Review: ‘Jesus Revolution,’ starring Joel Courtney, Jonathan Roumie, Kimberly Williams-Paisley and Kelsey Grammer

March 1, 2023

by Carla Hay

Joel Courtney and Anna Grace Barlow in “Jesus Revolution” (Photo by Dan Anderson/Lionsgate)

“Jesus Revolution”

Directed by Jon Erwin and Brent McCorkle

Culture Representation: Taking place primarily in California in the early 1970s (with some flashbacks to the 1960s), the faith-based dramatic film “Jesus Revolution” features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.

Culture Clash: A troubled and wayward teenager finds his purpose in life when he joins a group of hippies who become born-again Christians. 

Culture Audience: “Jesus Revolution” will appeal primarily to people who are interested in watching faith-based biopics that make real events and real people look overly contrived for the purpose of the movie’s agenda.

Jonathan Roumie (second from right) and Kelsey Grammer (far right) in “Jesus Revolution” (Photo by Dan Anderson/Lionsgate)

The problems with “Jesus Revolution” have nothing do with religion. This 1970s-set biopic drama about Harvest Crusades founder Greg Laurie has too many bad scenes with hokey dialogue and subpar acting. Many of the cast members are not convincing as hippies. It’s an unfortunate drawback to the film, whose very foundation is about how counterculture hippies in early 1970s California became Christian fanatics who were part of the Jesus movement that spanned from the late 1960s to the early 1970s.

Directed by Jon Erwin and Brent McCorkle, “Jesus Revolution” is a disjointed and somewhat rambling movie that can’t decide how much it wants to be a biopic (which it mostly is) and how much it wants to be a historical drama about a Christian youth culture movement that peaked in 1972. Erwin and Jon Gunn co-wrote the “Jesus Revolution” screenplay, which is based on Laurie’s 2018 memoir of the same name. The movie has a lot very corny and trite scenarios that don’t look authentic at all. If this movie had not been based on a true story, then this lack of authenticity might be easier to overlook.

In its over-reaching zeal to put a glossy spin on this movement, “Jesus Revolution” never adequately addresses how hippies who wanted to drop out of society and turned to drugs could then want to become part of society and preach against their formerly “sinful” lifestyles. “Jesus Revolution” makes it look like all it would take for people to change their lifestyles so dramatically in a short period of time is to attend a few services at a church led by a sympathetic pastor. “Jesus Revolution” also looks like it deliberately omitted a lot of unflattering information about Laurie during the period of time in his life that is depicted in the movie.

Greg Laurie (played by Joel Courtney), who is the main protagonist of “Jesus Revolution,” is shown in the beginning of the movie attending a Christian group mass baptism at Pirate’s Cove in Pismo Beach, California, sometime in 1971. Most of the people getting baptisms at this event are people in their teens and 20s. Greg is about 18 years old at the time. At Pirate’s Cove, Greg is being interviewed by a reporter named Josiah (played by DeVon Franklin) from Time magazine. Josiah asks Greg, “How did you end up here?”

The movie then flashes back to a year earlier, when Greg was a student cadet at a strict military academy. At the time, he was still living with his alcoholic, divorced mother Charlene (played by Kimberly Williams-Paisley), who pressured Greg to attend this school. Greg’s father abandoned the family when Greg was a very young child and has not been in contact with Charlene or Greg ever since leaving.

It’s not clear how long Charlene has been an alcoholic, but the movie implies that she went on a downward spiral after Greg’s father left the family. Flashbacks to the 1960s show that Charlene is often a neglectful parent who gets involved in several bad relationships. (Jackson Robert Scott has the role of an adolescent Greg in these flashbacks.) In real life, Greg Laurie’s mother was married seven times. He and his mother also moved around a lot.

In the movie, Greg keeps hoping that his father will come back to the family someday, but Charlene abruptly tells him not to bother thinking that Greg’s father will ever contact them again. When Charlene decides to move to California for a fresh start, Greg is upset because he thinks that his father won’t be able to find them if they move. Charlene and Greg settle in California’s Orange County, near Long Beach. By 1970, Greg is enrolled in a military academy and not liking it very much. He is a loner who doesn’t seem to fit in anywhere.

