Review: ‘Bad Behaviour’ (2023), starring Jennifer Connelly, Alice Englert, Ben Whishaw and Dasha Nekrasova

January 30, 2023

by Carla Hay

Jennifer Connelly in “Bad Behaviour” (Photo courtesy of Sundance Institute)

“Bad Behaviour” (2023)

Directed by Alice Englert

Culture Representation: Taking place in Oregon and in New Zealand, the comedy/drama film “Bad Behaviour” features a predominantly white cast of characters (with a few black people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A depressed actress, who used to be famous when she was a teenager, goes to a therapeutic retreat, and she experiences odd situations while trying to mend her strained relationship with her adult daughter, who is working in New Zealand as a movie stunt performer. 

Culture Audience: “Bad Behaviour” will appeal primarily to people who are fans of star Jennifer Connelly and pointless and dull movies where self-absorbed people are obnoxious.

Ben Whishaw in “Bad Behaviour” (Photo courtesy of Ahi Films)

Observational comedies about self-pitying, privileged neurotics can be amusing if done with some clever self-awareness. “Bad Behaviour” tries too hard to be cutesy and dark, with no wit involved. It all adds up to being an irritating, self-indulgent mess. “Bad Behaviour” had its world premiere at the 2023 Sundance Film Festival. It’s yet another movie about someone who goes on a “getaway trip” to try to find some relief from personal problems, and the person finds out that running away from these problems isn’t the answer.

“Bad Behaviour” is the feature-film directorial debut of Alice Englert, who also wrote the movie. Englert is best known as an actress, with roles in such films as 2012’s “Ginger & Rosa” and 2019’s “Them That Follow,” as well as TV series such as 2016’s “Top of the Lake,” 2020’s “Ratched” and 2022’s “Dangerous Liaisons.” Englert also happens to be the daughter of Oscar-winning director Jane Campion. This family connection is worth noting because Campion makes a cameo in “Bad Behaviour” as an unnamed doctor, while Englert has an acting role Campion’s 2021 film “The Power of the Dog.”

In “Bad Behaviour,” Jennifer Connelly portrays Lucy, a depressed actress who is going to a therapuetic retreat in Oregon at a place called Loveland Ranch. While driving by herself to this retreat, Lucy calls her daughter Dylan (played by Englert), a stunt performer who is in her 20s and is currently in New Zealand on the set of a sci-fi action movie. A lot of the movie’s action scenes take place in a wooded area. (“Bad Behaviour” was actually filmed in New Zealand.)

The phone conversation between Lucy and Dylan is brief, because Dylan’s phone service isn’t very good in these woods. However, they are on the phone long enough for Lucy to tell Dylan that Lucy is going on a “semi-silent retreat in the wildnerness, so don’t expect to hear from me.” Dylan is very indifferent and doesn’t seem very interested in talking on the phone with her mother. Before their phone connection get cut off, Dylan tells Lucy that Dylan is at work. “I have to teach a guy to strangle me,” Dylan says in a distracted tone.

When Lucy arrives at Loveland Ranch (which is in a semi-isolated wooded location), she’s told by the receptionist Petunia (played by Ana Scotney) that there is no WiFi service outside of the reception area. The retreat participants are also discouraged from using their cell phones, because cell phones are considered to be distracting for this retreat. Petunia also says that the people on this retreat are being filmed for a documentary. It’s the first sign that this so-called “private” retreat has a lot of contradictory things about it. It’s partially because this retreat is like a very bad, unfunny joke, and partially because the writing for this movie is so sloppy.

Lucy is surprised to hear that the therapy sessions will be filmed. And so, Lucy tells Petunia that she doesn’t want to be filmed when she’s revealing personal information during these sessions. Petunia accepts this request from Lucy and says that Lucy can just tell the camera operator Mark (played by Thomas Sainsbury) when Lucy does not feel comfortable being filmed, and Mark will stop filming Lucy. All of this doesn’t matter in the end, because viewers will see later in the movie that Lucy eventually forgets that the cameras are there.

Everything about Loveland Ranch reeks of being pretentious, pricey, and aimed at gullible people who are desperate for emotional comfort. The retreat is led by a famous guru named Elon Bello (played by Ben Whishaw), a Brit whose therapy credentials are never mentioned, probably because he doesn’t have any legitimate therapy credentials. There are about 10 participants in the therapy sessions that take place in “Bad Behaviour,” with each therapy session becoming more and more annoying to watch.

