All Quiet on the Western Front Archives

2023 Academy Awards: ‘Everything Everywhere All at Once’ is the top winner

March 12, 2023

by Carla Hay

Members of the “Everything Everywhere All at Once” team, pictured clockwise, from left: Jamie Lee Curtis, James Hong, Michelle Yeoh, Jonathan Wong, Stephanie Hsu, Daniel Scheinert, Daniel Kwan and Ke Huy Quan at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

With seven Oscars, including Best Picture, A24’s sci-fi/action film “Everything Everywhere All at Once” was the top winner for the 95th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC had the live U.S. telecast of the show, which was hosted by Jimmy Kimmel. “Everything Everywhere All at Once,” which had 11 nominations, also won Oscars for Best Director (for Daniel Kwan and Daniel Scheinert); Best Actress (for Michelle Yeoh); Best Supporting Actress (for Jamie Lee Curtis); Best Suporting Actor (for Ke Huy Quan); Best Film Editing; and Best Original Screenplay. “Everything Everywhere All at Once” is about a Chinese American family traveling through multiple time eras, identities and universes.

Netflix’s German-language World War I drama “All Quiet on the Western Front” won four Oscars: Best International Feature Film, Best Cinematography, Best Production Design and Best Original Score. Going into the ceremony, “All Quiet on the Western Front” had nine Oscar nominations. Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” also garnered nine nominations, but didn’t win any Oscars. For the first time in Oscar history, the category for Best Picture is now required to have no less than 10 nominations per year.

The only other movie to win more than one Oscar this year was the A24 drama “The Whale,” which won the prizes for Best Actor (for Brendan Fraser) and Best Makeup and Hairstyling. In the movie, Fraser portrays an extremely obsese man who is dying. For his role in “The Whale,” Fraser wore prosthetic makeup from the neck down.

The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Picture Arts and Sciences. The 2003 Oscar ceremony telecast was overseen by executive producer/showrunner Glenn Weiss, executive producer/showrunner Ricky Kirshner and executive producer Molly McNearney.

Artists at the show who performed the five Oscar-nominated songs were Sofia Carson and Diane Warren ( “Applause” from “Tell It Like a Woman”); David Byrne, Stephanie Hsu and Son Lux (“This Is a Life” from “Everything Everywhere All at Once” ); Kaala Bhairava and Rahul Sipligunj (“Naatu Naatu” from “RRR”); Lady Gaga (“Hold My Hand” from “Top Gun: Maverick”); and Rihanna (“Lift Me Up” from “Black Panther: Wakanda Forever”). “Naatu Naatu” won the Oscar, which went to songwriters M.M. Keeravaani and Chandrabose.

Presenters at the ceremony were Riz Ahmed, Halle Bailey, Antonio Banderas, Elizabeth Banks, Halle Berry, Emily Blunt, Jessica Chastain, John Cho, Jennifer Connelly, Paul Dano, Ariana DeBose, Cara Delevingne, Harrison Ford, Morgan Freeman, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Kate Hudson, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Mindy Kaling, Nicole Kidman, Troy Kotsur, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Jonathan Majors, Melissa McCarthy, Janelle Monáe, Elizabeth Olsen, Deepika Padukone, Pedro Pascal, Florence Pugh, Margot Robbie, Zoe Saldaña, Ahmir “Questlove” Thompson, John Travolta, Sigourney Weaver and Donnie Yen.

Ke Huy Quan, Michelle Yeoh, Brendan Fraser and Jamie Lee Curtis at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

Here is the complete list of winners and nominees for the 2023 Academy Awards:

*=winner

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers*
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director

Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)*
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)*
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)

Best Lead Actress

Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)*

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)*

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)*
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley*

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert*
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“TÁR,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography

“All Quiet on the Western Front,” James Friend*
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers*
“TÁR,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton

Best Original Score

“All Quiet on the Western Front,” Volker Bertelmann*
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor*

Best Original Song

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose*
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley*
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins

Best International Feature Film

“All Quiet on the Western Front” (Germany)*
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)

Best Documentary Feature Film

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris*

Best Makeup and Hairstyling

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley*

Best Costume Design

“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter*
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Production Design

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper*
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett*
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Short Film

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga*
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud*
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Live Action Short Film

“An Irish Goodbye,” Tom Berkeley and Ross White*
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad

Review: ‘All Quiet on the Western Front’ (2022), starring Felix Kammerer, Albrecht Schuch, Aaron Hilmer, Moritz Klaus, Edin Hasanovic, Daniel Brühl and Devid Striesow

March 12, 2023

by Carla Hay

Felix Kammermer in “All Quiet on the Western Front” (Photo by Reiner Bajo/Netflix)

“All Quiet on the Western Front” (2022)

Directed by Edward Berger

German and French with subtitles

Culture Representation: Taking place in Germany and France, from 1917 to 1918, the World War I dramatic film “All Quiet on the Western Front” (based on the novel of the same name) features an all-white cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A teenager loses his innocence after he becomes a soldier in the German Army during World War I, while a ruthless general and a liberal politician have different ideas about how Germany should handle the war.

Culture Audience: “All Quiet on the Western Front” will appeal primarily to people who are fans of realistic war movies and Erich Maria Remarque’s 1929 novel of the same name.

Daniel Brühl (pictured at far right) in “All Quiet on the Western Front” (Photo by Reiner Bajo/Netflix)

Told from a German perspective, this version of “All Quiet on the Western Front” is the most brutal and harrowing in showing the horrors of World War I. The movie has well-crafted technical assets, but the personalities of the characters are underdeveloped. The main protagonist is a teenage German soldier. The actor portraying this character has less than 15 minutes of dialogue in this 147-minute movie.

Directed by Edward Berger, the 2022 version of “All Quiet on the Western Front” is based on Erich Maria Remarque’s 1929 novel of the same name. Berger co-wrote the adapted screenplay with Lesley Paterson and Ian Stokell. It’s the third movie version of the novel, following the 1930 version (directed by Lewis Milestone) and the 1979 TV-movie version (directed by by Delbert Mann).

The first two movie adaptations of “All Quiet on the Western Front” were American-made and starred American actors portraying Europeans. The 2022 version of “All Quiet on the Western Front” (which was filmed in the Czech Republic) is a German production and has German actors in the majority of the starring roles. The movie had its world premiere at the 2022 Toronto International Film Festival.

In the 2022 version “All Quiet at the Western Front” (which takes place in Germany and France from 1917 to 1918), viewers see the transformation of teenage German soldier Paul Bäumer (played by Felix Kammerer) from being a naïve recruit who’s eager to participate in the war to an emotionally devastated war veteran who has been worn down by all the death and destruction around him. Meanwhile, the movie shows how two very different government officials have contrasting views on Germany’s actions during this war. One is a liberal politician who wants to negotiate to end the war, while the other is a ruthless general who wants Germany to win the war at any cost.

“All Quiet on the Western Front” begins in early 1917, by showing a young German soldier named Heinrich Gerber (played by Jakob Schmidt) fighting on a battlefield. The movie does a freeze-frame, right when he’s about to attack a French soldier. What happened?

Viewers then see that Heinrich has died, because his body is dumped in a truck that is transporting the corpses of other German military men. The movie then shows that Henrich’s former military uniform has been sent for repairs to a factory in Germany. His name tag is still on the uniform.

In the spring of 1917, quiet and amiable 17-year-old Paul is joyously celebrating his graduation from an all-boys high school at a ceremony attended by by fellow classmates. The school’s headmaster gives the graduates a patriotic pep talk about Germany’s involvement in World War I. Whether or not Paul was thinking about joining the German Army before this pep talk, Paul enlists in the army soon after his graduation.

When he gets his military uniform, Paul notices right away that it has the name tag Heinrich Gerber. He tells the person who gave the uniform to Paul that there must be a mistake, because he was given someone else’s uniform. The uniform is taken away, and Paul is given another uniform. Paul is given an explanation that the uniform that Paul was given by mistake was probably discarded by the previous owner because the uniform was too small.

Of course, viewers (but not Paul) know that the Henrich is dead. And the fact that the German Army is recycling a dead man’s uniform is a symbol of how impersonal and “assembly line” a war can be, in terms of how thousands or millions of soldiers on the front line are treated. Paul is about to find out the hard way that he’s just another number in this vicious war. The movie also shows this “assembly line” symbolism when Paul is assigned the task of collecting military identification tags from dead bodies on battlefields.

Paul and his troop are eventually sent to France, which is occupied by Germany at this time. The expected horrific battle scenes ensue, with graphic depictions of killings and other deaths during combat. But amid the madness and mayhem, Paul bonds with some of his fellow soldiers. The movie’s brightest and most endearing moments come from scenes showing these friendships.