One day, Greg (who is an aspiring illustrator) is taking photos at a park when he meets a hippie around his age named Charlie (played by Nicholas Cirillo), who is friendly and very stoned. Charlie immediately notices that Greg has been staring at Charlie’s attractive blonde friend named Cathe (played by Anna Grace Barlow), so Charlie introduces Cathe (pronounced “Cathy”) to Greg. Cathe is impressed that Greg reads the work of poet/writer Allen Ginsberg, because she does too. It’s at this point in the movie that you know Cathe and Greg will eventually fall in love with each other. Greg is instantly smitten, but he’s insecure and shy, compared to confident and outgoing Cathe.

Charlie and Cathe invite Greg to a “happening” (a gathering of young people who want to party), which is taking place in Laguna Beach. Janis Joplin (played by Erin Schaut) is doing a concert on a beach. The concert looks very fake because die-hard Joplin fans know that she never did this type of beach concert in real life.

The way Greg goes to this concert looks very phony too. Charlie and Cathe show up outside the window of a classroom where Greg is. They tell him he needs to go with them to the concert right now. When Greg gets up to leave, the classroom instructor says that if Greg leaves, he can’t come back. Greg tells the teacher that Greg is counting on not coming back.

Meanwhile, a Christian pastor named Chuck Smith (played by Kelsey Grammer) and his devoted wife Kay Smith (played by Julia Campbell) are watching the TV news in their home and expressing disgust at the hippie movement, which they think is degenerate and the cause of lot of America’s problems. “They need a bath,” Chuck sneers when he comments about hippies. (In real life, Chuck Smith founded the Calvary Chapel movement.)

Chuck leads a Costa Mesa, California-based church that is struggling with a dwindling congregation. Chuck and Kay have a slightly rebellious daughter named Janette Smith (played by Ally Ioannides), who’s about 17 years old. Janette looks bored every time she has to go to church. Unlike her parents, Janette thinks “what the hippies are doing is beautiful.” She tells her skeptical parents that hippies want the same things that conservative Christians want: “peace and love.”

One day, Janette is driving by herself on a deserted road, when she sees a hippie in his 20s who is walking by himself. Because Janette is fascinated with hippies, she stops the car and asks this stranger if he wants a ride. It’s a very unsafe thing to do, but Janette doesn’t care, because she wants to get to know a hippie instead of just hearing about hippies from the media. The hippie says yes to Janette’s offer for a ride.

His name is Lonnie Frisbee (played by Jonathan Roumie), and Janette immediately brings him home, to the horror of her parents. Lonnie admits to Chuck that he takes illegal drugs for “spiritual enlightenment,” but Lonnie insists that he is also very religious and believes in Jesus Christ. It doesn’t take long for Lonnie to invite his hippie friends to go over to the Smith house without asking permission. (How rude.)

And then the next thing you know, Lonnie and his hippie pals are going to Chuck’s church, where Lonnie gives a rambling sermon while barefoot. Some of the congregation members are repulsed and quit the church when Chuck refuses to reject and ban the hippies. Chuck sees the benefit of having young people increase his church’s attendance, so he eventually learns to accept the hippies.

Meanwhile, Greg gets involved in taking drugs and partying a lot with Charlie and Cathe. He becomes part of Lonnie’s born-again hippie Christian crowd when he meets Lonnie by chance one very rainy night. It’s another scene that looks entirely fabricated for a movie.

Greg is a passenger in a car driven by Charlie, who is intoxicated from unnamed substances. The car is swerving on a street and narrowly misses hitting another car. Greg is so freaked out, he gets out of the car and runs away. And when he runs away in the rain, he sees Lonnie walking by himself on the street, which is apparently the way that teenagers in “Jesus Revolution” meet Lonnie.

The rest of “Jesus Revolution” is a predictable slog of Greg and Cathe getting caught up in the born-again Christian movement, where they recruit other young people. Lonnie becomes an important part of Chuck’s ministry. Greg joins a Christian rock band called Love Song. Cathe’s father Dick (played by Nic Bishop) disapproves of Greg because Greg doesn’t come from a “good family.” And there’s more family drama with Greg’s mother Charlene.

