Alden Ehrenreich Archives

Review: ‘Weapons’ (2025), starring Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Cary Christopher, Benedict Wong and Amy Madigan

August 5, 2025

by Carla Hay

Julia Garner and Josh Brolin in “Weapons” (Photo by Quantrell Colbert/Warner Bros. Pictures)

“Weapons” (2025)

Directed by Zach Cregger

Culture Representation: Taking place in the fictional U.S. city of Maybrook, Pennsylvania, the horror film “Weapons” features a predominantly white cast of characters (with a few Asians and African Americans) representing the working-class and middle-class.

Culture Clash: After 17 third-grade students with the same teacher suddenly walk out of their homes at the same time at 2:17 a.m. and disappear, the community is gripped with fear, suspicion and anger over finding the missing children and punishing whoever is responsible.

Culture Audience: “Weapons” will appeal primarily to people who are fans of the movie’s headliners, filmmaker Zach Cregger, and well-made horror movies that pack a big punch.

Cary Christopher in “Weapons” (Photo courtesy of Warner Bros. Pictures)

One of the creepiest horror stories you can see in any given year, “Weapons” is a standout original film about the mystery of several children who disappeared on the same night. The movie has an unforgettable showdown that’s disturbing and darkly hilarious. Although some parts of “Weapons” can occasionally drag with slow pacing, the movie is an above-average blend of supernatural scares, psychological thrills and bloody gore for viewers who can tolerate seeing this type of film.

Written and directed by Zach Cregger, “Weapons” takes place in the fictional U.S. city of Maybrook, Pennsylvania. The main clue that Maybrook is in Pennsylvania is the police department’s phone number has the area code 814. (“Weapons” was actually filmed in Atlanta.) Maybrook is a suburban middle-class community that has a small police force.

The movie is narrated intermittently by an unnamed girl (voiced by Scarlett Sher), who is an observer of how a traumatic event affected the community. The narrator explains that in the early-morning hours of 2:17 a.m., 17 third graders at Maybrook Elementary School walked and ran out of their homes and then disappeared. Security camera footage showed that the children (ages 8 and 9) had their arms outstretched as they left their homes. None of the security camera footage showed the children being kidnapped or abducted by anyone.

Later that day, an investigation discovered that all 17 of the students had the same teacher: Justine Gandy (played by Julia Garner), a new Maybrook Elementary School employee, who showed up for work and saw that all but one of her students was absent. The only student who was in the class was Alex Lilly (played by Cary Christopher), who says he doesn’t know what happened to his missing classmates. Alex also says he doesn’t know why he was the only one of his classmates who didn’t go missing.

Extensive searches of Maybrook’s outdoor areas are done with police and several volunteers. The search does not reveal any clues. Conspiracy theories and mistrust spread like wildfire in the community. Eventually, a $50,000 reward is offered to anyone who has information that will directly lead to the safe return of the children.

At a town hall meeting, several angry members of the community confront Maybrook Elementary School principal Marcus Miller (played by Benedict Wong) and Justine, who is soft-spoken but can get angry and defensive when pushed too far. The people in the audience demand an explanation for why the only kids who are missing had Justine as a teacher. Marcus and Justine, who are fully cooperating with the investigation, vehemently deny that they or the school had anything to do with the disappearances.

One of the angriest people at this town hall meeting is Archer Graff (played by Josh Brolin), whose son Matthew Graff (played by Luke Speakman) is one of the missing kids. Archer outright accuses Justine of either beng responsible for the disappearances or knowing who’s responsible. Archer owns a small construction company and eventually becomes a vigilante investigator on his own when he feels that law enforcement isn’t doing enough. Fans of Cregger’s 2022 horror movie “Barbarian” will be pleased to see “Barbarian” co-star Justin Long in a cameo in “Weapons,” in which Long portrays Gary, a parent of one of the missing children.

Parts of the movie don’t ring true. Something as bizarre as 17 children inexplicably going missing at the same time in the same city would be big news all over the world. There would be a media circus that’s not depicted in this movie. The FBI would also probably get involved, but in the movie, the only person who’s seen as being in charge of the investigation is a Maybrook police captain named Ed (played by Toby Huss), who has no answers or updates when Archer has a tension-filled meeting with him.