One of Paul’s army buddies is Albert Kropp (played by Aaron Hilmer), who is about the same age as Paul and who becomes Paul’s best friend in this war. Albert, who sees himself as somewhat of a charming ladies’ man, often talks about how he can’t wait for the war to end so he can go back to being around women. As a new recruit, Albert is terrified and very nervous, compared to Paul, who starts off being very enthusiastic and confident about serving his country in this war. But that confidence is then destroyed by several traumatic experiences.

Four other men from Paul’s troop become part of a tight-knit circle of close acquaintances, including Paul. Stanislaus “Kat” Katczinsky (played by Albrecht Schuch), who is in his 30s, likes to portray himself as a cocky “alpha male” type. However, there’s a very poignant scene where Kat (who cannot read) asks Paul to read a letter from Kat’s wife. The letter reveals that Kat’s somewhat arrogant demeanor actually masks a lot of personal pain.

Two of Paul’s classmates from high school are also part of the troop: Franz Müller (played by Moritz Klaus) and Ludwig Behm (played by Adrian Grünewald). Ludwig doesn’t hesitate to show how afraid he is about being in combat. While hiding out with other troop members in a bunker, Ludwig cries out for his mother. He gets some insults from a few of the soldiers, who think Ludwig is being wimpy, but Paul can understand this fear because he feels it too.

Tjaden Stackfleet (played by Edin Hasanovic), who is in his late 20s or early 30s, is a military police officer who dreams of being promoted to the position of corporal. Kat scoffs at Tjaden by saying, “You’ll never be a corporal.” Tjaden (who is deeply insecure) takes this comment as a personal insult but attempts to brush it off, so as not to let it show how much this comment hurt his feelings.

Through it all, Paul tries to hold on to his humanity when the harsh realities of war fighting force Paul and other people in combat to do some very inhumane things. Just like almost every movie that has a lot of war combat scenes, the soldiers face moral dilemmas and have to make split-second decisions that could mean life or death. And for all-male troops, there are machismo issues about who can look the toughest and the bravest.

“All Quiet on the Western Front” is not subtle at all in contrasting the filthy and dangerous living conditions of the soldiers on the front lines of combat and comparing all of it to the pampered and safe living conditions of the leaders who cause these wars. The movie cuts back and forth betwen these contrasts in several scenes. It’s a way to put an emphasis on who really benefits financially from war, which can be a profitable business for some people.

Libeal politician Matthias Erzberger (played by Daniel Brühl) wants to end the war by having Germany peacefully negotiate with France. He meets with France’s Marshal Ferdinand Foch (played by Thibault de Montalembert), who offers a deal that is non-negotiable, with Germany given a deadline of 72 hours to respond to the deal. Erzberger is put in a tough situation: He doesn’t want to give in to these demands too easily, because he knows he might be branded as a traitor to Germany. France’s Generalmajor Maxime Weygand (played by Gabriel Dufay) also plays a role in these tense German-French war discussions.

Being open to negotiating a truce is in direct contrast to what’s desired by General Friedrich (played by Devid Striesow), who is usually shown dining in mansions that are far removed from the war. General Friedrich wants to use the war for his own personal gain, so that he can achieve military glory and all the financial rewards and fame that come with it. Needless to say, General Friedrich is fanatical about Germany winning the war, no matter what the human cost of Germans who die.

“All Quiet on the Western Front” has top-notch production design, cinematography, original score music and sound editing/sound mixing. Where the movie isn’t as stellar is in some of the film editing (which makes the story look a little choppy and abrupt in some scene transitions) and in the screenplay, which has dialogue that tends to be over-simplistic. The screenplay makes many of the movie’s principal characters a little too vague or stereotypical.

Most of the perspective of “All Quiet on the Western Front” comes from Paul, but viewers don’t really get to know a lot of basic things about him during this lengthy film. For example, the movie never shows or tells who Paul’s family is, or what Paul wants to do with his life after the war. And because he doesn’t talk much in this movie, the Paul character could have easily been no more complex than a character in a video game.

However, thanks to the admirable talent of Kammerer in the role of Paul, this character becomes more than just a generic soldier. Kammerer (who has a background in theater/stage acting) makes his feature-film debut in “All Quiet on the Western Front.” He is very effective at showing Paul’s feelings through his eyes, facial expressions and body language.

Paul is the heart and soul of the movie, but it’s a heart and soul that the filmmakers have shrouded in a certain amount of mystery. Even with some things about Paul remaining enigmatic, there’s no mystery over how emotionally shattered Paul becomes during the course of this story. By the end of “All Quiet on the Western Front,” viewers will be emotionally affected too, no matter what people think about war.

Netflix released “All Quiet on the Western Front” in select U.S. cinemas on October 7, 2022. The movie premiered on Netflix on October 28, 2022.

2023 BAFTA Awards: ‘All Quiet on the Western Front’ is the top winner

February 19, 2023

With seven awards, including Best Film, Netflix’s World War I drama “All Quiet on the Western Front” was the top winner for the 76th annual BAFTA Film Awards, which were presented at London’s Royal Festival Hall on February 19, 2023. The ceremony (hosted by Richard E. Grant and Alison Hammond) was televised in the United Kingdom on BBC and in the U.S. on BBC America. Eligible films were those released in the United Kingdom in 2022. With 14 nominations going into the ceremony, German-language “All Quiet on the Western Front” made BAFTA history as the non-English-language movie with the most BAFTA nominations. The BAFTA Film Awards are nominated and voted for by the British Academy of Film and Television.

In addition to winning Best Film, “All Quiet on the Western Front” won the BAFTAs for Best Director (for Edward Berger), Best Adapted Screenplay, Best Sound, Best Original Score, Best Cinematography, and Best Film Not in the English Language. Also winning multiple BAFTA Film Awards was Searchlght Pictures’ Irish comedy/drama “The Banshees of Inisherin” and Warner Bros. Pictures’ Elvis Presley biopic “Elvis,” which won four prizes each. “The Banshees of Inisherin” won Best British Film, Best Original Screenplay, Best Supporting Actor (for Barry Keoghan), and Best Supporting Actress (for Kerry Condon). “Elvis” took the prizes for Best Leading Actor (for Austin Butler), Best Casting, Best Costume Design, and Best Make Up and Hair. Cate Blanchett of “TÁR” won the prize for Best Leading Actress. Costume designer Sandy Powell was given the Fellowship Award, a non-competitive prize whose recipient is announced before the ceremony takes place.

Here is the complete list of winners and nominations for the 2023 BAFTA Film Awards:

*=winner

Best Film

“All Quiet on the Western Front”*
“The Banshees of Inisherin”
“Elvis”
“Everything Everywhere All at Once”
“TÁR”

Outstanding British Film

“Aftersun”
“The Banshees of Inisherin”*
“Brian and Charles”
“Empire of Light”
“Good Luck to You, Leo Grande”
“Living”
“Roald Dahl’s Matilda the Musical”
“See How They Run”
“The Swimmers”
“The Wonder”

Best Director

“All Quiet on the Western Front” – Edward Berger*
“The Banshees of Inisherin” – Martin Mcdonagh
“Decision to Leave” – Park Chan-wook
“Everything Everywhere All at Once” – Daniel Kwan, Daniel Scheinert
“TÁR” – Todd Field
“The Woman King” – Gina Prince-Bythewood

Best Leading Actor

Austin Butler, “Elvis”*
Colin Farrell, “The Banshees of Inisherin”
Brendan Fraser, “The Whale”
Daryl McCormack, “Good Luck to You, Leo Grande”
Paul Mescal, “Aftersun”
Bill Nighy, “Living”

Best Leading Actress

Cate Blanchett, “TÁR”*
Viola Davis, “The Woman King”
Danielle Deadwyler, “Till”
Ana De Armas, “Blonde”
Emma Thompson, “Good Luck to You, Leo Grande”
Michelle Yeoh, “Everything Everywhere All at Once”

Best Supporting Actor

Brendan Gleeson, “The Banshees of Inisherin”
Barry Keoghan, “The Banshees of Inisherin”*
Ke Huy Quan, “Everything Everywhere All at Once”
Eddie Redmayne, “The Good Nurse”
Albrecht Schuch, “All Quiet on the Western Front”
Micheal Ward, “Empire of Light”

Best Supporting Actress

Angela Bassett, “Black Panther: Wakanda Forever”
Hong Chau, “The Whale”
Kerry Condon, “The Banshees of Inisherin”*
Dolly De Leon, “Triangle of Sadness”
Jamie Lee Curtis, “Everything Everywhere All At Once”
Carey Mulligan, “She Said”

