds of people into donating money to her, often through Christian charity efforts, and she tried to silence a TV journalist who was investigating her for this fraud.

Culture Audience: “Scamanda” will appeal primarily to people who are fans of the “Scamanda” podcast and anyone interested in high-profile fraud cases.

Nancy Moscatiello in “Scamanda” (Photo courtesy of ABC)

Based on the 2023 podcast “Scamanda,” the four-episode documentary series “Scamanda” offers more insight into the notorious case of a children’s educator in California who received donations totaling six figures by pretending that she had Hodgkins lymphoma (which affects the lymphatic system) and lung cancer. This docuseries is better than the “Scamanda” podcast because it has interviews with members of convicted scammer Amanda Riley’s blended family, including one of her stepdaughters. More investigation was needed for enablers’ involvement in the cancer fraud.

There is no director credited for the “Scamanda” documentary series, which is produced by Pilgrim Media Group, a division of Lionsgate Alternative Television, for ABC News Studios. Elizabeth Waller and Craig Pilligian serve as executive producers for Pilgrim Media Group. David Sloan is the senior executive producer and Victoria Thompson is the executive producer for ABC News Studios.

The four episodes of this documentary series tell the story in mostly chronological order:

  • The first episode, titled “Stage 1: Perfect Wife, Perfect Life,” details how Riley crafted an image of being the ideal wife and mother whose life was tragically changed when she was diagnosed with Stage 3 Hodgkins lymphoma, but a former friend gave valuable information to an investigation that would lead to Riley’s downfall.
  • The second episode, titled “Stage 2: All About Amanda,” takes a closer look at the custody battle that Amanda Riley’s then-husband Cory Riley was having with his ex-wife, to explain what else was going on in Amanda’s life during the time that Amanda pretended to have cancer.
  • The third episode, titled “The Wheels of Justice,” chronicles the year leading up to police raiding Amanda and Cory’s house in 2016.
  • The fourth episode, titled “Catch Me If You Cancer,” shows what happened when Amanda was arrested and indicted in 2020, pleaded guilty to wire fraud in 2021, and was sentenced in 2022 to five years in prison and ordered to pay back the approximately $106,000 she got from online donations.

It’s pointed out in the documentary that Amanda could only be charged with wire fraud because that was the only way to prove an amount of money that she scammed through online donations. Amanda pled guilty to a fraud total of $106,272. She was not charged for the untold amounts that she got from cash donations or non-online gifts, because those monetary amounts were difficult to prove.

Born on June 24, 1985, Amanda Riley’s birth name was Amanda Maneri. She and her three brothers (who are not named in the documentary) were raised by their parents Peggy and Tom in San Jose, California. Amanda continued to live in the San Jose area through the time that she became an adult and committed her cancer fraud.

In 2002, Amanda was 17 years old and a school cheerleader when she was hired as a babysitter for the two daughters being raised by Cory Riley and his wife at the time: Aletta, whose has had multiple last names. Aletta has also been known as Aletta Souza and Aletta Bernal. At the time this documentary premiered, her name was Aletta Bernal.

When Cory and Aletta were married, they were raising Aletta’s daughter Jaymie (born in 1995) from Aletta’s previous marriage, as well as Cory and Aletta’s biological daughter Jessa, who was born in 2001. Jaymie was in recovery from leukemia when Amanda entered their lives. Amanda, who was later a student at San Jose State University, was eventually hired to give dance lessons to Jaymie and later Jessa when Jessa was old enough.

Amanda became a friend of the family. And she definitely got very close to Cory, who is 12 years older than Amanda. It’s unclear when Cory and Amanda started their romance, but Cory and Amanda began publicly dating a few years after his 2007 divorce from Aletta. Cory and Amanda got married in 2011.

During their marriage, Amanda worked as an educator for children in elementary school. Most of her jobs were as a teacher. But her last job before she went to prison was her highest job position: From 2017 to 2020, Amanda was the principal of Pacific Point Christian School in Gilroy, California. She resigned from the job before she was arrested. The “Scamanda” documentary series doesn’t mention what types of jobs that Cory has had.

Amanda and Cory became prominent members of the Family Community Church, a San Jose non-denominational Christian mega-church with about 5,000 congregants. Amanda became semi-famous in her community for being a public speaker about cancer. Most of the donations that Amanda received were directly or indirectly through the church’s fundraisers for her. Most of the supporters whom Amanda met in person were people who met her through Family Community Church or through Amanda’s mother Peggy, who was one of Amanda’s biggest advocates in having people donate money to Amanda.

Cory and Amanda had two children together during their marriage: son Carter was born in 2012, and son Connor was born in 2014. In October 2012, Amanda started a blog called “My Story … Our Journey,” where she claimed that she had been diagnosed with Stage 3 Hodgkins lymphoma while pregnant with Carter. She continued to publicly lie about having cancer until she pled guilty in October 2021, and admitted that everything about her having cancer was a lie.

Cory and his ex-wife Aletta had a custody battle over Jessa that got very nasty in the late 2000s to mid-2010s. Cory and Amanda wanted full custody of Jessa, but so did Aletta. According to Aletta, who is interviewed the documentary, Aletta was the victim of a smear campaign where Cory and Amanda told lies and claimed that Aletta was a neglectful and mentally unstable parent.

Aletta comments on Amanda and Cory: “She ripped apart my family. And then, they took my reputation and squashed it.” Aletta’s sister Amie Bernal and Aletta’s daughter Jaymie Bailey are also interviewed in the documentary, and they confirm what Aletta says. (In the “Scamanda” podcast, Aletta and Jessa are interviewed from Aletta’s side of the family.) Amie was the one who actually recommended that Amanda be Jaymie’s dance teacher. Amie says if she had known then what would happen, she never would’ve made that recommendation.

According to people interviewed in the documentary, Cory and Amanda told conflicting stories about Aletta. Cory and Amanda told some people that Aletta was a bad mother who continued to make their lives miserable after Aletta’s divorce from Cory. Mahasti Ameli, the couple’s babysitter at the time, says that Cory lied by telling Ameli that Jessa was born from a one-night stand with Aletta. Ameli says that she later found out that Aletta was Cory’s ex-wife, not a one-night stand. And to some of his friends, Cory didn’t mention Aletta at all and almost pretended like Aletta didn’t exist.

Aletta says that the judge in the custody case believed the lies told by Cory and Amanda in court, which resulted in Cory and Amanda getting full custody of Jessa sometime in 2009, when Jessa was about 8 years old. The couple’s former babysitter Ameli says that Amanda was the “more pushy” than Cory in the custody battle. Aletta had visitation rights but didn’t give up her fight for full custody of Jessa. The documentary doesn’t make it clear when Aletta regained full custody of Jessa, but by the time Cory and Amanda were being investigated for Amanda’s cancer stories in the mid-to-late-2010s, Jessa was a teenager and in the full custody of Aletta.

Other people interviewed in the documentary include Lisa Berry and Steve Berry, a married couple who befriended and then distanced themselves from Cory and Amanda; Rebecca Cafiero, a former friend of Amanda’s; Mahasti Ameli, a babysitter who used to work for Amanda and Cory; Jack York, who knew Cory as a kid through the Big Brother program; Josh Kierstead, a Family Community Church congregant whose father-in-law was pastor of the church; church member Vanna Ruiz and Lindsey Wilder; and other former supporters of Amanda, such as Angie Smailey, Stephanie Davis and Penny Fraley.

Also interviewed in this documentary are several people who were involved in investgations about Amanda: investigative TV producer Nancy Moscatiello, who is a producer for this “Scamanda” docuseries; “Scamanda” podcast host Charlie Webster, who is also a producer for this “Scamanda” docuseries; Jose Martinez, a detective who used to work for the San Jose Police Department; and Arlette Lee, the former IRS criminal division official who was a leader in the federal investigation of Amanda.

Other interviewees in the “Scamanda” docuseries are people who either don’t know Amanda or haven’t seen her in years: clinical and forensic neuropsychologist Dr. Judy Ho, who says she’s never met Amanda and can only speculate about her mental health; a woman named Trisha (no last name given), who says she knew Amanda since they were in sixth grade together; and Natale Tognetti and Rebecca Spencer-Wright, two parents whose children were students at Pacific Point Christian School when Amanda was the school’s principal.

Amanda faked her cancer treatments by going to hospital emergency rooms for various reasons (not for cancer), and then photographed herself in hospital beds, often showing herself hooked up to tubes or IV ports. Over the years, Amanda claimed that her cancer (which she said advanced to Stage 4) would be in remission and then come back again. She fabricated many “medical updates” for herself.

Because of Health Insurance Portability and Accountability Act (HIPPA) privacy laws that forbid disclosing a patient’s medical information, Amanda’s stories that she posted on social media could never be verified by the hospitals where she went. If any medical professionals knew she was lying about having cancer, they couldn’t expose her because of HIPPA privacy laws. It’s one of the reasons why it took so long for her to be arrested and charged with this cancer fraud.

Just like many con artists who fool people over several years, Amanda is described as very charismatic and someone who is skilled at gaining people’s trust. She had never been arrested before she got into trouble for this cancer fraud. And, according to people interviewed in the documentary, any other lies she told in the past weren’t not serious enough to be considered a major crime.

The only personality flaw that people noticed about Amanda before she was exposed for this fraud was that she was extremely competitive and didn’t like to lose. As an example of her competitiveness, the documentary shows archival footage of Amanda leading a group of three pre-teen girls (including Jaymie and Jaymie’s unidentifed cousin, who is Amie Bernal’s daughter) for an uncoordinated dance routine in a talent competition at San Jose State University. The judges gave the group a mediocre score of 6.6 out of 10. Amanda wouldn’t accept the score, so she had Jayme and her cousin go over to the judges to try to convince the judges to give this dance group a higher score. This tactic didn’t work. Amanda and her group of dancers didn’t win in the talent contest.

Many of her victims say that they believed Amanda’s cancer stories because of what Amanda put on social media. They ignored obvious signs that she was lying, such as the fact that Amanda never had scar tissue in places where she supposedly had surgery or chemotherapy treatments. Amanda also never lost a lot of weight or had other known outward physical side effects of having Stage 3 or Stage 4 cancer. She sometimes shaved her head, but that’s an easy and superficial way to fake having chemotherapy.

Some of her closest supporters also thought it was strange that during the worst of Amanda’s so-called cancer treatments, they would never see her parents. Amanda explained this absence by saying that her parents were very busy. Amanda’s mother Peggy changed her stories about how much Peggy was there in person to support Amanda for the cancer treatments. At first, Peggy told people that she was by Amanda’s side for many of these medical appointments at hospitals. But then after Amanda’s lies were exposed, Peggy said that she really wasn’t with Amanda at the hospitals and was deceived by Amanda.

The “Scamanda” docuseries has archival footage of videorecorded interviews that Amanda did during the time she faked having cancer. In these interviews, she appears to be bubbly and healthy, which her supporters attributed to Amanda have a constantly positive attitude. No one likes to be scammed, so it’s understandable that her victims found it easier to believe that she was telling the truth rather than take a closer look at the illogical holes in her stories.

The documentary could have done a better job at getting more information about the family backgrounds of Amanda and Cory. Very little is told about Amanda’s and Cory’s parents. Amanda’s mother Peggy is described as someone who hated being called a grandmother and insisted that people call her “goddess.”

All that’s mentioned about Cory’s parents is that his father committed suicide when Cory was a child. Cory’s former Big Brother mentor York remembers boyhood Cory this way: “Cory was super-fun. He always had a smile on his face.” Many years later, when York knew Cory and Amanda as a couple, York says Cory treated Amanda like a trophy wife: “It was almost like how you would treat a sculpture.”

Because Amanda’s case was widely reported by the media, and because Amanda pled guilty, there’s no mystery over who is the main villain in this fraud. However, what “Scamanda” doesn’t really uncover is how much Cory knew about the scam when this scam was happening. Was he an innocent bystander or was he a willing participant in the fraud? Cory was never charged with any crimes related to this fraud. Some former supporters of Amanda also suspect Amanda’s mother Peggy of being an accomplice, but Peggy has also not been charged with any crimes related to this scam.

A caption at the end of the documentary says that Amanda declined to be interviewed for the documentary. Also not interviewed: Cory, his biological children, and any of Amanda’s biological relatives, who did not respond to requests for comment in this documentary. Amanda has not publicly stated that anyone was her accomplice in the fraud. According to an epilogue in the documentay, Amanda has issued a public denial that her parents and her brothers were involved in the cancer scam. She has taken full responsibility for the fraud, although there have been several reports that she continues to claim to have illnesses (not cancer) while she’s been in prison.

Amanda has hinted at the possible motive for this financial fraud: She told “Scamanda” podcast host Webster that most of the money that was scammed went to pay for legal fees for Cory’s divorce and the custody battle over Jessa. And considering that Cory’s employment history has been sketchy, and being a children’s educator is not a high-paying profession, that appears to be a huge motive for why Amanda went to those extreme lengths to commit financial fraud.

Amanda’s former friend Lisa Berry says in the documentary that Cory and Amanda equally lied about Amanda having cancer. According to Lisa, Amanda and Corey got to know Lisa and her husband Steve because Amanda was a friend to Lisa and Steve’s daughters. Amanda repeatedly told Lisa that Lisa physically resembled Amanda’s mother Peggy, so Amanda often described Lisa as being like a second mother to Amanda.

Lisa says Amanda and Cory first told Lisa and her husband Steve that Amanda had cancer in 2010—two years before Amanda claimed on her blog that her cancer diagnosis was in 2012. Lisa and Steve gave Amanda and Cory money to help pay for Amanda’s so-called cancer treatments. Other people in the community also gave money to Amanda and Cory for the same reasons.

Lisa also believes that Amanda got the idea for the cancer scam after Lisa had mentioned to Amanda that a community member who had cancer recently received $100,000 from a community fundraiser to help this cancer patient and his family. Lisa says that Amanda called her the next day to tell Lisa that Amanda had cancer. And then, the fundraising for Amanda began.

Lisa and Steve Berry ended their friendship with Cory and Amanda when Lisa figured out that Amanda was lying about having cancer. This moment of clarity happened when Lisa saw Amanda nimbly swimming in the Berrys’ swimming pool, right after Amanda said that Amanda came from a medical appointment where fluid was supposedly drained from Amanda’s brain. Lisa says in the documentary that’s when she knew “I wanted Cory and Amanda out of our lives.”

In 2015, Lisa saw a social media post that investigative producer Moscatiello was looking for information on people lying about having terminal illnesses. Lisa was the first person who tipped off Moscatiello about Amanda’s suspected fraud when Moscatiello began her investigation in 2015. At the time, Lisa told Moscatiello that she wanted to remain an anonymous source. But in the documentary, Lisa says she’s no longer afraid to publicly admit that she was the tipster.

Moscatiello is the true MVP in this story because it was her persistent and meticulous investigation over the years that was used as crucial evidence when law enforcement took action. The first law-enforcement agency that Moscatiello went to was the San Jose Police Department, which then referred the case to the IRS. Once it became a federal case, Amanda was on her way to getting arrested and charged with fraud.