The majority of “Weapons” is told in six chapters, with each chapter seen from the perspective of a different character, who are all connected to the disapparances in some way. Without giving away too many details, here is what is eventually revealed about each of these six characters:

Justine becomes a despised outcast in the community and is eventually placed on a paid leave of absence from the school. She begins abusing alcohol to cope with the stress. She is under strict orders not to contact Alex, as long as the children remain missing. Justine also has a troubled past that Archer finds out about and makes him even more suspicious of Justine.
Archer becomes obsessed with finding out what happened to Matthew and the other missing kids. He crosses boundaries that make a few of the parents uncomfortable. Archer uses his layout knowledge of the Maybrook neighorbhoods during his investigation. And he gets into an inevitable direct confrontation with Justine.
Paul Morgan (played by Alden Ehrenreich) is an ex-boyfriend of Justine’s who is a patrol cop and not a detective on the case, but his father-in-law is police captain Ed. Paul is a recovering alcoholic and is married to a woman named Donna (played by June Diane Raphael), who wants to start a family with Paul. Justine contacts Paul for some emotional comfort during this difficult time.
James (played by Austin Abrams) is a young homeless man who is addicted to meth and possibly other drugs, which he smokes and injects. James steals to get money for his addictions. He has a more than one encounter with Paul. James also plays a very pivotal role in the movie’s story.
Marcus does his best to shield Justine from disciplinary action and the wrath of people who think she’s responsible for the mysterious disappearances. However, Justine defies some of Marcus’ orders, so he has no choice but to put her on a forced leave of absence. Not much else is revealed about Marcus except that he has a husband named Terry (played by Clayton Farris), and they seem to be a happy couple.
Alex has kept mostly to himself after the disappearances were discovered. His unnamed parents (played by Whitmer Thomas and Callie Schuttera) have become recluses during the period of time that the children have gone missing. When Alex sees Justine, he tries to avoid talking to her. Alex’s aunt Gladys (played by Amy Madigan), an elderly woman who says she’s the older sister of Alex’s mother, shows up to help take care of Alex.

“Weapons” layers these chapters in a way where each chapter ends on a cliffhanger, until the movie’s last scenes, where all the characters’ stories come together for more revelations. It’s a great narrative structure for the movie because it keeps the suspense going throughout the story. Sensitive viewers be warned: “Weapons” has a finale that is not for people who get easily nauseated by bloody violence on screen.

The “Weapons” musical score (written Cregger, Ryan Holladay and Hays Holladay) is particularly effective in enhancing the moods for each scene. There are touches of twisted comedy, even in the most horrifying moments. It’s the movie’s way of diffusing some of the most unnerving situations shown in the film. These comedic touches are calibrated with the right tone so as not to look completely out of place.

The cast members’ performances (especially from Garner, Abrams and Madigan) are believable for their characters—even though the movie’s “mass disappearance” plot is not based on something that happened in real life. However, real-life horrors—such as not knowing what happened to missing children, experiencing illegal police brutality, and descending into an alcohol-fueled depression—are all explored in the movie in impactful ways. “Weapons” is an intentionally unsettling film that taps into many people’s worst fears but leaves enough hope about human resilience when attacked by evil.

Warner Bros. Pictures will release “Weapons” in U.S. cinemas on August 8, 2025.

Review: ‘Oppenheimer’ (2023), starring Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek and Kenneth Branagh

July 19, 2023

by Carla Hay

Benny Safdie and Cillian Murphy in “Oppenheimer” (Photo by Melinda Sue Gordon/Universal Pictures)

“Oppenheimer” (2023)

Directed by Christopher Nolan

Culture Representation: Taking place in the United States and in Europe, from the late 1920s to the late 1960s, the dramatic film “Oppenheimer” (based on the non-fiction book “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer”) features a nearly all-white cast of characters (with a few Latinos) representing the working-class, middle-class and wealthy.