Best Adapted Screenplay

“All Quiet on the Western Front” – Edward Berger, Lesley Paterson, Ian Stokell*
“Living” – Kazuo Ishiguro
“The Quiet Girl” – Colm Bairéad
“She Said” – Rebecca Lenkiewicz
“The Whale” – Samuel D. Hunter

Best Original Screenplay

“The Banshees of Inisherin” – Martin McDonagh*
“Everything Everywhere All at Once” – Daniel Kwan, Daniel Scheinert
“The Fabelmans” – Tony Kushner, Steven Spielberg
“TÁR” – Todd Field
“Triangle of Sadness” – Ruben Östlund

Outstanding Debut by a British Writer, Director or Producer

“Aftersun” – Charlotte Wells (Writer/director)*
“Blue Jean” – Georgia Oakley (Writer/director), Hélène Sifre (Producer)
“Electric Malady” – Marie Lidén (Director)
“Good Luck to You, Leo Grande” – Katy Brand (Writer)
“Rebellion” – Maia Kenworthy and Elena Sánchez Bellot (Directors)

Original Score

“All Quiet on the Western Front” – Volker Bertelmann*
“Babylon” – Justin Hurwitz
“The Banshees of Inisherin” – Carter Burwell
“Everything Everywhere All at Once” – Son Lux
“Guillermo del Toro’s Pinocchio” – Alexandre Desplat

Cinematography

“All Quiet on the Western Front” – James Friend*
“The Batman” – Greig Fraser
“Elvis” – Mandy Walker
“Empire of Light” – Roger Deakins
“Top Gun: Maverick” – Claudio Miranda

Film Not in the English Language

“All Quiet on the Western Front” – Edward Berger, Malte Grunert*
“Argentina, 1985” – Santiago Mitre, Producer(S) Tbc
“Corsage” – Marie Kreutzer
“Decision to Leave” – Park Chan-wook, Ko Dae-seok
“The Quiet Girl” – Colm Bairéad, Cleona Ní Chrualaoí

Documentary

“All That Breathes” – Shaunak Sen, Teddy Leifer, Aman Mann
“All the Beauty and the Bloodshed” – Laura Poitras, Howard Gertler, Nan Goldin, Yoni Golijov, John Lyons
“Fire of Love” – Sara Dosa, Shane Boris, Ina Fichman
“Moonage Daydream” – Brett Morgan
“Navalny” – Daniel Roher, Diane Becker, Shane Boris, Melanie Miller, Odessa Rae*

Animated Film

“Guillermo del Toro’s Pinocchio” – Guillermo Del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley*
“Marcel the Shell With Shoes On” – Dean Fleisher Camp, Andrew Goldman, Elisabeth Holm, Caroline Kaplan, Paul Mezey
“Puss in Boots: The Last Wish” – Joel Crawford, Mark Swift
“Turning Red” – Domee Shi, Lindsey Collins

Casting

“Aftersun” – Lucy Pardee
“All Quiet on the Western Front” – Simone Bär
“Elvis” – Nikki Barrett, Denise Chamian*
“Everything Everywhere All at Once” – Sarah Halley Finn
“Triangle of Sadness” – Pauline Hansson

Production Design

“All Quiet on the Western Front” – Christian M. Goldbeck, Ernestine Hipper
“Babylon” – Florencia Martin, Anthony Carlino*
“The Batman” – James Chinlund, Lee Sandales
“Elvis” – Catherine Martin, Karen Murphy, Bev Dunn
“Guillermo Del Toro’s Pinocchio” – Curt Enderle, Guy Davis

Best Costume Design

“All Quiet on the Western Front” – Lisy Christl
“Amsterdam” J.R. Hawbaker, Albert Wolsky
“Babylon” – Mary Zophres
“Elvis” – Catherine Martin*
“Mrs. Harris Goes to Paris” – Jenny Beavan

Best Make Up and Hair

“All Quiet on the Western Front” – Heike Merker
“The Batman” – Naomi Donne, Mike Marino, Zoe Tahir
“Elvis” – Jason Baird, Mark Coulier, Louise Coulston, Shane Thomas*
“Roald Dahl’s Matilda the Musical” – Naomi Donne, Barrie Gower, Sharon Martin
“The Whale” – Anne Marie Bradley, Judy Chin, Adrien Morot

Best Editing

“All Quiet on the Western Front” – Sven Budelmann
“The Banshees of Inisherin” – Mikkel E. G. Nielsen
“Elvis” – Jonathan Redmond, Matt Villa
“Everything Everywhere All at Once” – Paul Rogers*
“Top Gun: Maverick” – Eddie Hamilton