Before that happened, Moscatiello went through a legal ordeal when Amanda and Cory tried but failed to stop Moscatiello, by suing her for harassment. Moscatiello won in that lawsuit. Moscatiello is one of the main people who was interviewed in the “Scamanda” podcast, which has more details about Amanda and Cory’s failed attempts to silence this heroic investigator.

Webster doesn’t have much to add to the “Scamanda” docuseries that she didn’t already discuss in her “Scamanda” podcast. The documentary includes archival footage of Webster meeting Amanda briefly for the first time when Webster gave her business card to Amanda after Amanda left a courthouse. Webster and Amanda began having conversations with each other shortly afterward. There’s a scene in the documentary (that’s not in the podcast) where an imprisoned Amanda calls Webster on the phone for a nearly half-hour conversation, but on the condition that Webster not record the phone call in any way.

After getting that phone call, Webster says in the documentary that Amanda told Webster that Amanda and Cory were getting divorced. Cory (who currently lives in Austin, Texas, with sons Carter and Connor) filed for divorce from Amanda in January 2024. It seems as if Jaymie doesn’t really want anything to do with Amanda or Cory because, as a cancer survivor, she feels deeply offended by this cancer scam.

It’s a sentiment of many other people interviewed in this documentary. Several of them have also been personally touched by real cancer diagnoses. Moscatiello had a sister who died from cancer. Former IRS agent Lee had a twin sister who died of cancer. Former Amanda supporters Smailey and Fraley are cancer survivors. Amanda’s former friend Cafiero had a boyfriend who died of cancer.

Family Community Church member Wilder says she felt betrayed by Amanda on a religious level. Wilder comments that before she joined the church, she was an atheist. Amanda was the first person whom Wilder seriously prayed for, according to Wilder, who adds that she still believes in Christianity, but her faith was shaken because of Amanda’s cruel deception.

The “Scamanda” documentary falters when it repeats too much of the same archival footage of Amanda, or when it uses melodramatic re-enactments with actors. It’s an overall adequate documentary that has very good interviews. However, the documentary filmmakers didn’t do much more investigating to give details of how much Amanda’s closest adult family members really knew about her fraud before she was caught. “Scamanda” is ultimately yet another cautionary tale about how people should not believe everything they see on the Internet.

ABC premiered “Scamanda” on January 30, 2025.

2025 Academy Awards: ‘Anora’ is the top winner

March 2, 2025

by Carla Hay

“Anora” writer/director/producer/editor Sean Baker (pictured in front) at the 97th annual Academy Awards at the Dolby Theatre in Los Angeles on March 2, 2025. (Photo by Stewart Cook/Disney)

With five prizes, including Best Picture, Neon’s comedy/drama “Anora” was the top winner for the 97th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 2, 2025. ABC had the U.S. telecast of the show, which was hosted by Conan O’Brien and livestreamed on Hulu. The nominations and awards are voted for by the Academy of Motion Picture Arts and Sciences.

“Anora” (about an American sex worker who marries a wealthy Russian heir) won Oscars for Best Picture, Best Director, Best Original Screenplay, and Best Film Editing for producer/director/writer/editor Sean Baker. With these victories, Baker became the first person in Academy Awards history to win four Oscars for the same movie and for these four categories in the same year. (In 1954, Walt Disney was the first person to win four Oscars in the same year, when he won for “The Living Desert,” “Bear Country,” “The Alaskan Eskimo” and “Toot, Whistle, Plunk and Boom.”) Mikey Madison, who plays the movie’s title character, won the Oscar for Best Actress in a Leading Role.

A24’s drama “The Brutalist” (about a Hungarian immigrant architect) won three Oscars: Best Actor (for Adrien Brody), Best Cinematography and Best Original Score. Netflix’s “Emilia Pérez” (a Spanish-language musical about a transgender woman who becomes a former drug-trafficking crime boss) had the most Oscar nominations (13) going into the ceremony, and ultimately ended up winning two Oscars: Best Actress in a Supporting Role (for Zoe Saldaña) and Best Original Song (for “El Mal”).

Other winners included Kieran Culkin of Searchlight Pictures’ comedy/drama “A Real Pain” (Best Actor in a Supporting Role); Focus Features’ drama “Conclave” (Best Adapted Screenplay); Sideshow/Janus Films’ “Flow” (Best Animated Feature Film); and Sony Pictures Classics’ drama “I’m Still Here” (Best International Feature Film), the first movie from Brazil to win in this category. “Flow,” which was also nominated for Best International Feature Film, is the first movie from Latvia to win an Oscar.

Instead of performances of the Best Original Song nominations, there were other musical performances. “Wicked” co-stars Cynthia Erivo and Ariana Grande did a medley of “Somewhere Over the Rainbow,” “Here” and “Defying Gravity.” There was a tribute to James Bond movies, with performances of James Bond movie theme songs: Blackpink singer Lisa performed “Live and Let Die”; Doja Cat performed “Diamonds Are Forever”; and Raye performed “Skyfall.” In a tribute to Quincy Jones (who died in November 2024), Queen Latifah performed “Ease on Down the Road” from “The Wiz” musical because Jones was a music supervisor and songwriter for the 1978 movie version of “The Wiz.”

Presenters at the show included Joe Alwyn, Halle Berry, Sterling K. Brown, Billy Crystal, Penélope Cruz, Willem Dafoe, Ana de Armas, Dave Bautista, Lily-Rose Depp, Robert Downey Jr., Elle Fanning, Morgan Freeman, Gal Gadot, Andrew Garfield, Whoopi Goldberg, Selena Gomez, Goldie Hawn, Samuel L. Jackson, Mick Jagger, Scarlett Johansson, John Lithgow, Cillian Murphy, Connie Nielsen, Amy Poehler, Margaret Qualley, Da’Vine Joy Randolph, Alba Rohrwacher, Meg Ryan, Saldaña, June Squibb, Ben Stiller, Emma Stone, Quentin Tarantino, Oprah Winfrey, Bowen Yang and Rachel Zegler.

Adrien Brody, Mikey Madison, Zoe Saldaña and Kieran Culkin at the 97th annual Academy Awards at the Dolby Theatre in Los Angeles on March 2, 2025. (Photo by Scott Kirkland/Disney)

Here is the complete list of nominations and winners for the 2025 Academy Awards:

*=winner

Best Picture

“Anora”*
“The Brutalist”
“A Complete Unknown”
“Conclave”
“Dune: Part Two”
“Emilia Pérez”
“I’m Still Here”
“Nickel Boys”
“The Substance”
“Wicked”

Best Director

Sean Baker (“Anora”)*
Brady Corbet (“The Brutalist”)
James Mangold (“A Complete Unknown”)
Jacques Audiard (“Emilia Pérez”)
Coralie Fargeat (“The Substance”

Best Actor in a Leading Role

Adrien Brody (“The Brutalist”)*
Timothée Chalamet (“A Complete Unknown”)
Colman Domingo (“Sing Sing”)
Ralph Fiennes (“Conclave”)
Sebastian Stan (“The Apprentice”)

Best Actress in a Leading Role

Cynthia Erivo (“Wicked”)
Karla Sofía Gascón (“Emilia Pérez”)
Mikey Madison (“Anora”)*
Demi Moore (“The Substance”)
Fernanda Torres (“I’m Still Here”)

Best Actor in a Supporting Role

Yura Borisov (“Anora”)
Kieran Culkin (“A Real Pain”)*
Edward Norton (“A Complete Unknown”)
Guy Pearce (“The Brutalist”)
Jeremy Strong (“The Apprentice”)

Best Actress in a Supporting Role

Monica Barbaro (“A Complete Unknown”)
Ariana Grande (“Wicked”)
Felicity Jones (“The Brutalist”)
Isabella Rossellini (“Conclave”)
Zoe Saldaña (“Emilia Pérez”)*

Best Adapted Screenplay

“A Complete Unknown,” screenplay by James Mangold and Jay Cocks
“Conclave,” screenplay by Peter Straughan*
“Emilia Pérez,” screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys,” screenplay by RaMell Ross and Joslyn Barnes
“Sing Sing,” screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin and John “Divine G” Whitfield

Best Original Screenplay

“Anora,” written by Sean Baker*
“The Brutalist,” written by Brady Corbet and Mona Fastvold
“A Real Pain,” written by Jesse Eisenberg
“September 5,” written by Moritz Binder and Tim Fehlbaum; co-written by Alex David
“The Substance,” written by Coralie Fargeat

Best Cinematography

“The Brutalist”*
“Dune: Part Two”
“Emilia Pérez”
“Maria”
“Nosferatu”

Best Film Editing

“Anora,” Sean Baker*
“The Brutalist,” David Jancso
“Conclave,” Nick Emerson
“Emilia Pérez,” Juliette Welfling
“Wicked,” Myron Kerstein

Best Sound

“A Complete Unknown”
“Dune: Part Two”*
“Emilia Pérez”
“Wicked”
“The Wild Robot”

Best Original Score

“The Brutalist,” Daniel Blumberg*
“Conclave,” Volker Bertelmann
“Emilia Pérez,” Clément Ducol and Camille
“Wicked,” John Powell and Stephen Schwartz
“The Wild Robot,” Kris Bowers

Best Original Song

“El Mal” from “Emilia Pérez” (Music by Clément Ducol and Camille; lyrics by Clément Ducol, Camille and Jacques Audiard)*
“The Journey” from “The Six Triple Eight” (Music and lyrics by Diane Warren)
“Like a Bird” from “Sing Sing” (Music and lyrics by Abraham Alexander and Adrian Quesada)
“Mi Camino” from “Emilia Pérez” (Music and lyric by Camille and Clément Ducol)
“Never Too Late” from “Elton John: Never Too Late” (Music and lyrics by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

Best Animated Feature Film

“Flow”*
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Best International Feature Film

“I’m Still Here” (Brazil)*
“The Girl With the Needle” (Denmark)
“Emilia Pérez” (France)
“The Seed of the Sacred Fig” (Germany)
“Flow” (Latvia)

Best Documentary Feature

“Black Box Diaries”
“No Other Land”*
“Porcelain War”
“Soundtrack to a Coup d’Etat”
“Sugarcane”

Best Makeup and Hairstyling

“A Different Man”
“Emilia Pérez”
“Nosferatu”
“The Substance”*
“Wicked”

Best Costume Design

“A Complete Unknown,” Arianne Phillips
“Conclave,” Lisy Christl
“Gladiator II,” Janty Yates and Dave Crossman
“Nosferatu,” Linda Muir
“Wicked,” Paul Tazewell*

Best Production Design

“The Brutalist”
“Conclave”
“Dune: Part Two”
“Nosferatu”
“Wicked”*

Best Visual Effects

“Alien: Romulus”
“Better Man”
“Dune: Part Two”*
“Kingdom of the Planet of the Apes”
“Wicked”

Best Documentary Short Subject

“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“The Only Girl in the Orchestra”*

Best Animated Short Film

“Beautiful Men”
“In the Shadow of the Cypress”*
“Magic Candies”
“Wander to Wonder”
“Yuck!”

Best Live-Action Short Film

“A Lien”
“Anuja”
“I’m Not a Robot”*
“The Last Ranger”
“The Man Who Could Not Remain Silent”

Review: ‘Wicked Game: Devil in the Desert,’ starring Matt Murphy, Heather Brown, Ryan Peters, Salvatore Ciulla, Martina Teinert and Matt Gutman

February 19, 2024

by Carla Hay

Matt Murphy in “Wicked Game: Devil in the Desert” (Photo courtesy of ABC News Studios/Hulu)

“Wicked Game: Devil in the Desert”

Culture Representation: The three-episode documentary series “Wicked Game: Devil in the Desert” features a predominantly white group of people (with a few Asians and Latin people) talking about the case of the 2012 kidnapping and brutal assault of Mary Barnes and her male roommate from their home in Newport Beach, California.

Culture Clash: The three kidnappers (led by Hossein Nayeri) beat, tortured and cut off the penis of the male roommate (whose identity is not revealed in the documentary) because the kidnappers mistakenly thought that he had about $1 million in cash hidden in California’s Mohave Desert.

Culture Audience: “Wicked Game: Devil in the Desert” will appeal primarily to people who are interested in true crime documentaries about well-known criminal cases, but this docuseries just re-uses a lot of footage that was previously filmed for a March 2020 episode of the ABC newsmagazine series “20/20.”

A 2013 photo of Hossein Nayeri (center) in “Wicked Game: Devil in the Desert” (Photo courtesy of ABC News Studios/Hulu)

“Wicked Game: Devil in the Desert” is just a repackaged “20/20” episode that originally aired in March 2020, with expanded and updated commentary from law enforcement officials and attorneys. This is a very lazy documentary. ABC News Studios produces “20/20” and several other news programs and documentaries. Many of the documentaries from ABC News Studios are labeled as original Hulu documentaries because they premiere first on Hulu in the United States. (Outside the U.S., many Hulu programs premiere first on the Disney+ streaming service.) ABC, Hulu and Disney+ are all owned by Disney.

There is no credited director for “Wicked Game: Devil in the Desert,” but David Sloan is listed as the documentary’s senior executive producer. On the surface, “Wicked Game: Devil in the Desert” might seem to be a Hulu original documentary, but the majority of the documentary’s content actually isn’t original because so much it previously aired on or was originally filmed for “20/20” in the show’s Season 42, Episode 21, titled “Catch Me If You Can,” which premiered on March 13, 2020. The previously filmed interviews were conducted in 2019, and are labeled as such in this repackaged documentary that was released in 2025.

The only “new” content includes interviews with two former district attorneys who were involved with the case; the former police detective who was the lead investigator of the case; two defense attorneys; and the “20/20” correspondent who originally reported on the case. All of them give hindsight comments that don’t add anything noteworthy. It’s not a complete “bait and switch” documentary, but there needed to be more transparency that “Wicked Game: Devil in the Desert” is really an expanded version of a previously aired “20/20” episode. For example, there could have been caption for the 2019 footage that says, “Previously filmed for ’20/20,’ in 2019,” instead of just putting the year that the footage was filmed.

“Wicked Game: Devil in the Desert” has three episodes that tell the story in mostly chronological order. Episode 1, titled “Treasure Hunt,” describes the home invasion and kidnapping. Episode 2, titled “Cat-and-Mouse Trap,” is about the police investigation that included a sting operation where the wife of the kidnapping ringleader cooperated with law enforcement to gather evidence and get him arrested. Episode 3, titled “Weed and Bananas,” has details of the arrest, escape from jail and eventual trial of the mastermind kidnapper.

“Wicked Game: Devil in the Desert” begins by showing Matt Murphy surfing in Orange County, California. Murphy is a former senior district attorney for Orange County and is a familiar face to people who watch a lot of true crime TV shows because he’s been interviewed on many of these shows. Murphy says in a voiceover that the Orange County city of Newport Beach is “like a Beverly Hills by the sea. But it’s also the type of place where people go to steal and sometimes hurt people to get money.” Murphy adds, “When it comes to wanton cruelty, I’ve seen some really bad things, but I’ve never seen anything like this.”

