2017 Fantastic Fest: first wave of films announced

August 8, 2017

Fantastic Fest 2017 LOGO

The following is a press release from Fantastic Fest:

Fantastic Fest, Alamo Drafthouse’s annual descent into chaos and carnage, returns for its 13th year, screaming “Yalla!” at full throttle. Loosely translated as “Let’s go,” this year’s rally cry is informed by the Arabic theme that will permeate the festival as it once again delves deep into the corners of the world’s best cinema.
“I’m proud to say that this is truly lucky thirteen for us,” said Tim League, festival founder and Alamo Drafthouse CEO. “We have another ferocious slate celebrating new and returning filmmakers from all over the world. It’s again an honor and privilege to welcome them and their brilliant, brave work.”
Kicking off proceedings with this year’s opening night film is Martin McDonagh in attendance to present the US premiere of his beautifully comic and delightfully dark tale of loss and redemption, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI. S. Craig Zahler makes his triumphant return with the US premiere of 2018’s most hyper-violent slice of brute force, BRAWL IN CELL BLOCK 99. Not to be outmuscled, Zahler’s bringing backup in the form of the thunderous trifecta of Vince Vaughn, Don Johnson and Udo Kier. And Barry Keoghan marks his first Fantastic Fest, sharing Yorgos Lanthimos’ savage horror epic THE KILLING OF A SACRED DEER for the first time in the US.
Embracing cinema spanning from Egypt to Lebanon to Iraq to Afghanistan, the festival turns an eye to celebrate the best of the region. Highlights include Egypt’s rarely seen Rocky Horror Picture Show adaptation ANYAB and the International Premiere of the box office smash AL ASLEYEEN (aka THE ORIGINALS) directed by Marwan Hamed. “It’s truly a joy to be able to showcase a variety of Arabic genre films never before seen in the US to shatter preconceptions.” said Fantastic Fest Creative Director Evrim Ersoy. “Cinema from this region is as exciting, inventive and as wild as anything we’ve ever seen and we’re here to prove it. It’s going to be a wild ride! Yalla, Habibi!”
Fantastic Fest’s global reach isn’t relegated exclusively to Arabic nations, as it has once again scoured the corners of the globe to bring the best cinema to Austin, TX. Sweden is well represented with Ruben Ostlund’s brilliantly sardonic THE SQUARE; Japan’s master of malevolence, Takashi Miike, hits a bloody century with his 100th feature, BLADE OF THE IMMORTAL; Scotland flies its flesh-eating flag with John McPhail’s zombie musical, ANNA AND THE APOCALYPSE; and Austrian Oscar winner Stefan Ruzowitsky delivers a brutal and relentless ride with COLD HELL.
Maine’s finest son, Stephen King, is gorgeously represented with two standouts from Netflix’s burgeoning genre slate. GERALD’S GAME receives its US premiere along with the welcome return of Fantastic Fest alumni Mike Flanagan, who delivers a chilling adaptation of one of King’s most beloved bedside tales starring Carla Gugino and Bruce Greenwood. And Fantastic Fest first-timer Zak Hilditch will be in attendance to share his perfectly precise vision of King’s uber-creepy novella, 1922, for its world premiere.
Sticking with the theme of world premieres, this year’s program features a selective set of titles from first-time feature filmmakers whose wildly impressive debuts belie the depth of their filmographies. Spanish short master Yayo Herrero excels with his fantasy horror, MAUS; Bradley Buecker explores wasted youth and packs a visceral punch from the wrong side of the tracks with JUVENILE; and Lukas Feigelfeld shocks with his atmospheric exploration of a medieval hell in HAGAZUSSA – A HEATHEN’S CURSE.
Fantastic Fest alumni are well represented this year as DAN DREAM reunites KLOWN’s dynamic duo of Casper Christensen and Frank Hvam for an electric road trip back to the ’80s; GENERATION B sees WASTE LAND director Pieter Van Hees return with a mad comedy; and RON GOOSSENS: LOW-BUDGET STUNTMAN delivers the warm embrace of directors Steffen Haars and Flip van der Kuil, whose previous NEW KIDS features and BROs BEFORE HOs crushed at previous editions of Fantastic Fest.