Best Sound

“All Quiet on the Western Front” – Lars Ginzsel, Frank Kruse, Viktor Prášil, Markus Stemler*
“Avatar: The Way of Water” – Christopher Boyes, Michael Hedges, Julian Howarth, Gary Summers, Gwendoyln Yates Whittle
“Elvis” – Michael Keller, David Lee, Andy Nelson, Wayne Pashley
“TÁR” – Deb Adair, Stephen Griffiths, Andy Shelley, Steve Single, Roland Winke
“Top Gun: Maverick’ – Chris Burdon, James H. Mather, Al Nelson, Mark Taylor, Mark Weingarten

Best Visual Effects

“All Quiet on the Western Front” – Markus Frank, Kamil Jafar, Viktor Müller, Frank Petzold
“Avatar: The Way of Water” – Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon*
“The Batman” – Russell Earl, Dan Lemmon, Anders Langlands, Dominic Tuohy
“Everything Everywhere All at Once” – Benjamin Brewer, Ethan Feldbau, Jonathan Kombrinck, Zak Stoltz
“Top Gun: Maverick” – Seth Hill, Scott R. Fisher, Bryan Litson, Ryan Tudhope

British Short Animation

“The Boy, The Mole, The Fox and the Horse” – Peter Baynton, Charlie Mackesy, Cara Speller, Hannah Minghella*
“Middle Watch” – John Stevenson, Aiesha Penwarden, Giles Healy
“Your Mountain Is Waiting” – Hannah Jacobs, Zoe Muslim, Harriet Gillian

British Short Film

“The Ballad of Olive Morris” – Alex Kayode-kay
“Bazigaga” – Jo Ingabire Moys, Stephanie Charmail
“Bus Girl” – Jessica Henwick, Louise Palmkvist Hansen
“A Drifting Up” – Jacob Lee
“An Irish Goodbye” – Tom Berkeley, Ross White*

EE Rising Star Award (public vote)

Aimee Lou Wood
Daryl McCormack
Emma Mackey*
Naomi Ackie
Sheila Atim

2023 Academy Awards: ‘Everything Everywhere All at Once’ is the top nominee

January 24, 2023

by Carla Hay

Stephanie Hsu, Michelle Yeoh and Ke Huy Quan in “Everything Everywhere All at Once” (Photo by Allyson Riggs/A24)

With 11 nominations, A24’s sci-fi/action film “Everything Everywhere All at Once” is the top contender for the 95th annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC will have the live U.S. telecast of the show, which will be hosted by Jimmy Kimmel. Netflix’s German-language World War I drama “All Quiet on the Western Front” and Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” garnered nine nominations each. All three films are nominated for Best Picture, a category that—for the first time in Oscar history—is now required to have no less than 10 nominations per year.

The other nominations for Best Picture for the 2023 Academy Awards are 20th Century Studios’ sci-fi epic “Avatar: The Way of Water,” Warner Bros. Pictures’ drama “Elvis,” Universal Pictures’ drama “The Fabelmans,” Focus Features’ drama “TÁR,” Paramount Pictures’ action film “Top Gun: Maverick,” Neon’s comedy/drama “Triangle of Sadness” and Orion Pictures’ drama “Women Talking.”

The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Pictures Arts and Sciences. The 95th annual televised Oscar ceremony will be headed by executive producers/showrunners Glenn Weiss and Ricky Kirshner and executive producer Molly McNearney.

Snubs and Surprises

Columbia Pictures’ action film “The Woman King,” which has been getting nominations (mostly for lead actress Viola Davis) at other awards shows, was completely shut out of the Oscar nominations. Also getting snubbed was Danielle Deadwyler, who has been getting nominated elsewhere for her lead actress performance in the Orion Pictures drama “Till,” which failed to get any Oscar nominations. And although James Cameron got a Best Picture nod for being a producer of “Avatar: The Way of Water,” he missed out on getting a Best Director nomination for the movie, even though he’s been nominated for Best Director at most other major award shows.

Surprises included a Best Actress nomination for Andrea Riseborough of the Momentum Pictures drama “To Leslie,” which has not been getting nominated at any other major award shows, except for the Film Independent Spirit Awards, where Riseborough was nominated for Best Lead Performance. “All Quiet on the Western Front” received nine Oscar nominations, which has never happened before for a German-language film. The only other major award show that has given “All Quiet on the Western Front” several nominations is the British Academy Film Awards (BAFTAs), which bestowed 14 nominations on the movie.