The cruelty that Murphy is talking about is a home invasion/brutal kidnapping that took place on the night of October 2, 2012. Mary Barnes, originally from New York, had moved to Newport Beach from Florida just a few days earlier to live with William “Bill” Bannon, who was her boyfriend at the time. Bannon shared the four-bedroom Newport Beach house with a roommate, who is only identified in the documentary as Michael S., who worked as a legal marijuana dispensary owner. In 2012, marijuana in California was only legal for medicinal purposes.

Bannon was away on a business trip when the home invasion happened, but Barnes and Michael were at the house. Michael, who was 28 years old at the time and described as a friendly guy, was the real target of the masked kidnappers. Michael and Barnes were tied up with zip ties, blindfolded, and held by gunpoint by three male kidnappers, who hauled them in a white truck and drove about 140 miles east to the Mohave Desert. The documentary has a brief audio interview with Michael S., but he doesn’t reveal anything new, and it’s not clear when this interview took place.

In a 2019 interview originally filmed for “20/20,” Barnes says that the kidnappers kept demanding that Michael give kidnappers the $1 million in cash that the kidnappers said he was hiding. She said one of the kidnappers tried to disguise his identity by pretending to be a Mexican gangster. Cash and jewelry were in the house, but the kidnappers left some of it behind because they were sure that Michael had even more money stashed away in the Mohave Desert.

Michael repeatedly told the kidnappers that he didn’t have $1 million but he had about $100,000 that he could give to them in cash by the next day. He was telling the truth, but the kidnappers didn’t believe him. The kidnappers beat up Michael, kicked him, and used a blowtorch to burn him to try to force him to tell them where the money was buried. Barnes was tied up nearby, and although she couldn’t see what was happening, she could hear this vicious assault.

In the 2019 interview, Barnes remembers hearing the sound of something being cut in a back-and-forth saw direction, while a bound-and-gagged Michael yelled in pain. Barnes found out from the kidnappers had cut off Michael’s penis and had taken the penis with them. The kidnappers also covered Michael with bleach and left him bloodied and unconscious.

It’s unknown if the kidnappers thought that Michael was going to die, but they didn’t inflict this type of violence on Barnes. One of the kidnappers threw the knife and told Barnes that it was her lucky day because they weren’t going to kill her, and if she could find the knife, she could probably cut the zip ties and free herself. The kidnappers then drove off without Barnes being able to see anything about the vehicle except knowing it was a white truck.

Barnes was able to find the knife and cut the zip ties around her leg. And when she ran for help, the first person she saw in this remote area happened to be a Kern County sheriff senior deputy on patrol named Steve Williams, who is interviewed in the documentary. Michael was found bound and gagged and severely injured but still alive when other law enforcement officers and medical help arrived. Michael had no known enemies. And without a good description of the kidnappers or their vehicle, the case was at a standstill.

But then, an observant neighbor who lived near the house where the home invasion took place reported to police that she saw suspicious activity at the house on the day that the home invasion took place. The neighbor, whose name is not revealed in the documentary, said that she saw three men, wearing construction gear in a white truck, go behind the house. The men took a ladder to go into the house, but she didn’t see the men come out of the house, and she didn’t see any construction work being done. The neighbor wrote down the truck’s license plate number and gave it to police.

This clue was an extremely lucky break that investgators needed. The license plate was for a truck registered to Kyle Handley, a marijuana dealer who casually knew Michael. Handley and Michael had gone on a high-roller trip to Las Vegas in the past but had lost touch with each other. Handley saw the large amounts of cash that Michael was spending on this Las Vegas trip and assumed that Michael was a millionaire.

Handley told his longtime friend Hossein Nayeri, another low-level marijuana dealer, about Michael’s supposed wealth. Handler, Nayeri and another friend named Ryan Kevorkian then plotted to kidnap Michael to rob him of at least $1 million in cash. Keep in mind that these criminals never actually had proof that Michael had that amount of cash. They just made that assumption.

Unbeknownst to Michael, these kidnappers had Michael under secret surveillance for several weeks, by using GPS tracking on Michael’s car and by installing hidden cameras on the street outside Michael’s house. The GPS tracked Michael driving to the Mohave Desert on multiple occasions, but these trips to the desert were actually to look at land for a potential real-estate deal—not to bury cash, like the kidnappers wrongly assumed. After Handley’s house was searched with a warrant, investigators found out about this surveillance and so much more, including the fact that Nayeri was the mastermind and chief planner for this home invasion, kidnapping and botched robbery.

This review won’t rehash all the details of this case, but it’s enough to say that there were plenty of twists and turns. Nayeri fled to his native Iran after he found out there was a warrant for his arrest. Iran does not extradite people who are wanted for U.S. criminal charges. With the help of Nayeri’s then-wife Cortney Shegerian, police lured him to the Czech Republic, where he was extradited back to the United States on charges of kidnapping, torture and aggravated mayhem. Nayeri was arrested on November 7, 2013.

Shegerian admitted that she knew about the robbery plans in advance but she claims that she didn’t know that anyone was going to be harmed. In exchange for not being arrested as an accomplice, Shegerian agreed to cooperate with investigators in providing evidence and getting Nayeri arrested. At the time all of this was going on, Shegerian had graduated from law school and had plans to be an attorney.

In a 2019 interview with “20/20” that is shown in this documentary, Shegerian claims that she was an abused wife who was brainwashed, manipulated and threatened by Nayeri, who is seven years older than she is. The former couple began dating when she was 16, and they got married in 2010, when she was 24. Her parents did not approve of Nayeri. Shegerian says that Nayeri kept her estranged and isolated from her family.

“I thought I loved him,” Shegerian says in the interview about Nayeri, whom she describes as cruel and sadistic but also very charismatic and persuasive. She currently works as an employment attorney and is a partner in a law firm in Los Angeles County. After her divorce from Nayeri, she married another man in 2018.

Even while in jail awaiting his trial, Nayeri wanted to evade the charges. On January 22, 2016, 37-year-old Nayeri and two other inmates—20-year-old Jonathan Tieu and 43-year-old Bac Duong—escaped from Orange County Men’s Central Jail in Santa Ana, California. The jailbreak inmates filmed themselves escaping. Some of this footage is in the documentary. The three prison escapees were all apprehended a week later in California.

Nayeri was convicted and sentenced in 2019. His accomplices Handley and Kevorkian also received prison sentences. Kevorkian’s ex-wife Naomi Rhodus was charged as an accessory after the fact. All of their courtroom sentences won’t be revealed in this review, in case people want to find out by watching this documentary or by looking at other news reports about this case. “Wicked Game: Devil in the Desert” doesn’t mention that in March 2023, Nayeri received an additional two years and eight months to his prison sentence because of his 2016 escape from jail.

What these four criminals have in common (besides this notorious case) is that they all knew each other from when they were students at Clovis West High School in Clovis, California, which is in Fresno County, about 275 miles north of Newport Beach. “Wicked Game: Devil in the Desert” interviews two people who knew Nayeri in high school, where he was on the wrestling team: his former wrestling teammate Paris Ruiz and former Clovis West High School head wrestling coach Brad Zimmer. They both describe Nayeri as being nice, intelligent and well-spoken in high school.

Ruiz and Zimmer say that Nayeri was an Iranian immigrant who was somewhat fanatical about wrestling because Nayeri said wrestling was a massive sport in Iran. They both say that Nayeri told people that his father was a doctor who lived for a while with his wife and children in the United States, but then the father moved back to Iran for reasons that Nayeri did not disclose to many people. Ruiz and Zimmer say that they rarely saw Nayeri’s mother.

“Wicked Game: Devil in the Desert” also delves a little into Nayeri’s past as a U.S. Marine who was stationed at Camp Pendleton in California’s San Diego County. He had problems with authority, so his miltary career was short-lived. The documentary interviews his ex-girlfriend Jennifer Tindal, who dated Nayeri in the 2000s. She says that Nayeri went on a “downward spiral” after he caused the death of his best friend in a 2005 car accident where Nayeri was driving under the influence. Nayeri received a suspended sentence and a five-year probation for this crime.

Other people interviewed in the documentary are Heather Brown, former senior district attorney of Orange County, California; Ryan Peters, the former Newport Police Department detective who was part of the investigaton of the case; Lewis Rosenblum, who is Shegerian’s former attorney; Nayeri’s former defense attorneys Salvatore Ciulla and Martina Teinert; Los Angeles Times reporter Anh Do; and ABC News correspondent Matt Gutman. In 2019, Gutman’s interviewed Nayeri (before he went on trial) in the “20/20” episode about this case. Excerpts from that inteview are in the documentary.

Murphy describes Nayeri as a “psychopath” and is very open about his disgust for this convicted criminal. Gutman looks back on his interview with Nayeri and says he knew that Nayeri was trying to manipulate him the entire time. As an example of how charming Nayeri could be, his former defense attorney Teinert says she never saw the cruel side to him that many other people described. However, she tells a story about how after Nayeri complained about the lunch food in jail, she made a sandwich at home that she was going to give to him, and her husband pointed out that Nayeri was manipulating her.

“Wicked Game: Devil in the Desert” has the usual true crime documentary use of dramatic music and heightened editing to create suspense in telling the story. But even over three episodes and using a lot of previously filmed footage, this docuseries still comes across as incomplete. There is so much emphasis put on Nayeri, the documentary gives almost no information about his accomplices. For example, there’s no mention of background information for Nayeri’s accomplices, what led these accomplices to a life of crime, and what their arrests were like.

It’s made very clear that Nayeri was the mastermind. However, he didn’t commit these crimes by himself. It’s an absolute failure of this documentary not to look at the entire story and not fully acknowledge that accomplices and enablers were a big part of this case too. After a while, “Wicked Game: Devil in the Desert” looks like “The Hossein Nayeri Show,” and that emphasis is just too tacky to take.

Hulu premiered “Wicked Game: Devil in the Desert” on February 4, 2025.

2025 Academy Awards: ‘Emilia Pérez’ is the top nominee

January 23, 2025

by Carla Hay

Karla Sofía Gascón and Zoe Saldaña in “Emilia Pérez” (Photo courtesy of Netflix)

With 13 nods, the Netflix’s “Emilia Pérez” (a Spanish-language musical about a transgender woman who becomes a former drug-trafficking crime boss) is the top nominee for the 97th Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 2, 2025. ABC will have the U.S. telecast of the show, which will be hosted by Conan O’Brien and livestreamed on Hulu. The nominations were announced on January 23, 2025, by Bowen Yang and Rachel Senott.

The nominations for “Emilia Pérez” are Best Picture; Best Director (for Jacques Audiard); Best Actress (for Karla Sofía Gascón); Best Supporting Actress (for Zoe Saldaña); Best Adapted Screenplay; Best Film Editing; Best Cinematography; Best International Feature Film; Best Makeup and Hairstyling; Best Sound; and two nods for Best Original Song (for “El Mal” and “Mi Camino”).

The other contenders for Best Picture are Neon’s comedy/drama “Anora,” A24’s drama “The Brutalist,” Searchlight Pictures’ Bob Dylan biopic “A Complete Unknown,” Focus Features’ drama “Conclave,” Warner Bros. Pictures sci-fi/action film “Dune: Part Two,” Sony Pictures Classics’ drama “I’m Still Here,” Orion Pictures’ drama “Nickel Boys,” MUBI’s horror film “The Substance” and Universal Pictures’ musical “Wicked.” As of 2022, the Academy Awards rule is that no less than 10 movies can be nominated for Best Picture.

“The Brutalist” and “Wicked” had the second-highest number of Oscar nominations this year (10 nods each), followed by “A Complete Unknown” and “Conclave,” which had eight nods each. (Click here to read Culture Mix’s reviews of all these movies that are nominated for Best Picture.)

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2025 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2024.

Snubs and Surprises

Mike Faist, Zendaya and Josh O’Connor in “Challengers” (Photo courtesy of Metro Goldwyn Mayer Pictures)

Movies that have been getting awards or nominations elsewhere were completely snubbed by the Academy Awards. They include Amazon MGM’s drama “Challengers,” Roadside Attractions’ drama “The Last Showgirl,” Sony Pictures Classics’ music-oriented comedy “Kneecap” and several movies from Netflix: the drama “The Piano Lesson” and the documentaries “Daughters,” “Will & Harper” and “The Remarkable Life of Ibelin.”

Paramount Pictures’ “Gladiator II,” the sequel to 2000’s Oscar-winning “Gladiator,” proved to be an inferior sequel for Oscar nominations: “Gladiator Il” only received one Oscar nod (Best Costume Design), even though it was getting some Oscar buzz for the categories of Best Supporting Actor (for Denzel Washington) and Best Visual Effects. By contrast, the first “Gladiator” film had 12 Oscar nominations and won five Oscars, including Best Picture.

Also snubbed for the 2025 Oscar nominations: Daniel Craig of A24’s drama “Queer,” Marianne Jean-Baptiste of Bleecker Street’s drama “Hard Truths” and Selena Gomez of “Emilia Pérez,” who each received British Academy of Film and Television Arts (BAFTA) nominations for their performances in these movies. The Academy of Motion Picture Arts and Sciences and BAFTA have several of the same voters. There were no real surprises in the categories for actors and actresses because all of this year’s Oscar nominees in the actor/actress categories were nominated at least one other major awards show for movies.

Perhaps the biggest surprise was the Brazilian drama “I’m Still Here” getting nominated for Best Picture, edging out other movies that were predicted to get nominated for Best Picture, such as “Challengers,” “Sing Sing” and Searchlight Pictures’ “A Real Pain.” “I’m Still Here” has a total of three Oscar nods, with the other two nominations not as surprising: Best Actress (for Fernanda Torres) and Best International Feature Film.

The Sideshow/Janus Films animated movie “Flow” was expected to get a nod for Best Animated Feature Film. But many people did not expect “Flow” to also be nominated for Best International Feature Film because animated films are rarely nominated in this category. “Flow” (a no-dialogue film about animals surviving an environmental disaster) is the first movie from Latvia to be nominated for Oscars. Some of the Oscar shortlisted movies that ultimately did not get nominated for Best International Feature Film are “Kneecap” (Ireland), Janus Films’ “Vermiglio” (Italy), Metrograph Pictures’ “Santosh” (United Kingdom), and MUBI’s “Dahomey” (Senegal), which was also snubbed in the Oscar category of Best Documentary Feature Film.

Diversity and Inclusion

Colman Domingo and Clarence Maclin in “Sing Sing” (Photo courtesy of A24)

Racial diversity is in every actor/actress category at the 2025 Academy Awards, except for Best Supporting Actor, where all the nominees are white. Black people are represented the most with “Sing Sing,” which has three nominations: Best Actor (for Colman Domingo); Best Adapted Screenplay (two of the four “Sing Sing” nominees in this category are black: John “Divine G” Whitfield and Clarence Maclin); and Best Original Song (for “Like a Bird,” written by Abraham Alexander and Adrian Quesada). “Sing Sing” (based on a true story) is about a group of incarcerated men in a theater group at Sing Sing Correctional Facility in Ossining, New York. The screenplay is adapted from John H. Richardson’s 2005 nonfiction Esquire article “The Sing Sing Follies” and Brent Buell’s original play “Breakin’ the Mummy’s Code.”