Culture Clash: American physicist J. Robert Oppenheimer invents the atomic bomb, which is used in Japan toward the end of World War II, but he struggles with the moral consequences of this invention.

Culture Audience: “Oppenheimer” will appeal primarily to people who are fans of filmmaker Christopher Nolan, the star headliners and history-based movies with a top-notch principal cast.

Emily Blunt and Cillian Murphy in “Oppenheimer” (Photo by Melinda Sue Gordon/Universal Pictures)

“Oppenheimer” has the words “awards bait” written all over it. This epic drama about atomic bomb inventor J. Robert Oppenheimer is crammed with showy performances from an all-star cast. The last third of the movie is the best and most meaningful section.

Written and directed by Christopher Nolan, “Oppenheimer” is based on Kai Bird and Martin J. Sherwin’s 2005 non-fiction book “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer.” Oppenheimer was born in 1904 and died in 1967. This three-hour movie has a story that spans from the late 1920s to the late 1960s, with most of the story taking place in the 1940s and 1950s. It’s a very ambitious film that at times seems more interested in showing off how many famous cast members can be stuffed into quick-cutting scenes. The middle part of the movie tends to drag with some repetition, but the movie’s last hour is absolutely riveting.

J. Robert Oppenheimer, also known as Robert (played by Cillian Murphy, giving an award-worthy performance), is an intense and quietly brooding American theoretical physicist who is originally from New York, but he did his most significant work in remote areas of Los Alamos, New Mexico, where the atomic bomb was tested. The top-secret research into making the atomic bomb was called the Manhattan Project. The movie shows that Robert had mixed feelings about this invention, even before it was actually built. He also worried about how this bomb could possibly start a competition among other countries (specifically, Russia, then known as the Soviet Union) to make an even more destructive bomb.

The first hour of “Oppenheimer” cuts in and out of scenes so quickly, it does a disservice to the story by preventing viewers from getting to know the main characters better. After a while, the movie’s first hour just becomes a parade of big-name actors portraying scientists and government officials who have various debates about the merits and morality of the atomic bomb. It all becomes a bit long-winded, although the visuals in the movie are often stunning. Also noteworthy is composer Ludwig Göransson’s stirring “Oppenheimer” musical score.

There are repetitive mentions of Robert always feeling like the white Anglos who dominate the U.S. government will never truly accept him because he’s Jewish. There’s some antisemitism depicted in the movie, but the biggest prejudices in “Oppenheimer” have to do with political alliances. The movie’s story is steeped in people’s obsession with finding out who’s a Communist (or Communist ally) and who is not. This “Red Scare” would eventually be the undoing of more than one person in the story.

The other real-life people portrayed in “Oppenheimer” include Leslie Groves Jr. (played by Matt Damon), the politically conservative officer of the U.S. Army Corps. of Engineers and director of the Manhattan Project; Lewis Strauss (played by Robert Downey Jr.), the founding commissioner of the Atomic Energy Commission); and physicist Ernest Lawrence (played by Josh Hartnett), the extroverted inventor of the cyclotron, who befriends the more introverted Robert. Other real-life historical figures portrayed in “Oppenheimer” include Danish physicist Niels Bohr (played by Kenneth Branagh), a mutual admirer of Robert; hydrogen bomb inventor Edward Teller (played by Benny Safdie), an uneasy subordinate of Robert; and physicist Frank Oppenheimer (played by Dylan Arnold), Robert’s younger brother, who was recruited by Robert to work on the Manhattan Project.

And there’s more: Hans Bethe (played by Gustaf Skarsgård), the leader of the Manhattan Project’s theorist department; physicist/chemist Isidor Rabi (played by David Krumholtz), Robert’s longtime friend/advisor; Vannevar Bush (played by Matthew Modine), the leader of the Office of Scientific Research and Development; William Borden (played by David Dastmalchian), executive director of the U.S. Congress Joint Committee on Atomic Energy; and world-renowned scientist Albert Einstein (played by Tom Conti), who has a few contrived-looking scenes where he has private conversations with Robert.