Here is the complete list of nominees for the 2023 Academy Awards:

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director

Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)

Best Lead Actress

Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography

“All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“TÁR,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton

Best Original Score

“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

Best Original Song

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins

Best International Feature Film

“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)

Best Documentary Feature Film

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Makeup and Hairstyling

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Costume Design

“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Production Design

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Short Film

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Live Action Short Film

“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad

2023 BAFTA Film Awards: ‘All Quiet on the Western Front’ is the top nominee

Jaaury 19, 2023

With 14 nominations, Netflix’s World War I drama “All Quiet on the Western Front” was the top nominee for the 76th annual BAFTA Film Awards, which will be presented at London’s Royal Festival Hall on February 19, 2023. The ceremony will be televised in the United Kingdom on BBC and in the U.S. on BBC America. Eligible films were those released in the United Kingdom in 2022. The German-language “All Quiet on the Western Front” made BAFTA history as the non-English-language movie with the most BAFTA nominations. The BAFTA Film Awards are nominated and voted for by the British Academy of Film and Television.

Here is the complete list of nominations for the 2023 BAFTA Film Awards:

Best Film

“All Quiet on the Western Front”
“The Banshees of Inisherin”
“Elvis”
“Everything Everywhere All at Once”
“TÁR”

Outstanding British Film

“Aftersun”
“The Banshees of Inisherin”
“Brian and Charles”
“Empire of Light”
“Good Luck to You, Leo Grande”
“Living”
“Roald Dahl’s Matilda the Musical”
“See How They Run”
“The Swimmers”
“The Wonder”

Best Director

“All Quiet on the Western Front” – Edward Berger
“The Banshees of Inisherin” – Martin Mcdonagh
“Decision to Leave” – Park Chan-wook
“Everything Everywhere All at Once” – Daniel Kwan, Daniel Scheinert
“TÁR” – Todd Field
“The Woman King” – Gina Prince-Bythewood

Best Leading Actor

Austin Butler, “Elvis”
Colin Farrell, “The Banshees of Inisherin”
Brendan Fraser, “The Whale”
Daryl McCormack, “Good Luck to You, Leo Grande”
Paul Mescal, “Aftersun”
Bill Nighy, “Living”

Best Leading Actress

Cate Blanchett, “TÁR”
Viola Davis, “The Woman King”
Danielle Deadwyler, “Till”
Ana De Armas, “Blonde”
Emma Thompson, “Good Luck to You, Leo Grande”
Michelle Yeoh, “Everything Everywhere All at Once”

Best Supporting Actor

Brendan Gleeson, “The Banshees of Inisherin”
Barry Keoghan, “The Banshees of Inisherin”
Ke Huy Quan, “Everything Everywhere All at Once”
Eddie Redmayne, “The Good Nurse”
Albrecht Schuch, “All Quiet on the Western Front”
Micheal Ward, “Empire of Light”

Best Supporting Actress

Angela Bassett, “Black Panther: Wakanda Forever”
Hong Chau, “The Whale”
Kerry Condon, “The Banshees of Inisherin”
Dolly De Leon, “Triangle of Sadness”
Jamie Lee Curtis, “Everything Everywhere All At Once”
Carey Mulligan, “She Said”

Best Adapted Screenplay

“All Quiet on the Western Front” – Edward Berger, Lesley Paterson, Ian Stokell
“Living” – Kazuo Ishiguro
“The Quiet Girl” – Colm Bairéad
“She Said” – Rebecca Lenkiewicz
“The Whale” – Samuel D. Hunter

Best Original Screenplay

“The Banshees of Inisherin” – Martin McDonagh
“Everything Everywhere All at Once” – Daniel Kwan, Daniel Scheinert
“The Fabelmans” – Tony Kushner, Steven Spielberg
“TÁR” – Todd Field
“Triangle of Sadness” – Ruben Östlund

Outstanding Debut by a British Writer, Director or Producer

“Aftersun” – Charlotte Wells (Writer/director)
“Blue Jean” – Georgia Oakley (Writer/director), Hélène Sifre (Producer)
“Electric Malady” – Marie Lidén (Director)
“Good Luck to You, Leo Grande” – Katy Brand (Writer)
“Rebellion” – Maia Kenworthy and Elena Sánchez Bellot (Directors)

