Review: ‘Aquaman and the Lost Kingdom,’ starring Jason Momoa, Patrick Wilson, Yahya Abdul-Mateen II, Amber Heard, Nicole Kidman, Dolph Lundgren and Randall Park

December 22, 2023

by Carla Hay

Jason Momoa and Yahya Abdul-Mateen II in “Aquaman and the Lost Kingdom” (Photo courtesy of Warner Bros. Pictures)

“Aquaman and the Lost Kingdom”

Directed by James Wan

Culture Representation: Taking place above and below the oceans of Earth, the superhero action film “Aquaman and the Lost Kingdom” (based on DC Comics characters) features a racially diverse cast of characters (Asian, white and African American) portraying superheroes and regular human beings.

Culture Clash: Ocean-dwelling superhero Aquaman, also known as Arthur Curry, battles Black Manta, a villain who wants to control the world through environmental terrorism. 

Culture Audience: “Aquaman and the Lost Kingdom” will appeal primarily to people who are fans of star Jason Momoa and movies based on DC Comics, but the movie is inferior in every way to its 2018 predecessor, “Aquaman.”

Patrick Wilson and Jason Momoa in “Aquaman and the Lost Kingdom” (Photo courtesy of Warner Bros. Pictures)

Just like toxic seaweed, “Aquaman and the Lost Kingdom” is a tangled and rotten mess of a superhero film with uneven visual effects, cringeworthy dialogue and a sloppy plot. The filmmakers mistakenly think that Aquaman’s charisma is defined by “surf dude” whooping and hollering. It all becomes very predictable and tiresome, especially when the story is so weak and becomes unnecessarily convoluted in order to stretch the movie’s screen time.

Directed by James Wan and written by David Leslie Johnson-McGoldrick, “Aquaman and the Lost Kingdom” (whose release was delayed multiple times) is supposed to be the last movie in the DC Extended Universe (DCEU), which began with 2013’s “Man of Steel,” a Superman origin story. Movies and TV shows based on DC Comics are going through a major overhaul under the leadership of DC Studios co-chairs/co-CEOs James Gunn and Peter Safran, who were appointed to these positions in 2022. The first “Aquaman” movie, released in 2018, is the highest-grossing DC Comics-based movie of all time, with worldwide ticket sales of about $1.15 billion.

Many of the filmmakers behind “Aquaman” are also behind “Aquaman and the Lost Kingdom,” including director Wan, screenwriter Johnson-McGoldrick, producer Rob Cowan, cinematographer Don Burgess, production designer Bill Brzeski, film editor Kirk Morri, music composer Rupert Gregson-Williams and music supervisor Michelle Silverman. Most of the headlining cast members from “Aquaman” are also in “Aquaman and the Lost Kingdom.” What went wrong?

“Aquaman and the Lost Kingdom” stumbles from the beginning with a corny montage sequence of Arthur Curry/Aquaman (played by Jason Momoa) rescuing a ship that’s being invaded by pirates, and then explaining that he’s now a husband and father who’s the king of the secret underwater kingdom of Atlantis. “That’s right,” Arthur says proudly. “I’m the king of frickin’ Atlantis.”

Arthur likes having this royal title, but he says he hates doing government work that comes with the job, such as attending council meetings, because he doesn’t think it’s any fun. The montage includes Arthur/Aquaman looking like he’s about to fall asleep from boredom at one of these meetings. Aquaman is supposed to be an adult (who looks like a middle-aged human), but he often talks like he’s a teenager who’s become a legal adult and is resentful about having certain adult responsibilities.

Arthur’s wife Mera (played by Amber Heard) gets very choppy film editing in the movie. She’s almost non-existent in the early scenes showing Arthur taking care of baby son Arthur Jr., while Arthur’s supportive father Tom Curry (played by Temuera Morrison) lives in the same household. Adding to the movie’s unimaginative and juvenile comedy, the baby urinates in Arthur’s face more than once in diaper-changing scenes.

At several points in the movie, Arthur looks like he’s a single father, even though he speaks lovingly of his wife, who is nowhere to be seen without explanation when Arthur is spending time with his family. The off-screen controversy over Heard and ex-husband Johnny Depp might or might not have played a role in how Heard is edited in the movie. Many of Depp’s fans petitioned Warner Bros. Pictures to cut her out of the movie because of issues related to the ex-couple’s legal disputes.

Meanwhile, villain David Kane (played Yahya Abdul-Mateen II), who has the alter ego Black Manta, is hell-bent on getting revenge on Aquaman, who was responsible for the death of David’s father in the first “Aquaman” movie. In “Aquaman and the Lost Kingdom,” David is seen scowling while his Black Manta suit is propped nearby. He fumes, “Every day I don’t fix my power suit is another day that Aquaman gets to live.”

David has continued in his father’s profession of being a deep-sea diver who hunts for treasure. He ends up rescuing Dr. Stephen Shin (played by Randall Park), a marine biologist who has survived a deadly attack from a mysterious giant creature with tentacles during an underwater exploration near Antarctica. (“Aquaman and the Lost Kingdom” was actually filmed in Hawaii.) This creature has killed some of the people in Stephen’s team.

Stephen (who is stereotypical science geek character) is grateful to David for saving his life, but it turns out that David is forcing Stephen and the rest of the marine biologist team to work with David. Unbenkownst to Stephen, David has found a magical Black Trident that has allowed David to communicate with this demonic-like creature. The creature has told David: “Free me from my prison, and I will grant you the strength to kill the man who murdered your father.”

This creature is Kordax (played by Pilou Asbæk), the leader of Necrus, which is also called the Lost Kingdom of Atlantis. There are seven kingdoms of Atlantis: Necrus, Atlantis, Xebel, Kingdom of the Fishermen, Kingdom of the Trench, Kingdom of the Brine and Kingdom of the Deserters. David finds out that the Black Trident needs a certain fuel to reach its full power.

Five months later, Arthur/Aquaman appears before the Council of Atlantis, whose leader Karshon (played by Indya Moore) advises him that the people in the surface world have been poisoning the atmosphere of Atlantis through irresponsible environmental pollution. (It has something do with David stealing a stash of orichalcum, a dangerous metal that was locked up in Atlantis.) Arthur thinks it’s time for Atlantis to reveal itself to the people above the water. However, he gets resistance from council members who think that Atlantis should remain a secret from humans.

The rest of “Aquaman” becomes a mishmash of very fake-looking chase/fight scenes, climate change messaging, and a family reunion with a lot of awkward banter. And there’s some nonsense about Curry family blood that gets thrown into the story in a desperate attempt to make the plot look more interesting. For the movie’s action scenes, “loud” and “cluttered” don’t add up to being “exciting” or “interesting.”

The family reunion part of the story involves Arthur’s estranged younger half-brother Orm (played by Patrick Wilson), the former king of Atlantis who was Arthur’s enemy in “Aquaman.” Orm (who also goes by the name Ocean Master) is a dirty, disheveled and emaciated prisoner when Arthur breaks him out of prison to help in the fight against Black Manta and Kordax. But in one of the movie’s phoniest-looking scenes, Orm magically “cleans up” and transforms into a chiseled hunk as soon as he submerges himself in some water on a beach.

Also joining the fray in this family reunion are Atlanna (played by Nicole Kidman), the mother of Arthur and Orm. Atlanna’s regal personality from the first “Aquaman” movie seems to be washed away in “Aquaman and the Lost Kingdom,” which makes her as bland and bland can be. The same can be said for Mera, whose fiery personality has been replaced with being a generic sidekick who helps out in the fight scenes. Mera’s stern father, King Nereus (played by Dolph Lundgren), is also part of Aquaman’s fight team. The main purpose of King Nereus in the movie is to be the person on the team who is most suspicious that Orm will be helpful.

All of these characters would be enough for a superhero movie. But “Aquaman and the Lost Kingdom” doesn’t trust that would be enough to entertain audiences. And so, there are myriads of creatures that populate the movie as distractions that don’t do much to further the plot. Topo, the drum-playing octopus, makes a return to help Aquaman, who doesn’t really want this pet tagging along, but his mother Atlanna insists that Topo accompany Arthur. Arthur/Aquaman acts like a teenager who doesn’t want to babysit the family dog. Kingfish (voiced by Martin Short) is a mutant sea creature who is the sarcastic leader of underwater pirates that have conflicts with residents of Atlantis.

“Aquaman and the Lost Kingdom” has some striking visuals in the Octobots:
vehicles with octopus-like metal arms that are used by Black Manta and his goons. However, even with these inventions and villainous armies doing battle against the heroes, none of it looks truly terrifying during these fight scenes. It all looks very busy, as if the filmmakers thought that throwing up a lot of computer-generated imagery (CGI) on screen is enough to create suspense.

The acting performances in “Aquaman and the Lost Kingdom” go through the motions and aren’t anything special. Momoa looks like he’s trying inject some playful energy into “Aquaman and the Lost Kingdom,” but it just dilutes the action scenes to make Aquaman into a goofball with muscles. It’s similar to how filmmaker Taika Waititi’s version of “god of thunder” Thor in Marvel movies loses the royal aura that the character had in the comic books to become a walking comedy machine that tells jokes that aren’t always funny.

Don’t expect there to be any good mid-credits or post-credits scenes in “Aquaman and the Lost Kingdom.” The mid-credits scene is meant to be amusing, but it will likely nauseate some viewers because it depicts someone eating a cockroach. There is no end-credits scene, which wouldn’t really help anyway, because this movie doesn’t have any story ideas that are fresh or surprising. “Aquaman and the Lost Kingdom” isn’t the worst superhero movie based on DC Comics, but compared to the first “Aquaman” movie, it’s like a crowd-pleasing cruise that has become a shipwreck.

Warner Bros. Pictures released “Aquaman and the Lost Kingdom” in U.S. cinemas on December 22, 2023.

Review: ‘Zack Snyder’s Justice League,’ starring Ben Affleck, Gal Gadot, Ray Fisher, Ezra Miller, Jason Momoa and Henry Cavill

March 15, 2021

by Carla Hay

Ray Fisher, Ezra Miller, Ben Affleck, Henry Cavill, Gal Gadot and Jason Momoa in “Zack Snyder’s Justice League” (Photo courtesy of HBO Max/Warner Bros. Pictures)

“Zack Snyder’s Justice League”

Directed by Zack Snyder

Culture Representation: Set in several fictional DC Comics places such as Gotham, Metropolis, Central City and Atlantis, “Zack Snyder’s Justice League” has a predominantly white cast of characters (with some African Americans and Asians), ranging from superheroes to regular citizens to villains.

Culture Clash: An all-star group of superheroes called Justice League gather to do battle against evil entities that want to take over the universe.

Culture Audience: “Zack Snyder’s Justice League” will appeal primarily to people who are fans of epic superhero movies that have a dark and brooding tone.

Steppenwolf (voiced by Ciarán Hinds) in “Zack Snyder’s Justice League” (Photo courtesy of HBO Max/Warner Bros. Pictures)

“Zack Snyder’s Justice League” is a four-hour superhero movie that can be summed up in four words: “definitely worth the wait.” Also unofficially known as “The Snyder Cut,” this extravaganza is the director’s cut of 2017’s “Justice League,” an all-star superhero movie that was panned by many fans and critics. Even though Snyder was the only director credited for “Justice League,” it’s a fairly well-known fact that after Snyder couldn’t complete the film because his 20-year-old daughter Autumn committed suicide, writer/director Joss Whedon stepped in to finish the movie. Whedon made some big changes from Snyder’s original vision of “Justice League.” (There’s a dedication to Autumn that says “For Autumn” at the end of “Zack Snyder’s Justice League.”) The “Justice League” that was released in 2017 had a lot of wisecracking jokes, and the violence and language were toned down to a more family-friendly version of the movie.

Since the release of “Justice League” in 2017, fans of DC Comics movies demanded that Warner Bros. Pictures “release The Snyder Cut” of the film. And due to popular demand, Snyder was able to make the “Justice League” movie he originally intended to make. “Zack Snyder’s Justice League” is part of HBO Max’s lineup of original content.

As promised, “Zack Snyder’s Justice League” is a darker and more violent version of the 2017 “Justice League” movie, but it also has a lot more emotional depth and gives room for more character development and intriguing possibilities within the DC Extended Universe (DCEU). “Zack Snyder’s Justice League” was written by Chris Terrio, with Snyder, Terrio and Will Beall credited for the story concept. Terrio and Whedon were credited screenwriters for “Justice League.”

Does “Zack Snyder’s Justice League” live up to the hype? Mostly yes. The scenes with the main characters are of higher quality and are more riveting than in the original “Justice League.” The action scenes are more realistic. The overall pacing and tone of the story are also marked improvements from the 2017 version of “Justice League.” However, the reason for the cameo appearance of The Joker (played by Jared Leto) in the movie’s epilogue isn’t what it first appears to be, so some fans might be disappointed. And the appearance of Ryan Choi/Atom (played by Ryan Zheng) is very brief (less than two minutes), and he doesn’t talk in the movie.

Many people watching “Zack Snyder’s Justice League” have already seen “Justice League,” so there’s no need to rehash the plot of “Justice League.” This review will consist primarily of the content in “Zack Snyder’s Justice League” that was not in “Justice League.” For those who have not seen “Justice League,” the basic summary is that an all-star group of superheroes have assembled to battle an evil villain that wants to take over the universe by gathering three mystical Mother Boxes, which are living machines that have enough energy to cause widespread destruction.

The superheroes are Batman/Bruce Wayne (played by Ben Affleck), Superman/Clark Kent (played by Henry Cavill), Wonder Woman/Diana Prince (played by Gal Gadot), Cyborg/Victor Stone (played by Ray Fisher), The Flash/Barry Allen (played by Ezra Miller) and Aquaman/Arthur Curry (played by Jason Momoa)—all seen together in a live-action movie for the first time in “Justice League.” The villain is Steppenwolf (voiced by Ciarán Hinds), but “Zack Snyder’s Justice League” features the first movie appearances of two arch villains that have more power and authority than Steppenwolf: DeSaad (voiced by Peter Guinness) and the supreme villain Darkseid (voiced by Ray Porter).

“Zack Snyder’s Justice League” is divided into chapters with these titles:

  • Part 1 – “Don’t Count On It, Batman”
  • Part 2 – “Age of Heroes”
  • Part 3 – “Beloved Mother, Beloved Son”
  • Part 4 – “Change Machine”
  • Part 5 – “All the King’s Horses”
  • Part 6 – “Something Darker”
  • Epilogue

In “Zack Snyder’s Justice League,” Steppenwolf is more of a sniveling lackey than he was in “Justice League,” because there are multiple scenes of him acting subservient to DeSaad. Steppenwolf is still aggressive against his foes, while DeSaad is sinister and imperious, and Darkseid is fearsome and unforgiving. In a new scene between DeSaad and Steppenwolf, DeSaad scolds Steppenwolf for betraying the Great One and Steppenwolf’s own family. Steppenwolf replies with regret, “I saw my mistake!”

When Bruce goes to Iceland to recruit Arthur, their confrontation is a little more violent and Bruce flashes a wad of cash to entice Arthur to join Justice League. This scene is extended to show some Icelandic women singing on the seashore after Arthur declines Bruce’s offer, Arthur takes off his sweater, and swims away. One of the women picks up Arthur’s sweater and smells it, not in a salacious way, but as a way to give her comfort.

Back in Metropolis, there’s previously unseen footage of Daily Planet newspaper reporter Lois Lane (played by Amy Adams) getting coffee for a local cop. It becomes clear that this was a routine for her, since she’s seen doing this again in the scene where she finds out that Superman has come back to life. It gives some depth to Lois trying to have a normal routine after the death of her fiancé Clark Kent/Superman. It’s mentioned in the movie that Lois took a leave of absence from the Daily Planet after Clark died.

And there’s an extended scene of Wonder Woman fighting off terrorists in a government building. “Zack Snyder’s Justice League” has less shots of Wonder Woman fighting in slow motion and more shots of her speeded up while she’s fighting. And in the terrorist scene, “Zack Snyder’s Justice League” puts more more emphasis on Wonder Woman saving a group of visiting schoolkids (who are about 10 or 11 years old) and their teachers, who are taken hostage during this fight.

After Wonder Woman defeats the terrorists, she says to a frightened girl: “Are you okay, princess?” The girl replies, “Can I be you someday?” Wonder Woman answers, “You can be anything you want to be.”

Victor Stone/Cyborg gets the most backstory in “Zack Snyder’s Justice League.” Viewers will see the car accident that led to his scientist father Silas Stone (played by Joe Morton) deciding to save Victor’s life by using the Mother Box on Earth to turn Victor into Cyborg. The love/hate relationship that Victor has with his father is given more emotional gravitas in “Zack Snyder’s Justice League.” Viewers see in the movie that even before the car accident, there was tension between Silas and Victor because of Silas’ workaholic ways. There are also never-before-seen scenes with Victor’s mother Dr. Elinore Stone (played by Karen Bryson), who died in the car crash.

And speaking of car crashes, there’s an added scene of Barry Allen /The Flash applying for a job as a dog walker at a pet store called Central Bark. Before he walks into the store, he locks eyes with passerby Iris West (played by Kiersey Clemons), in the way that people do when they have mutual attraction to each other. Iris gets into her car to drive off, but a truck driver (who was distracted by reaching for a hamburger he dropped on the floor of the vehicle) slams into Iris’ car, and Barry rescues her.

During this rescue, Barry grabs a hot dog wiener from a food vendor cart that was smashed in the accident and gets back to the pet store in time to feed the wiener to the dogs. Barry then quips to the store manager, “Do I start on Monday?” It’s an example of the touches of humor that the movie has, to show it isn’t completely dark and gloomy. By the way, this car accident/rescue scene is the only appearance of Iris in the movie.

“Justice League” got a lot of criticism for the movie’s corny dialogue that many viewers thought cheapened what should have been a more serious tone to the movie. And even the parts of “Justice League” that were supposed to be comedic were slammed by fans and critics for not being very funny. “Zack Snyder’s Justice League” removes a few of the most cringeworthy lines that “Justice League” had.

For example, in the “Justice League” scene where Barry/The Flash and Victor/Cyborg are digging up Superman’s grave, Barry makes an awkward attempt to bond with Victor by extending his hand in a fist bump toward Victor, but Victor doesn’t return the gesture. Barry then makes a remark that the timing might be off and the fist bump might be too racially charged for the moment. These lines are completely cut from “Zack Snyder’s Justice League,” but the movie still has The Flash/Cyborg fist bump after the group showdown battle with Steppenwolf.

The gravedigging scene in “Zack Snyder’s Justice League” is changed to Barry saying to Victor: “Wonder Woman: Do you think she’d go for a younger guy?” Victor replies, “She’s 5,000 years old, Barry. Every guy is a younger guy.”

Another removal from “Justice League” are some words that Lois utters when she and a resurrected Superman are reunited, and he takes her to a corn field on the Kent family farm. In the original “Justice League” Lois tells him, “You smell good.” And he replies, “Did I not before?” In “Zack Snyder’s Justice League,” Lois’ line is changed to “You spoke.” And Superman gives the same reply, “Did I not before?”

But make no mistake: Even though “Zack Snyder’s Justice League” has some dialogue that’s intended to be funny, the movie definitely has a heavier and edgier tone than “Justice League.” