Academy Awards Archives

2026 Academy Awards: ‘Sinners’ is the top nominee

January 22, 2026

by Carla Hay

Justin William Davis, Jayme Lawson, Wunmi Mosaku, Michael B. Jordan, Miles Caton ad Lil Jun Li in “Sinners” (Photo courtesy of Warner Bros. Pictures)

With a record-breaking 16 nods, the Warner Bros. Pictures vampire drama “Sinners” is the top nominee for the 98th Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 15, 2026. ABC will have the U.S. telecast of the show, which will be hosted by Conan O’Brien and livestreamed on Hulu. The nominations were announced by actress Danielle Brooks and actor Lewis Pullman on January 22, 2026. The 16 nominations for “Sinners” make “Sinners” the movie with the most Oscar nominations in one year, breaking the record previously held by 2016’s “La La Land,” 1997’s “Titanic” and 1950’s “All About Eve,” which had 14 nominations each.

The nominations for “Sinners” are Best Picture; Best Director (for Ryan Coogler); Best Actor (for Michael B. Jordan); Best Supporting Actress (for Wunmi Musaku); Best Supporting Actor (for Delroy Lindo); Best Original Screenplay; Best Film Editing; Best Cinematography; Best Production Design; Best Costume Design; Best Makeup and Hairstyling; Best Sound; Best Visual Effects; Best Original Score; Best Original Song (for “I Lied to You”); and Best Casting, a new Oscar category that debuts this year.

As of 2022, the Academy Awards rule is that no less than 10 movies can be nominated for Best Picture. The other contenders for Best Picture are Focus Features’ sci-fi comedy/drama “Bugonia”; Apple Original Films’ action film “F1”; Netflix’s horror film “Frankenstein”; Focus Features’ drama “Hamnet”; A24’s comedy/drama “Marty Supreme”; Warner Bros. Pictures’ action comedy “One Battle After Another”; Neon’s drama “The Secret Agent”; Neon’s drama “Sentimental Value”; and Netflix’s “Train Dreams.”

“One Battle After Another” had the second-highest number of Oscar nominations this year (13 nods each), followed by “Frankenstein,” “Marty Supreme” and “Sentimental Value,” which had nine nods each.

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2026 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2025.

Snubs and Surprises

Cynthia Erivo and Ariana Grande in “Wicked: For Good” (Photo by Giles Keyte/Universal Pictures)

Some movies that have been getting awards or nominations elsewhere were completely snubbed by the Academy Awards. They include Universal Pictures’ musical “Wicked: For Good,” Neon’s comedy/drama “No Other Choice,” and A24’s drama “Sorry, Baby.” The Oscar shutout for “Wicked: For Good” (a sequel to 2024’s “Wicked”) was an especially noticeable because “Wicked” had 10 Oscar nominations, and ended up winning two Oscars: Best Costume Design and Best Production Design. “Wicked: For Good” was not as highly praised by critics as “Wicked,” and it seems as if Oscar voters didnt think “Wicked: For Good” had anything original in the movie that was award-worthy.

The snubs for individual 2026 Oscar nominations, despite being nominated elsewhere, were Paul Mescal of “Hamnet” (Best Supporting Actor), Chase Infiniti of “One Battle After Another” (Best Actress) and Odessa A’zion of “Marty Supreme” (Best Supporting Actress).

Perhaps the biggest surprise was Delroy Lindo of “Sinners” getting nominated for Best Supporting Actor, after he had been passed over for nominations at other major awards shows. Elle Fanning of “Sentimental Value” getting a nod for Best Supporting Actress was also a surprise because other major awards shows had snubbed her for this nomination. Lindo and Fanning are both first-time Oscar nominees for these respective movies.

Diversity and Inclusion

Writer/director/producer Ryan Coogler and cinematographer Autumn Durald Arkapaw on the set of “Sinners” (Photo courtesy of Warner Bros. Pictures)

Racial diversity is in every actor/actress category at the 2026 Academy Awards, except for Best Actress where all the nominees are white. Black people are represented the most with “Sinners,” which has black people nominated in the categories for Best Picture (Ryan Coogler and his wife Zinzi Coogler), Best Director, Best Actor, Best Supporting Actress, Best Supporting Actor, Best Original Screenplay (Ryan Coogler), Best Cinematography (Autumn Durald Arkapaw), Best Original Song (Raphael Saadiq), Best Makeup and Hairstyling (Shunika Terry), Best Production Design (Hanna Beachler) and Best Costume Design (Ruth E. Carter).

Because of “Sinners,” director/writer/producer Ryan Coogler is the black person with the most Oscar nominations (three) this year: He’s nominated for Best Director, Best Original Screenplay and Best Picture. Black people nominated in other Oscar categories are Teyana Taylor of “One Battle After Another” (Best Supporting Actress); producers Alisa Payne and Nikon Kwantu of Netflix’s “The Perfect Neighbor” (Best Documentary Feature Film); and producer/co-director Christalyn Hampton for HBO’s “The Devil Is Busy” (Best Documentary Short Film).

Latin representation for individual Oscar nominees was most visible because of the Brazilian film “The Secret Agent,” with star Wagner Moura getting his first Oscar nod for Best Actor, while casting director Gabriel Domingues got an Oscar nomination for Best Casting. The category for Best International Feature Film, where “The Secret Agent” is also nominated, is an award for a nation, not any individuals. “The Secret Agent” producer Emilie Lesclaux, who is a French-born white filmmaker, is the movie’s only nominee for Best Picture. Elsewhere, “One Battle After Another” co-star Benicio del Toro, who is Puerto Rican, received a nod for Best Supporting Actor. The category for Best Sound has several Latin nominees: José Antonio García and Tony Villaflor of “One Battle After Another”; Felipe Pacheco of “Sinners”; and Amanda Villavieja, Laia Casanovas and Yasmina Praderas of Neon’s Spanish drama “Sirāt.”

Oscar-winning Mexican filmmaker Guillermo del Toro of “Frankenstein” is nominated for Best Picture and Best Adapted Screeenplay. Nominees for Best Animated feature film include co-director Adrian Molina for Pixar’s “Elio,” producer Nidia Santiago for GKIDS’ “Little Amélie or the Character of Rain” and producer Yvett Merino for Walt Disney Pictures’ “Zootopia 2,” which currently holds the record for Disney’s highest-grossing animated film at the box office. Meanwhile, producer Juan Arredondo of “Armed Only With a Camera: The Life and Death of Brent Renaud” is nominated for Best Documentary Short Film.

Middle-Eastern heritage filmmakers have several Oscar nominations, most notably with screenwriters Jafar Panahi, Nader Saïvar, Shadmehr Rastin and Mehdi Mahmoudian of Neon’s Iran-located drama “It Was Just an Accident,” nominated for Best Original Screenplay. For “Cutting Through Rocks,” another movie taking place in Iran, directors/producers Sara Khaki and Mohammadreza Eyni are nominated for Best Documentary Feature Film.

South Asian-heritage filmmakers who are Oscar-nominated this year include director Geeta Gandbhir, who scored two nominations: one for “The Perfect Neighbor” (Best Documentary Feature Film) and the other for “The Devil Is Busy” (Best Documentary Short Film). “Two People Changing Saliva” co-director/producer Alexandre Singh is nominated for Best Live-Action Short Film.

East Asian-heritage filmmakers received several Oscar nods, most notably Chinese-born filmmaker Chloé Zhao, who received two nominations for “Hamnet”: Best Director and Best Adapted Screenplay. Zhao is one of the few women who’s won an Oscar for Best Director, having previously received this prize for 2020’s “Nomadland.” The category for Best Animated Feature Film has several nominees of East Asian heritage: Netflix’s “KPop Demon Hunters” co-director Maggie Kang and producer Michelle M. Wong; “Elio” co-director Domee Shi; and “Little Amélie or the Character of Rain” co-director Liane-Cho Han.

“KPop Demon Hunters” (about a South Korean singing group moonlighting as demon hunters) is also nominated for Best Original Song (for “Golden”), whose nominated Asian writers are Ejae, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park. The category of Best Makeup and Hairstyling has four nominees of Japanese heritage: Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu of GKIDS’ Japanese movie “Kokuho” and Kazu Hiro of A24’s drama “The Smashing Machine.” Meanwhile, Miyako Bellizzi of “Marty Supreme” is nominated for Best Costume Design.

LGBTQ representation in the Oscar nominations can be found with Apple TV’s “Come See Me in the Good Light,” which chronicles the journey of writer spouses Andrea Gibson and Megan Falley, after Gibson was diagnosed with cancer. “Come See Me in the Good Light” director Ryan White and producer Tig Nitaro are openly gay. In the categories for actors and actresses, Ethan Hawke received a nod for Best Actor portraying real-life Broadway lyricist Lorenz “Larry” Hart in Sony Pictures Classics’ drama “Blue Moon,” which also received a nod for Best Original Screenplay. Hart never publicly stated what his sexuality was in real life, but the movie implies that he is queer, and several historical accounts of him describe him as queer.

And although several Oscar categories are still dominated by male nominees (such as Best Visual Effects, Best Cinematography, Best Sound and Best Original Score), some women are nominated in a small number of male-dominated categories. “Sinners” cinematogapher Durald Arkapaw became only the fourth woman in Oscar history to be nominated for Best Cinematography. Durald Akrapaw, who identifies as multiracial (Filipina and black), is also the first woman of color to get an Oscar nomination for Best Cinematography. The previously named Best Sound nominees for “Sirāt” are all women. It’s very rare for a movie to have only women nominees in this category. Gwendolyn Yates Whittle of “F1” is also one of the females nominees for Best Sound this year.

Here is the complete list of nominations for the 2026 Academy Awards:

Best Picture

“Bugonia”
“F1”
“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“The Secret Agent”
“Sentimental Value”
“Sinners”
“Train Dreams”

Best Director

Paul Thomas Anderson (“One Battle After Another”)
Ryan Coogler (“Sinners”)
Josh Safdie (“Marty Supreme”)
Joachim Trier (“Sentimental Value”)
Chloé Zhao (“Hamnet”)

Best Actor in a Leading Role

Timothée Chalamet (“Marty Supreme”)
Leonardo DiCaprio (“One Battle After Another”)
Ethan Hawke (“Blue Moon”)
Michael B. Jordan (“Sinners”)
Wagner Moura (“The Secret Agent”)

Best Actress in a Leading Role

Jessie Buckley (“Hamnet”)
Rose Byrne (“If I Had Legs I’d Kick You”)
Kate Hudson (“Song Sung Blue”)
Renate Reinsve (“Sentimental Value”)
Emma Stone (“Bugonia”)

Best Actor in a Supporting Role

Benicio Del Toro (“One Battle After Another”)
Jacob Elordi (“Frankenstein”)
Delroy Lindo (“Sinners”)
Sean Penn (“One Battle After Another”)
Stellan Skarsgård (“Sentimental Value”0

Best Actress in a Supporting Role

Elle Fanning (“Sentimental Value”)
Inga Ibsdotter Lilleaas (“Sentimental Value”)
Amy Madigan (“Weapons”)
Wunmi Mosaku (“Sinners”)
Teyana Taylor (“One Battle After Another”)

Best Adapted Screenplay

“Bugonia,” written by Will Tracy
“Frankenstein,” written by Guillermo del Toro
“Hamnet,” written by Chloé Zhao and Maggie O’Farrell
“One Battle After Another,” written by Paul Thomas Anderson
“Train Dreams,” written by Clint Bentley and Greg Kwedar

Best Original Screenplay

“Blue Moon,” written by Robert Kaplow
“It Was Just an Accident,” written by Jafar Panahi, in collaboration with Shadmehr Rastin, Nader Saïvar and Mehdi Mahmoudian
“Marty Supreme,” written by Ronald Bronstein and Josh Safdie
“Sentimental Value,” written by Eskil Vogt and Joachim Trier
“Sinners,” written by Ryan Coogler

Best Cinematography

“Frankenstein,” Dan Laustsen
“Marty Supreme,” Darius Khondji
“One Battle After Another,” Michael Bauman
“Sinners,” Autumn Durald Arkapaw
“Train Dreams,” Adolpho Veloso

Best Film Editing

“F1,” Stephen Mirrione
“Marty Supreme,” Ronald Bronstein and Josh Safdie
“One Battle After Another,” Andy Jurgensen
“Sentimental Value,” Olivier Bugge Coutté
“Sinners,” Michael P. Shawver

Best Casting

“Hamnet,” Nina Gold
“Marty Supreme,” Jennifer Venditti
“One Battle After Another,” Cassandra Kulukundis
“The Secret Agent,” Gabriel Domingues
“Sinners,” Francine Maisler

Best Sound

“F1”
“Frankenstein”
“One Battle After Another”
“Sinners”
“Sirāt”

Best Original Score

“Bugonia,” Jerskin Fendrix
“Frankenstein,” Alexandre Desplat
“Hamnet,” Max Richter
“One Battle After Another,” Jonny Greenwood
“Sinners,” Ludwig Göransson

Best Original Song

“Dear Me” from “Diane Warren: Relentless” – Music and lyrics by Diane Warren
“Golden” from “KPop Demon Hunters” – Music and lyrics by Ejae, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park
“I Lied to You” from “Sinners” – Music and lyrics by Raphael Saadiq and Ludwig Göransson
“Sweet Dreams of Joy” from “Viva Verdi!” – Music and lyrics by Nicholas Pike
“Train Dreams” from “Train Dreams” – Music and lyrics by Nick Cave

Best Animated Feature Film

“Arco”
“Elio”
“KPop Demon Hunters”
“Little Amélie or the Character of Rain”
“Zootopia 2”

Best International Feature Film

“It Was Just an Accident” (France)
“The Secret Agent” (Brazil)
“Sentimental Value” (Norway)
“Sirāt” (Spain)
“The Voice of Hind Rajab” (Tunisia)

Best Documentary Feature

“The Alabama Solution”
“Come See Me in the Good Light”
“Cutting Through Rocks”
“Mr. Nobody Against Putin”
“The Perfect Neighbor”

Best Makeup and Hairstyling

“Frankenstein”
“Kokuho”
“Sinners”
“The Smashing Machine”
“The Ugly Stepsister”

Best Costume Design

“Avatar: Fire and Ash,” Deborah L. Scott
“Frankenstein,” Kate Hawley
“Hamnet,” Malgosia Turzanska
“Marty Supreme,” Miyako Bellizzi
“Sinners,” Ruth E. Carter

Best Production Design

“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“Sinners”

Best Visual Effects

“Avatar: Fire and Ash”
“F1”
“Jurassic World Rebirth”
“The Lost Bus”
“Sinners”

Best Documentary Short Film

“All the Empty Rooms”
“Armed Only with a Camera: The Life and Death of Brent Renaud”
“Children No More: ‘Were and Are Gone'”
“The Devil Is Busy”
“Perfectly a Strangeness”

Best Animated Short Film

“Butterfly”
“Forevergreen”
“The Girl Who Cried Pearls”
“Retirement Plan”
“The Three Sisters”

Best Live-Action Short Film

“Butcher’s Stain’
“A Friend of Dorothy”
“Jane Austen’s Period Drama”
“The Singers”
“Two People Exchanging Saliva”

2025 Academy Awards: ‘Anora’ is the top winner

March 2, 2025

by Carla Hay

“Anora” writer/director/producer/editor Sean Baker (pictured in front) at the 97th annual Academy Awards at the Dolby Theatre in Los Angeles on March 2, 2025. (Photo by Stewart Cook/Disney)

With five prizes, including Best Picture, Neon’s comedy/drama “Anora” was the top winner for the 97th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 2, 2025. ABC had the U.S. telecast of the show, which was hosted by Conan O’Brien and livestreamed on Hulu. The nominations and awards are voted for by the Academy of Motion Picture Arts and Sciences.

“Anora” (about an American sex worker who marries a wealthy Russian heir) won Oscars for Best Picture, Best Director, Best Original Screenplay, and Best Film Editing for producer/director/writer/editor Sean Baker. With these victories, Baker became the first person in Academy Awards history to win four Oscars for the same movie and for these four categories in the same year. (In 1954, Walt Disney was the first person to win four Oscars in the same year, when he won for “The Living Desert,” “Bear Country,” “The Alaskan Eskimo” and “Toot, Whistle, Plunk and Boom.”) Mikey Madison, who plays the movie’s title character, won the Oscar for Best Actress in a Leading Role.

A24’s drama “The Brutalist” (about a Hungarian immigrant architect) won three Oscars: Best Actor (for Adrien Brody), Best Cinematography and Best Original Score. Netflix’s “Emilia Pérez” (a Spanish-language musical about a transgender woman who becomes a former drug-trafficking crime boss) had the most Oscar nominations (13) going into the ceremony, and ultimately ended up winning two Oscars: Best Actress in a Supporting Role (for Zoe Saldaña) and Best Original Song (for “El Mal”).

Other winners included Kieran Culkin of Searchlight Pictures’ comedy/drama “A Real Pain” (Best Actor in a Supporting Role); Focus Features’ drama “Conclave” (Best Adapted Screenplay); Sideshow/Janus Films’ “Flow” (Best Animated Feature Film); and Sony Pictures Classics’ drama “I’m Still Here” (Best International Feature Film), the first movie from Brazil to win in this category. “Flow,” which was also nominated for Best International Feature Film, is the first movie from Latvia to win an Oscar.

Instead of performances of the Best Original Song nominations, there were other musical performances. “Wicked” co-stars Cynthia Erivo and Ariana Grande did a medley of “Somewhere Over the Rainbow,” “Here” and “Defying Gravity.” There was a tribute to James Bond movies, with performances of James Bond movie theme songs: Blackpink singer Lisa performed “Live and Let Die”; Doja Cat performed “Diamonds Are Forever”; and Raye performed “Skyfall.” In a tribute to Quincy Jones (who died in November 2024), Queen Latifah performed “Ease on Down the Road” from “The Wiz” musical because Jones was a music supervisor and songwriter for the 1978 movie version of “The Wiz.”

Presenters at the show included Joe Alwyn, Halle Berry, Sterling K. Brown, Billy Crystal, Penélope Cruz, Willem Dafoe, Ana de Armas, Dave Bautista, Lily-Rose Depp, Robert Downey Jr., Elle Fanning, Morgan Freeman, Gal Gadot, Andrew Garfield, Whoopi Goldberg, Selena Gomez, Goldie Hawn, Samuel L. Jackson, Mick Jagger, Scarlett Johansson, John Lithgow, Cillian Murphy, Connie Nielsen, Amy Poehler, Margaret Qualley, Da’Vine Joy Randolph, Alba Rohrwacher, Meg Ryan, Saldaña, June Squibb, Ben Stiller, Emma Stone, Quentin Tarantino, Oprah Winfrey, Bowen Yang and Rachel Zegler.

Adrien Brody, Mikey Madison, Zoe Saldaña and Kieran Culkin at the 97th annual Academy Awards at the Dolby Theatre in Los Angeles on March 2, 2025. (Photo by Scott Kirkland/Disney)

Here is the complete list of nominations and winners for the 2025 Academy Awards:

*=winner

Best Picture

“Anora”*
“The Brutalist”
“A Complete Unknown”
“Conclave”
“Dune: Part Two”
“Emilia Pérez”
“I’m Still Here”
“Nickel Boys”
“The Substance”
“Wicked”

Best Director

Sean Baker (“Anora”)*
Brady Corbet (“The Brutalist”)
James Mangold (“A Complete Unknown”)
Jacques Audiard (“Emilia Pérez”)
Coralie Fargeat (“The Substance”

Best Actor in a Leading Role

Adrien Brody (“The Brutalist”)*
Timothée Chalamet (“A Complete Unknown”)
Colman Domingo (“Sing Sing”)
Ralph Fiennes (“Conclave”)
Sebastian Stan (“The Apprentice”)

Best Actress in a Leading Role

Cynthia Erivo (“Wicked”)
Karla Sofía Gascón (“Emilia Pérez”)
Mikey Madison (“Anora”)*
Demi Moore (“The Substance”)
Fernanda Torres (“I’m Still Here”)

Best Actor in a Supporting Role

Yura Borisov (“Anora”)
Kieran Culkin (“A Real Pain”)*
Edward Norton (“A Complete Unknown”)
Guy Pearce (“The Brutalist”)
Jeremy Strong (“The Apprentice”)

Best Actress in a Supporting Role

Monica Barbaro (“A Complete Unknown”)
Ariana Grande (“Wicked”)
Felicity Jones (“The Brutalist”)
Isabella Rossellini (“Conclave”)
Zoe Saldaña (“Emilia Pérez”)*

Best Adapted Screenplay

“A Complete Unknown,” screenplay by James Mangold and Jay Cocks
“Conclave,” screenplay by Peter Straughan*
“Emilia Pérez,” screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys,” screenplay by RaMell Ross and Joslyn Barnes
“Sing Sing,” screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin and John “Divine G” Whitfield

Best Original Screenplay

“Anora,” written by Sean Baker*
“The Brutalist,” written by Brady Corbet and Mona Fastvold
“A Real Pain,” written by Jesse Eisenberg
“September 5,” written by Moritz Binder and Tim Fehlbaum; co-written by Alex David
“The Substance,” written by Coralie Fargeat

Best Cinematography

“The Brutalist”*
“Dune: Part Two”
“Emilia Pérez”
“Maria”
“Nosferatu”

Best Film Editing

“Anora,” Sean Baker*
“The Brutalist,” David Jancso
“Conclave,” Nick Emerson
“Emilia Pérez,” Juliette Welfling
“Wicked,” Myron Kerstein

Best Sound

“A Complete Unknown”
“Dune: Part Two”*
“Emilia Pérez”
“Wicked”
“The Wild Robot”

Best Original Score

“The Brutalist,” Daniel Blumberg*
“Conclave,” Volker Bertelmann
“Emilia Pérez,” Clément Ducol and Camille
“Wicked,” John Powell and Stephen Schwartz
“The Wild Robot,” Kris Bowers

Best Original Song

“El Mal” from “Emilia Pérez” (Music by Clément Ducol and Camille; lyrics by Clément Ducol, Camille and Jacques Audiard)*
“The Journey” from “The Six Triple Eight” (Music and lyrics by Diane Warren)
“Like a Bird” from “Sing Sing” (Music and lyrics by Abraham Alexander and Adrian Quesada)
“Mi Camino” from “Emilia Pérez” (Music and lyric by Camille and Clément Ducol)
“Never Too Late” from “Elton John: Never Too Late” (Music and lyrics by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

Best Animated Feature Film

“Flow”*
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Best International Feature Film

“I’m Still Here” (Brazil)*
“The Girl With the Needle” (Denmark)
“Emilia Pérez” (France)
“The Seed of the Sacred Fig” (Germany)
“Flow” (Latvia)

Best Documentary Feature

“Black Box Diaries”
“No Other Land”*
“Porcelain War”
“Soundtrack to a Coup d’Etat”
“Sugarcane”

Best Makeup and Hairstyling

“A Different Man”
“Emilia Pérez”
“Nosferatu”
“The Substance”*
“Wicked”

Best Costume Design

“A Complete Unknown,” Arianne Phillips
“Conclave,” Lisy Christl
“Gladiator II,” Janty Yates and Dave Crossman
“Nosferatu,” Linda Muir
“Wicked,” Paul Tazewell*

Best Production Design

“The Brutalist”
“Conclave”
“Dune: Part Two”
“Nosferatu”
“Wicked”*

Best Visual Effects

“Alien: Romulus”
“Better Man”
“Dune: Part Two”*
“Kingdom of the Planet of the Apes”
“Wicked”

Best Documentary Short Subject

“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“The Only Girl in the Orchestra”*

Best Animated Short Film

“Beautiful Men”
“In the Shadow of the Cypress”*
“Magic Candies”
“Wander to Wonder”
“Yuck!”

Best Live-Action Short Film

“A Lien”
“Anuja”
“I’m Not a Robot”*
“The Last Ranger”
“The Man Who Could Not Remain Silent”

2025 Academy Awards: ‘Emilia Pérez’ is the top nominee

January 23, 2025

by Carla Hay

Karla Sofía Gascón and Zoe Saldaña in “Emilia Pérez” (Photo courtesy of Netflix)

With 13 nods, the Netflix’s “Emilia Pérez” (a Spanish-language musical about a transgender woman who becomes a former drug-trafficking crime boss) is the top nominee for the 97th Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 2, 2025. ABC will have the U.S. telecast of the show, which will be hosted by Conan O’Brien and livestreamed on Hulu. The nominations were announced on January 23, 2025, by Bowen Yang and Rachel Senott.

The nominations for “Emilia Pérez” are Best Picture; Best Director (for Jacques Audiard); Best Actress (for Karla Sofía Gascón); Best Supporting Actress (for Zoe Saldaña); Best Adapted Screenplay; Best Film Editing; Best Cinematography; Best International Feature Film; Best Makeup and Hairstyling; Best Sound; and two nods for Best Original Song (for “El Mal” and “Mi Camino”).

As of 2022, the Academy Awards rule is that no less than 10 movies can be nominated for Best Picture. The other contenders for Best Picture in 2025 are Neon’s comedy/drama “Anora,” A24’s drama “The Brutalist,” Searchlight Pictures’ Bob Dylan biopic “A Complete Unknown,” Focus Features’ drama “Conclave,” Warner Bros. Pictures sci-fi/action film “Dune: Part Two,” Sony Pictures Classics’ drama “I’m Still Here,” Orion Pictures’ drama “Nickel Boys,” MUBI’s horror film “The Substance” and Universal Pictures’ musical “Wicked.”

“The Brutalist” and “Wicked” had the second-highest number of Oscar nominations this year (10 nods each), followed by “A Complete Unknown” and “Conclave,” which had eight nods each. (Click here to read Culture Mix’s reviews of all these movies that are nominated for Best Picture.)

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2025 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2024.

Snubs and Surprises

Mike Faist, Zendaya and Josh O’Connor in “Challengers” (Photo courtesy of Metro Goldwyn Mayer Pictures)

Movies that have been getting awards or nominations elsewhere were completely snubbed by the Academy Awards. They include Amazon MGM’s drama “Challengers,” Roadside Attractions’ drama “The Last Showgirl,” Sony Pictures Classics’ music-oriented comedy “Kneecap” and several movies from Netflix: the drama “The Piano Lesson” and the documentaries “Daughters,” “Will & Harper” and “The Remarkable Life of Ibelin.”

Paramount Pictures’ “Gladiator II,” the sequel to 2000’s Oscar-winning “Gladiator,” proved to be an inferior sequel for Oscar nominations: “Gladiator Il” only received one Oscar nod (Best Costume Design), even though it was getting some Oscar buzz for the categories of Best Supporting Actor (for Denzel Washington) and Best Visual Effects. By contrast, the first “Gladiator” film had 12 Oscar nominations and won five Oscars, including Best Picture.

Also snubbed for the 2025 Oscar nominations: Daniel Craig of A24’s drama “Queer,” Marianne Jean-Baptiste of Bleecker Street’s drama “Hard Truths” and Selena Gomez of “Emilia Pérez,” who each received British Academy of Film and Television Arts (BAFTA) nominations for their performances in these movies. The Academy of Motion Picture Arts and Sciences and BAFTA have several of the same voters. There were no real surprises in the categories for actors and actresses because all of this year’s Oscar nominees in the actor/actress categories were nominated at least one other major awards show for movies.

Perhaps the biggest surprise was the Brazilian drama “I’m Still Here” getting nominated for Best Picture, edging out other movies that were predicted to get nominated for Best Picture, such as “Challengers,” “Sing Sing” and Searchlight Pictures’ “A Real Pain.” “I’m Still Here” has a total of three Oscar nods, with the other two nominations not as surprising: Best Actress (for Fernanda Torres) and Best International Feature Film.

The Sideshow/Janus Films animated movie “Flow” was expected to get a nod for Best Animated Feature Film. But many people did not expect “Flow” to also be nominated for Best International Feature Film because animated films are rarely nominated in this category. “Flow” (a no-dialogue film about animals surviving an environmental disaster) is the first movie from Latvia to be nominated for Oscars. Some of the Oscar shortlisted movies that ultimately did not get nominated for Best International Feature Film are “Kneecap” (Ireland), Janus Films’ “Vermiglio” (Italy), Metrograph Pictures’ “Santosh” (United Kingdom), and MUBI’s “Dahomey” (Senegal), which was also snubbed in the Oscar category of Best Documentary Feature Film.

Diversity and Inclusion

Colman Domingo and Clarence Maclin in “Sing Sing” (Photo courtesy of A24)

Racial diversity is in every actor/actress category at the 2025 Academy Awards, except for Best Supporting Actor, where all the nominees are white. Black people are represented the most with “Sing Sing,” which has three nominations: Best Actor (for Colman Domingo); Best Adapted Screenplay (two of the four “Sing Sing” nominees in this category are black: John “Divine G” Whitfield and Clarence Maclin); and Best Original Song (for “Like a Bird,” written by Abraham Alexander and Adrian Quesada). “Sing Sing” (based on a true story) is about a group of incarcerated men in a theater group at Sing Sing Correctional Facility in Ossining, New York. The screenplay is adapted from John H. Richardson’s 2005 nonfiction Esquire article “The Sing Sing Follies” and Brent Buell’s original play “Breakin’ the Mummy’s Code.”

Meanwhile, music composer Kris Bowers of DreamWorks Animation/Universal Pictures’ “The Wild Robot” is nominated for Best Original Score.”Wicked” star Cynthia Erivo, who identifies as black and queer, is nominated for Best Actress for “Wicked.” “Nickel Boys” director RaMell Ross is nominated for Best Adapted Screenplay, along with Joslyn Barnes.

Latin representation for Oscar nominees was most visible for “Emilia Pérez” (a movie that takes place in Mexico) even though it’s a movie from white French filmmakers and is technically considered a French film. “Emilia Pérez” co-star Gascón is from Spain, while Saldaña is a Dominican American who also identifies as Afro-Latina. Meanwhile, Nelson Sepulveda-Fauser is one of the Best Visual Effects nominees for 20th Century’s “Alien: Romulus.”

Middle Easterners have noticeable representation with Oscar nominations. “The Seed of the Sacred Fig” director Mohammad Rasoulof is nominated for Best International Feature Film. Even though Rasoulof is Iranian, the movie was funded by German producers and is representing Germany in this category. Palestinian directors Basel Adra and Hamdan Ballal are nominated with Israeli directors Rachel Szor and Yuval Abraham for “No Other Land” in the Best Documentary Feature Film category. “In the Shadow of Cypress” filmmakers Shirin Sohani and Hossein Molayemi are nominated for Best Animated Short Film.

South Asian-heritage filmmakers who are Oscar-nominated this year are director Smriti Mundhra of “I Am Ready, Warden” (Best Documentary Short Film) and producer Suchitra Mattai of “Anuja” (Best Live Action Short Film). Filmmakers of Japanese heritage who received Oscar nominations include Shiori Itō of “Black Box Diaries” (Best Documentary Feature Film); Daisuke Nishio and Takashi Washio of “Magic Candles” (Best Animated Short Film); and Ema Ryan Yamazaki and Eric Nyari of “Instruments of a Beating Heart” (Best Documentary Short Film).

LGBTQ representation in the Oscar nominations can be found with “Emilia Pérez” star Gascón’s historic nomination as the first openly transgender person to be nominated for an Oscar for Best Actress. (Elliot Page of 2007’s “Juno” was nominated in the Best Actress category before he came out as a transgender man.) Openly gay entertainers Elton John and Brandi Carlile are nominated in the Best Original Song category for “Never Too Late” from the Disney+ documentary “Elton John: Never Too Late.” John (who has two Oscars in the category) and Carlile are two of the four Oscar-nominated songwriters for “Never Too Late.”

And although some Oscar categories are still dominated by male nominees (such as Best Visual Effects, Best Cinematography, Best Sound and Best Original Score), a few women are nominated in a small number of male-dominated categories. Coralie Fargeat of “The Substance” is nominated for Best Director. (Fargeat is also nominated for Best Original Screenplay, a category that has been more likely than Best Director to have female nominees.) Meanwhile, Juliette Welfling of “Emilia Pérez” is nominated for Best Film Editing, and singer/songwriter Camille Dalmais of “Emilia Pérez” is nominated for Best Original Score—two categories where female Oscar nominees are rare.

Here is the complete list of nominations for the 2025 Academy Awards:

Best Picture

“Anora”
“The Brutalist”
“A Complete Unknown”
“Conclave”
“Dune: Part Two”
“Emilia Pérez”
“I’m Still Here”
“Nickel Boys”
“The Substance”
“Wicked”

Best Director

Sean Baker (“Anora”)
Brady Corbet (“The Brutalist”)
James Mangold (“A Complete Unknown”)
Jacques Audiard (“Emilia Pérez”)
Coralie Fargeat (“The Substance”)

Best Actor in a Leading Role

Adrien Brody (“The Brutalist”)
Timothée Chalamet (“A Complete Unknown”)
Colman Domingo (“Sing Sing”)
Ralph Fiennes (“Conclave”)
Sebastian Stan (“The Apprentice”)

Best Actress in a Leading Role

Cynthia Erivo (“Wicked”)
Karla Sofía Gascón (“Emilia Pérez”)
Mikey Madison (“Anora”)
Demi Moore (“The Substance”)
Fernanda Torres (“I’m Still Here”)

Best Actor in a Supporting Role

Yura Borisov (“Anora”)
Kieran Culkin (“A Real Pain”)
Edward Norton (“A Complete Unknown”)
Guy Pearce (“The Brutalist”)
Jeremy Strong (“The Apprentice”)

Best Actress in a Supporting Role

Monica Barbaro (“A Complete Unknown”)
Ariana Grande (“Wicked”)
Felicity Jones (“The Brutalist”)
Isabella Rossellini (“Conclave”)
Zoe Saldaña (“Emilia Pérez”)

Best Adapted Screenplay

“A Complete Unknown,” screenplay by James Mangold and Jay Cocks
“Conclave,” screenplay by Peter Straughan
“Emilia Pérez,” screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys,” screenplay by RaMell Ross and Joslyn Barnes
“Sing Sing,” screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin and John “Divine G” Whitfield

Best Original Screenplay

“Anora,” written by Sean Baker
“The Brutalist,” written by Brady Corbet and Mona Fastvold
“A Real Pain,” written by Jesse Eisenberg
“September 5,” written by Moritz Binder and Tim Fehlbaum; co-written by Alex David
“The Substance,” written by Coralie Fargeat

Best Cinematography

“The Brutalist,” Lol Crawley
“Dune: Part Two,” Greig Fraser
“Emilia Pérez,” Paul Guilhaume
“Maria,” Ed Lachman
“Nosferatu,” Jarin Blaschke

Best Film Editing

“Anora,” Sean Baker
“The Brutalist,” David Jancso
“Conclave,” Nick Emerson
“Emilia Pérez,” Juliette Welfling
“Wicked,” Myron Kerstein

Best Sound

“A Complete Unknown”
“Dune: Part Two”
“Emilia Pérez”
“Wicked”
“The Wild Robot”

Best Original Score

“The Brutalist,” Daniel Blumberg
“Conclave,” Volker Bertelmann
“Emilia Pérez,” Clément Ducol and Camille
“Wicked,” John Powell and Stephen Schwartz
“The Wild Robot,” Kris Bowers

Best Original Song

“El Mal” from “Emilia Pérez” (Music by Clément Ducol and Camille; lyrics by Clément Ducol, Camille and Jacques Audiard)
“The Journey” from “The Six Triple Eight” (Music and lyrics by Diane Warren)
“Like a Bird” from “Sing Sing” (Music and lyrics by Abraham Alexander and Adrian Quesada)
“Mi Camino” from “Emilia Pérez” (Music and lyric by Camille and Clément Ducol)
“Never Too Late” from “Elton John: Never Too Late” (Music and lyrics by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

Best Animated Feature Film

“Flow”
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Best International Feature Film

“I’m Still Here” (Brazil)
“The Girl With the Needle” (Denmark)
“Emilia Pérez” (France)
“The Seed of the Sacred Fig” (Germany)
“Flow” (Latvia)

Best Documentary Feature

“Black Box Diaries”
“No Other Land”
“Porcelain War”
“Soundtrack to a Coup d’Etat”
“Sugarcane”

Best Makeup and Hairstyling

“A Different Man”
“Emilia Pérez”
“Nosferatu”
“The Substance”
“Wicked”

Best Costume Design

“A Complete Unknown,” Arianne Phillips
“Conclave,” Lisy Christl
“Gladiator II,” Janty Yates and Dave Crossman
“Nosferatu,” Linda Muir
“Wicked,” Paul Tazewell

Best Production Design

“The Brutalist”
“Conclave”
“Dune: Part Two”
“Nosferatu”
“Wicked”

Best Visual Effects

“Alien: Romulus”
“Better Man”
“Dune: Part Two”
“Kingdom of the Planet of the Apes”
“Wicked”

Best Documentary Short Subject

“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“The Only Girl in the Orchestra”

Best Animated Short Film

“Beautiful Men”
“In the Shadow of the Cypress”
“Magic Candies”
“Wander to Wonder”
“Yuck!”

Best Live-Action Short Film

“A Lien”
“Anuja”
“I’m Not a Robot”
“The Last Ranger”
“The Man Who Could Not Remain Silent”

2024 Academy Awards: ‘Oppenheimer’ is the top winner

March 10, 2024

by Carla Hay

Robert Downey Jr., Da’Vine Joy Randolph, Emma Stone and Cillian Murphy at the 96th annual Academy Awards at the Dolby Theatre in Los Angeles on March 10, 2024. (Photo by Scott Kirkland/ABC/Disney)

With seven prizes, including Best Picture, the Universal Pictures drama “Oppenheimer” (a biopic of atomic bomb creator J. Robert Oppenheimer) was the top winner for the 96th Annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 10, 2024. ABC had the U.S. telecast of the show, which was hosted by Jimmy Kimmel.

In addition to Best Picture, “Oppenheimer” won Oscars for Best Director (for Christopher Nolan); Best Actor (for Cillian Murphy); Best Supporting Actor (for Robert Downey Jr.); Best Film Editing; Best Cinematography; and Best Original Score. “Oppenheimer” went into the ceremony with the most nominations: 13.

Searchlight Pictures’ sci-fi/comedy/drama “Poor Things” won four Oscars out of its 11 nominations: Best Actress (for Emma Stone); Best Production Design; Best Costume Design; and Best Makeup and Hairstyling. A24’s Holocaust drama “The Zone of Interest” won two Oscars: Best International Feature Film and Best Sound.

Some of the nominated movies won one Oscar each in the major categories: Da’Vine Joy Randolph of the Focus Features comedy/drama “The Holdovers” won Best Supporting Actress. Best Original Screenplay was awarded to Neon’s French drama “Anatomy of a Fall,” written by Justine Triet and Arthur Harari. Best Adapted Screenplay went to Orion Pictures’ comedy/drama “American Fiction,” written by Cord Jefferson.

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2024 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2023.

Presenters at the show were Mahershala Ali, Bad Bunny, Emily Blunt, Nicolas Cage, Jamie Lee Curtis, Cynthia Erivo, America Ferrera, Sally Field, Brendan Fraser, Ryan Gosling, Ariana Grande, Chris Hemsworth, Dwayne Johnson, Michael Keaton, Regina King, Ben Kingsley, Jessica Lange, Jennifer Lawrence, Melissa McCarthy, Matthew McConaughey, Kate McKinnon, Rita Moreno, John Mulaney, Lupita Nyong’o, Catherine O’Hara, Al Pacino, Michelle Pfeiffer, Ke Huy Quan, Issa Rae, Tim Robbins, Sam Rockwell, Octavia Spencer, Steven Spielberg, Mary Steenburgen, Anya Taylor-Joy, Charlize Theron, Christoph Waltz, Forest Whitaker, Michelle Yeoh, Ramy Youssef and Zendaya.

Pictured in front: “Oppenheimer” producers Charles Roven, Emma Thomas and Christopher Nolan at the 96th annual Academy Awards at the Dolby in Los Angeles on March 10, 2024. (Photo by Frank Micelotta/ABC/Disney)

Here is the complete list of winners and nominations for the 2024 Academy Awards:

*=winner

Best Picture

“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers

“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers

“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers

“The Holdovers,” Mark Johnson, producer

“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers

“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers

“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers*

“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers

“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers

“The Zone of Interest,” James Wilson, producer

Best Director

Justine Triet (“Anatomy of a Fall”)

Martin Scorsese (“Killers of the Flower Moon”)

Christopher Nolan (“Oppenheimer”)*

Yorgos Lanthimos (“Poor Things”)

Jonathan Glazer (“The Zone of Interest”)

Best Actor in a Leading Role

Bradley Cooper (“Maestro”)

Colman Domingo (“Rustin”)

Paul Giamatti (“The Holdovers”)

Cillian Murphy (“Oppenheimer”)*

Jeffrey Wright (“American Fiction”)

Best Actress in a Leading Role

Annette Bening (“Nyad”)

Lily Gladstone (“Killers of the Flower Moon”)

Sandra Hüller (“Anatomy of a Fall”)

Carey Mulligan (“Maestro”)

Emma Stone (“Poor Things”)*

Best Actor in a Supporting Role

Sterling K. Brown (“American Fiction”)

Robert De Niro (“Killers of the Flower Moon”)

Robert Downey Jr. (“Oppenheimer”)*

Ryan Gosling (“Barbie”)

Mark Ruffalo (“Poor Things”)

Best Actress in a Supporting Role

Emily Blunt (“Oppenheimer”)

Danielle Brooks (“The Color Purple”)

America Ferrera (“Barbie”)

Jodie Foster (“Nyad”)

Da’Vine Joy Randolph (“The Holdovers”)*

Best Adapted Screenplay

“American Fiction,” written by Cord Jefferson*

“Barbie,” written by Greta Gerwig and Noah Baumbach

“Oppenheimer,” written by Christopher Nolan

“Poor Things,” written by Tony McNamara

“The Zone of Interest,” written by Jonathan Glazer

Best Original Screenplay

“Anatomy of a Fall,” written by Justine Triet and Arthur Harari*

“The Holdovers,” written by David Hemingson

“Maestro,” written by Bradley Cooper and Josh Singer

“May December,” written by Samy Burch; story by Samy Burch and Alex Mechanik

“Past Lives,” written by Celine Song

Best Cinematography

“El Conde,” Edward Lachman

“Killers of the Flower Moon,” Rodrigo Prieto

“Maestro,” Matthew Libatique

“Oppenheimer,” Hoyte van Hoytema*

“Poor Things,” Robbie Ryan

Best Film Editing

“Anatomy of a Fall,” Laurent Sénéchal

“The Holdovers,” Kevin Tent

“Killers of the Flower Moon,” Thelma Schoonmaker

“Oppenheimer,” Jennifer Lame*

“Poor Things,” Yorgos Mavropsaridis

Best Sound

“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

“The Zone of Interest,” Tarn Willers and Johnnie Burn*

Best Original Score

“American Fiction,” Laura Karpman

“Indiana Jones and the Dial of Destiny,” John Williams

“Killers of the Flower Moon,” Robbie Robertson

“Oppenheimer,” Ludwig Göransson*

“Poor Things,” Jerskin Fendrix

Best Original Song

“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren

“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt

“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson

“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George

“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell*

Best Animated Feature Film

“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki*

“Elemental,” Peter Sohn and Denise Ream

“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Best International Feature Film

“Io Capitano” (Italy)

“Perfect Days” (Japan)

“Society of the Snow” (Spain)

“The Teachers’ Lounge” (Germany)

“The Zone of Interest” (United Kingdom)*

Best Documentary Feature

“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek

“The Eternal Memory,” Maite Alberdi

“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha

“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim

“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath*

Best Makeup and Hairstyling

“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

“Oppenheimer,” Luisa Abel

“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston*

“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Best Costume Design

“Barbie,” Jacqueline Durran

“Killers of the Flower Moon,” Jacqueline West

“Napoleon,” Janty Yates and Dave Crossman

“Oppenheimer,” Ellen Mirojnick

“Poor Things,” Holly Waddington*

Best Production Design

“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer

“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis

“Napoleon,” production design: Arthur Max; set decoration: Elli Griff

“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman

“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek*

Best Visual Effects

“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima*

“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

Best Documentary Short Subject

“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic

“The Barber of Little Rock,” John Hoffman and Christine Turner

“Island in Between,” S. Leo Chiang and Jean Tsien

“The Last Repair Shop,” Ben Proudfoot and Kris Bowers*

“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

Best Animated Short Film

“Letter to a Pig,” Tal Kantor and Amit R. Gicelter

“Ninety-Five Senses,” Jerusha Hess and Jared Hess

“Our Uniform,” Yegane Moghaddam

“Pachyderme,” Stéphanie Clément and Marc Rius

“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker*

Best Live-Action Short Film

“The After,” Misan Harriman and Nicky Bentham

“Invincible,” Vincent René-Lortie and Samuel Caron

“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk

“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane

“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales*

2024 Academy Awards: ‘Oppenheimer’ is the top nominee

January 23, 2024

by Carla Hay

Emily Blunt and Cillian Murphy in “Oppenheimer” (Photo by Melinda Sue Gordon/Universal Pictures)

With 13 nods, the Universal Pictures drama “Oppenheimer” (a biopic of atomic bomb creator J. Robert Oppenheimer) is the top nominee for the 96th Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 10, 2024. ABC will have the U.S. telecast of the show, which will be hosted by Jimmy Kimmel. The nominations were announced on January 23, 2024, by Jack Quaid and Zazie Beetz.

The nominations for “Oppenheimer” are Best Picture; Best Director (for Christopher Nolan); Best Actor (for Cillian Murphy); Best Supporting Actor (for Robert Downey Jr.); Best Supporting Actress (for Emily Blunt); Best Adapted Screenplay; Best Film Editing; Best Cinematography; Best Production Design; Best Costume Design; Best Original Score; Best Sound; and Best Visual Effects.

The other contenders for Best Picture are Orion Pictures’ comedy/drama “American Fiction,” Neon’s drama “Anatomy of a Fall,” Warner Bros. Pictures’ comedy”Barbie,” Focus Features’ comedy/drama “The Holdovers,” Apple Studios’ drama “Killers of the Flower Moon,” Netflix’s “Maestro,” A24’s drama “Past Lives,” Searchlight Pictures’ comedy/drama “Poor Things” and A24’s drama “The Zone of Interest.” As of 2022, the Academy Awards rule is that no less than 10 movies can be nominated for Best Picture.

“Poor Things” had the second-highest number of Oscar nominations this year (11 nods), followed by “Killers of the Flower Moon,” which had 10 nods. (Click here to read Culture Mix’s reviews of all these movies that are nominated for Best Picture.)

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2024 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2023.

Snubs and Surprises

Ryan Gosling, Margot Robbie and Greta Gerwig on the set of “Barbie” (Photo by Jaap Buitendijk/Warner Bros. Pictures)

“Barbie” slew of Oscar nominations did not include Greta Gerwig for Best Director or Margot Robbie for Best Actress, even though Gerwig and Robbie had been widely predicted to get Oscar nods in those categories and were nominated at other major awards in those categories. However, Gerwig and Robbie each got other Oscar nominations for the movie. “Barbie” co-writers Gerwig and Noah Baumbach (who are married) were both nominated for Best Adapted Screenplay. Robbie, who is one of the four producers of “Barbie,” received a nomination for Best Picture, along with “Barbie” producers Tom Ackerley (who is Robbie’s husband), David Heyman, and Robbie Brenner. In the category for Best Actor, Leonardo DiCaprio did not get a widely predicted nomination for his starring role in “Killers of the Flower Moon.”

Movies that have been getting awards or nominations elsewhere were completely snubbed by the Academy Awards. They include the Seachlight Pictures drama “All of Us Strangers,” the Amazon MGM Studios comedy/drama “Saltburn,” the Apple TV+ documentary “Still: A Michael J. Fox Movie,” the HBO documentary “Going to Mars: The Nikki Giovanni Project” and and the Amazon MGM Studios drama “Air.”

Some of the biggest surprise nominations came from international films. France’s “Anatomy of a Fall” scored a Best Director nod for Justine Triet, when “Barbie” director Gerwig was widely predicted to be the only female nominee in that category. France’s official selection for Best International Film was not “Anatomy of a Fall” but was “The Taste of Things,” which failed to get any Oscar nominations. Netflix’s “El Conde” (from Chile) received a surprise nod for Best Cinematography, after the movie was passed over at other awards shows. “Society of the Snow” (from Spain) was expected to get nominated for Best International Film, but most awards pundits did not predict that it would also get an Oscar nod for Best Makeup and Hairstyling, which was a category where “Barbie” failed to make the Oscar shortlist and therefore couldn’t be nominated.

Speaking of “Barbie,” America Ferrera got a surprise nomination for Best Supporting Actress, when more people were predicting that Robbie would get an Oscar nomination for being an actress in the film. Another surprise was Scott George’s “Wahzhazhe (A Song for My People)” from “Killers of the Flower Moon” getting a nomination for Best Original Song, after being ignored for nominations at other awards shows. “American Fiction” composer Laura Karpman, who was also snubbed at other major awards, got a surprise Oscar nod for Best Original Score.

Diversity and Inclusion

Erika Alexander and Jeffrey Wright in “American Fiction” (Photo by Claire Folger/Orion Pictures)

Racial diversity is in every actor/actress category at 2024 Academy Awards. Black people are represented the most with “American Fiction,” which has five nominations: Best Picture; Best Actor (for Jeffrey Wright); Best Supporting Actor (for Sterling K. Brown); Best Adapted Screenplay; and Best Original Score. “American Fiction” is based on Percival Everett’s 2001 novel “Erasure,” which is about a literature professor (played by Wright), who invents a fugitive criminal persona to write a book that becomes a surprise hit. Meanwhile, the Ugandan film “Bobi Wine: The People’s President” (co-directed by Moses Bwayo) is nominated for Best Documentary Feature Film.

The other Black people nominated for Oscars this year in acting categories are Colman Domingo of Netflix drama “Rustin” (Best Actor); Da’Vine Joy Randolph of the Focus Features drama “The Holdovers” (Best Supporting Actress); and Danielle Brooks of the Warner Bros. Pictures musical “The Color Purple” (Best Supporting Actress). For behind-the-scenes jobs, Black nominees include Kemp Powers, one of the directors for Sony Pictures Animation/Columbia Pictures’ “Spider-Man: Across the Spider-Verse”; Jon Batiste, co-writer of “It Never Went Away” from the Netflix documentary “American Symphony” (Best Original Song); Kris Bowers, co-director of The Los Angeles Times/Searchlight Pictures’ “The Last Repair Shop” (Best Documentary Short Film); Christine Turner, co-director of The New Yorker’s “The Barber of Little Rock” (Best Documentary Short Film); Misan Harriman, director of the Netflix drama “The After” (Best Live-Action Short Film); Willie Burton, audio engineer of “Oppenheimer” (Best Sound); and Andrew Roberts, visual effects on-set supervisor of “The Creator” (Best Visual Effects).

Asians were represented in the most Oscar categories with “Past Lives,” a drama about two childhood sweethearts from South Korea who are separated when the girl in the duo moves to North America with her family, and then the two former sweethearts see each other in person years later when she is married to an American man. “Past Lives” writer/director Celine Song, whose life partially inspired the movie, is nominated for Best Original Screenplay. Three movies from Japan are nominated for Oscars: “Perfect Days” (Best International Feature), “The Boy and the Heron” (Best Animated Feature) and “Godzilla Minus One” (Best Visual Effects). Meanwhile, the Indian film “To Kill a Tiger” is nominated for Best Documentary Feature Film. The Chinese films “Nǎi Nai & Wài Pó” and “Island in Between” are each nominated for Best Documentary Short Film, while Korean American director Peter Sohn received a Best Animated Feature Film nomination for Pixar’s “Elemental.”

For the first time, there are several Native Americans nominated for Academy Awards in the same year. They are all from “The Killers of the Flower Moon”: the aforementioned songwriter George; Lily Gladstone (Best Actress, the first Native American nominated in this category); and the late Robbie Robertson (Best Original Score).

Hispanic/Latino people nominated for Oscars this year included the aforementioned Ferrera from “Barbie,” plus filmmakers from “Society of the Snow” and “El Conde.” The Chilean film “The Eternal Memory” got an Oscar nod for Best Documentary Feature Film.

LGBTQ representation in the Oscar nominations can be found in the characters played by Colman in “Rustin,” Brown in “American Fiction,” Annette Bening in “Nyad” and Jodie Foster in “Nyad.” Colman and Foster are openly gay in real life.

Here is the complete list of nominations for the 2024 Academy Awards:

Best Picture

“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers

“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers

“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers

“The Holdovers,” Mark Johnson, producer

“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers

“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers

“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers

“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers

“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers

“The Zone of Interest,” James Wilson, producer

Best Director

Justine Triet (“Anatomy of a Fall”)

Martin Scorsese (“Killers of the Flower Moon”)

Christopher Nolan (“Oppenheimer”)

Yorgos Lanthimos (“Poor Things”)

Jonathan Glazer (“The Zone of Interest”)

Best Actor in a Leading Role

Bradley Cooper (“Maestro”)

Colman Domingo (“Rustin”)

Paul Giamatti (“The Holdovers”)

Cillian Murphy (“Oppenheimer”)

Jeffrey Wright (“American Fiction”)

Best Actress in a Leading Role

Annette Bening (“Nyad”)

Lily Gladstone (“Killers of the Flower Moon”)

Sandra Hüller (“Anatomy of a Fall”)

Carey Mulligan (“Maestro”)

Emma Stone (“Poor Things”)

Best Actor in a Supporting Role

Sterling K. Brown (“American Fiction”)

Robert De Niro (“Killers of the Flower Moon”)

Robert Downey Jr. (“Oppenheimer”)

Ryan Gosling (“Barbie”)

Mark Ruffalo (“Poor Things”)

Best Actress in a Supporting Role

Emily Blunt (“Oppenheimer”)

Danielle Brooks (“The Color Purple”)

America Ferrera (“Barbie”)

Jodie Foster (“Nyad”)

Da’Vine Joy Randolph (“The Holdovers”)

Best Adapted Screenplay

“American Fiction,” written by Cord Jefferson

“Barbie,” written by Greta Gerwig and Noah Baumbach

“Oppenheimer,” written by Christopher Nolan

“Poor Things,” written by Tony McNamara

“The Zone of Interest,” written by Jonathan Glazer

Best Original Screenplay

“Anatomy of a Fall,” written by Justine Triet and Arthur Harari

“The Holdovers,” written by David Hemingson

“Maestro,” written by Bradley Cooper and Josh Singer

“May December,” written by Samy Burch; story by Samy Burch and Alex Mechanik

“Past Lives,” written by Celine Song

Best Cinematography

“El Conde,” Edward Lachman

“Killers of the Flower Moon,” Rodrigo Prieto

“Maestro,” Matthew Libatique

“Oppenheimer,” Hoyte van Hoytema

“Poor Things,” Robbie Ryan

Best Film Editing

“Anatomy of a Fall,” Laurent Sénéchal

“The Holdovers,” Kevin Tent

“Killers of the Flower Moon,” Thelma Schoonmaker

“Oppenheimer,” Jennifer Lame

“Poor Things,” Yorgos Mavropsaridis

Best Sound

“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

“The Zone of Interest,” Tarn Willers and Johnnie Burn

Best Original Score

“American Fiction,” Laura Karpman

“Indiana Jones and the Dial of Destiny,” John Williams

“Killers of the Flower Moon,” Robbie Robertson

“Oppenheimer,” Ludwig Göransson

“Poor Things,” Jerskin Fendrix

Best Original Song

“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren

“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt

“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson

“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George

“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

Best Animated Feature Film

“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki

“Elemental,” Peter Sohn and Denise Ream

“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Best International Feature Film

“Io Capitano” (Italy)

“Perfect Days” (Japan)

“Society of the Snow” (Spain)

“The Teachers’ Lounge” (Germany)

“The Zone of Interest” (United Kingdom)

Best Documentary Feature

“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek

“The Eternal Memory,” Maite Alberdi

“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha

“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim

“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Best Makeup and Hairstyling

“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

“Oppenheimer,” Luisa Abel

“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston

“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Best Costume Design

“Barbie,” Jacqueline Durran

“Killers of the Flower Moon,” Jacqueline West

“Napoleon,” Janty Yates and Dave Crossman

“Oppenheimer,” Ellen Mirojnick

“Poor Things,” Holly Waddington

Best Production Design

“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer

“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis

“Napoleon,” production design: Arthur Max; set decoration: Elli Griff

“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman

“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

Best Visual Effects

“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

Best Documentary Short Subject

“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic

“The Barber of Little Rock,” John Hoffman and Christine Turner

“Island in Between,” S. Leo Chiang and Jean Tsien

“The Last Repair Shop,” Ben Proudfoot and Kris Bowers

“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

Best Animated Short Film

“Letter to a Pig,” Tal Kantor and Amit R. Gicelter

“Ninety-Five Senses,” Jerusha Hess and Jared Hess

“Our Uniform,” Yegane Moghaddam

“Pachyderme,” Stéphanie Clément and Marc Rius

“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

Best Live-Action Short Film

“The After,” Misan Harriman and Nicky Bentham

“Invincible,” Vincent René-Lortie and Samuel Caron

“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk

“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane

“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

2023 Academy Awards: ‘Everything Everywhere All at Once’ is the top winner

March 12, 2023

by Carla Hay

Members of the “Everything Everywhere All at Once” team, pictured clockwise, from left: Jamie Lee Curtis, James Hong, Michelle Yeoh, Jonathan Wong, Stephanie Hsu, Daniel Scheinert, Daniel Kwan and Ke Huy Quan at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

With seven Oscars, including Best Picture, A24’s sci-fi/action film “Everything Everywhere All at Once” was the top winner for the 95th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC had the live U.S. telecast of the show, which was hosted by Jimmy Kimmel. “Everything Everywhere All at Once,” which had 11 nominations, also won Oscars for Best Director (for Daniel Kwan and Daniel Scheinert); Best Actress (for Michelle Yeoh); Best Supporting Actress (for Jamie Lee Curtis); Best Suporting Actor (for Ke Huy Quan); Best Film Editing; and Best Original Screenplay. “Everything Everywhere All at Once” is about a Chinese American family traveling through multiple time eras, identities and universes.

Netflix’s German-language World War I drama “All Quiet on the Western Front” won four Oscars: Best International Feature Film, Best Cinematography, Best Production Design and Best Original Score. Going into the ceremony, “All Quiet on the Western Front” had nine Oscar nominations. Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” also garnered nine nominations, but didn’t win any Oscars. For the first time in Oscar history, the category for Best Picture is now required to have no less than 10 nominations per year.

The only other movie to win more than one Oscar this year was the A24 drama “The Whale,” which won the prizes for Best Actor (for Brendan Fraser) and Best Makeup and Hairstyling. In the movie, Fraser portrays an extremely obsese man who is dying. For his role in “The Whale,” Fraser wore prosthetic makeup from the neck down.

The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Picture Arts and Sciences. The 2003 Oscar ceremony telecast was overseen by executive producer/showrunner Glenn Weiss, executive producer/showrunner Ricky Kirshner and executive producer Molly McNearney.

Artists at the show who performed the five Oscar-nominated songs were Sofia Carson and Diane Warren ( “Applause” from “Tell It Like a Woman”); David Byrne, Stephanie Hsu and Son Lux (“This Is a Life” from “Everything Everywhere All at Once” ); Kaala Bhairava and Rahul Sipligunj (“Naatu Naatu” from “RRR”); Lady Gaga (“Hold My Hand” from “Top Gun: Maverick”); and Rihanna (“Lift Me Up” from “Black Panther: Wakanda Forever”). “Naatu Naatu” won the Oscar, which went to songwriters M.M. Keeravaani and Chandrabose.

Presenters at the ceremony were Riz Ahmed, Halle Bailey, Antonio Banderas, Elizabeth Banks, Halle Berry, Emily Blunt, Jessica Chastain, John Cho, Jennifer Connelly, Paul Dano, Ariana DeBose, Cara Delevingne, Harrison Ford, Morgan Freeman, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Kate Hudson, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Mindy Kaling, Nicole Kidman, Troy Kotsur, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Jonathan Majors, Melissa McCarthy, Janelle Monáe, Elizabeth Olsen, Deepika Padukone, Pedro Pascal, Florence Pugh, Margot Robbie, Zoe Saldaña, Ahmir “Questlove” Thompson, John Travolta, Sigourney Weaver and Donnie Yen.

Ke Huy Quan, Michelle Yeoh, Brendan Fraser and Jamie Lee Curtis at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

Here is the complete list of winners and nominees for the 2023 Academy Awards:

*=winner

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers*
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director

Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)*
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)*
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)

Best Lead Actress

Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)*

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)*

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)*
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley*

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert*
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“TÁR,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography

“All Quiet on the Western Front,” James Friend*
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers*
“TÁR,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton

Best Original Score

“All Quiet on the Western Front,” Volker Bertelmann*
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor*

Best Original Song

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose*
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley*
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins

Best International Feature Film

“All Quiet on the Western Front” (Germany)*
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)

Best Documentary Feature Film

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris*

Best Makeup and Hairstyling

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley*

Best Costume Design

“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter*
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Production Design

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper*
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett*
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Short Film

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga*
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud*
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Live Action Short Film

“An Irish Goodbye,” Tom Berkeley and Ross White*
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad

2023 Academy Awards: ‘Everything Everywhere All at Once’ is the top nominee

January 24, 2023

by Carla Hay

Stephanie Hsu, Michelle Yeoh and Ke Huy Quan in “Everything Everywhere All at Once” (Photo by Allyson Riggs/A24)

With 11 nominations, A24’s sci-fi/action film “Everything Everywhere All at Once” is the top contender for the 95th annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC will have the live U.S. telecast of the show, which will be hosted by Jimmy Kimmel. Netflix’s German-language World War I drama “All Quiet on the Western Front” and Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” garnered nine nominations each. All three films are nominated for Best Picture, a category that—for the first time in Oscar history—is now required to have no less than 10 nominations per year.

The other nominations for Best Picture for the 2023 Academy Awards are 20th Century Studios’ sci-fi epic “Avatar: The Way of Water,” Warner Bros. Pictures’ drama “Elvis,” Universal Pictures’ drama “The Fabelmans,” Focus Features’ drama “TÁR,” Paramount Pictures’ action film “Top Gun: Maverick,” Neon’s comedy/drama “Triangle of Sadness” and Orion Pictures’ drama “Women Talking.”

The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Pictures Arts and Sciences. The 95th annual televised Oscar ceremony will be headed by executive producers/showrunners Glenn Weiss and Ricky Kirshner and executive producer Molly McNearney.

Snubs and Surprises

Columbia Pictures’ action film “The Woman King,” which has been getting nominations (mostly for lead actress Viola Davis) at other awards shows, was completely shut out of the Oscar nominations. Also getting snubbed was Danielle Deadwyler, who has been getting nominated elsewhere for her lead actress performance in the Orion Pictures drama “Till,” which failed to get any Oscar nominations. And although James Cameron got a Best Picture nod for being a producer of “Avatar: The Way of Water,” he missed out on getting a Best Director nomination for the movie, even though he’s been nominated for Best Director at most other major award shows.

Surprises included a Best Actress nomination for Andrea Riseborough of the Momentum Pictures drama “To Leslie,” which has not been getting nominated at any other major award shows, except for the Film Independent Spirit Awards, where Riseborough was nominated for Best Lead Performance. “All Quiet on the Western Front” received nine Oscar nominations, which has never happened before for a German-language film. The only other major award show that has given “All Quiet on the Western Front” several nominations is the British Academy Film Awards (BAFTAs), which bestowed 14 nominations on the movie.

Here is the complete list of nominees for the 2023 Academy Awards:

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director

Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)

Best Lead Actress

Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography

“All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“TÁR,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton

Best Original Score

“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

Best Original Song

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins

Best International Feature Film

“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)

Best Documentary Feature Film

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Makeup and Hairstyling

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Costume Design

“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Production Design

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Short Film

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Live Action Short Film

“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad

2022 Academy Awards: ‘CODA’ wins three Oscars, including Best Picture; ‘Dune’ wins six Oscars

March 27, 2022

by Carla Hay

With three prizes, including Best Picture, Apple TV+’s drama “CODA” made Oscar history by being the first movie from a streaming service and the first movie with several deaf actors to win Best Picture. This historic victory happened at the 94th annual Academy Awards, which were presented at the Dolby Theatre in Los Angeles on March 27, 2022. Regina Hall, Amy Schumer and Wanda Sykes hosted the show, which was telecast in the U.S. on ABC. Eligible movies were those released in U.S. theaters between March 1 and December 31, 2021. The nominations and awards are voted for by the Academy of Motion Pictures Arts and Sciences.

Troy Kotsur of “CODA” also made history by becoming the first deaf male actor to win an Oscar. Kotsur took the prize for Best Supporting Actor. Marlee Matlin, who was the first deaf actress to win an Oscar (Best Actress for 1986’s “Children of a Lesser God”), also starred in “CODA.” Kotsur and Matlin portray a married couple in “CODA,” an acronym for “child of dead adults.”

In “CODA,” a hearing teenager named Ruby Rossi (played by Emilia Jones) has parents named Frank and Jackie (played by Kotsur and Matlin) and an older brother named Leo (played by Daniel Durant), who are all deaf. Ruby has to decide if she will stay in their hometown of Gloucester, Massachusetts, to help in the family’s fishing business or pursue her dream of being a singer at Berklee College of Music.

“CODA” is a remake of the 2014 French film “La Famille Bélier,” thereby making “CODA” the second movie remake (after 2006’s “The Departed”) to win the Academy Award for Best Picture. Unlike “La Famille Bélier,” which cast hearing actors as deaf people, “CODA” had deaf cast members in the roles of deaf people. “CODA” won all three of the Oscars for which it was nominated. In addition to Best Picture and Best Supporting Actor, the Oscar haul for “CODA” included Best Adapted Screenplay. “CODA” director Siân Heder adapted the screenplay.

Warner Bros. Pictures’ sci-fi remake of “Dune” won six of its 10 Oscar nominations: Best Film Editing, Best Cinematography, Production Design, Best Sound, Best Original Score and Best Visual Effects. Netflix’s Western drama “The Power of the Dog” went into the ceremony with the most nominations (12) and ended up winning just one: Best Director, for Jane Campion. The only other movie to win more than one Oscar at the ceremony was Searchlight Pictures’ Tammy Faye Bakker biopic “The Eyes of Tammy Faye”: Jessica Chastain won Best Actress, and the movie won the prize for Best Makeup and Hairstyling.

Ariana DeBose, Troy Kotsur and Jessica Chastain at the 94th annual Academy Awards at the Dolby Theatre in Los Angeles on March 27, 2022. (Photo courtesy of ABC)

Ariana DeBose became the first openly queer woman to win an Academy Award for Best Supporting Actress. She won the prize for playing the role of Anita in the 2021 remake of “West Side Story,” which was DeBose’s acting debut in a feature film. It was the same role for which Rita Moreno won a history-making Academy Award for Best Supporting Actress in 1961’s “West Side Story,” which made Moreno the first Latin person to win an Oscar. Moreno attended the Oscar ceremony in 2022, and she looked on with pride and joy when DeBose took the stage to accept the award.

Despite all the accolades during the show, it will probably be most remembered for an unscripted moment when “King Richard” star Will Smith went on stage and punched presenter Chris Rock in the face, after Rock made an insulting joke about Smith’s wife, Jada Pinkett Smith, looking like G.I. Jane because of her close-cropped, shaved head. Pinkett Smith went public in 2021 about shaving her head because she has alopecia, a condition which causes large clumps of hair on a head to fall out. Rock was on stage to present the award for Best Documentary Feature. According to Variety, Smith also yelled at Rock after slapping him: “Keep my wife’s name out of your fucking mouth!”

This surprising altercation, which was followed by spurts of audio blocking and other technical interruptions to TV audiences, happened about 30 minutes before Smith won Best Actor for “King Richard,” in which he portrays Richard “Richie” Williams, the father and first tennis coach for tennis superstars Venus Williams and Serena Williams. Smith gave a tearful acceptance speech about protecting his family and being called to spread love.

Smith also said during the speech: “I want to apologize to the Academy. I want to apologize to all my fellow nominees. This is a beautiful moment and I’m not crying for winning an award. It’s not about winning an award for me. It’s about being able to shine a light on all of the people.” The Smith/Rock altercation is bound to be ranked as one of the most notorious moments in Oscar history.*

Other presenters at the show were Serena Williams, Venus Williams, Daniel Kaluuya, H.E.R., Josh Brolin, Jason Momoa, Wesley Snipes, Woody Harrelson, Rosie Perez, Jacob Elordi, Rachel Zegler, Tony Hawk, Kelly Slater, Shaun White, Stephanie Beatriz, Halle Bailey, Lily James and Naomi Scott, Naomi Scott, Tiffany Haddish, Simu Liu, Mila Kunis, Ruth E. Carter, Lupita Nyong’o, John Leguizamo, Jennifer Garner, Elliot Page J.K. Simmons, Shawn Mendes, Tracee Ellis Ross, Rami Malek, Tyler Perry, Jamie Lee Curtis, Bill Murray, Jill Scott, Sean Combs, Zoë Kravitz, Jake Gyllenhaal, Kevin Costner, Samuel L. Jackson, Uma Thurman, John Travolta, Anthony Hopkins, Lady Gaga and Liza Minnelli.

There were also performances of four of the five songs competing in the Best Original Son category: Beyoncé opened the show with her Oscar-nominated “Be Alive” from “King Richard,” by performing the song at a tennis court in Compton, California, as a nod to where Venus Williams and Serena Williams got their start. Sebastián Yatra sang “Dos Oruguitas” from “Encanto.” Reba McEntire sang “Somehow You Do” from “Four Good Days.” Billie Eilish and Finneas O’Connell performed the title track to “No Time to Die,” which won the Oscar. Due to touring commitments, Van Morrison did not attend the ceremony to perform his Oscar-nominated song “Down to Joy.” Instead, there was a performance of the “Encanto” hit song “We Don’t Talk About Bruno” by members of the “Encanto” cast with a special guest appearance by Megan Thee Stallion.

*April 1, 2022 UPDATE: After much controversy and media coverage of Smith’s physical assault of Rock at this Oscar ceremony, Smith has resigned from the Academy of Motion Picture Arts and Science. Read the full story here.

*April 8, 2022 UPDATE: The Academy of Motion Picture Arts and Sciences has announced that it is banning Smith from all Academy events for 10 years. Read the full story here.

Here is the complete list of winners and nominations for the 2022 Academy Awards:

*=winner

Best Picture

“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers

“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers*

“Don’t Look Up,” Adam McKay and Kevin Messick, producers

“Drive My Car,” Teruhisa Yamamoto, producer

“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers

“King Richard,” Tim White, Trevor White and Will Smith, producers

“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers

“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers

“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers

“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers

Best Director

Kenneth Branagh (“Belfast”)

Ryûsuke Hamaguchi (“Drive My Car”)

Paul Thomas Anderson (“Licorice Pizza”)

Jane Campion (“The Power of the Dog”)*

Steven Spielberg (“West Side Story”)

Best Actor in a Leading Role

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”)

Andrew Garfield (“Tick, Tick … Boom!”)

Will Smith (“King Richard”)*

Denzel Washington (“The Tragedy of Macbeth”)

Best Actress in a Leading Role

Jessica Chastain (“The Eyes of Tammy Faye”)*

Olivia Colman (“The Lost Daughter”)

Penélope Cruz (“Parallel Mothers”)

Nicole Kidman (“Being the Ricardos”)

Kristen Stewart (“Spencer”)

Best Actor in a Supporting Role

Ciarán Hinds (“Belfast”)

Troy Kotsur (“CODA”)*

Jesse Plemons (“The Power of the Dog”)

J.K. Simmons (“Being the Ricardos”)

Kodi Smit-McPhee (“The Power of the Dog”)

Best Actress in a Supporting Role

Jessie Buckley (“The Lost Daughter”)

Ariana DeBose (“West Side Story”)*

Judi Dench (“Belfast”)

Kirsten Dunst (“The Power of the Dog”)

Aunjanue Ellis (“King Richard”)

Best Adapted Screenplay

“CODA,” screenplay by Siân Heder*

“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter,” written by Maggie Gyllenhaal

“The Power of the Dog,” written by Jane Campion

Best Original Screenplay

“Belfast,” written by Kenneth Branagh*

“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota

“King Richard,” written by Zach Baylin

“Licorice Pizza,” written by Paul Thomas Anderson

“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

Best Cinematography

“Dune,” Greig Fraser*

“Nightmare Alley,” Dan Laustsen

“The Power of the Dog,” Ari Wegner

“The Tragedy of Macbeth,” Bruno Delbonnel

“West Side Story,” Janusz Kaminski

Best Film Editing

“Don’t Look Up,” Hank Corwin

“Dune,” Joe Walker*

“King Richard”, Pamela Martin

“The Power of the Dog,” Peter Sciberras

“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

Best Sound

“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett*

“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

Best Original Score

“Don’t Look Up,” Nicholas Britell

“Dune,” Hans Zimmer*

“Encanto,” Germaine Franco

“Parallel Mothers,” Alberto Iglesias

“The Power of the Dog,” Jonny Greenwood

Best Original Song

“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda

“Down to Joy” from “Belfast,” music and lyric by Van Morrison

“No Time to Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell*

“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

Best Animated Feature Film

“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer*

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca,” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

Best International Feature Film

“Drive My Car” (Japan)*

“Flee” (Denmark)

“The Hand of God” (Italy)

“Lunana: A Yak in the Classroom” (Bhutan)

“The Worst Person in the World” (Norway)

Best Documentary Feature

“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica,” Stanley Nelson and Traci A. Curry

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein*

“Writing With Fire,” Rintu Thomas and Sushmit Ghosh

Best Makeup and Hairstyling

“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer

“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune,” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh*

“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

Best Costume Design

“Cruella,” Jenny Beavan*

“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran

“Dune,” Jacqueline West and Robert Morgan

“Nightmare Alley,” Luis Sequeira

“West Side Story,” Paul Tazewell

Best Production Design

“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos*

“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau

“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards

“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh

“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

Best Visual Effects

“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer*

“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

Best Documentary Short Subject

“Audible,” Matt Ogens and Geoff McLean

“Lead Me Home,” Pedro Kos and Jon Shenk

“The Queen of Basketball,” Ben Proudfoot*

“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies,” Jay Rosenblatt

Best Animated Short Film

“Affairs of the Art,” Joanna Quinn and Les Mills

“Bestia,” Hugo Covarrubias and Tevo Díaz

“Boxballet,” Anton Dyakov

“Robin Robin,” Dan Ojari and Mikey Please

“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez*

Best Live-Action Short Film

“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger

“The Dress,” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye,” Aneil Karia and Riz Ahmed*

“On My Mind,” Martin Strange-Hansen and Kim Magnusson

“Please Hold,” K.D. Dávila and Levin Menekse

2022 Academy Awards: Where to watch the Oscar-nominated films in theaters and on video

March 18, 2022

Now that the Academy of Motion Pictures Arts and Sciences has announced the nominees for the 94th annual Academy Awards, people might be wondering where to see the nominated films before the winners are announced. The Oscar ceremony will take place at the Dolby Theatre in Los Angeles on March 27, 2022. ABC will have the live telecast of the show in the United States. Here is where the nominated films can be seen in theaters and on video before the Oscar ceremony. (This information applies to U.S. theaters only, and remains current until March 27, 2022.)