Of course, “Jesus Revolution” has lots of scenes of young hippies gathered in large groups and praising the Lord in ecstasy. Although the movie makes it look like it’s all a natural high, the reality is (as Lonnie hints at in the movie), a lot it was probably done under the influence of drugs. And that’s one of many reasons why “Jesus Revolution” doesn’t look entirely honest, because in the movie, realistic drug issues are either ignored or dealt with in a preachy manner.

Although many drug-using hippies no doubt gave up having a druggie lifestyle after becoming born-again Christians, the movie doesn’t really acknowledge that a lot of the hardcore drug-using hippies who became part of the Jesus movement didn’t just wake up one day and decide to quit using drugs. “Jesus Revolution” makes it look like all these drug-using hippies suddenly became clean and sober once they became born-again Christians. In reality, people’s lives are much more complicated than that.

“Jesus Revolution” also avoids acknowledging that although the Jesus movement preached inclusivity of everyone, the young hippies (almost all are white) who get the focus in this movie came from middle-class and affluent families—in other words, people who could afford to “drop out” of society or go to college and not have the responsibilities of a steady job for a few years. At one point, Lonnie says: “We’re all orphans. We’re a movement of orphans.” Well, a lot of these “orphans” had trust funds.

Chuck’s acceptance of these hippies into his church probably wasn’t as altruistic and spiritual as the movie makes it look. There was probably a financial incentive too. More congregants can result in more donations for Chuck’s church. A lot of these hippies might have been walking around in bare feet, but they weren’t poor.

There’s a very mushy scene where Chuck responds to some churchgoers’ complaints about the hippies attending church in bare feet. In order to prove that he has the humility of Jesus Christ, Chuck washes the feet of the hippies (just like Jesus did in the Bible) when they enter his church. Chuck goes from being a hater of hippies to being one of their biggest supporters in his community.

“Jesus Revolution” has a good selection of soundtrack songs, including Rare Earth’s 1971 hit “I Just Want to Celebrate” and the Doobie Brothers’ 1972 classic “Jesus Is Just Alright.” However, the movie just looks like a bunch of cast members playing 1970s dress-up (some of them in really cheap-looking wigs) and reciting their lines of fake-sounding dialogue. And ultimately, the movie looks more like a fairy tale than an authentic depiction of real people involved in a historical movement.

Lionsgate released “Jesus Revolution” in U.S. cinemas on February 24, 2023. A special sneak-preview event of the movie was held in select U.S. cinemas on February 22, 2023.

Review: ‘Synchronic,’ starring Anthony Mackie and Jamie Dornan

October 24, 2020

by Carla Hay

Jamie Dornan and Anthony Mackie in “Synchronic” (Photo courtesy of Well Go USA)

“Synchronic”

Directed by Justin Benson and Aaron Moorhead

Culture Representation: Taking place in New Orleans, the sci-fi/horror film “Synchronic” has a predominantly white cast (with a some African Americans) representing the middle-class.

Culture Clash: Two paramedics who are best friends try to find out if a synthetic party drug has something to do with the disappearance of the teenage daughter of one of the men.

Culture Audience: “Synchronic” will appeal primarily to people who like horror movies that blend a mystery with compelling visuals representing other world dimensions.

Jamie Dornan and Anthony Mackie in “Synchronic” (Photo courtesy of Well Go USA)

“Synchronic” is a noteworthy thriller that’s has a tone that strikes an interesting balance between gritty noir and trippy psychedelic. That’s because the mystery in the movie revolves around a new hallucinogenic party drug called Synchronic that has infiltrated New Orleans and seems to be causing mysterious and gruesome deaths of people who take Synchronic. The movie has a very predictable ending, but the story is immersive, the acting is very good, and it’s worth checking out if people are interested in a well-paced and intriguing sci-fi/horror flick.