For those unable to make the pilgrimage to Austin this September, there’s still reason to rejoice as we’ll be realizing a long-brewing strategy of bringing Fantastic Fest and its finely curated programming to three Alamo Drafthouse flagship theaters over the weekend of September 29th. Fans of the best in genre films in San Francisco, Brooklyn and Denver will all feature an exclusive slate of Fantastic Fest titles. Tickets and badges are scheduled to go on sale in the coming weeks. For more information go to fantasticfest.com
FIRST WAVE FILM LINEUP BELOW:
1922
USA, 2017
World Premiere, 101 mins
Director – Zak Hilditch
1922 is based on Stephen King’s 131-page story telling of a man’s confession of his wife’s murder. The tale is told from from the perspective of Wilfred James, the story’s unreliable narrator who admits to killing his wife, Arlette, in Nebraska. But after he buries her body, he finds himself terrorized by rats and, as his life begins to unravel, he becomes convinced his wife is haunting him.
78/52
USA, 2017
Regional Premiere, 91 min
Director – Alexandre O. Philippe
This masterful documentary focuses on a single aspect of Hitchcock’s PSYCHO to demonstrate the master’s technical ability in storytelling. With expert interviews and rollicking analysis, 78/52 sets a new bar in how to examine film overall.
ANNA AND THE APOCALYPSE
Scotland, 2017
World Premiere, 107 min
Director – John McPhail
Anna’s life is dominated by the typical concerns of her youthful peers until the Christmas season in her small town brings not Santa, but an outbreak of the undead in this genre-mashing holiday horror musical. Yep. Musical.
ANYAB
Egypt, 1981
Repertory, 100 min
Director – Mohammed Shebl
ANYAB (FANGS) is an oddity worth rediscovering! An Egyptian take on THE ROCKY HORROR PICTURE SHOW, this eye-popping musical of madness manages to cram horror, science fiction and even social commentary together while charming with its outrageous costumes and action.
BLADE OF THE IMMORTAL
Japan, 2017
US Premiere, 141 min
Director – Takashi Miike
Takashi Miike’s 100th journey is an adaptation of the BLADE OF THE IMMORTAL manga. Manji, a samurai who cannot die, crosses paths with Rin Asano, a young girl whose parents were killed. Manji swears to help Rin Asano avenge her parents’ deaths.
BRAWL IN CELL BLOCK 99
USA, 2017
US Premiere, 132 min
Director – S. Craig Zahler
S. Craig Zahler (BONE TOMAHAWK) returns with his sophomore feature, BRAWL IN CELL BLOCK 99. An exhilarating exercise in analog violence, CELL BLOCK follows the brutal exploits of a former boxer who finds himself incarcerated after a drug deal goes wrong. Trapped in a maximum security facility, he must fight to stay alive and to protect those he loves.
COLD HELL
Germany, 2017
US Premiere, 91 min
Director – Stefan Ruzowitzsky
A young Turkish woman living in Vienna feels increasingly lonely after she witnesses a murder and finds herself next on the killer’s agenda in this smart and gritty thriller from the director of ANATOMY and the Oscar-winning THE COUNTERFEITERS.
DAN DREAM
Denmark, 2017
US Premiere, 97 min
Director – Jesper Rofelt
KLOWN duo Casper Christensen and Frank Hvam reunite for a true-life tale of epic failure. Witness the non-arrival of the Danish electric car!
THE ENDLESS
USA, 2017
Texas Premiere, 111 min
Directors – Justin Benson & Aaron Moorhead
When brothers Justin and Aaron return to the cult that they escaped from ten years ago, they encounter a web of secrets and mysteries that threatens to tear them apart.
GENERATION B (GENERATIE B)
Belgium, 2017
ep. 1-4 = North American Premiere; ep. 5-6 = World Premiere, 210 min
Director – Pieter Van Hees
The generation gap has never been wider than it is in Pieter Van Hees’ deliriously absurd satire, pitting old generation money against Millennial apathy – and the occasional naked anarchist – following Belgium’s economic collapse.
GERALD’S GAME
USA, 2017
US Premiere, 103 mins
Director – Mike Flanagan
Flanagan unites with master of the macabre Stephen King for his cinematic interpretation of King’s beloved GERALD’S GAME. Starring Carla Gugino and Bruce Greenwood, GERALD’S GAME delivers pitch-perfect performances in a faithful adaptation where the horrors of the mind are much worse than what’s in front of you.
HAGAZUSSA – A HEATHEN’S CURSE
Germany, 2017