And there’s even more: Jason Clarke as Roger Robb, special counsel to the Atomic Energy Commission; Macon Blair as Lloyd Garrison, Robert’s attorney; Rami Malek as physicist David Hill; Alden Ehrenreich as an unnamed U.S. Senate aide who works with Lewis Strauss; Casey Affleck as U.S. Army military intelligence officer Boris Pash; Dane DeHaan as civil engineer Kenneth Nichols. Also in the “Oppenheimer” cast are Tony Goldwyn as national security/defense government official Gordon Gray; Jack Quaid as physicist Richard Geynman; Josh Peck as physicist Kenneth Bainbridge; Alex Wolff as physicist Luiz Alvarez; and James Remar as U.S. government official Henry Stimson. Even with a cast packed with well-known actors, most of the supporting actors who are in the movie for less than 10 minutes each don’t have much to do but say their lines while sitting or standing in offices.

One of the best scenes in the movie is when Robert has a tension-filled meeting in 1945, with U.S. president Harry Truman (played Gary Oldman), who dismisses Robert’s concerns about the atomic bomb being a trigger for other countries, such as the Soviet Union, to get into an arms race to build an even more destructive bomb. The scene is less than 15 minutes long, but Oldman absolutely stands out as tough-talking President Truman, who has no regrets about deciding to drop the atomic bomb on the Japanese cities of Hiroshima and Nagasaki that year. President Truman scolds Robert by saying: “Do you think Hiroshima and Nagasaki care who invented the bomb? They care about who dropped it. I did!”

The only two women with prominent speaking roles in the movie are mainly there as love interests to the male protagonist, even though these women have their own careers. Florence Pugh plays a commitment-phobic, Stanford-educated psychiatrist named Jean Tatlock, who has a fling with Robert around the same time that he meets his future wife Katherine, nicknamed Kitty (played by Emily Blunt), who is an outspoken botanist/biologist. Robert was Kitty’s fourth husband.

Both women are portrayed as being “difficult” for Robert, who’s depicted as the “long-suffering” person who has to deal with these strong-willed and opinionated women. Robert is portrayed as a “romantic” who just can’t help falling for women who might be wrong for him. “Oppenheimer” absolutely excuses his affairs with married women, including Kitty, whom he got pregnant when she was married to her third husband. Robert’s responsibility in this homewrecking infidelity is glossed over in the movie with a “wink, wink, nudge nudge/boys will be boys” attitude, while Kitty gets the most of the shaming.

As was the case with many wives in the 1940s and 1950s, Kitty (who came from an affluent family) had to make her career take a back seat to her husband’s career while she was the primary caretaker of their two children: son Peter and daughter Toni. Kitty is very unhappy in New Mexico. Her mental health starts to deteriorate, and she has some addiction issues.

Despite her personal challenges, Kitty maintains a defiant nature. Kitty encourages Robert to stand up for himself when he becomes the target of a smear campaign by former ally Lewis Strauss, who spreads lies that Robert is a secret Communist who might have been a spy for the Russian government. Blunt gives a compelling performance that has a little more depth than the typical “loyal wife of the main character.” Downey has his moments to shine as the sneaky and duplicitous Lewis, but Downey performs in “Oppenheimer” like he’s trying too hard to win an Oscar.

“Oppenheimer” is a very “male gaze” movie that wallows in showing a lot of men in ego rivalries and power struggles, while all the women react to whatever the men do. Pugh being topless in her sex scene with Murphy is a very “male gaze” decision, since she didn’t need to be shown with her naked breasts exposed in this movie. Meanwhile, her male co-star had absolutely no “private parts” nudity in this sex scene. Directors really need to stop this blatant double standard about nudity in sex scenes, where women have to show some kind of nudity, while men do not have to show any nudity. It’s a very outdated double standard that’s a turnoff to many viewers who aren’t stuck in this type of backwards and sexist mindset.

The lead-up to the making of the atomic bomb isn’t nearly as interesting in “Oppenheimer” as what happens in the aftermath, when Robert struggles with the consequences of his invention. He becomes famous and lauded as a war hero in America, but with that fame come scrutiny and jealousy from some of the people he had trusted as colleagues. People who know what happened in real life to Oppenheimer can debate if what is shown in the movie is entirely accurate. The “Oppenheimer” movie obviously makes him look like a sympathetic person.