NOTE: “Home video” means available for rent or purchase in various formats.

BEST PICTURE

“Belfast”

Nominated for:
Best Picture
Best Director (Kenneth Branagh)
Best Supporting Actress (Judi Dench)
Best Supporting Actor (Ciarán Hinds)
Best Original Screenplay
Best Sound
Best Original Song (“Down to Joy”)

Where to watch:
Playing in select theaters.
Available on digital and VOD.

“Culture Mix review: “Belfast”

“CODA”

Nominated for:
Best Picture
Best Supporting Actor (Troy Kotsur)
Best Adapted Screenplay

Where to watch:
Streaming on Apple TV+.

Culture Mix review: “CODA”

“Don’t Look Up”

Nominated for:
Best Picture
Best Original Screenplay
Best Film Editing
Best Original Score

Where to watch:
Streaming on Netflix.

Culture Mix review: “Don’t Look Up”

“Drive My Car”

Nominated for:
Best Picture
Best Director (Ryusuke Hamaguchi)
Best Adapted Screenplay
Best International Feature Film

Where to watch:
Playing in select theaters.
Streaming on HBO Max.

Culture Mix review: “Drive My Car”

“Dune”

Nominated for:
Best Picture
Best Best Adapted Screenplay
Best Cinematography
Best Film Editing
Best Sound
Best Original Score
Best Production Design
Best Makeup and Hairstyling
Best Costume Design
Best Visual Effects

Where to watch:
Playing in select theaters.
Available on digital and VOD.
Streaming on HBO/HBO Max.

Culture Mix review: “Dune”

“King Richard”

Nominated for:
Best Picture
Best Actor (Will Smith)
Best Supporting Actress (Aunjanue Ellis)
Best Original Screenplay
Best Film Editing
Best Original Song (“Be Alive”)

Where to watch:
Playing in select theaters.
Available on digital and VOD.
Streaming on HBO/HBO Max.

Culture Mix review: “King Richard”

“Licorice Pizza”

Nominated for:
Best Picture
Best Director (Paul Thomas Anderson)
Best Original Screenplay

Where to watch:
Playing in select theaters.
Available on digital and VOD.

Culture Mix review: “Licorice Pizza”

“Nightmare Alley”

Nominated for:
Best Picture
Best Cinematography
Best Production Design
Best Costume Design

Where to watch:
Playing in select theaters.
Available on digital and VOD.
Streaming on Hulu and HBO/HBO Max.

Culture Mix review: “Nightmare Alley”

“The Power of the Dog”

Nominated for:
Best Picture
Best Director (Jane Campion)
Best Actor (Benedict Cumberbatch)
Best Supporting Actor (Kodi Smit-McPhee)
Best Supporting Actor (Jesse Plemons)
Best Supporting Actress (Kirsten Dunst)
Best Adapted Screenplay
Best Cinematography
Best Production Design
Best Film Editing
Best Sound
Best Original Score

Where to watch:
Streaming on Netflix.

Culture Mix review: “Power of the Dog”

“West Side Story”

Nominated for:
Best Picture
Best Director (Steven Spielberg)
Best Supporting Actress (Ariana DeBose)
Best Cinematography
Best Production Design
Best Film Editing
Best Costume Design
Best Sound

Where to watch:
Playing in select theaters.
Available on digital and VOD.
Streaming on Disney+ and HBO/HBO Max.

Culture Mix review: “West Side Story”

BEST DOCUMENTARY FEATURE

“Ascension”

Where to watch:
Streaming on Paramount+.

“Attica”

Where to watch:
Available on Showtime.
Streaming on You Tube (free).

“Flee”

Also nominated for:
Best International Feature Film
Best Animated Feature Film

Where to watch:
Available on digital and VOD.
Streaming on Hulu.

“Summer of Soul (…Or, When the Revolution Could Not Be Televised)”

Where to watch:
Available on digital and VOD.
Streaming on Disney+ and Hulu.

“Writing With Fire”

Where to watch:
Playing in select theaters.
Available on digital and VOD.

BEST ANIMATED FEATURE FILM

“Encanto”

Also nominated for:
Best Best Original Song (“Dos Oruguitas”)
Best Original Score

Where to watch:
Playing in select theaters.
Available on digital and VOD.
Streaming on Disney+.

“Flee”

Also nominated for:
Best Documentary Feature
Best International Feature Film

Where to watch:
Available on digital and VOD.
Streaming on Hulu.

“Luca”

Where to watch:
Streaming on Disney+.

“The Mitchells vs. The Machines”

Where to watch:
Available on digital and VOD.
Streaming on Netflix.

“Raya and the Last Dragon”

Where to watch:
Available on digital and VOD.
Streaming on Disney+.

BEST INTERNATIONAL FEATURE FILM

“Drive My Car”

Also nominated for:
Best Picture
Best Director (Ryusuke Hamaguchi)
Best Adapted Screenplay

Where to watch:
Playing in select theaters.
Streaming on HBO Max.

“Flee”

Also nominated for:
Best Documentary Feature
Best Animated Feature Film

Where to watch:
Available on digital and VOD.
Streaming on Hulu.

“The Hand of God”

Where to watch:
Streaming on Netflix.

“Lunana: A Yak in the Classroom”

Where to watch:
Available on digital and VOD.
Streaming on Kanopy. (Free with participating libraries.)

“The Worst Person in the World”

Where to watch:
Playing in select theaters.

OTHER OSCAR-NOMINATED FEATURE FILMS

“Being the Ricardos”

Nominated for:
Best Actor (Javier Bardem)
Best Actress (Nicole Kidman)
Best Supporting Actor (J.K. Simmons)

Where to watch:
Streaming on Prime Video.

“Coming 2 America”

Nominated for:
Best Makeup and Hairstyling

Where to watch:
Streaming on Prime Video.

“Cruella”

Nominated for:
Best Costume Design
Best Makeup and Hairstyling

Where to watch:
Available on digital and VOD.
Streaming on Disney+.

“Cyrano”

Nominated for:
Best Costume Design

Where to watch:
Playing in select theaters.
Available on digital and VOD.

“The Eyes of Tammy Faye”

Nominated for:
Best Actress (Jessica Chastain)
Best Makeup and Hairstyling

Where to watch:
Available on digital and VOD.
Streaming on Hulu and HBO/HBO Max.

“Four Good Days”

Nominated for:
Best Original Song (“Somehow You Do”)

Where to watch:
Available on digital and VOD.
Streaming on Kanopy (free with participating libraries) and Hulu.

“Free Guy”

Nominated for:
Best Visual Effects

Where to watch:
Available on digital and VOD.
Streaming on Disney+ and HBO/HBO Max.

“House of Gucci”

Nominated for:
Best Makeup and Hairstyling

Where to watch:
Playing in select theaters.
Available on digital and VOD.

“The Lost Daughter”

Nominated for:
Best Actress (Olivia Colman)
Best Supporting Actress (Jessie Buckley)
Best Adapted Screenplay

Where to watch:
Streaming on Netflix.

“No Time to Die”

Nominated for:
Best Sound
Best Original Song (“No Time to Die”)
Best Visual Effects

Where to watch:
Available on digital and VOD.

“Parallel Mothers”

Nominated for:
Best Actress (Penélope Cruz)
Best Original Score

Where to watch:
Playing in select theaters.
Available on digital and VOD.

“Shang-Chi and the Legend of the Ten Rings”

Nominated for:
Best Visual Effects

Where to watch:
Available on digital and VOD.
Streaming on Disney+.

“Spencer”

Nominated for:
Best Actress (Kristen Stewart)

Where to watch:
Available on digital and VOD.
Streaming on Hulu.

“Spider-Man: No Way Home”

Nominated for:
Best Visual Effects

Where to watch:
Playing in theaters.

“Tick, Tick…Boom!”

Nominated for:
Best Actor (Andrew Garfield)
Best Film Editing

Where to watch:
Streaming on Netflix.

“The Tragedy of Macbeth”

Nominated for:
Best Actor (Denzel Washington)
Best Cinematography

Where to watch:
Streaming on Apple TV+.

BEST SHORT FILMS (ANIMATED, LIVE-ACTION & DOCUMENTARY)

Every year, select theaters have special screenings of the Oscar-nominated short films. More information can be found here.

In addition, most cable and satellite TV companies have the Oscar-nominated short films available as a VOD package for subscribers.

These short films are currently available for streaming:

“Affairs of the Heart”
Nominated for:
Best Animated Short

Where to watch:
Streaming on YouTube (free).

“La Bestia”
Nominated for:
Best Animated Short

Where to watch:
Streaming on YouTube (free).

“Robin Robin”
Nominated for:
Best Animated Short

Where to watch:
Streaming on Netflix.

“The Windshield Wiper”
Nominated for:
Best Animated Short

Where to watch:
Streaming on YouTube (free).

“Audible”
Nominated for:
Best Documentary Short

Where to watch:
Streaming on Netflix.

“Lead Me Home”
Nominated for:
Best Documentary Short

Where to watch:
Streaming on Netflix.

“The Queen of Basketball”
Nominated for:
Best Documentary Short

Where to watch:
Streaming on The New York Times website (free) and YouTube (free).

“Three Songs for Benazir”
Nominated for:
Best Documentary Short

Where to watch:
Streaming on Netflix.

“When We Were Bullies”
Nominated for:
Best Documentary Short

Where to watch:
Streaming on HBO/HBO Max, as of March 30, 2022.

“Ala Kachuu – Take and Run”
Nominated for:
Best Live-Action Short

Where to watch:
Streaming on Vimeo (for a price).

“The Dress”
Nominated for:
Best Live-Action Short

Where to watch:
Streaming on HBO Max.

“The Long Goodbye”
Nominated for:
Best Live-Action Short

Where to watch:
Streaming on Vimeo (free) and YouTube (free).

“On My Mind”
Nominated for:
Best Live-Action Short

Where to watch:
Streaming on YouTube (free).

“Please Hold”
Nominated for:
Best Live-Action Short

Where to watch:
Streaming on HBO Max.

2022 Academy Awards: ‘The Power of the Dog’ is the top nominee

February 8, 2022

by Carla Hay

Kodi Smit-McPhee and Benedict Cumberbatch in “The Power of the Dog” (Photo by Kirsty Griffin/Netflix)

With 12 nods, the Netflix drama “The Power of the Dog” is the top nominee for the 94th Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 27, 2022. ABC will have the U.S. telecast of the show. The nominations were announced on February 8, 2022, by Tracee Ellis Ross and Leslie Jordan.

The nominations for “The Power of the Dog” are Best Picture; Best Actor (for Benedict Cumberbatch); Best Director (for Jane Campion); two nods for Best Supporting Actor (for Jesse Plemons and Kodi Smit-McPhee); Best Supporting Actress (for Kirsten Dunst); Best Adapted Screenplay; Best Film Editing; Best Cinematography; Best Production Design; Best Original Score; and Best Sound. The movie, which is set in 1925 Montana, is about a rancher family that is plagued by jealousy, toxic masculinity and homophobia. Dunst and Plemons are a couple in real life (and they portray a married couple in “The Power of the Dog”), so their nominations are a rare situation where a co-star couple received Oscar nominations for the same movie.

The other contenders for Best Picture are Focus Features’ “Belfast,” Apple Studios’ “CODA,” Netflix’s “Don’t Look Up,” Janus Films/Bitters End’s “Drive My Car,” Warner Bros. Pictures’ “Dune,” Warner Bros. Pictures’ “King Richard,” United Artists/Focus Features’ “Licorice Pizza,” Searchlight Pictures’ “Nightmare Alley” and 20th Century Studios’ “West Side Story.” The 2021 remake of “Dune” had the second-highest number of Oscar nominations this year (10 nods), followed by “Belfast” and “West Side Story,” which had seven nods each. (Click here to read Culture Mix’s reviews of all these movies that are nominated for Best Picture.)

The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2022 ceremony, eligible movies were those released in the U.S. cinemas in 2021. As of 2022, the Academy is requiring the Best Picture category to have 10 nominees. From 2009 to 2021, the rule was that there could be five to 10 movies per year nominated for Best Picture.

Snubs and Surprises

Lady Gaga and Jared Leto in “House of Gucci” (Photo by Fabio Lovino/Metro-Goldwyn-Mayer Pictures Inc.)

It’s been an unpredictable awards season for the Best Actress category. Lady Gaga of MGM/United Artists’ “House of Gucci” has been getting nominated at every major award ceremony for movies—except for the Academy Awards, where she was widely predicted to get a nomination. Meanwhile, Kristen Stewart of Neon’s “Spencer” was chosen by many awards pundits as an early frontrunner for a Best Actress Oscar, but Stewart’s performance in “Spencer” ultimately failed to get nominations at the Screen Actors Guild Awards and the BAFTA Film Awards—two major award shows that often indicate who will be Oscar winners and Oscar nominees. Despite those snubs, Stewart scored her first Oscar nomination for “Spencer,” when many awards pundits counted her out of the Oscar race because of the SAG and BAFTA snubs. Stewart’s nomination for Best Actress is the only Oscar nod for “Spencer.”