Original Score

“All Quiet on the Western Front” – Volker Bertelmann
“Babylon” – Justin Hurwitz
“The Banshees of Inisherin” – Carter Burwell
“Everything Everywhere All at Once” – Son Lux
“Guillermo Del Toro’s Pinocchio” – Alexandre Desplat

Cinematography

“All Quiet on the Western Front” – James Friend
“The Batman” – Greig Fraser
“Elvis” – Mandy Walker
“Empire of Light” – Roger Deakins
“Top Gun: Maverick” – Claudio Miranda

Film Not in the English Language

“All Quiet on the Western Front” – Edward Berger, Malte Grunert
“Argentina, 1985” – Santiago Mitre, Producer(S) Tbc
“Corsage” – Marie Kreutzer
“Decision to Leave” – Park Chan-wook, Ko Dae-seok
“The Quiet Girl” – Colm Bairéad, Cleona Ní Chrualaoí

Documentary

Animated Film

“Guillermo Del Toro’s Pinocchio” – Guillermo Del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley
“Marcel the Shell With Shoes On” – Dean Fleisher Camp, Andrew Goldman, Elisabeth Holm, Caroline Kaplan, Paul Mezey
“Puss in Boots: The Last Wish” – Joel Crawford, Mark Swift
“Turning Red” – Domee Shi, Lindsey Collins

Casting

“Aftersun” – Lucy Pardee
“All Quiet on the Western Front” – Simone Bär
“Elvis” – Nikki Barrett, Denise Chamian
“Everything Everywhere All at Once” – Sarah Halley Finn
“Triangle of Sadness” – Pauline Hansson

Production Design

“All Quiet on the Western Front” – Christian M. Goldbeck, Ernestine Hipper
“Babylon” – Florencia Martin, Anthony Carlino
“The Batman” – James Chinlund, Lee Sandales
“Elvis” – Catherine Martin, Karen Murphy, Bev Dunn
“Guillermo Del Toro’s Pinocchio” – Curt Enderle, Guy Davis

Best Costume Design

“All Quiet on the Western Front” – Lisy Christl
“Amsterdam” J.R. Hawbaker, Albert Wolsky
“Babylon” – Mary Zophres
“Elvis” – Catherine Martin
“Mrs. Harris Goes to Paris” – Jenny Beavan

Best Make Up and Hair

“All Quiet on the Western Front” – Heike Merker
“The Batman” – Naomi Donne, Mike Marino, Zoe Tahir
“Elvis” – Jason Baird, Mark Coulier, Louise Coulston, Shane Thomas
“Roald Dahl’s Matilda the Musical” – Naomi Donne, Barrie Gower, Sharon Martin
“The Whale” – Anne Marie Bradley, Judy Chin, Adrien Morot

Best Editing

Best Sound

“All Quiet on the Western Front” – Lars Ginzsel, Frank Kruse, Viktor Prášil, Markus Stemler
“Avatar: The Way of Water” – Christopher Boyes, Michael Hedges, Julian Howarth, Gary Summers, Gwendoyln Yates Whittle
“Elvis” – Michael Keller, David Lee, Andy Nelson, Wayne Pashley
“TÁR” – Deb Adair, Stephen Griffiths, Andy Shelley, Steve Single, Roland Winke
“Top Gun: Maverick’ – Chris Burdon, James H. Mather, Al Nelson, Mark Taylor, Mark Weingarten

Best Visual Effects

“All Quiet on the Western Front” – Markus Frank, Kamil Jafar, Viktor Müller, Frank Petzold
“Avatar: The Way of Water” – Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon
“The Batman” – Russell Earl, Dan Lemmon, Anders Langlands, Dominic Tuohy
“Everything Everywhere All at Once” – Benjamin Brewer, Ethan Feldbau, Jonathan Kombrinck, Zak Stoltz
“Top Gun: Maverick” – Seth Hill, Scott R. Fisher, Bryan Litson, Ryan Tudhope

British Short Animation

“The Boy, The Mole, The Fox and the Horse” – Peter Baynton, Charlie Mackesy, Cara Speller, Hannah Minghella
“Middle Watch” – John Stevenson, Aiesha Penwarden, Giles Healy
“Your Mountain Is Waiting” – Hannah Jacobs, Zoe Muslim, Harriet Gillian

British Short Film

EE Rising Star Award (public vote)

Aimee Lou Wood
Daryl McCormack
Emma Mackey
Naomi Ackie
Sheila Atim