One of the ways that “Oppenheimer” depicts Robert’s guilt is when he hallucinates visions of people in front of him dying from the bomb, with their faces melting or their bodies being ripped apart. Curiously, he only envisions white people suffering from this catastrophe, not the thousands of Japanese people who were actually killed by the bomb he invented. It might be a tone-deaf part of the movie, or it might be writer/director Nolan’s way of showing that even “liberal” Robert Oppenheimer couldn’t see past his own insular world that has no racial diversity.

“Oppenheimer” is not the masterpiece that some people might hail it to be. As a history-based drama, it’s got a very narrow point of view. However, the performances by Murphy, Blunt and Oldman elevate this very long movie, even if much of the dialogue is basic and perfunctory. During the course of the story, Robert Oppenheimer goes from being an underdog to a hero to an embattled public figure. It’s this most difficult phase of his life that brings out his true character and the best that “Oppenheimer” has to offer.

Universal Pictures will release “Oppenheimer” in U.S. cinemas on July 21, 2023.

Review: ‘Cocaine Bear,’ starring Keri Russell, O’Shea Jackson Jr., Alden Ehrenreich, Isiah Whitlock Jr., Margo Martindale, Jesse Tyler Ferguson and Ray Liotta

February 23, 2023

by Carla Hay

“Cocaine Bear”

Directed by Elizabeth Banks

Culture Representation: Taking place in 1985, in Georgia (and briefly in Tennessee and in Missouri), the comedic action film “Cocaine Bear” (based loosely on a true story) features a predominantly white cast of characters (with some African Americans and Asians) representing the middle-class, working-class and criminal underground.

Culture Clash: After a drug smuggler dies while parachuting from a plane with large quantities of cocaine, a black bear in a forest area goes on a rampage after ingesting a lot of the cocaine.

Culture Audience: “Cocaine Bear” will appeal primarily to people who are interested in watching dark and violent action comedies that are intentionally absurdist.

O’Shea Jackson Jr., Ayoola Smart, Alden Ehrenreich and Ray Liotta in “Cocaine Bear” (Photo by Pat Redmond/Universal Pictures)

Just like the bear that’s on a cocaine-fueled rampage, the erratic and unpredictable “Cocaine Bear” aims to shake up people’s sensibilities. It’s a wild and uneven ride, where the movie’s surreal comedy works well, more often than not. If you’re easily offended by the thought of children and animals ingesting cocaine, then it’s best to avoid watching “Cocaine Bear.” If you’re open to watching an adult-oriented comedy that doesn’t take itself too seriously, then “Cocaine Bear” might be enjoyable, in a way that’s similar to how people enjoy going on amusement park rides that bring some terror to the entertainment.

Directed by Elizabeth Banks and written by Jimmy Warden, “Cocaine Bear” (which takes place in 1985) is very loosely based on true events. The majority of the movie is fiction. The basic facts that the movie keeps true are that a drug smuggler in his early 40s named Andrew Thornton II (played by Matthew Rhys), who used to be a narcotics police officer in Kentucky, died in Knoxville, Tennessee, after he jumped out of a small private plane with 70 to 75 pounds (or 31 to 34 kilograms) of cocaine, and his parachute malfunctioned. (It’s the opening scene of “Cocaine Bear.”)

Before jumping out of the plane, he had dumped duffel bags filled with several bricks of cocaine in the Chattahoochee–Oconee National Forest in Georgia. The most common theory is that Thornton had brought too much cocaine on the plane and unloaded some of his stash in the forest, with a plan to go back later and get the cocaine. However, in real life, a black bear got to the cocaine first and was found dead of an overdose. In the movie, the bear doesn’t die of an overdose but instead goes on a killing spree where humans are the main targets. All of the characters in “Cocaine Bear” except Thornton are fabricated for the movie. The “cocaine” seen in the movie is actually sugar or artificial sweetener.

An introduction statement in the movie explains that black bears usually don’t attack people unless it’s for reasons related to food, self-defense or invasion of a bear’s territory. “Cocaine Bear” doesn’t waste much time before the mayhem starts. At Chattahoochee–Oconee National Forest, two German-speaking tourists named Elsa (played by Hannah Hoekstra) and Olaf (played by Kristofer Hivju), who also goes by the name Kristoffer, are hiking and taking photos. They see a bear acting strangely, such as dry-humping a tree.

Elsa and Olaf/Kristoffer are intrigued and want to take photos of this bear, although he is more hesitant because he heard that black bears can be deadly. According to the “Cocaine Bear” production notes, the movie’s coke-fueled bear (which the cast and crew nicknamed Cokey) is actually a combination of visual effects and motion caption imagery with stunt performer Allan Henry. In the movie, tourists Elsa and Olaf/Kristoffer are the first people who have a very unlucky encounter with the bear. Only one of these tourists makes it out alive.

The first 20 minutes of “Cocaine Bear” jump around a lot from scene to scene, by quickly showing the other characters in the movie who will encounter the bear. In St. Louis, Missouri, an international drug smuggler named Syd (played by Ray Liotta) was responsible for getting the cocaine shipment that Thornton was supposed to deliver. In real life, the deceased Thornton was found with cocaine that was worth $15 million at the time. In the movie, it’s mentioned that the missing cocaine in the forest is worth about $7 million.

Syd comically has his headquartes at Four Pines Mall, where he likes to hang out with his small crew at O’Shaughnessy’s Burger Time restaurant. Syd’s two main henchmen are his son Eddie (played by Alden Ehrenreich) and Eddie’s best friend Daveed (played by O’Shea Jackson Jr.), who is the more risk-taking and tougher of the two pals. Thornton’s death has made the national news. Syd knows that he’ll be held responsible for any of the cocaine that’s still missing—and he’ll do whatever it takes to find this stash. Somehow, Syd knows that Thornton had dumped the rest of the stash in the Chattahoochee–Oconee National Forest.

Eddie is first seen literally crying over his drinks in a dive bar in St. Louis, because he’s grieving over the death of a friend/colleague named John. Eddie is babbling about how the person conducting the funeral service mistakenly called John the name Joan. It’s a rambling scene that didn’t really need to be in the movie, especially since Ehrenreich over-acts in this scene. Daveed comforts Eddie, but they won’t have much time to drown any more of their sorrows in a St. Louis bar, because Syd has ordered Eddie and Daveed to go to Georgia to find the missing cocaine in the Chattahoochee–Oconee National Forest.

Meanwhile, the Chattahoochee–Oconee National Forest is under the jurisdiction of a local police detective named Bob Springs (played by Isiah Whitlock Jr.), who knows that the forest is being used as a drug-smuggling hiding place for Syd and Syd’s “crime family.” Bob is determined to find a way to bust Syd and Syd’s cronies. Bob correctly assumes that there might be some of some of Thornton’s missing cocaine in the forest, and people in Syd’s crew will come looking for this drug stash.

“Cocaine Bear” gets a little sidetracked with some comedic details that don’t become very clear until later in the movie. For example, there are several minutes of screen time showing that Bob, who wants to adopt a dog, had a Maltese delivered to him instead of the Labrador Retriever that Bob originally wanted. Bob asks his police officer colleague Reba (played by Ayoola Smart) to temporarily look after the Maltese, which is a dog with long white fur that he thinks looks too high-maintenance and “fancy” for Bob. Viewers have to watch an epilogue scene in “Cocaine Bear” to see the reason why the movie keeps showing this Maltese.

Also in the Chattahoochee–Oconee National Forest area is a hospital nurse named Sari (played by Keri Russell), who is financially struggling and has to work extra shifts to help make ends meet. Sari is the mother of 13-year-old Dee Dee (played by Brooklynn Prince), who has dreams of becoming a painter artist. Dee Dee’s best friend is a slightly younger child named Henry (played by Christian Convery), who has a crush on Dee Dee and spends a lot of time trying to impress her.