World Premiere, 102 min
Director – Lukas Feigelfeld
Set in the 15th Century in the Austrian Alps, Lukas Feigelfeld’s HAGAZUSSA takes us back to a dark period in which even the remotest parts of Europe suffered from the paranoia and superstition of the time.
JAILBREAK
Cambodia, 2017
US Premiere, 92 min
Director – Jimmy Henderson
Cambodia’s traditional martial art of bokator is unleashed in all its bone crunching fury in this action-packed tale of police trapped in the midst of a raging prison riot.
JUVENILE
USA, 2017
World Premiere, 87 min
Director – Bradley Buecker
The emotionally powerful story of Billy, an angry youth who spends his evenings stealing cars with best friend Mikey while attempting to cultivate a stable relationship with his girlfriend Jules.
THE KILLING OF A SACRED DEER
Ireland / United Kingdom, 2017
US Premiere, 120 min
Director – Yorgos Lanthimos
The life of a brilliant surgeon is thrown into disarray when his friendship with a bizarre teenager threatens the lives of his entire family. Faced with a frightening choice, the man will be forced to assess all that he’s ever done.
KING COHEN
USA, 2017
US Premiere, 104 min
Director – Steve Mitchell
Featuring interviews from some of the biggest names in genre cinema including Joe Dante, Robert Forster and Fred Williamson, this documentary tells the story of one of the best and hardest working exploitation filmmakers.
MAUS
Spain, 2017
World Premiere, 90 min
Director – Yayo Herrero
Yayo Herrero’s directorial debut is a couple’s nightmare journey into the heart of darkness. A superlative horror parable, this shocking film is an indictment of modern history, war and the difficulties of reconciliation. It is a story for our times.
MY FRIEND DAHMER
USA, 2017
Texas Premiere, 107 min
Director – Marc Meyers
This is the story of Jeffrey Dahmer, a high school loner whose life would shape up to be something far more frightening than anyone could have imagined.
THE ORIGINALS
Egypt, 2017
International Premiere, 125 mins
Director – Marwan Hamed
Samir works for a bank, provides for his ever-demanding family and dreams of being in an Egyptian talent show. When he’s unexpectedly fired, Samir finds himself recruited to be part of a secret society and finds a darker side to life in Egypt.
RON GOOSSENS: LOW-BUDGET STUNTMAN
The Netherlands, 2017
North American Premiere, 78 min
Directors – Steffen Haars & Flip van der Kuil
The latest from the comedic team behind the NEW KIDS films and BROs BEFORE HOs. Ron Goossens is totally shitfaced. Only by working as a movie stuntman and bedding the hottest actress in the Netherlands can Ron save his marriage.
THE SQUARE
Sweden, 2017
US Premiere, 150 min
Director – Ruben Östlund
An art museum director’s life becomes a comedy of errors when trying to put together his latest exhibit in FORCE MAJEURE director Ruben Ostlund’s latest, which won the Palme D’Or at this year’s Cannes.
SUPER DARK TIMES
USA, 2017
Regional Premiere, 102 min
Director – Kevin Phillips
A split-second act of violence forever changes the lives of two ’90s kids. Now they must cope with both the fallout of that moment and the pressures of high school in this clever and bloody coming-of-age thriller.
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
USA, 2017
US PREMIERE, 110 min
Director – Martin McDonagh
A grieving mother takes drastic measures in an attempt to catch her daughter’s killer. Challenging the police to solve the case, she posts a series of billboards that threaten the fabric of rural, Missouri.
TIGER GIRL
Germany, 2017
US Premiere, 90 min
Director – Jakob Lass
Failing to crack the ranks as a would-be cop, Maggie begrudgingly settles for a security guard job until she encounters Tiger, a fierce young woman whose rebellious antics leave Maggie questioning which side of the law she truly belongs on.
TOP KNOT DETECTIVE
Australia, 2016
North American Premiere, 87 min
Directors – Aaron McCann & Dominic Pearce
Aliens! Ninjas! Robots! Enormous egos! Get ready to enter the world of TOP KNOT DETECTIVE! Possibly the greatest cult TV series you’ve never heard of, TOP KNOT DETECTIVE and its creator Takashi Tawagoto come to life in this gonzo documentary.
Attend:
2ND HALF Badges for Fantastic Fest 2017 are available for purchase here.