Directed by Justin Benson and Aaron Moorhead, “Synchronic” (which was written by Benson) has a friendship between two paramedics at the heart of the story. Steve Denube (played by Anthony Mackie) and Dennis Dannelly (played by Jamie Dornan) are two longtime best friends who work together as employees of New Orleans Emergency Medical Services. And something strange has recently been going on in New Orleans when Steve and Dennis get called to the scenes of suspected drug overdoses.

In addition to the usual OD patients at these emergency scenes, they find people viciously murdered. Also found nearby are packets, which resemble condom packets, that have a Synchronic logo. At one druggie house, a woman has overdosed on heroin in the back room, while man has been stabbed to death by what appears to have been a 3-foot long sword. The two drugged-out witnesses in the house aren’t much help to the cops.

At an apartment building, a couple named Leah (played by Betsy Holt) and Travis (played by Shane Brady), who took Synchronic (which is a pill) both had different hallucinogenic experiences, which are shown at the beginning of the movie. Leah was on a bed and saw a snake come out from under the sheets and toward her. Travis went into an elevator and saw himself transported into a swamp area.

By the time the paramedics arrive, Leah is in a catatonic state with a snake bite, while Travis is dead in the elevator shaft with an eerie smile on his face. A fellow paramedic named Bob (played by Martin Bats Bradford) speculates that Leah was bitten by an eastern diamondback rattlesnake, which hasn’t been seen in New Orleans for decades.

Another bizarre Synchronic incident happens when a man’s body that seems to have been completely burned by spontaneous human combustion is found at an amusement park, with empty packets of Synchronic near his body. Another man (played by Jean-Pierre Vertus), who’s dressed as a voodoo skeleton, is found babbly incoherently with a cackling laugh after he’s taken Synchronic. Steve and Dennis aren’t detectives, but they’re wondering what’s going on with this drug and why it’s linked to these unusual freak-outs, injuries and deaths.

During this mystery related to their job, Steve (who’s in his mid-40s) and Dennis (who’s in his late 30s) are each dealing with personal issues. Steve, who is a womanizing bachelor, has recently found out that he has a brain tumor, but he doesn’t tell Dennis about it right away. Dennis is stuck in a rut in his marriage to his wife Tara (played by Katie Aselton), who is dealing with the stress of working full-time and taking care of their 1-year-old daughter. Dennis and Tara also have a rebellious 18-year-old daughter named Brianna (Ally Ioannides), who is resisting Dennis’ pressure on her to go to college.

Steve is like a “cool uncle” to Brianna. At an outdoor picnic with several of Tara and Dennis’ friends, Steve sneaks a beer for Brianna to drink. She can open up and talk to Steve more than she can with her father. And when Brianna goes missing from a party where she’s taken Synchronic, Steve takes it upon himself to experiment with the drug to try to get to the bottom of the mystery.

“Synchronic” is the type of movie where almost everything looks gloomy, even during the daytime. Moorhead, who is also the movie’s cinematographer, infuses the movie with a lot of sepia and gray tones, to give a sense of doom throughout the entire story. Synchronic is not a “shiny, happy” drug, but one that induces terrifying scenarios that might be more than visions.

These visions almost always include someone or something attacking the person who’s taken the drug. And if the person who’s taken the drug gets out of this drug-induced trance, there is evidence from wounds or other injuries that the attack really happened. How exactly can Steve find Brianna by taking Synchronic? It’s explained in the movie.

Mackie and Dornan have a believable rapport as best friends Steve and Dennis, who have a the type of age-difference male friendship that isn’t seen to often in movies. There are some scenes in the movie that also realistically show the devastating impact that a missing child can have on a crumbling marriage. The stress of Brianna’s disappearance takes a major toll on Dennis and Tara.

The movie’s visual effects are convincing, but they’re not going to nominated for any major awards. What really drives the story in the last third of the film is how much involved Steve gets in investigating Brianna’s disappearance. And if you consider that Steve has a terminal illness, it’s easy to understand the motivations for a lot of what he does in the story. It’s that extra layer of a life in crisis that gives “Synchronic” an emotional urgency that’s portrayed in the story in a captivating way.

Well Go USA released “Synchronic” in select U.S. cinemas on October 23, 2020.

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