This is the type of nonsense that Elon spouts when greeting the therapy participants: “I invite you to begin this time with yourselves, without the stories that drove you here … I invite us to be quiet, to give yourself permission to be a little mysterious … I encourage you not to smile at each other, no winking, so signing. You can use the [writing] board, or come to me or Petunia if you’re feeling panic, of course.”

The problem with Elon’s instructions is that he constantly contradicts them, thereby giving the therapy sessions a rambling and unfocused tone—much like how Englert directs this movie. For a so-called “semi-silent” retreat, people sure do a lot of talking about themselves and their sob stories, and they make a lot of noise. In one therapy session, the participants are paired up for role playing, with one person in the pair acting as a sad baby, while the other person is acting as a nurturing mother.

At first, Lucy is emotionally closed-off and doesn’t want to reveal too much of herself. Eventually, she is told that she has to fully open up about herself to the rest of the group, which is a direct contradiction to Elon saying earlier, “I give you permission to be a little bit mysterious.”

It’s how viewers find out that Lucy is a “has-been” actress whose fame peaked when she was a teenager. Her main claim to fame was starring as a “warrior princess” in a TV series called “Florida Fierce.” She also has a long history of depression, stemming from her unhappy childhood being raised by alcoholic parents, who also had a history of depression.

In a “confession session,” the participants are told to confess the biggest thing that makes them feel ashamed about themselves. Lucy says she’s ashamed that “I’m just a greedy, needy, lazy, paranoid human being, living off the money I made from the character that gave me an eating disorder.” Elon irresponsibly makes no effort to find out from Lucy how this eating disorder is affecting her now.

During a break from the sessions, Lucy sneaks outside in the back of the building to use her phone to text an unidentified person. This person advises Lucy that she needs to “purge” her emotional baggage at this retreat. The text conversation also includes some other information about Lucy’s life that can only be seen if viewers are able to pause the screen and read these text messages.

This information includes the fact that Lucy’s mother was suicidal. When Lucy was 17, Lucy used to date a friend of her father. This “friend” gave herpes to Lucy. Later in Lucy’s life, Lucy’s ex-husband Ralph, who is Dylan’s father, left Lucy and Dylan. These are all important details of Lucy’s background that can explain why Lucy feels depressed and damaged, but “Bad Behaviour” only touches on the suicidal tendencies of Lucy’s mother. It’s a missed opportunity to explore other aspects of Lucy’s life that led her to this point.

Instead, “Bad Behaviour” goes on an off-putting tangent where Lucy and another retreat participant get into an unspoken competition about who’s going to get the most sympathy in these therapy sessions. Lucy’s rival to be the Loveland Ranch queen of neuroses is a fashion model in her 20s named Beverly (played by Dasha Nekrasova), who soon tells everyone at the retreat that she has suicidal thoughts. “I like to write suicide notes, and I fantasize about my funeral,” says Beverly. “I’d rather be dead. That’s my shame.”

In response, Elon says to Beverly: “You are at an airport right now. You know your flight will crash. Do not get on it.” He adds with a smirk: “Although sometimes, crashing has its benefits.” This comment is meant to be part of the the dark comedy of “Bad Behaviour,” but it’s all just so lackluster, despite having the very talented Whishaw in this role of a flaky guru.

At first, Lucy tries to be friendly to Beverly, but Lucy loses interest when Beverly acts haughty and superior to Lucy. For example, during a break from the therapy, Beverly asks Lucy to take photos of Beverly on Beverly’s cell phone, so that Beverly can post the photos on Beverly’s social media. The two women then low-key bicker about the proper lighting and how Beverly poses for these pictures.

Lucy and Beverly then take their hostility to each other into the therapy sessions. They trade thinly veiled insults related to their respective ages. When Beverly confesses that she’s worried about losing her “currency” of youth and beauty when she gets older, Lucy snarkily says that it’s inevitable. Meanwhile, Beverly makes snide remarks to make Lucy feel like a washed-up old hag.

It’s unfortunate that with all the ways that this movie’s plot could have gone, it devolves into a tiresome and lazy cliché of two women who are jealous of each other and get catty about it. Something happens later in the movie between Beverly and Lucy that takes this already jumbled and unappealing movie to the point of no return in ridiculousness. “Bad Behaviour” is trying desperately to be an artsy dark comedy, but too many aspects of this dreadful film look like ripoff ideas from a semi-scripted and tacky reality show.

In addition, “Bad Behaviour” awkwardly meshes the concurrent storylines of Lucy and Dylan. Most of “Bad Behaviour” goes back and forth between showing Lucy at the Loveland Ranch in Oregon, and Dylan on the movie set in New Zealand. Dylan’s activities are even more tedious and less insightful into her personality than what is shown about Lucy. Occasionally, Lucy and Dylan are seen talking to each other on the phone while they are so far away from each other.

There are too many scenes of Dylan running, fighting, and jumping around the movie set in visual effects costumes, with no real point to these scenes. She’s training another stunt performer named Dion (played by Beulah Koale) during the filming of this movie. There’s some sexual attraction between Dion and Dylan. And you can easily predict the rest.

“Bad Behaviour” brings up too many questions that it never bothers to answer. Sure, viewers know that Dylan has a lot of resentment toward Lucy, but the movie offers very little explanation for what their mother/daughter relationship was like before the events in the movie take place. The cast members’ performances aren’t bad, but they’re not that special either. The best acting in the movie comes from Connelly, who delivers some convincing-looking emotions in the scenes where she has to show those emotions.

However, the dialogue and tone of “Bad Behaviour” are just a confused mishmash, since Englert can’t quite capably juggle the movie’s intended combination of comedy and drama. The character of Elon is very shallow, as are all the people at the retreat. The movie spends so much of its focus on the “Lucy verses Beverly” storyline, it’s to the detriment of character development. Karan Gill has a very clumsily written role as a young attorney named Leonard “Leo” Gow, who becomes part of the story in the last third of the movie.

“Bad Behaviour” isn’t the worst movie you could ever see. The cinematography, especally in the outdoor scenes, can be quite eye-catching. However, considering the talent in this movie’s cast, “Bad Behaviour” should have been a lot better than the monotonous and aimless slog that it is. There’s an attempt to “shake things up” with a sudden turn of events, but everything about it looks phony and out-of-touch. “Bad Behaviour” is like a misguided therapy session that tries to look it might have some purpose, but it ends up doing more things wrong than right, and it becomes a waste of everyone’s time.

UPDATE: Ahi Films will release “Bad Behaviour” in New Zealand cinemas on November 2, 2023, and in Australian cinemas on November 9, 2023. Gravitas Ventures will release “Bad Behaviour” in select U.S. cinemas, digital and VOD on June 14, 2024.

Review: ‘You Won’t Be Alone,’ starring Sara Klimoska, Anamaria Marinca, Alice Englert, Félix Maritaud, Carloto Cotta and Noomi Rapace

February 5, 2022

by Carla Hay

Jasmina Avramovica and Noomi Rapace in “You Won’t Be Alone” (Photo by Branko Starcevic/Focus Features)

“You Won’t Be Alone”

Directed by Goran Stolevski

Macedonian with subtitles

Culture Representation: Taking place in an unnamed rural part of Macedonia in the 19th century, the horror film “You Won’t Be Alone” features an all-white cast of characters representing the working-class and middle-class.

Culture Clash: A woman, who was cursed as a baby by an evil witch, wanders around taking different forms of life, while the evil witch keeps showing up to make sure that the woman remains unhappy and unable to experience love.

Culture Audience: “You Won’t Be Alone” will appeal mainly to people who are interested in artsy, European horror movies that aren’t always obvious and straightforward in their messaging.

Sara Klimoska and Anamaria Marinca in “You Won’t Be Alone” (Photo by Branko Starcevic/Focus Features)

Combining artsy existentialism and bloody horror doesn’t sound like a good match, but somehow “You Won’t Be Alone” does it well enough for viewers who have patience for a slow-paced movie with an impactful ending. Getting to that ending can be too much of a slog for people who don’t care for movies with a language that’s foreign to most viewers, or movies that have imagery and scenes that are almost like pieces to a puzzle. This “slow burn” film has tension, but it will not satisfy people looking for an action-packed thriller. For everyone else who wants to take on the challenge of watching “You Won’t Be Alone,” be prepared for a ride that’s like a ponderous fever dream about witchcraft. “You Won’t Be Alone” had its world premiere at the 2022 Sundance Film Festival.

Written and directed by Goran Stolevski, “You Won’t Be Alone” takes place in an unnamed rural part of Macedonia in the 19th century. (The movie was actually filmed in Serbia.) The story is about a cursed female who wanders around the area and is able to shapeshift/transform into anything or anyone she kills. She was cursed as a baby by an evil witch, who shows up from time to time to make sure that this cursed female remains unhappy and unable to stay in one place for too long.

The opening of “You Won’t Be Alone” shows how this curse happened. A woman named Yoana (played by Kamka Tocinovski) lives on a farm, and she has a baby daughter named Nevena. Inside a barn, Yoana is in distress because she and Nevena are in the presence of a witch called Maria (played by Anamaria Marinca), also known as Old Maid Maria. Maria looks like a stereotypical witch hag: Her hair is straggly and in patches on her head. She’s hunched over, and her face looks like it has severe burn scars.