Alamo Drafthouse to open at The Bloc in Los Angeles in 2018

June 8, 2017

Alamo Drafthouse Downtown at The Bloc in Los Angeles
Alamo Drafthouse Downtown at The Bloc in Los Angeles (Rendering by Studio One Eleven)

The following is a press release from Alamo Drafthouse:

The Ratkovich Company, in partnership with  National Real Estate Advisors, Blue Vista Capital Management, and  Alamo Drafthouse Cinema today announced the Austin-based theater chain will open its first Los Angeles theater at  The Bloc, a 1.8 million-square-foot mixed-use destination at the hub of the city’s retail, entertainment, financial, and sports center. Alamo Drafthouse Downtown is slated to open in 2018 as The Bloc completes its $180 million renovations bringing a vibrant, open-air, pedestrian-friendly, urban destination to Downtown Los Angeles.

 “When we announced seven years ago that we would be embarking upon a plan of nationwide expansion, my primary goal was to open a theater in Los Angeles,” says Alamo Drafthouse Cinema founder and CEO Tim League.  “After many years of exhaustive searching and planning, we feel we have found the perfect home at The Bloc. Building a new audience for foreign language films, documentaries and independent movies is core to the Alamo brand, and this flagship theater will be ground zero for that effort.”
“Alamo Drafthouse is the perfect addition to The Bloc and to Downtown LA’s rapidly growing food and entertainment scene. It brings a fresh and unique take on the traditional movie-watching experience and will be a great compliment to the other retailers at The Bloc. The Bloc is a gathering place for all Angelenos, making it the place to be in Downtown LA.” said Wayne Ratkovich founder and president of The Ratkovich Company.
Alamo Drafthouse provides a unique cinematic experience with in-theater dining underpinning a heavily curated program of hand-picked blockbusters, highest-quality independent, foreign and documentary features and special event programming. It’s food and beverage offering is equally deliberate with a full menu offering food made from scratch and a heavy dose of the best local craft beers and cocktails. Alamo Drafthouse Downtown will be located on the second and third floors of the southwest corner of The Bloc, accessible from the Flower Street mid-block crossing and the fourth floor of the parking structure.
Alamo Drafthouse Downtown at The Bloc in Los Angeles
Alamo Drafthouse Downtown at The Bloc in Los Angeles (Rendering by Studio One Eleven)
Alamo Drafthouse Downtown will have 12 screens and seat approximately 560 people for new release movies, independent, foreign and classic films, as well as an exhaustive slate of the Alamo’s unique signature event programming. Each of the auditoriums will be equipped with state of the art 4K digital projection and amazing sound.  In addition to providing superior presentation, the Alamo eliminates the traditional front rows to ensure there’s no bad seat in the house. The theater will also be equipped for 3D and archival 35mm projection.
In keeping with Alamo Drafthouse’s commitment to providing the best in-theater dining experience, the downtown LA destination will feature locally inspired and sourced food and drink. Moviegoers can order food and drinks from their seats while servers silently attend to them throughout the film. In addition to the twelve theaters, an adjoining bar will give fans the opportunity to discuss films over a plethora of local craft beers and cocktails.
Accessibility and integration with the city at large continues to be a priority for The Bloc and Alamo Drafthouse. Alamo Drafthouse Downtown will be conveniently accessed via the Blue, Expo, Purple and Red lines at the 7th Street Metro Center Station. Current Metro expansion connects Alamo Drafthouse Downtown to Santa Monica, Pasadena and the San Fernando Valley. The theater will offer four hours of free validated parking..
By delivering the best films, food and drinks, exceptional presentation, strict ad-free and no talking/no texting policies, Alamo Drafthouse strives to live up to Time Magazine’s claim of being the “Best Theater Ever.”
UPDATE: Alamo Drafthouse Los Angeles is now expected to open in 2019.

 

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