The category of Best Supporting Actor and Best Supporting Actress had a few snubs and surprises. Caitríona Balfe of “Belfast” was getting nominated at every major award show for movies—except for the Academy Awards. Instead, “Belfast” co-star Judi Dench got an Oscar nomination for Best Supporting Actress, even though Dench was passed over in this category for “Belfast” at other major award shows. For “The Power of the Dog,” Best Supporting Actor nominee Smit-McPhee was widely predicted to get an Oscar nomination, but “Power of the Dog” co-star/Oscar nominee Plemons failed to get a Best Supporting Actor nod at other major awards shows, except for the BAFTAs. Meanwhile, Jared Leto of “House of Gucci” was shut out of an Oscar nomination for the Best Supporting Actor category for this movie. Leto has been nominated at other award shows for “House of Gucci,” which got an expected Oscar nomination for Best Makeup and Hairstyling that includes the much-talked-about prosthetic makeup that Leto wore in the movie. (It’s the only Oscar nod for “House of Gucci.”)

Movies that have been getting awards or nominations elsewhere were completely snubbed by the Academy Awards. They include the Netflix drama “Passing,” the Focus Features comedy “The French Dispatch,” the Netflix drama “The Harder They Fall” and the A24 drama “C’mon C’mon.” Movies that win the Academy Award for Best Picture always get a screenplay Oscar nomination too. That’s why “Nightmare Alley” and “West Side Story” (which are both remake films) have little or no chance to win Best Picture, since both movies failed to get Oscar nominations for Best Adapted Screenplay. In the category of Best Film Editing, “Belfast” and “West Side Story” were snubbed, even though both movies were widely predicted to get Oscar nods in that category. And although “Dune” earned a massive 10 Oscar nominations, one of them wasn’t for director Denis Villeneuve in the Best Director category, although he did get an expected Best Adapted Screenplay nod for co-writing the movie.

Some of the biggest surprise nominations came from international films. Neon’s Danish movie “Flee” (directed by Jonas Poher Rasmussen) made Oscar history for being the first movie to get Oscar nominations for Best International Feature Film, Best Animated Feature and Best Documentary Feature. While many pundits had floated the possibility that these three nominations would happen for “Flee,” many people predicted that “Flee” would get one or two Oscar nominations. “Flee” is an Afghan refugee’s first-hand account of his life, which is depicted in animated form. He currently lives in Denmark and used an alias in the movie to protect his privacy. Neon’s Norwegian drama “The Worst Person in the World” was expected to get a nomination for Best International Feature Film, but a surprise nomination came when the movie got an Oscar nod for Best Original Screenplay. “The Worst Person in the World” was written by Joachim Trier (the movie’s director) and Eskil Vogt.

Diversity and Inclusion

Aunjanue Ellis, Mikayla Bartholomew, Will Smith, Saniyya Sidney, Demi Singleton and Daniele Lawson in “King Richard” (Photo by Chiabella James/Warner Bros. Pictures)

“The Power of the Dog” director Campion made Academy Awards history, by becoming the first woman to get two Oscar nominations for Best Director. She was previously nominated for 1993’s “The Piano,” but lost the award to “Schindler’s List” director Steven Spielberg. It’s a rematch of sorts for Campion and “West Side Story” director Spielberg, since they’re both nominated again for Best Director in the same year. In another male-dominated category (Best Cinematography), Ari Wegner of “The Power of the Dog” became the second woman ever to get an Oscar nomination for Best Cinematography. The first woman to break this Best Cinematography gender barrier was Rachel Morrison, who was nominated for another Netflix period drama: 2017’s “Mudbound.”

Racial diversity is in every actor/actress category at 2022 Academy Awards, except for Best Supporting Actor. Black people are represented the most with “King Richard,” which has six nominations: Best Picture; Best Actor (for Will Smith); Best Supporting Actress (for Aunjanue Ellis); Best Original Screenplay; Best Film Editing; and Best Original Song (for Beyoncé’s “Be Alive”). “King Richard” is a biopic about Richard “Richie” Williams, the father and early coach of tennis superstars Venus Williams and Serena Williams.

Two African American-oriented films were nominated for Best Documentary Feature this year: Showtime’s “Attica” (directed by Stanley Nelson and Traci A. Curry) and Searchlight Pictures’ “Summer of Soul (…Or, The Revolution Could Not Be Televised”), directed by Ahmir “Questlove” Thompson. Meanwhile, Denzel Washington scored his 10th Oscar nomination: Best Actor, for A24/Apple TV+’s “The Tragedy of Macbeth,” making him the most Oscar-nominated African American in Academy Awards history. Nine of his Oscar nominations are for acting, while one nomination is a Best Picture nod for being a producer of 2016’s “Fences.” Washington has won two Oscars: Best Actor (for 2001’s “Training Day”) and Best Supporting Actor (for 1989’s “Glory”).

Asians were represented the most with “Drive My Car,” a Japanese drama about a grieving widower who goes on a road trip with a young actress. “Drive My Car” earned four Oscar nods: Best Picture; Best Director (for Ryusuke Hamaguchi); Best Adapted Screenplay; and Best International Feature Film. As previously mentioned, “Flee” is about an Afghan refugee. Two other Asian-oriented movies were nominated for Best Documentary Feature: MTV Documentary Films’ “Ascension” (about consumerism in China) and Music Box Films’ “Writing With Fire” (about Indian female journalists). Chinese American director Jessica Kingdon is one of the nominees for “Ascension” while Indian American directors/producers Rintu Thomas and Sushmit Ghosh are nominated for “Writing With Fire.”

Disney’s “Raya and the Last Dragon,” which takes place in China and has an all-Asian cast, is nominated for Best Animated Feature, but none of the nominated producers and directors of the movie is Asian. Pakastani British entertainer Riz Ahmed, who got an Oscar nomination for Best Actor in 2021 for the Amazon Studios drama “Sound of Metal,” is nominated for an Oscar in 2022—this time, for being a producer of “The Long Goodbye,” which is nominated for Best Live-Action Short. Meanwhile, Indian American producer Joseph Patel is one of the Best Documentary Feature nominees for “Summer of Soul (…Or, When the Revolution Could Not Be Televised).”

Hispanic/Latino people nominated for Oscars this year included Oscar-winning spouses Javier Bardem of “Being the Ricardos” (Best Actor) and Penélope Cruz of “Parallel Mothers” (Best Actress); Guillermo del Toro (Best Picture), for being one of the producers of “Nightmare Alley”; “Parallel Mothers” composer Alberto Iglesias (Best Original Score); “Raya and the Last Dragon” co-director Carlos López Estrada (Best Animated Feature); and Ariana DeBose of “West Side Story” (Best Supporting Actress). DeBose, who is multiracial (Hispanic, African American and white) in real life, depicts a Puerto Rican in the 2021 remake of “West Side Story” and is the only cast member and the only person of color to get an Oscar nomination for the movie. “West Side Story” is a musical about racial tensions between white people and Puerto Ricans in early 1960s New York City.

Disney’s Colombian-oriented animated film “Encanto” picked up three nominations: Best Animated Feature (whose nominees includes Latina producer Yvett Marino); Best Original Song (for “Dos Oruguitas,” written by Lin-Manuel Miranda); and Best Original Score (for Germaine Franco, one of the few women ever nominated in this category). Meanwhile, there are Latino nominees in the short film categories: Best Animated Short nominees include writer/director Hugo Covarrubias and producer Tevo Díaz of “Bestia (Beast)” and writer/director Alberto Mielgo and producer Leo Sanchez of “The Windshield Wiper.” “Please Hold” director K.D. Dávila is nominated for Best Live-Action Short.

LGBTQ representation in the Oscar nominations can be found in the animated documentary “Flee” (whose subject is a gay Afghan refugee); Cruz’s queer character Janis Martínez Moreno in “Parallel Mothers” and Cumberbatch’s closeted gay character Phil Burbank in “The Power of the Dog.” In real life, Stewart of “Spencer” and DeBose of “West Side Story” identify as openly queer. The disabled community is represented by “CODA” (about a Massachusetts family of mostly deaf people), which got three nominations: Best Picture, Best Supporting Actor (for real-life deaf actor Troy Kotsur); and Best Adapted Screenplay.

Here is the complete list of nominations for the 2022 Academy Awards:

Best Picture

“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers

“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers

“Don’t Look Up,” Adam McKay and Kevin Messick, producers

“Drive My Car,” Teruhisa Yamamoto, producer

“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers

“King Richard,” Tim White, Trevor White and Will Smith, producers

“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers

“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers

“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers

“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers

Best Director

Kenneth Branagh (“Belfast”)

Ryûsuke Hamaguchi (“Drive My Car”)

Paul Thomas Anderson (“Licorice Pizza”)

Jane Campion (“The Power of the Dog”)

Steven Spielberg (“West Side Story”)

Best Actor in a Leading Role

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”)

Andrew Garfield (“Tick, Tick … Boom!”)

Will Smith (“King Richard”)

Denzel Washington (“The Tragedy of Macbeth”)

Best Actress in a Leading Role

Jessica Chastain (“The Eyes of Tammy Faye”)

Olivia Colman (“The Lost Daughter”)

Penélope Cruz (“Parallel Mothers”)

Nicole Kidman (“Being the Ricardos”)

Kristen Stewart (“Spencer”)

Best Actor in a Supporting Role

Ciarán Hinds (“Belfast”)

Troy Kotsur (“CODA”)

Jesse Plemons (“The Power of the Dog”)

J.K. Simmons (“Being the Ricardos”)

Kodi Smit-McPhee (“The Power of the Dog”)

Best Actress in a Supporting Role

Jessie Buckley (“The Lost Daughter”)

Ariana DeBose (“West Side Story”)

Judi Dench (“Belfast”)

Kirsten Dunst (“The Power of the Dog”)

Aunjanue Ellis (“King Richard”)

Best Adapted Screenplay

“CODA,” screenplay by Siân Heder

“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter,” written by Maggie Gyllenhaal

“The Power of the Dog,” written by Jane Campion

Best Original Screenplay

“Belfast,” written by Kenneth Branagh

“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota

“King Richard,” written by Zach Baylin

“Licorice Pizza,” written by Paul Thomas Anderson

“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

Best Cinematography

“Dune,” Greig Fraser

“Nightmare Alley,” Dan Laustsen

“The Power of the Dog,” Ari Wegner

“The Tragedy of Macbeth,” Bruno Delbonnel

“West Side Story,” Janusz Kaminski

Best Film Editing

“Don’t Look Up,” Hank Corwin

“Dune,” Joe Walker

“King Richard”, Pamela Martin

“The Power of the Dog,” Peter Sciberras

“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

Best Sound

“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

Best Original Score

“Don’t Look Up,” Nicholas Britell

“Dune,” Hans Zimmer

“Encanto,” Germaine Franco

“Parallel Mothers,” Alberto Iglesias

“The Power of the Dog,” Jonny Greenwood

Best Original Song

“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda

“Down to Joy” from “Belfast,” music and lyric by Van Morrison

“No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

Best Animated Feature Film

“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca,” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

Best International Feature Film

“Drive My Car” (Japan)

“Flee” (Denmark)

“The Hand of God” (Italy)

“Lunana: A Yak in the Classroom” (Bhutan)

“The Worst Person in the World” (Norway)

Best Documentary Feature

“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica,” Stanley Nelson and Traci A. Curry

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing With Fire,” Rintu Thomas and Sushmit Ghosh

Best Makeup and Hairstyling

“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer

“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune,” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

Best Costume Design

“Cruella,” Jenny Beavan

“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran

“Dune,” Jacqueline West and Robert Morgan

“Nightmare Alley,” Luis Sequeira

“West Side Story,” Paul Tazewell

Best Production Design

“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos

“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau

“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards

“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh

“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

Best Visual Effects

“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer*

“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

Best Documentary Short Subject

“Audible,” Matt Ogens and Geoff McLean

“Lead Me Home,” Pedro Kos and Jon Shenk

“The Queen of Basketball,” Ben Proudfoot

“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies,” Jay Rosenblatt

Best Animated Short Film

“Affairs of the Art,” Joanna Quinn and Les Mills

“Bestia,” Hugo Covarrubias and Tevo Díaz

“Boxballet,” Anton Dyakov

“Robin Robin,” Dan Ojari and Mikey Please

“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

Best Live-Action Short Film

“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger

“The Dress,” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye,” Aneil Karia and Riz Ahmed

“On My Mind,” Martin Strange-Hansen and Kim Magnusson

“Please Hold,” K.D. Dávila and Levin Menekse