“Have mercy,” Yoana begs Maria. “On my blood, I beg of you! Children are a burden. You don’t want the nuisance.” Maria hisses in response: “Are you a fool, woman? As if I want a child. A bit of blood is all. A fresh-born’s.”

Yoana pleads with Maria: “I’ll bring you other babies! Leave me my Nevena. It’s a daughter you want?” Maria replies, “Spend my one witching spit? On this runt?” Yoana continues to beg Maria not to curse Nevena as a baby and wait until Nevena is 16. This desperate mother takes a knife and cuts the inside of her own left forearm to offer the witch some blood.

However, Maria remains unmoved. “I think not,” Maria says. And then, Maria puts some blood on the baby’s mouth to enact the curse. Yoana is so ashamed of what has happened that she decides to pretend to everyone that Nevena has died. She runs outside and screams that a wolf has stolen her baby.

In actuality, Yoana has secretly hidden baby Nevena in a cave, where Yoana takes care of her. The movie then fast-forwards to a teenage Nevena (played by Sara Klimoska), who’s about 16 years old. She has been mute since being cursed by the witch, but Nevena’s inner thoughts can be heard in a voiceover. Nevena has never been outside of the cave until the Maria the witch comes back to pay a visit.

Without giving away too much information, it’s enough to say that Maria kills Yoana in the cave. And it’s the first time that Nevena sees how shapeshifting can work. Maria forces Nevena to go outside of the cave with her and begins to teach her how kill, shapeshift, and eventually live on her own. Maria is often cruel and impatient with Nevena, who is initially very reluctant to kill animals for food until she is taught by Maria that killing animals for food is a way to survive.

Nevena finds out that because of the curse, she is now a witch with the power to shapeshift into anyone or anything that she kills. In human form, Nevena has long dark nails that look like talons. Nevena can also self-heal from injuries and doesn’t feel pain. Nevena discovers she has these abilities when Maria burns her as a test. However, even when Nevena transforms into another human, she still doesn’t have the ability to talk.

The rest of “You Won’t Be Alone” follows Nevena’s journey as she encounters other people and how they react to each other. Not everyone makes it out alive. And not everyone Nevena transforms into is a female or a human. Maria shows up from time to time because she doesn’t want Nevena to become too comfortable or happy.

One the people whom Nevena encounters during this often-bizarre story is a mother named Basilka (played by Noomi Rapace), who has recently given birth to a baby. Basilka is in a miserable marriage to a man who physically and emotionally abuses her, but Basilka is treated kindly by her mother-in-law (played by Jasmina Avramovica). Nevena becomes a part of Basilka’s world which consists of other women who are degraded and abused by their husbands, but they women find comfort in each other’s friendships.

Through observations of people around her, Nevena learns to imitate human emotions and what reactions and actions are considered appropriate and acceptable. She doesn’t pick up social cues right away, which leads to some awkward moments. Maria notices that the men in this farming community like to make the women cry. Since viewers can hear Nevena’s thoughts, she has a name for tears that come from crying: “eye water.”

She also makes this observation about people in Basilka’s world: “When a man is in the room, you are not a woman. You are the stew, the bread. Your place—it is inside his palm.” And she has this to say about the camaraderie that the women find with each other: “When the women [are] in the room, your mouth, it never stops opening … You are the looking glass … To the man, you are the water.”

Later on in the movie, which spans over several years, other characters play key roles in Nevena’s journey as a cursed witch. There’s a handsome ladies’ man named Boris (played by Carloto Cotta); a girl named Biliana (played by Anastasija Karanovich); and a boy named Yovan (played by Danilo Savic). As adults, Biliana (played by Alice Englert) and Yovan (played by Félix Maritaud) have life-changing transitions that affect Nevena.

“You Won’t Be Alone” is a movie that is not brimming with dialogue, but the cast members give admirable performances in expressing emotions in this very oppressive world. There are long stretches of the movie that are atmospheric shots where viewers are invited to soak up the scenery. However, amid the lush greenery of the forests and fields there’s bloody brutality, as well as the always-lurking threat that Maria will suddenly appear. Most of “You Won’t Be Alone” is very bleak, but the movie has a powerful message that doesn’t really emerge until the last 10 minutes. Because of this gripping conclusion, viewers who are patient enough to stick with the movie until the end will appreciate the story the most.

Focus Features will release “You Won’t Be Alone” in select U.S. cinemas on April 1, 2022. UPDATE: Peacock will premiere “You Won’t Be Alone” on May 16, 2022.

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