Dee Dee and Henry are both playful and a little rebellious. They skip school one day so that Dee Dee can go to a place in the forest’s Blood Mountain, where there is a nearby waterfall that Dee Dee wants to paint so that she can use this painting to get accepted into a prestigious art camp. A big part of the movie is about Sari trying to find “missing” Dee Dee and Henry in the forest. Because Dee Dee and Henry have gone missing on the same day that the cocaine bear goes on a rampage, you can easily predict what might happen with these two kids.

The Chattahoochee–Oconee National Forest has a visitor center, where a no-nonsense park ranger named Liz Winters (played by Margo Martindale) works as a manager of sorts. (She’s the only employee of the visitor center who’s seen in the movie.) Liz tries to come across as being tough as nails, but she’s got a soft spot for an animal-rights activist named Peter (played by Jesse Tyler Ferguson, in a very fake-looking wig), who calls himself a “life inspection representative.” Peter is a regular visitor to make sure that no animals are being harmed in the forest.

Peter might be aware that Liz has a crush on him. The movie drops in some adult-oriented double entendre jokes. For example, Peter comments to bachelorette Liz about one of the taxidermy animals on display in the visitor center: “You’ve got a dusty beaver here, rancher.” Liz smirks and replies, “I’m working on it.” Later in the movie, two paramedics named Beth (played by Kahyun Kim) and Tom (played by Scott Seiss) arrive by ambulance to the visitor center in one of the movie’s most memorable scenes.

A group of troublemakers in their late teens and early 20s, who call themselves the Duchamps, have been robbing and assaulting people in the forest area. Only three of these gang members are shown in “Cocaine Bear,” and they only have nicknames in the movie. Kid (played by Aaron Holliday), also known as Stache, is the youngest and most likely to talk himself out of tough situations with an opponent. Ponytail (played by Leo Hanna) is the biggest bully in the group. Vest (played by J.B. Moore) is the most likely to get scared when things go wrong.

All of these characters encounter each other in one way or another during “Cocaine Bear.” There’s a lot of gruesome violence that looks straight out of a horror movie. However, “Cocaine Bear” is never really a horror movie because it stays consistently true to its intention of being an action comedy. The bear does some unrealistic stunts and has some human-like facial expressions that seem to be the filmmakers’ way of winking at the audience to show that “Cocaine Bear” is an absurdist fictional film.

In one of his last movie roles, Liotta (who died in his sleep in 2022, at the age of 67) seems to be having fun as the “Cocaine Bear” Syd character, which is a spoof of all the callous criminals that Liotta portrayed in his long acting career. Martindale, Ferguson and Jackson also have great comedic timing and understood that “Cocaine Bear” is meant to have a dark-but-wacky satirical tone in this story about humans versus a wild animal. The rest of the cast members are serviceable in their roles. The bear, without question, is the star of the show.

For a movie about a cocaine-fueled killer bear on the loose, “Cocaine Bear” occasionally disappoints when the movie becomes less suspenseful about when the bear is going to attack next. The adrenaline-packed momentum drags when the movie gets sidetracked with the some of the shenanigan-like conflicts between people who know about the bear.

“Cocaine Bear” also requires a huge suspension of disbelief that the local fire department (which is usually in charge of handling wild animals) wasn’t called as soon as it was known that a wild bear was killing people. Police detective Bob is the main government official on the scene for most of the movie. And there is no mention of the area being evacuated for safety after it’s known that a killer bear is on the loose, and more people get killed by the bear.

However, no one should be going to see “Cocaine Bear” for realism. Banks’ direction is solid but sometimes a little too busy and unfocused. The movie is hit-and-miss when it comes to the storytelling part of the narrative. And some of the main characters (such as Eddie and Sari) are not very interesting. But “Cocaine Bear” delivers the goods when it comes to viewer anticipation to see what this unhinged bear will do next. The movie is destined to become a cult classic for viewers who like this type of entertainment.

Universal Pictures will release “Cocaine Bear” in U.S. cinemas on February 24, 2023.