Meanwhile, music composer Kris Bowers of DreamWorks Animation/Universal Pictures’ “The Wild Robot” is nominated for Best Original Score.”Wicked” star Cynthia Erivo, who identifies as black and queer, is nominated for Best Actress for “Wicked.” “Nickel Boys” director RaMell Ross is nominated for Best Adapted Screenplay, along with Joslyn Barnes.

Latin representation for Oscar nominees was most visible for “Emilia Pérez” (a movie that takes place in Mexico) even though it’s a movie from white French filmmakers and is technically considered a French film. “Emilia Pérez” co-star Gascón is from Spain, while Saldaña is a Dominican American who also identifies as Afro-Latina. Meanwhile, Nelson Sepulveda-Fauser is one of the Best Visual Effects nominees for 20th Century’s “Alien: Romulus.”

Middle Easterners have noticeable representation with Oscar nominations. “The Seed of the Sacred Fig” director Mohammad Rasoulof is nominated for Best International Feature Film. Even though Rasoulof is Iranian, the movie was funded by German producers and is representing Germany in this category. Palestinian directors Basel Adra and Hamdan Ballal are nominated with Israeli directors Rachel Szor and Yuval Abraham for “No Other Land” in the Best Documentary Feature Film category. “In the Shadow of Cypress” filmmakers Shirin Sohani and Hossein Molayemi are nominated for Best Animated Short Film.

South Asian-heritage filmmakers who are Oscar-nominated this year are director Smriti Mundhra of “I Am Ready, Warden” (Best Documentary Short Film) and producer Suchitra Mattai of “Anuja” (Best Live Action Short Film). Filmmakers of Japanese heritage who received Oscar nominations include Shiori Itō of “Black Box Diaries” (Best Documentary Feature Film); Daisuke Nishio and Takashi Washio of “Magic Candles” (Best Animated Short Film); and Ema Ryan Yamazaki and Eric Nyari of “Instruments of a Beating Heart” (Best Documentary Short Film).

LGBTQ representation in the Oscar nominations can be found with “Emilia Pérez” star Gascón’s historic nomination as the first openly transgender person to be nominated for an Oscar for Best Actress. (Elliot Page of 2007’s “Juno” was nominated in the Best Actress category before he came out as a transgender man.) Openly gay entertainers Elton John and Brandi Carlile are nominated in the Best Original Song category for “Never Too Late” from the Disney+ documentary “Elton John: Never Too Late.” John (who has two Oscars in the category) and Carlile are two of the four Oscar-nominated songwriters for “Never Too Late.”

And although some Oscar categories are still dominated by male nominees (such as Best Visual Effects, Best Cinematography, Best Sound and Best Original Score), a few women are nominated in a small number of male-dominated categories. Coralie Fargeat of “The Substance” is nominated for Best Director. (Fargeat is also nominated for Best Original Screenplay, a category that has been more likely than Best Director to have female nominees.) Meanwhile, Juliette Welfling of “Emilia Pérez” is nominated for Best Film Editing, and singer/songwriter Camille Dalmais of “Emilia Pérez” is nominated for Best Original Score—two categories where female Oscar nominees are rare.

Here is the complete list of nominations for the 2025 Academy Awards:

Best Picture

“Anora”
“The Brutalist”
“A Complete Unknown”
“Conclave”
“Dune: Part Two”
“Emilia Pérez”
“I’m Still Here”
“Nickel Boys”
“The Substance”
“Wicked”

Best Director

Sean Baker (“Anora”)
Brady Corbet (“The Brutalist”)
James Mangold (“A Complete Unknown”)
Jacques Audiard (“Emilia Pérez”)
Coralie Fargeat (“The Substance”

Best Actor in a Leading Role

Adrien Brody (“The Brutalist”)
Timothée Chalamet (“A Complete Unknown”)
Colman Domingo (“Sing Sing”)
Ralph Fiennes (“Conclave”)
Sebastian Stan (“The Apprentice”)

Best Actress in a Leading Role

Cynthia Erivo (“Wicked”)
Karla Sofía Gascón (“Emilia Pérez”)
Mikey Madison (“Anora”)
Demi Moore (“The Substance”)
Fernanda Torres (“I’m Still Here”)

Best Actor in a Supporting Role

Yura Borisov (“Anora”)
Kieran Culkin (“A Real Pain”)
Edward Norton (“A Complete Unknown”)
Guy Pearce (“The Brutalist”)
Jeremy Strong (“The Apprentice”)

Best Actress in a Supporting Role

Monica Barbaro (“A Complete Unknown”)
Ariana Grande (“Wicked”)
Felicity Jones (“The Brutalist”)
Isabella Rossellini (“Conclave”)
Zoe Saldaña (“Emilia Pérez”)

Best Adapted Screenplay

“A Complete Unknown,” screenplay by James Mangold and Jay Cocks
“Conclave,” screenplay by Peter Straughan
“Emilia Pérez,” screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys,” screenplay by RaMell Ross and Joslyn Barnes
“Sing Sing,” screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin and John “Divine G” Whitfield

Best Original Screenplay

“Anora,” written by Sean Baker
“The Brutalist,” written by Brady Corbet and Mona Fastvold
“A Real Pain,” written by Jesse Eisenberg
“September 5,” written by Moritz Binder and Tim Fehlbaum; co-written by Alex David
“The Substance,” written by Coralie Fargeat

Best Cinematography

“The Brutalist”
“Dune: Part Two”
“Emilia Pérez”
“Maria”
“Nosferatu”

Best Film Editing

“Anora,” Sean Baker
“The Brutalist,” David Jancso
“Conclave,” Nick Emerson
“Emilia Pérez,” Juliette Welfling
“Wicked,” Myron Kerstein

Best Sound

“A Complete Unknown”
“Dune: Part Two”
“Emilia Pérez”
“Wicked”
“The Wild Robot”

Best Original Score

“The Brutalist,” Daniel Blumberg
“Conclave,” Volker Bertelmann
“Emilia Pérez,” Clément Ducol and Camille
“Wicked,” John Powell and Stephen Schwartz
“The Wild Robot,” Kris Bowers

Best Original Song

“El Mal” from “Emilia Pérez” (Music by Clément Ducol and Camille; lyrics by Clément Ducol, Camille and Jacques Audiard)
“The Journey” from “The Six Triple Eight” (Music and lyrics by Diane Warren)
“Like a Bird” from “Sing Sing” (Music and lyrics by Abraham Alexander and Adrian Quesada)
“Mi Camino” from “Emilia Pérez” (Music and lyric by Camille and Clément Ducol)
“Never Too Late” from “Elton John: Never Too Late” (Music and lyrics by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

Best Animated Feature Film

“Flow”
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Best International Feature Film

“I’m Still Here” (Brazil)
“The Girl With the Needle” (Denmark)
“Emilia Pérez” (France)
“The Seed of the Sacred Fig” (Germany)
“Flow” (Latvia)

Best Documentary Feature

“Black Box Diaries”
“No Other Land”
“Porcelain War”
“Soundtrack to a Coup d’Etat”
“Sugarcane”

Best Makeup and Hairstyling

“A Different Man”
“Emilia Pérez”
“Nosferatu”
“The Substance”
“Wicked”

Best Costume Design

“A Complete Unknown,” Arianne Phillips
“Conclave,” Lisy Christl
“Gladiator II,” Janty Yates and Dave Crossman
“Nosferatu,” Linda Muir
“Wicked,” Paul Tazewell

Best Production Design

“The Brutalist”
“Conclave”
“Dune: Part Two”
“Nosferatu”
“Wicked”

Best Visual Effects

“Alien: Romulus”
“Better Man”
“Dune: Part Two”
“Kingdom of the Planet of the Apes”
“Wicked”

Best Documentary Short Subject

“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“The Only Girl in the Orchestra”

Best Animated Short Film

“Beautiful Men”
“In the Shadow of the Cypress”
“Magic Candies”
“Wander to Wonder”
“Yuck!”

Best Live-Action Short Film

“A Lien”
“Anuja”
“I’m Not a Robot”
“The Last Ranger”
“The Man Who Could Not Remain Silent”

2024 Primetime Emmy Awards: ‘Shogun’ is the top winner

September 15, 2024

by Carla Hay

Members of the “Shōgun” team at the 76th annual Emmy Awards at the Peacock Theater at L.A. Live in Los Angeles on September 15, 2024. (Photo by Scott Kirkland/Disney)

With 18 prizes, including Outstanding Drama Series, FX’s “Shōgun” was the top winner at the 76th annual Primetime Emmy Awards, which were presented at the Peacock Theater at L.A. Live in Los Angeles on September 15, 2024. “Shōgun” went into the ceremony with the most nominations (25) and was expected to win the most Emmys. Eugene Levy and his son Dan Levy (the Emmy-winning former stars of “Schitt’s Creek”) hosted the ceremony, which ABC televised live in the United States.

The Primetime Emmy Awards show is presented by the Television Academy, which votes for the nominees and the winners. The 76th Creative Arts Emmy Awards (the technical categories for the Primetime Emmy Awards) were presented at the Peacock Theater at L.A. Live on September 7 and September 8, 2024

Other prizes for “Shōgun” included Outstanding Lead Actor in Drama Series (for Hiroyuki Sanada); Outstanding Lead Actress in Drama Series (for Anna Sawai); and Outstanding Directing for a Drama Series (for Frederick E.O. Toye).

FX on Hulu’s “The Bear” had the second-highest number of Emmy victories, by winning 11 out of the show’s 23 nominations. Among the prizes for “The Bear” were Outstanding Lead Actor in Comedy Series (for Jeremy Allen White); Outstanding Supporting Actor in Comedy Series (for Ebon Moss-Bachrach); Outstanding Supporting Actress in Drama Series (for Liza Colón-Zayas); and Outstanding Directing for a Comedy Series (for Christopher Storer).

“The Bear” lost out to Max’s “Hacks” in the categories of Outstanding Comedy Series, Outstanding Lead Actress in a Comedy Series (for Jean Smart); and Outstanding Writing for a Comedy Series (for Lucia Aniello, Paul W. Downs and Jen Statsky).

For limited and anthology series, Netflix’s “Baby Reindeer” was the top winner, with six prizes, including Outstanding Limited or Anthology Series; Outstanding Lead Actor in a Limited or Anthology Series or Movie (for Richard Gadd); Outstanding Supporting Actress in a Limited or Anthology Series or Movie (for Jessica Gunning); and Outstanding Writing for a Limited or Anthology Series or Movie (for Gadd).

The Governors Award (a non-competitive category) went to executive producer/writer Greg Berlanti, whose TV credits include “Dawson’s Creek,” “Arrow,” “The Flash and “Found.”

In addition, the ceremony had a few skits featuring cast member reunions of popular TV series. These on-stage reunions included “Happy Days” (Ron Howard and Henry Winkler) and “The West Wing” (Martin Sheen, Dulé Hill, Janel Moloney, Richard Schiff and Allison Janney).

Presenters at the show were Christine Baranski, Kathy Bates, Meredith Baxter, Candice Bergen, Gael Garcia Bernal Matt Bomer, Zach Braff, Connie Britton, Nicola Coughlan, Billy Crystal, Viola Davis, Giancarlo Esposito, Colin Farrell, Jesse Tyler Ferguson, Lily Gladstone, Selena Gomez, Dulé Hill, Ron Howard, Brendan Hunt, Joshua Jackson, Allison Janney, Don Johnson, Mindy Kaling, Jimmy Kimmel, Padma Lakshmi, Greta Lee, John Leguizamo, George Lopez, Diego Luna, Jane Lynch, Steve Martin, Nava Mau, Reba McEntire, Janel Moloney Ebon Moss-Bachrach, Niecy Nash-Betts, Taylor Zakhar Perez, Mekhi Phifer, Melissa Peterman, Da’Vine Joy Randolph, Sam Richardson, Maya Rudolph, Richard Schiff, Martin Sheen, Martin Short, Jean Smart, Jimmy Smits, Antony Starr, Gina Torres, Dick Van Dyke, Susan Kelechi Watson, Damon Wayans, Kristen Wiig, Henry Winkler, Bowen Yang and Steven Yeun.

Jelly Roll performed for the “In Memoriam” segment that paid tribute to notable people in the TV industry who passed away since the previous Primetime Emmys ceremony.

Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay of Jesse Collins Entertainment were executive producers of the 76th Emmy Awards.

Here is the complete list of nominees and winners for the 75th annual Primetime Emmy Awards:

*=winner

Outstanding Drama Series

  • The Crown (Netflix)
  • Fallout (Prime Video)
  • The Gilded Age (HBO)
  • The Morning Show (Apple TV+)
  • Mr. & Mrs. Smith (Prime Video)
  • Shōgun (FX)*
  • Slow Horses (Apple TV+)
  • 3 Body Problem (Netflix)

Outstanding Comedy Series

  • Abbott Elementary (ABC)
  • The Bear (FX)
  • Curb Your Enthusiasm (HBO)
  • Hacks (Max)*
  • Only Murders in the Building (Hulu)
  • Palm Royale (Apple TV+)
  • Reservation Dogs (FX)
  • What We Do in the Shadows (FX)

Outstanding Limited or Anthology Series

  • Baby Reindeer (Netflix)*
  • Fargo (FX)
  • Lessons in Chemistry (Apple TV+)
  • Ripley (Netflix)
  • True Detective: Night Country (HBO)

Outstanding Lead Actor in a Drama Series

  • Idris Elba – Hijack (Apple TV+)
  • Donald Glover – Mr. & Mrs. Smith (Prime Video)
  • Walton Goggins – Fallout (Prime Video)
  • Gary Oldman – Slow Horses (Apple TV+)
  • Hiroyuki Sanada – Shōgun (FX)*
  • Dominic West – The Crown (Netflix)

Outstanding Lead Actress in a Drama Series

  • Jennifer Aniston – The Morning Show (Apple TV+)
  • Carrie Coon – The Gilded Age (HBO)
  • Maya Erskine – Mr. & Mrs. Smith (Prime Video)
  • Anna Sawai – Shōgun (FX)*
  • Imelda Staunton – The Crown (Netflix)
  • Reese Witherspoon – The Morning Show (Apple TV+)

Outstanding Lead Actor in a Comedy Series

  • Matt Berry – What We Do in the Shadows (FX)
  • Larry David – Curb Your Enthusiasm (HBO)
  • Steve Martin – Only Murders in the Building (Hulu)
  • Martin Short – Only Murders in the Building (Hulu)
  • D’Pharaoh Woon-A-Tai – Reservation Dogs (FX)
  • Jeremy Allen White – The Bear as Carmen “Carmy” Berzatto (FX)*

Outstanding Lead Actress in a Comedy Series

  • Quinta Brunson – Abbott Elementary (ABC)
  • Ayo Edebiri – The Bear (FX)
  • Selena Gomez – Only Murders in the Building (Hulu)
  • Maya Rudolph – Loot (Apple TV+)
  • Jean Smart – Hacks (Max)*
  • Kristen Wiig – Palm Royale as Maxine Simmons (Apple TV+)

Oustanding Lead Actor in a Limited or Anthology Series or Movie

  • Matt Bomer – Fellow Travelers (Showtime)
  • Richard Gadd – Baby Reindeer (Netflix)*
  • Jon Hamm – Fargo (FX)
  • Tom Hollander – Feud: Capote vs. The Swans (FX)
  • Andrew Scott – Ripley (Netflix)

Outstanding Lead Actress in a Limited or Anthology Series or Movie

  • Jodie Foster – True Detective: Night Country (HBO)*
  • Brie Larson – Lessons in Chemistry (Apple TV+)
  • Juno Temple – Fargo (FX)
  • Sofía Vergara – Griselda (Netflix)
  • Naomi Watts – Feud: Capote vs. The Swans (FX)

Outstanding Talk Series

  • “The Daily Show” (Comedy Central)*
  • “Jimmy Kimmel Live!” (ABC)
  • “Late Night With Seth Meyers” (NBC)
  • “The Late Show With Stephen Colbert” (CBS)

Outstanding Reality Competition Program

  • “The Amazing Race” (CBS)
  • “RuPaul’s Drag Race” (MTV)*
  • “Survivor” (CBS)
  • “Top Chef” (Bravo)
  • “The Voice” (NBC)

Outstanding Supporting Actress in a Drama Series

  • Christine Baranski – The Gilded Age (HBO)
  • Nicole Beharie – The Morning Show (Apple TV+)
  • Elizabeth Debicki – The Crown as Princess Diana (Netflix)*
  • Greta Lee – The Morning Show (Apple TV+)
  • Lesley Manville – The Crown (Netflix)
  • Karen Pittman – The Morning Show (Apple TV+)
  • Holland Taylor – The Morning Show (Apple TV+)

Outstanding Supporting Actor in a Drama Series

  • Tadanobu Asano – Shōgun (FX)
  • Billy Crudup – The Morning Show (Apple TV+)*
  • Mark Duplass – The Morning Show (Apple TV+)
  • Jon Hamm – The Morning Show (Apple TV+)
  • Takehiro Hira – Shōgun (FX)
  • Jack Lowden – Slow Horses (Apple TV+)
  • Jonathan Pryce – The Crown (Netflix)

Outstanding Supporting Actress in a Comedy Series

  • Carol Burnett – Palm Royale (Apple TV+)
  • Liza Colón-Zayas – The Bear (FX)*
  • Hannah Einbinder – Hacks (Max)
  • Janelle James – Abbott Elementary (ABC)
  • Sheryl Lee Ralph – Abbott Elementary (ABC)
  • Meryl Streep – Only Murders in the Building (Hulu)

Outstanding Supporting Actor in a Comedy Series

  • Lionel Boyce – The Bear (FX)
  • Paul W. Downs – Hacks (Max)
  • Ebon Moss-Bachrach – The Bear (FX)*
  • Paul Rudd – Only Murders in the Building (Hulu)
  • Tyler James Williams – Abbott Elementary (ABC)
  • Bowen Yang – Saturday Night Live (NBC)

Outstanding Supporting Actress in a Limited or Anthology Series or Movie

  • Dakota Fanning – Ripley (Netflix)
  • Lily Gladstone – Under the Bridge (Hulu)
  • Jessica Gunning – Baby Reindeer as Martha Scott (Netflix)*
  • Aja Naomi King – Lessons in Chemistry (Apple TV+)
  • Diane Lane – Feud: Capote vs. The Swans (FX)
  • Nava Mau – Baby Reindeer (Netflix)
  • Kali Reis – True Detective: Night Country (HBO)

Outstanding Supporting Actor in a Limited or Anthology Series or Movie

  • Jonathan Bailey – Fellow Travelers as Tim Laughlin (Showtime)
  • Robert Downey Jr. – The Sympathizer (HBO)
  • Tom Goodman-Hill – Baby Reindeer (Netflix)
  • John Hawkes – True Detective: Night Country (HBO)
  • Lamorne Morris – Fargo (FX)*
  • Lewis Pullman – Lessons in Chemistry (Apple TV+)
  • Treat Williams – Feud: Capote vs. The Swans (FX)

Outstanding Scripted Variety Series

  • “Last Week Tonight With John Oliver” (HBO)*
  • “Saturday Night Live” (NBC)

Outstanding Reality Competition Program

  • The Amazing Race (CBS)
  • RuPaul’s Drag Race (MTV)
  • Top Chef (Bravo)
  • The Traitors (Peacock)*
  • The Voice (NBC)

Outstanding Directing for a Comedy Series

  • Abbott Elementary (“Party,” directed by Randall Einhorn)
  • The Bear (“Fishes,” directed by Christopher Storer)*
  • The Bear (“Honeydew,” directed by Ramy Youssef)
  • The Gentlemen (“Refined Aggression,” directed by Guy Ritchie)
  • Hacks (“Bulletproof,” directed by Lucia Aniello)
  • The Ms. Pat Show (“I’m the Pappy,” directed by Mary Lou Belli)

Outstanding Directing for a Drama Series

  • The Crown (“Sleep, Dearie Sleep,” directed by Stephen Daldry)
  • The Morning Show (“The Overview Effect,” directed by Mimi Leder)
  • Mr. & Mrs. Smith (“First Date,” directed by Hiro Murai)
  • Shōgun (“Crimson Sky,” directed by Frederick E. O. Toye)
  • Slow Horses (“Strange Games,” directed by Saul Metzstein)
  • Winning Time: The Rise of the Lakers Dynasty (“Beat L.A.,” directed by Salli Richardson-Whitfield)

Outstanding Directing for a Limited or Anthology Series or Movie

  • Baby Reindeer (“Episode 4,” directed by Weronika Tofilska)
  • Fargo (“The Tragedy of the Commons,” directed by Noah Hawley)
  • Feud: Capote vs. The Swans: “Pilot,” directed by Gus Van Sant)
  • Lessons in Chemistry (“Poirot,” directed by Millicent Shelton)
  • Ripley (directed by Steven Zaillian)*
  • True Detective: Night Country (“Part 6,” directed by Issa López)

Outstanding Writing for a Comedy Series

  • Abbott Elementary (“Career Day,” written by Quinta Brunson)
  • The Bear (“Fishes,” written by Christopher Storer and Joanna Calo)
  • Girls5eva (“Orlando,” written by Meredith Scardino and Sam Means)
  • Hacks (“Bulletproof,” written by Lucia Aniello, Paul W. Downs, and Jen Statsky)‡
  • The Other Two (“Brooke Hosts a Night of Undeniable Good,” written by Chris Kelly and Sarah Schneider)
  • What We Do in the Shadows (“Pride Parade,” written by Jake Bender and Zach Dunn)

Outstanding Writing for a Drama Series

  • The Crown (“Ritz,” written by Peter Morgan and Meriel Sheibani-Clare)
  • Fallout (“The End,” written by Geneva Robertson-Dworet and Graham Wagner)
  • Mr. & Mrs. Smith (“First Date,” written by Francesca Sloane and Donald Glover)
  • Shōgun (“Anjin,” written by Rachel Kondo and Justin Marks)
  • Shōgun (“Crimson Sky,” written by Rachel Kondo and Caillin Puente)
  • Slow Horses (“Negotiating with Tigers,” written by Will Smith)*

Outstanding Writing for a Limited Series or Anthology Series or Movie

  • Baby Reindeer (written by Richard Gadd)*
  • Black Mirror (“Joan Is Awful,” written by Charlie Brooker)
  • Fargo (“The Tragedy of the Commons,” written by Noah Hawley)
  • Fellow Travelers (“You’re Wonderful,” written by Ron Nyswaner)
  • Ripley (written by Steven Zaillian)
  • True Detective: Night Country (“Part 6,” written by Issa López)

Outstanding Writing for a Variety Series

  • “The Daily Show With Trevor Noah” (Comedy Central)
  • Last Week Tonight With John Oliver” (HBO)*
  • “Saturday Night Live” (NBC)

Outstanding Writing for a Variety Special

  • Alex Edelman: Just for Us (HBO), written by Alex Edelman*
  • Jacqueline Novak: Get on Your Knees (Netflix), written by Jacqueline Novak
  • John Early: Now More Than Ever (HBO), written by John Early (HBO)
  • Mike Birbiglia: The Old Man and the Pool (Netflix), written by Mike Birbiglia
  • The Oscars (ABC), written by Jamie Abrahams, Rory Albanese, Amberia Allen, Tony Barbieri, Jonathan Bines, Joelle Boucai, Bryan Cook, Blaire Erskine, Devin Field, Gary Greenberg, Josh Halloway, Eric Immerman, Jesse Joyce, Jimmy Kimmel, Carol Leifer, Jon Macks, Mitch Marchand, Gregory Martin, Jesse McLaren, Molly McNearney, Keaton Patti, Danny Ricker, Louis Virtel, and Troy Walker

2024 Academy Awards: ‘Oppenheimer’ is the top winner

March 10, 2024

by Carla Hay

Robert Downey Jr., Da’Vine Joy Randolph, Emma Stone and Cillian Murphy at the 96th annual Academy Awards at the Dolby Theatre in Los Angeles on March 10, 2024. (Photo by Scott Kirkland/ABC/Disney)

With seven prizes, including Best Picture, the Universal Pictures drama “Oppenheimer” (a biopic of atomic bomb creator J. Robert Oppenheimer) was the top winner for the 96th Annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 10, 2024. ABC had the U.S. telecast of the show, which was hosted by Jimmy Kimmel.

In addition to Best Picture, “Oppenheimer” won Oscars for Best Director (for Christopher Nolan); Best Actor (for Cillian Murphy); Best Supporting Actor (for Robert Downey Jr.); Best Film Editing; Best Cinematography; and Best Original Score. “Oppenheimer” went into the ceremony with the most nominations: 13.

Searchlight Pictures’ sci-fi/comedy/drama “Poor Things” won four Oscars out of its 11 nominations: Best Actress (for Emma Stone); Best Production Design; Best Costume Design; and Best Makeup and Hairstyling. A24’s Holocaust drama “The Zone of Interest” won two Oscars: Best International Feature Film and Best Sound.

Some of the nominated movies won one Oscar each in the major categories: Da’Vine Joy Randolph of the Focus Features comedy/drama “The Holdovers” won Best Supporting Actress. Best Original Screenplay was awarded to Neon’s French drama “Anatomy of a Fall,” written by Justine Triet and Arthur Harari. Best Adapted Screenplay went to Orion Pictures’ comedy/drama “American Fiction,” written by Cord Jefferson.

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2024 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2023.

Presenters at the show were Mahershala Ali, Bad Bunny, Emily Blunt, Nicolas Cage, Jamie Lee Curtis, Cynthia Erivo, America Ferrera, Sally Field, Brendan Fraser, Ryan Gosling, Ariana Grande, Chris Hemsworth, Dwayne Johnson, Michael Keaton, Regina King, Ben Kingsley, Jessica Lange, Jennifer Lawrence, Melissa McCarthy, Matthew McConaughey, Kate McKinnon, Rita Moreno, John Mulaney, Lupita Nyong’o, Catherine O’Hara, Al Pacino, Michelle Pfeiffer, Ke Huy Quan, Issa Rae, Tim Robbins, Sam Rockwell, Octavia Spencer, Steven Spielberg, Mary Steenburgen, Anya Taylor-Joy, Charlize Theron, Christoph Waltz, Forest Whitaker, Michelle Yeoh, Ramy Youssef and Zendaya.

Pictured in front: “Oppenheimer” producers Charles Roven, Emma Thomas and Christopher Nolan at the 96th annual Academy Awards at the Dolby in Los Angeles on March 10, 2024. (Photo by Frank Micelotta/ABC/Disney)

Here is the complete list of winners and nominations for the 2024 Academy Awards:

*=winner

Best Picture

“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers

“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers

“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers

“The Holdovers,” Mark Johnson, producer

“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers

“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers

“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers*

“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers

“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers

“The Zone of Interest,” James Wilson, producer

Best Director

Justine Triet (“Anatomy of a Fall”)

Martin Scorsese (“Killers of the Flower Moon”)  

Christopher Nolan (“Oppenheimer”)*

Yorgos Lanthimos (“Poor Things”)

Jonathan Glazer (“The Zone of Interest”)

Best Actor in a Leading Role

Bradley Cooper (“Maestro”)

Colman Domingo (“Rustin”) 

Paul Giamatti (“The Holdovers”)  

Cillian Murphy (“Oppenheimer”)*

Jeffrey Wright (“American Fiction”) 

Best Actress in a Leading Role

Annette Bening (“Nyad”)

Lily Gladstone (“Killers of the Flower Moon”)  

Sandra Hüller (“Anatomy of a Fall”)

Carey Mulligan (“Maestro”) 

Emma Stone (“Poor Things”)*

Best Actor in a Supporting Role

Sterling K. Brown (“American Fiction”)

Robert De Niro (“Killers of the Flower Moon”)

Robert Downey Jr. (“Oppenheimer”)*

Ryan Gosling (“Barbie”) 

Mark Ruffalo (“Poor Things”) 

Best Actress in a Supporting Role

Emily Blunt (“Oppenheimer”) 

Danielle Brooks (“The Color Purple”)  

America Ferrera (“Barbie”)

Jodie Foster (“Nyad”)

Da’Vine Joy Randolph (“The Holdovers”)*

Best Adapted Screenplay

“American Fiction,” written by Cord Jefferson*

“Barbie,” written by Greta Gerwig and Noah Baumbach

“Oppenheimer,” written by Christopher Nolan

“Poor Things,” written by Tony McNamara

“The Zone of Interest,” written by Jonathan Glazer

Best Original Screenplay

“Anatomy of a Fall,” written by Justine Triet and Arthur Harari*

“The Holdovers,” written by David Hemingson

“Maestro,” written by Bradley Cooper and Josh Singer

“May December,” written by Samy Burch; story by Samy Burch and Alex Mechanik

“Past Lives,” written by Celine Song

Best Cinematography

“El Conde,” Edward Lachman

“Killers of the Flower Moon,” Rodrigo Prieto

“Maestro,” Matthew Libatique

“Oppenheimer,” Hoyte van Hoytema*

“Poor Things,” Robbie Ryan

Best Film Editing

“Anatomy of a Fall,” Laurent Sénéchal

“The Holdovers,” Kevin Tent

“Killers of the Flower Moon,” Thelma Schoonmaker

“Oppenheimer,” Jennifer Lame*

“Poor Things,” Yorgos Mavropsaridis

Best Sound

“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

“The Zone of Interest,” Tarn Willers and Johnnie Burn*

Best Original Score

“American Fiction,” Laura Karpman

“Indiana Jones and the Dial of Destiny,” John Williams

“Killers of the Flower Moon,” Robbie Robertson

“Oppenheimer,” Ludwig Göransson*

“Poor Things,” Jerskin Fendrix

Best Original Song

“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren

“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt

“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson

“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George

“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell*

Best Animated Feature Film

“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki*

“Elemental,” Peter Sohn and Denise Ream

“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Best International Feature Film

“Io Capitano” (Italy)  

“Perfect Days” (Japan)  

“Society of the Snow” (Spain)  

“The Teachers’ Lounge” (Germany) 

“The Zone of Interest” (United Kingdom)*

Best Documentary Feature

“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek

“The Eternal Memory,” Maite Alberdi

“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha

“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim

“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath*

Best Makeup and Hairstyling

“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

“Oppenheimer,” Luisa Abel

“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston*

“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Best Costume Design

“Barbie,” Jacqueline Durran

“Killers of the Flower Moon,” Jacqueline West

“Napoleon,” Janty Yates and Dave Crossman

“Oppenheimer,” Ellen Mirojnick

“Poor Things,” Holly Waddington*

Best Production Design

“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer

“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis

“Napoleon,” production design: Arthur Max; set decoration: Elli Griff

“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman

“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek*

Best Visual Effects

“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima*

“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

Best Documentary Short Subject

“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic

“The Barber of Little Rock,” John Hoffman and Christine Turner

“Island in Between,” S. Leo Chiang and Jean Tsien

“The Last Repair Shop,” Ben Proudfoot and Kris Bowers*

“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

Best Animated Short Film

“Letter to a Pig,” Tal Kantor and Amit R. Gicelter

“Ninety-Five Senses,” Jerusha Hess and Jared Hess

“Our Uniform,” Yegane Moghaddam

“Pachyderme,” Stéphanie Clément and Marc Rius

“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker*

Best Live-Action Short Film

“The After,” Misan Harriman and Nicky Bentham

“Invincible,” Vincent René-Lortie and Samuel Caron

“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk

“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane

“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales*

2024 Academy Awards: ‘Oppenheimer’ is the top nominee

January 23, 2024

by Carla Hay

Emily Blunt and Cillian Murphy in “Oppenheimer” (Photo by Melinda Sue Gordon/Universal Pictures)

With 13 nods, the Universal Pictures drama “Oppenheimer” (a biopic of atomic bomb creator J. Robert Oppenheimer) is the top nominee for the 96th Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 10, 2024. ABC will have the U.S. telecast of the show, which will be hosted by Jimmy Kimmel. The nominations were announced on January 23, 2024, by Jack Quaid and Zazie Beetz.

The nominations for “Oppenheimer” are Best Picture; Best Director (for Christopher Nolan); Best Actor (for Cillian Murphy); Best Supporting Actor (for Robert Downey Jr.); Best Supporting Actress (for Emily Blunt); Best Adapted Screenplay; Best Film Editing; Best Cinematography; Best Production Design; Best Costume Design; Best Original Score; Best Sound; and Best Visual Effects.

The other contenders for Best Picture are Orion Pictures’ comedy/drama “American Fiction,” Neon’s drama “Anatomy of a Fall,” Warner Bros. Pictures’ comedy”Barbie,” Focus Features’ comedy/drama “The Holdovers,” Apple Studios’ drama “Killers of the Flower Moon,” Netflix’s “Maestro,” A24’s drama “Past Lives,” Searchlight Pictures’ comedy/drama “Poor Things” and A24’s drama “The Zone of Interest.” As of 2022, the Academy Awards rule is that no less than 10 movies can be nominated for Best Picture.

“Poor Things” had the second-highest number of Oscar nominations this year (11 nods), followed by “Killers of the Flower Moon,” which had 10 nods. (Click here to read Culture Mix’s reviews of all these movies that are nominated for Best Picture.)

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2024 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2023.

Snubs and Surprises

Ryan Gosling, Margot Robbie and Greta Gerwig on the set of “Barbie” (Photo by Jaap Buitendijk/Warner Bros. Pictures)

“Barbie” slew of Oscar nominations did not include Greta Gerwig for Best Director or Margot Robbie for Best Actress, even though Gerwig and Robbie had been widely predicted to get Oscar nods in those categories and were nominated at other major awards in those categories. However, Gerwig and Robbie each got other Oscar nominations for the movie. “Barbie” co-writers Gerwig and Noah Baumbach (who are married) were both nominated for Best Adapted Screenplay. Robbie, who is one of the four producers of “Barbie,” received a nomination for Best Picture, along with “Barbie” producers Tom Ackerley (who is Robbie’s husband), David Heyman, and Robbie Brenner. In the category for Best Actor, Leonardo DiCaprio did not get a widely predicted nomination for his starring role in “Killers of the Flower Moon.”

Movies that have been getting awards or nominations elsewhere were completely snubbed by the Academy Awards. They include the Seachlight Pictures drama “All of Us Strangers,” the Amazon MGM Studios comedy/drama “Saltburn,” the Apple TV+ documentary “Still: A Michael J. Fox Movie,” the HBO documentary “Going to Mars: The Nikki Giovanni Project” and and the Amazon MGM Studios drama “Air.”

Some of the biggest surprise nominations came from international films. France’s “Anatomy of a Fall” scored a Best Director nod for Justine Triet, when “Barbie” director Gerwig was widely predicted to be the only female nominee in that category. France’s official selection for Best International Film was not “Anatomy of a Fall” but was “The Taste of Things,” which failed to get any Oscar nominations. Netflix’s “El Conde” (from Chile) received a surprise nod for Best Cinematography, after the movie was passed over at other awards shows. “Society of the Snow” (from Spain) was expected to get nominated for Best International Film, but most awards pundits did not predict that it would also get an Oscar nod for Best Makeup and Hairstyling, which was a category where “Barbie” failed to make the Oscar shortlist and therefore couldn’t be nominated.

Speaking of “Barbie,” America Ferrera got a surprise nomination for Best Supporting Actress, when more people were predicting that Robbie would get an Oscar nomination for being an actress in the film. Another surprise was Scott George’s “Wahzhazhe (A Song for My People)” from “Killers of the Flower Moon” getting a nomination for Best Original Song, after being ignored for nominations at other awards shows. “American Fiction” composer Laura Karpman, who was also snubbed at other major awards, got a surprise Oscar nod for Best Original Score.

Diversity and Inclusion

Erika Alexander and Jeffrey Wright in “American Fiction” (Photo by Claire Folger/Orion Pictures)

Racial diversity is in every actor/actress category at 2024 Academy Awards. Black people are represented the most with “American Fiction,” which has five nominations: Best Picture; Best Actor (for Jeffrey Wright); Best Supporting Actor (for Sterling K. Brown); Best Adapted Screenplay; and Best Original Score. “American Fiction” is based on Percival Everett’s 2001 novel “Erasure,” which is about a literature professor (played by Wright), who invents a fugitive criminal persona to write a book that becomes a surprise hit. Meanwhile, the Ugandan film “Bobi Wine: The People’s President” (co-directed by Moses Bwayo) is nominated for Best Documentary Feature Film.

The other Black people nominated for Oscars this year in acting categories are Colman Domingo of Netflix drama “Rustin” (Best Actor); Da’Vine Joy Randolph of the Focus Features drama “The Holdovers” (Best Supporting Actress); and Danielle Brooks of the Warner Bros. Pictures musical “The Color Purple” (Best Supporting Actress). For behind-the-scenes jobs, Black nominees include Kemp Powers, one of the directors for Sony Pictures Animation/Columbia Pictures’ “Spider-Man: Across the Spider-Verse”; Jon Batiste, co-writer of “It Never Went Away” from the Netflix documentary “American Symphony” (Best Original Song); Kris Bowers, co-director of The Los Angeles Times/Searchlight Pictures’ “The Last Repair Shop” (Best Documentary Short Film); Christine Turner, co-director of The New Yorker’s “The Barber of Little Rock” (Best Documentary Short Film); Misan Harriman, director of the Netflix drama “The After” (Best Live-Action Short Film); Willie Burton, audio engineer of “Oppenheimer” (Best Sound); and Andrew Roberts, visual effects on-set supervisor of “The Creator” (Best Visual Effects).

Asians were represented in the most Oscar categories with “Past Lives,” a drama about two childhood sweethearts from South Korea who are separated when the girl in the duo moves to North America with her family, and then the two former sweethearts see each other in person years later when she is married to an American man. “Past Lives” writer/director Celine Song, whose life partially inspired the movie, is nominated for Best Original Screenplay. Three movies from Japan are nominated for Oscars: “Perfect Days” (Best International Feature), “The Boy and the Heron” (Best Animated Feature) and “Godzilla Minus One” (Best Visual Effects). Meanwhile, the Indian film “To Kill a Tiger” is nominated for Best Documentary Feature Film. The Chinese films “Nǎi Nai & Wài Pó” and “Island in Between” are each nominated for Best Documentary Short Film, while Korean American director Peter Sohn received a Best Animated Feature Film nomination for Pixar’s “Elemental.”

For the first time, there are several Native Americans nominated for Academy Awards in the same year. They are all from “The Killers of the Flower Moon”: the aforementioned songwriter George; Lily Gladstone (Best Actress, the first Native American nominated in this category); and the late Robbie Robertson (Best Original Score).

Hispanic/Latino people nominated for Oscars this year included the aforementioned Ferrera from “Barbie,” plus filmmakers from “Society of the Snow” and “El Conde.” The Chilean film “The Eternal Memory” got an Oscar nod for Best Documentary Feature Film.

LGBTQ representation in the Oscar nominations can be found in the characters played by Colman in “Rustin,” Brown in “American Fiction,” Annette Bening in “Nyad” and Jodie Foster in “Nyad.” Colman and Foster are openly gay in real life.

Here is the complete list of nominations for the 2024 Academy Awards:

Best Picture

“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers

“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers

“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers

“The Holdovers,” Mark Johnson, producer

“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers

“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers

“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers

“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers

“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers

“The Zone of Interest,” James Wilson, producer

Best Director

Justine Triet (“Anatomy of a Fall”)

Martin Scorsese (“Killers of the Flower Moon”)  

Christopher Nolan (“Oppenheimer”)

Yorgos Lanthimos (“Poor Things”)

Jonathan Glazer (“The Zone of Interest”)

Best Actor in a Leading Role

Bradley Cooper (“Maestro”)

Colman Domingo (“Rustin”) 

Paul Giamatti (“The Holdovers”)  

Cillian Murphy (“Oppenheimer”)  

Jeffrey Wright (“American Fiction”) 

Best Actress in a Leading Role

Annette Bening (“Nyad”)

Lily Gladstone (“Killers of the Flower Moon”)  

Sandra Hüller (“Anatomy of a Fall”)

Carey Mulligan (“Maestro”) 

Emma Stone (“Poor Things”)  

Best Actor in a Supporting Role

Sterling K. Brown (“American Fiction”)

Robert De Niro (“Killers of the Flower Moon”)

Robert Downey Jr. (“Oppenheimer”) 

Ryan Gosling (“Barbie”) 

Mark Ruffalo (“Poor Things”) 

Best Actress in a Supporting Role

Emily Blunt (“Oppenheimer”) 

Danielle Brooks (“The Color Purple”)  

America Ferrera (“Barbie”)

Jodie Foster (“Nyad”)

Da’Vine Joy Randolph (“The Holdovers”)

Best Adapted Screenplay

“American Fiction,” written by Cord Jefferson

“Barbie,” written by Greta Gerwig and Noah Baumbach

“Oppenheimer,” written by Christopher Nolan

“Poor Things,” written by Tony McNamara

“The Zone of Interest,” written by Jonathan Glazer

Best Original Screenplay

“Anatomy of a Fall,” written by Justine Triet and Arthur Harari

“The Holdovers,” written by David Hemingson

“Maestro,” written by Bradley Cooper and Josh Singer

“May December,” written by Samy Burch; story by Samy Burch and Alex Mechanik

“Past Lives,” written by Celine Song

Best Cinematography

“El Conde,” Edward Lachman

“Killers of the Flower Moon,” Rodrigo Prieto

“Maestro,” Matthew Libatique

“Oppenheimer,” Hoyte van Hoytema

“Poor Things,” Robbie Ryan

Best Film Editing

“Anatomy of a Fall,” Laurent Sénéchal

“The Holdovers,” Kevin Tent

“Killers of the Flower Moon,” Thelma Schoonmaker

“Oppenheimer,” Jennifer Lame

“Poor Things,” Yorgos Mavropsaridis

Best Sound

“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

“The Zone of Interest,” Tarn Willers and Johnnie Burn

Best Original Score

“American Fiction,” Laura Karpman

“Indiana Jones and the Dial of Destiny,” John Williams

“Killers of the Flower Moon,” Robbie Robertson

“Oppenheimer,” Ludwig Göransson

“Poor Things,” Jerskin Fendrix

Best Original Song

“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren

“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt

“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson

“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George

“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

Best Animated Feature Film

“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki

“Elemental,” Peter Sohn and Denise Ream

“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Best International Feature Film

“Io Capitano” (Italy)  

“Perfect Days” (Japan)  

“Society of the Snow” (Spain)  

“The Teachers’ Lounge” (Germany) 

“The Zone of Interest” (United Kingdom) 

Best Documentary Feature

“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek

“The Eternal Memory,” Maite Alberdi

“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha

“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim

“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Best Makeup and Hairstyling

“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

“Oppenheimer,” Luisa Abel

“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston

“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Best Costume Design

“Barbie,” Jacqueline Durran

“Killers of the Flower Moon,” Jacqueline West

“Napoleon,” Janty Yates and Dave Crossman

“Oppenheimer,” Ellen Mirojnick

“Poor Things,” Holly Waddington

Best Production Design

“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer

“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis

“Napoleon,” production design: Arthur Max; set decoration: Elli Griff

“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman

“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

Best Visual Effects

“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

Best Documentary Short Subject

“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic

“The Barber of Little Rock,” John Hoffman and Christine Turner

“Island in Between,” S. Leo Chiang and Jean Tsien

“The Last Repair Shop,” Ben Proudfoot and Kris Bowers

“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

Best Animated Short Film

“Letter to a Pig,” Tal Kantor and Amit R. Gicelter

“Ninety-Five Senses,” Jerusha Hess and Jared Hess

“Our Uniform,” Yegane Moghaddam

“Pachyderme,” Stéphanie Clément and Marc Rius

“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

Best Live-Action Short Film

“The After,” Misan Harriman and Nicky Bentham

“Invincible,” Vincent René-Lortie and Samuel Caron

“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk

“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane

“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

2023 Academy Awards: ‘Everything Everywhere All at Once’ is the top winner

March 12, 2023

by Carla Hay

Members of the “Everything Everywhere All at Once” team, pictured clockwise, from left: Jamie Lee Curtis, James Hong, Michelle Yeoh, Jonathan Wong, Stephanie Hsu, Daniel Scheinert, Daniel Kwan and Ke Huy Quan at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

With seven Oscars, including Best Picture, A24’s sci-fi/action film “Everything Everywhere All at Once” was the top winner for the 95th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC had the live U.S. telecast of the show, which was hosted by Jimmy Kimmel. “Everything Everywhere All at Once,” which had 11 nominations, also won Oscars for Best Director (for Daniel Kwan and Daniel Scheinert); Best Actress (for Michelle Yeoh); Best Supporting Actress (for Jamie Lee Curtis); Best Suporting Actor (for Ke Huy Quan); Best Film Editing; and Best Original Screenplay. “Everything Everywhere All at Once” is about a Chinese American family traveling through multiple time eras, identities and universes.

Netflix’s German-language World War I drama “All Quiet on the Western Front” won four Oscars: Best International Feature Film, Best Cinematography, Best Production Design and Best Original Score. Going into the ceremony, “All Quiet on the Western Front” had nine Oscar nominations. Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” also garnered nine nominations, but didn’t win any Oscars. For the first time in Oscar history, the category for Best Picture is now required to have no less than 10 nominations per year.

The only other movie to win more than one Oscar this year was the A24 drama “The Whale,” which won the prizes for Best Actor (for Brendan Fraser) and Best Makeup and Hairstyling. In the movie, Fraser portrays an extremely obsese man who is dying. For his role in “The Whale,” Fraser wore prosthetic makeup from the neck down.

The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Picture Arts and Sciences. The 2003 Oscar ceremony telecast was overseen by executive producer/showrunner Glenn Weiss, executive producer/showrunner Ricky Kirshner and executive producer Molly McNearney.

Artists at the show who performed the five Oscar-nominated songs were Sofia Carson and Diane Warren ( “Applause” from “Tell It Like a Woman”); David Byrne, Stephanie Hsu and Son Lux (“This Is a Life” from “Everything Everywhere All at Once” ); Kaala Bhairava and Rahul Sipligunj (“Naatu Naatu” from “RRR”); Lady Gaga (“Hold My Hand” from “Top Gun: Maverick”); and Rihanna (“Lift Me Up” from “Black Panther: Wakanda Forever”). “Naatu Naatu” won the Oscar, which went to songwriters M.M. Keeravaani and Chandrabose.

Presenters at the ceremony were Riz Ahmed, Halle Bailey, Antonio Banderas, Elizabeth Banks, Halle Berry, Emily Blunt, Jessica Chastain, John Cho, Jennifer Connelly, Paul Dano, Ariana DeBose, Cara Delevingne, Harrison Ford, Morgan Freeman, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Kate Hudson, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Mindy Kaling, Nicole Kidman, Troy Kotsur, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Jonathan Majors, Melissa McCarthy, Janelle Monáe, Elizabeth Olsen, Deepika Padukone, Pedro Pascal, Florence Pugh, Margot Robbie, Zoe Saldaña, Ahmir “Questlove” Thompson, John Travolta, Sigourney Weaver and Donnie Yen.

Ke Huy Quan, Michelle Yeoh, Brendan Fraser and Jamie Lee Curtis at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

Here is the complete list of winners and nominees for the 2023 Academy Awards:

*=winner

Best Picture

  • “All Quiet on the Western Front,” Malte Grunert, Producer
  • “Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
  • “The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
  • “Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
  • “Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers*
  • “The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
  • “TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
  • “Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
  • “Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
  • “Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director 

  • Martin McDonagh (“The Banshees of Inisherin”) 
  • Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)*
  • Steven Spielberg (“The Fabelmans”) 
  • Todd Field (“TÁR”) 
  • Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

  • Austin Butler (“Elvis”) 
  • Colin Farrell (“The Banshees of Inisherin”) 
  • Brendan Fraser (“The Whale”)* 
  • Paul Mescal (“Aftersun”) 
  • Bill Nighy (“Living”) 

Best Lead Actress

  • Cate Blanchett (“TÁR”) 
  • Ana de Armas (“Blonde”) 
  • Andrea Riseborough (“To Leslie”)
  • Michelle Williams (“The Fabelmans”) 
  • Michelle Yeoh (“Everything Everywhere All at Once”)*

Best Supporting Actor

  • Brendan Gleeson (“The Banshees of Inisherin”) 
  • Brian Tyree Henry (“Causeway”) 
  • Judd Hirsch (“The Fabelmans”)
  • Barry Keoghan (“The Banshees of Inisherin”) 
  • Ke Huy Quan (“Everything Everywhere All at Once”)*

Best Supporting Actress

  • Angela Bassett (“Black Panther: Wakanda Forever”) 
  • Hong Chau (“The Whale”) 
  • Kerry Condon (“The Banshees of Inisherin”) 
  • Jamie Lee Curtis (“Everything Everywhere All at Once”)*
  • Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

  • “All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
  • “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
  • “Living,” Written by Kazuo Ishiguro
  • “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
  • “Women Talking,” Screenplay by Sarah Polley*

Best Original Screenplay

  • “The Banshees of Inisherin,” Written by Martin McDonagh
  • “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert*
  • “The Fabelmans,” Written by Steven Spielberg & Tony Kushner
  • “TÁR,” Written by Todd Field
  • “Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography 

  • “All Quiet on the Western Front,” James Friend*
  • “Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
  • “Elvis,” Mandy Walker
  • “Empire of Light,” Roger Deakins
  • “Tár,” Florian Hoffmeister

Best Film Editing

  • “The Banshees of Inisherin,” Mikkel E.G. Nielsen
  • “Elvis,” Matt Villa and Jonathan Redmond
  • “Everything Everywhere All at Once,” Paul Rogers*
  • “TÁR,” Monika Willi
  • “Top Gun: Maverick,” Eddie Hamilton

Best Original Score 

  • “All Quiet on the Western Front,” Volker Bertelmann*
  • “Babylon,” Justin Hurwitz
  • “The Banshees of Inisherin,” Carter Burwell
  • “Everything Everywhere All at Once,” Son Lux
  • “The Fabelmans,” John Williams

Best Sound

  • “All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
  • “Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
  • “The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
  • “Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
  • “Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor*

Best Original Song 

  • “Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
  • “Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
  • “Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
  • “Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose* 
  • “This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Animated Feature Film 

  • “Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley*
  • “Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
  • “Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
  • “The Sea Beast,” Chris Williams and Jed Schlanger
  • “Turning Red,” Domee Shi and Lindsey Collins

Best International Feature Film 

  • “All Quiet on the Western Front” (Germany)* 
  • “Argentina, 1985” (Argentina) 
  • “Close” (Belgium)
  • “EO” (Poland) 
  • “The Quiet Girl” (Ireland) 

Best Documentary Feature Film 

  • “All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
  • “All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
  • “Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
  • “A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
  • “Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris*

Best Makeup and Hairstyling 

  • “All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
  • “The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
  • “Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
  • “Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
  • “The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley*

Best Costume Design 

  • “Babylon,” Mary Zophres
  • “Black Panther: Wakanda Forever,” Ruth Carter*
  • “Elvis,” Catherine Martin
  • “Everything Everywhere All at Once,” Shirley Kurata
  • “Mrs. Harris Goes to Paris,” Jenny Beavan

Best Production Design 

  • “All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper*
  • “Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
  • “Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
  • “Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
  • “The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

  • “All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
  • “Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett*
  • “The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
  • “Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
  • “Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Short Film 

  • “The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga*
  • “Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
  • “How Do You Measure a Year?” Jay Rosenblatt
  • “The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
  • “Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Animated Short Film

  • “The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud*
  • “The Flying Sailor,” Amanda Forbis and Wendy Tilby
  • “Ice Merchants,” João Gonzalez and Bruno Caetano
  • “My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
  • “An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Live Action Short Film

  • “An Irish Goodbye,” Tom Berkeley and Ross White*
  • “Ivalu,” Anders Walter and Rebecca Pruzan
  • “Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
  • “Night Ride,” Eirik Tveiten and Gaute Lid Larssen
  • “The Red Suitcase,” Cyrus Neshvad

2023 Academy Awards: ‘Everything Everywhere All at Once’ is the top nominee

January 24, 2023

by Carla Hay

Stephanie Hsu, Michelle Yeoh and Ke Huy Quan in “Everything Everywhere All at Once” (Photo by Allyson Riggs/A24)

With 11 nominations, A24’s sci-fi/action film “Everything Everywhere All at Once” is the top contender for the 95th annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC will have the live U.S. telecast of the show, which will be hosted by Jimmy Kimmel. Netflix’s German-language World War I drama “All Quiet on the Western Front” and Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” garnered nine nominations each. All three films are nominated for Best Picture, a category that—for the first time in Oscar history—is now required to have no less than 10 nominations per year.

The other nominations for Best Picture for the 2023 Academy Awards are 20th Century Studios’ sci-fi epic “Avatar: The Way of Water,” Warner Bros. Pictures’ drama “Elvis,” Universal Pictures’ drama “The Fabelmans,” Focus Features’ drama “TÁR,” Paramount Pictures’ action film “Top Gun: Maverick,” Neon’s comedy/drama “Triangle of Sadness” and Orion Pictures’ drama “Women Talking.”

The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Pictures Arts and Sciences. The 95th annual televised Oscar ceremony will be headed by executive producers/showrunners Glenn Weiss and Ricky Kirshner and executive producer Molly McNearney.

Snubs and Surprises

Columbia Pictures’ action film “The Woman King,” which has been getting nominations (mostly for lead actress Viola Davis) at other awards shows, was completely shut out of the Oscar nominations. Also getting snubbed was Danielle Deadwyler, who has been getting nominated elsewhere for her lead actress performance in the Orion Pictures drama “Till,” which failed to get any Oscar nominations. And although James Cameron got a Best Picture nod for being a producer of “Avatar: The Way of Water,” he missed out on getting a Best Director nomination for the movie, even though he’s been nominated for Best Director at most other major award shows.

Surprises included a Best Actress nomination for Andrea Riseborough of the Momentum Pictures drama “To Leslie,” which has not been getting nominated at any other major award shows, except for the Film Independent Spirit Awards, where Riseborough was nominated for Best Lead Performance. “All Quiet on the Western Front” received nine Oscar nominations, which has never happened before for a German-language film. The only other major award show that has given “All Quiet on the Western Front” several nominations is the British Academy Film Awards (BAFTAs), which bestowed 14 nominations on the movie.

Here is the complete list of nominees for the 2023 Academy Awards:

Best Picture

  • “All Quiet on the Western Front,” Malte Grunert, Producer
  • “Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
  • “The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
  • “Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
  • “Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
  • “The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
  • “TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
  • “Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
  • “Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
  • “Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director 

  • Martin McDonagh (“The Banshees of Inisherin”) 
  • Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 
  • Steven Spielberg (“The Fabelmans”) 
  • Todd Field (“TÁR”) 
  • Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

  • Austin Butler (“Elvis”) 
  • Colin Farrell (“The Banshees of Inisherin”) 
  • Brendan Fraser (“The Whale”) 
  • Paul Mescal (“Aftersun”) 
  • Bill Nighy (“Living”) 

Best Lead Actress

  • Cate Blanchett (“TÁR”) 
  • Ana de Armas (“Blonde”) 
  • Andrea Riseborough (“To Leslie”)
  • Michelle Williams (“The Fabelmans”) 
  • Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

  • Brendan Gleeson (“The Banshees of Inisherin”) 
  • Brian Tyree Henry (“Causeway”) 
  • Judd Hirsch (“The Fabelmans”)
  • Barry Keoghan (“The Banshees of Inisherin”) 
  • Ke Huy Quan (“Everything Everywhere All at Once”) 

Best Supporting Actress

  • Angela Bassett (“Black Panther: Wakanda Forever”) 
  • Hong Chau (“The Whale”) 
  • Kerry Condon (“The Banshees of Inisherin”) 
  • Jamie Lee Curtis (“Everything Everywhere All at Once”) 
  • Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

  • “All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
  • “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
  • “Living,” Written by Kazuo Ishiguro
  • “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
  • “Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

  • “The Banshees of Inisherin,” Written by Martin McDonagh
  • “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
  • “The Fabelmans,” Written by Steven Spielberg & Tony Kushner
  • “Tár,” Written by Todd Field
  • “Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography 

  • “All Quiet on the Western Front”, James Friend
  • “Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
  • “Elvis,” Mandy Walker
  • “Empire of Light,” Roger Deakins
  • “Tár,” Florian Hoffmeister

Best Film Editing

  • “The Banshees of Inisherin,” Mikkel E.G. Nielsen
  • “Elvis,” Matt Villa and Jonathan Redmond
  • “Everything Everywhere All at Once,” Paul Rogers
  • “TÁR,” Monika Willi
  • “Top Gun: Maverick,” Eddie Hamilton

Best Original Score 

  • “All Quiet on the Western Front,” Volker Bertelmann
  • “Babylon,” Justin Hurwitz
  • “The Banshees of Inisherin,” Carter Burwell
  • “Everything Everywhere All at Once,” Son Lux
  • “The Fabelmans,” John Williams

Best Sound

  • “All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
  • “Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
  • “The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
  • “Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
  • “Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

Best Original Song 

  • “Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
  • “Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
  • “Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
  • “Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  
  • “This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Animated Feature Film 

  • “Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
  • “Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
  • “Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
  • “The Sea Beast,” Chris Williams and Jed Schlanger
  • “Turning Red,” Domee Shi and Lindsey Collins

Best International Feature Film 

  • “All Quiet on the Western Front” (Germany) 
  • “Argentina, 1985” (Argentina) 
  • “Close” (Belgium)
  • “EO” (Poland) 
  • “The Quiet Girl” (Ireland) 

Best Documentary Feature Film 

  • “All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
  • “All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
  • “Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
  • “A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
  • “Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Makeup and Hairstyling 

  • “All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
  • “The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
  • “Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
  • “Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
  • “The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Costume Design 

  • “Babylon,” Mary Zophres
  • “Black Panther: Wakanda Forever,” Ruth Carter
  • “Elvis,” Catherine Martin
  • “Everything Everywhere All at Once,” Shirley Kurata
  • “Mrs. Harris Goes to Paris,” Jenny Beavan

Best Production Design 

  • “All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
  • “Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
  • “Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
  • “Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
  • “The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

  • “All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
  • “Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
  • “The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
  • “Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
  • “Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Short Film 

  • “The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
  • “Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
  • “How Do You Measure a Year?” Jay Rosenblatt
  • “The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
  • “Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Animated Short Film

  • “The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
  • “The Flying Sailor,” Amanda Forbis and Wendy Tilby
  • “Ice Merchants,” João Gonzalez and Bruno Caetano
  • “My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
  • “An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Live Action Short Film

  • “An Irish Goodbye,” Tom Berkeley and Ross White
  • “Ivalu,” Anders Walter and Rebecca Pruzan
  • “Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
  • “Night Ride,” Eirik Tveiten and Gaute Lid Larssen
  • “The Red Suitcase,” Cyrus Neshvad

2022 American Music Awards: Taylor Swift is the top winner

November 20, 2022

The following is a press release from ABC:

Taylor Swift at the 2022 American Music Awards at the the Microsoft Theater in Los Angeles on Nvoember 20, 2022 (Photo courtesy of ABC)

Taylor Swift broke her own record of the most wins of any artist in the history of the American Music Awards Sunday night by clinching the top spot in the winner’s circle with six wins at the “2022 American Music Awards” (AMAs), to bring her total count to 40 wins. The year’s hottest night in music represents top achievements in music determined by the fans, for the fans. Hosted by Wayne Brady, the thrilling evening filled with world premiere performances and pop-culture moments aired live on ABC from the Microsoft Theater at L.A. LIVE in Los Angeles.

Show highlights included the following:

  •  Eight-time AMA nominee P!NK skated in from the streets of Los Angeles for an epic start to the AMAs, opening the show with a powerful world premiere performance of her brand-new single “Never Gonna Not Dance Again.” She later graced the stage for a moving and powerful performance of “Hopelessly Devoted To You” dedicated to the inspirational life and career of 10-time AMA winner Olivia Newton-John.
  • This year’s AMA host Wayne Brady bantered with the audience, singing about how he prepared to host the AMAs in his opening monologue. Brady also tapped into his “Dancing With The Stars” skills to perform a number alongside his current DWTS partner, Witney Carson. Later in the show, Brady tapped into members of his audience including Niecy Nash-Betts for a random selection of words, which he used to improvise a rap on stage.
  • Two-time nominee Bebe Rexha made her U.S. television performance debut of her global smash hit “I’m Good (Blue)” in an out of this world futuristic performance.
  • Global superstar and Favorite Female Latin Artist winner Anitta made her AMAs stage debut with her smash hit “Envolver” and was joined by two-time AMA winner Missy Elliott who surprised fans hitting the stage to join Anitta for “Lobby.” The two danced through a hotel lobby celebrating the first-ever performance of their smash hit.
  • Country superstar, 17-time AMA winner and all-time Favorite Country Album record-holder Carrie Underwood flew through the theater on a neon orb to the stage to perform her hittrack “Crazy Angels.”
  • First-time nominee GloRilla made her AMAs stage debut with a surprise performance alongside last year’s AMA host Cardi B for their hit “Tomorrow 2.”
  • Imagine Dragons hit the stage for a fiery performance, singing a medley of their hits including “Bones.” The band was later joined by Atlanta rapper J.I.D. for a striking performance of their duo hit “Enemy.”
  • Multiplatinum rapper Lil Baby performed a medley of his smash hits “California Breeze” and “In a Minute” in a suave performance on the AMAs stage.
  • Artist, songwriter and actor Yola took the stage to perform her powerful original song “Break the Bough,” named the American Music Awards SONG OF SOUL, a spotlight moment that highlights an artist that uses music to invoke social change. Yola’s colorful performance showcased her vocal abilities and star power.
  • New Artist of the Year winner Dove Cameron made her AMAs stage debut in a theatrical performance of her hit single “Boyfriend.”
  • Presented by longtime friend Smokey Robinson, Lionel Richie received his 18th AMA award with the prestigious Icon Award. Later in the evening, stars joined together to honor Richie with tribute performances, including two-time AMA winner Stevie Wonder and two-time AMA nominee Charlie Puth,who performed a medley of Richie’s hit songs complete with dueling pianos and scat singing.
  • Superstars Jimmie Allen, Ari Lennox, Yola, Muni Long, Melissa Ethridge, Dustin Lynch, and Smokey Robinson joined Wonder and Puth on the stage for an epic surprise recreation of the 1986 AMAs performance of “We Are The World,” a nostalgic highlight of the evening with Lionel joining the group on stage.
  • Adding the musical connectivity to a night filled with superstar performances, tributes and pop culture moments, iconic DJ, producer/rapper and philanthropist D-Nice was the resident 2022 AMAs House DJ.
  • In tribute to the life and career of Loretta Lynn, country star Jimmie Allen took the stage for a quick rendition of one of her greatest hits.
  • Host Wayne Brady led a moment of tribute to the late rapper Takeoff, speaking to his life, career and success in the music industry.

Winner Highlights of the “2022 American Music Awards”:

  • Taylor Swift broke her own record with six AMA wins, making the 40-time winner the most decorated artist in AMAs history. Her album “Red (Taylor’s Version)” earned the awards for Favorite Country Album, Favorite Pop Album and Favorite Music Video, while Swift also won Favorite Female Pop Artist, Favorite Female Country Artist and Artist of the Year. In 2013, Swift won the AMA for Favorite Country Album for the first version of her album “Red.”
  • Last year’s Artist of the Year winners BTS took home two AMAs this year, including the first-ever AMA for Favorite K-Pop Artist.
  • Six-time nominee this year Beyoncé won two awards tonight for Favorite Female R&B Artist and Favorite R&B Album for her latest album, “Renaissance.”
  • Ghost took home the first-ever AMA for Favorite Rock Album for their latest album “Impera.”
  • This year’s most-nominated artist, Bad Bunny, took home two AMAs for Favorite Male Latin Artist, Favorite Latin Album for “Un Verano Sin Ti.”
  • Elton John won his first AMA since 1998 for Collaboration of the Year for his hit “Cold Heart – PNAU Remix” with Dua Lipa.
    First-time AMA nominee Dove Cameron took home this year’s New Artist of the Year award.
  • Anitta, a first-time nominee this year, won the AMA for Favorite Female Latin Artist.

Presenters throughout the night included Dan + Shay, Dustin Lynch, Ellie Goulding, Jessie James Decker, Jimmie Allen, Karrueche Tran, Kelly Rowland, Kim Petras, Liza Koshy, Latto, Meghan Trainor, Melissa Etheridge, Niecy Nash-Betts, Roselyn Sanchez, Sabrina Carpenter, Sheryl Lee Ralph and Smokey Robinson.


2022 AMERICAN MUSIC AWARDS WINNERS
Artist of the Year: Taylor Swift
New Artist of the Year: Dove Cameron
Collaboration of the Year: Elton John & Dua Lipa “Cold Heart – PNAU Remix”
Favorite Touring Artist: Coldplay
Favorite Music Video: Taylor Swift “All Too Well: The Short Film”
Favorite Male Pop Artist: Harry Styles
Favorite Female Pop Artist: Taylor Swift
Favorite Pop Duo or Group: BTS
Favorite Pop Album: Taylor Swift “Red (Taylor’s Version)”
Favorite Pop Song: Harry Styles “As It Was”
Favorite Male Country Artist: Morgan Wallen
Favorite Female Country Artist: Taylor Swift
Favorite Country Duo or Group: Dan + Shay
Favorite Country Album: Taylor Swift “Red (Taylor’s Version)”
Favorite Country Song: Morgan Wallen “Wasted on You”
Favorite Male Hip-Hop Artist: Kendrick Lamar
Favorite Female Hip-Hop Artist: Nicki Minaj
Favorite Hip-Hop Album: Kendrick Lamar “Mr. Morale & The Big Steppers”
Favorite Hip-Hop Song: Future ft. Drake & Tems “WAIT FOR U”
Favorite Male R&B Artist: Chris Brown
Favorite Female R&B Artist: Beyoncé
Favorite R&B Album: Beyoncé “Renaissance”
Favorite R&B Song: Wizkid ft. Tems “Essence”
Favorite Male Latin Artist: Bad Bunny
Favorite Female Latin Artist: Anitta
Favorite Latin Duo or Group: Yahritza Y Su Esencia
Favorite Latin Album: Bad Bunny “Un Verano Sin Ti”
Favorite Latin Song: Sebastián Yatra “Dos Oruguitas”
Favorite Rock Artist: Machine Gun Kelly
Favorite Rock Song (NEW): Måneskin “Beggin’”
Favorite Rock Album (NEW): Ghost “Impera”
Favorite Inspirational Artist: for KING & COUNTRY
Favorite Gospel Artist: Tamela Mann
Favorite Dance/Electronic Artist: Marshmello
Favorite Soundtrack: “ELVIS”
Favorite Afrobeats Artist (NEW): Wizkid
Favorite K-Pop Artist (NEW): BTS

2022 AMERICAN MUSIC AWARD WINNERS BY ARTIST
Taylor Swift (6): Artist of the Year, Favorite Music Video, Favorite Female Pop Artist, Favorite Pop Album,  Favorite Female Country Artist, Favorite Country Album
Bad Bunny (2): Favorite Male Latin Artist, Favorite Latin Album
Beyonce (2): Favorite Female R&B Artist, Favorite R&B Album
BTS (2): Favorite Pop Duo or Group, Favorite K-Pop Artist
Harry Styles (2): Favorite Male Pop Artist, Favorite Pop Song
Kendrick Lamar (2): Favorite Male Hip-Hop Artist, Favorite Hip-Hop Album
Morgan Wallen (2): Favorite Male Country Artist, Favorite Country Song
Tems (2): Favorite Hip-Hop Song, Favorite R&B Song
Wizkid (2): Favorite R&B Song, Favorite Afrobeats Artist (NEW)
Anitta (1): Favorite Female Latin Artist
Chris Brown (1): Favorite Male R&B Artist
Coldplay (1): Favorite Touring Artist
Dan + Shay (1): Favorite Country Duo or Group
Dove Cameron (1): New Artist of the Year
Drake (1): Favorite Hip-Hop Song
Dua Lipa (1): Collaboration of the Year
Elton John (1): Collaboration of the Year
“ELVIS” (1): Favorite Soundtrack
for KING & COUNTRY (1):Favorite Inspirational Artist
Future (1): Favorite Hip-Hop Song
Ghost (1): Favorite Rock Album (NEW)
Machine Gun Kelly (1):Favorite Rock Artist
Måneskin (1): Favorite Rock Song (NEW)
Marshmello (1): Favorite Dance/Electronic Artist
Nicki Minaj (1): Favorite Female Hip-Hop Artist
Sebastián Yatra  (1): Favorite Latin Song
Tamela Mann (1): Favorite Gospel Artist
Yahritza Y Su Esencia (1): Favorite Latin Duo or Group

About the “2022 American Music Awards”:

  • The AMAs represents the year’s top achievements in music determined by the fans, for the fans. Last year’s show stands as the most social telecast of 2021 with 46.5 million interactions, underscoring the role fans play in the annual event. A vibrant night of non-stop music, the AMAs features a powerful lineup featuring first-time collaborations and exclusive world premiere performances from music’s biggest names – from Pop to Rap, R&B to Country, Latin to K-Pop – and more, as well as memorable moments that live on in pop culture.
  • As the world’s largest fan-voted awards show, the AMAs air globally across a footprint of linear and digital platforms in more than 120 countries and territories.
  • The “2022 American Music Awards” winners are voted entirely by fans.Nominees are based on key fan interactions – as reflected on the Billboard charts – including streaming, album and song sales, radio airplay, and tour grosses. These measurements are tracked by Billboard and its data partner Luminate, and cover the eligibility period of Sept. 24, 2021, through Sept. 22, 2022.
  • Airing live on ABC, the “2022 American Music Awards” are produced by dick clark productions and Jesse Collins Entertainment. Jesse Collins is showrunner and executive producer. Dionne Harmon, Jeannae Rouzan-Clay, and Larry Klein are also executive producers. For the latest AMA news, exclusive content and more, follow the AMAs on social (FacebookTwitterInstagramTikTokSnapchat and YouTube), online at theamas.com and ABC.com, and join the conversation by using the official hashtag for the show, #AMAs.

ABOUT DICK CLARK PRODUCTIONS
dick clark productions is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest,” “So You Think You Can Dance,” and the “Streamy Awards.” dick clark productions owns one of the world’s most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic programs, specials, performances and legendary programming. For more information please visit www.dickclark.com.

ABOUT ABC ENTERTAINMENT
ABC Entertainment’s compelling programming includes “Grey’s Anatomy,” the longest-running medical drama in primetime television; ratings juggernaut “The Bachelor” franchise; riveting dramas “Big Sky,” “The Good Doctor,” “A Million Little Things,” “The Rookie” and “Station 19”; trailblazing comedies “Abbott Elementary,” “The Conners,” “The Goldbergs,” “Home Economics” and “The Wonder Years”; popular game shows, including “The $100,000 Pyramid,” “Celebrity Family Feud,” “The Chase,” “Press Your Luck” and “To Tell the Truth”; star-making sensation “American Idol”; “Judge Steve Harvey,” the network’s strongest unscripted series debut in a year; reality phenomenon “Shark Tank”; family favorites “America’s Funniest Home Videos” and “Holey Moley”; “General Hospital,” which heads into its milestone 60th season on the network; and late-night talk show “Jimmy Kimmel Live!”; as well as the critically acclaimed, Emmy®Award-winning “Live in Front of a Studio Audience” specials. The network also boasts some of television’s most prestigious awards shows, including “The Oscars®,” “The CMA Awards” and the “American Music Awards.”

ABC programming can also be viewed on Hulu.

ABOUT JESSE COLLINS ENTERTAINMENT
Founded in 2012, Jesse Collins Entertainment (JCE) is a full-service television and film production company that has played an integral role in producing many of television’s most memorable moments in music entertainment. The Emmy® winning company has a multi-year overall agreement with ViacomCBS Cable Networks. On the film side, the company also has a first look on JCE’s film development projects which could include Viacom’s film entities such as Paramount Players.  JCE’s award-winning and critically acclaimed television includes programming from its three divisions.  From the scripted division: scripted series—Real Husbands of Hollywood, American Soul and miniseries—The New Edition Story and The Bobby Brown Story.  From the unscripted division: unscripted series – Cardi Tries, My Killer Body with K. Michelle, DJ Cassidy’s Pass the Mic and Forward: The Future of Black Music, competition/game shows—Becoming A Popstar, Rhythm + Flow, Sunday Best, Hip Hop Squares and Nashville Squares, talk show – Face to Face with Becky G and children’s series—Bookmarks: Celebrating Black Voices (Emmy® Award winner).  From the specials division: award shows—The American Music Awards, BET Awards, Soul Train Awards, BET Hip Hop Awards, Black Girls Rock!, BET Honors, UNCF’s An Evening of Stars and ABFF Honors, specials—The Super Bowl Halftime Show, CNN’s Juneteenth: A Global Celebration of Freedom, Martin: The Reunion, John Lewis: Celebrating A Hero, Love & Happiness: An Obama Celebration, Change Together: From The March On Washington To Today, A GRAMMY Salute to the Sounds of Change, Stand Up for Heroes, Dear Mama, Amanda Seales: I Be Knowin’, Def Comedy Jam 25, Leslie Jones: Time Machine, The All-Star Nickmas Spectacular and Rip the Runway.  Emmy® winner Jesse Collins, Founder and CEO, is the executive producer of all programming.  He is also an executive producer for the Grammy Awards.  He produced the 2021 Oscars.

Copyright 2017-2025 Culture Mix
CULTURE MIX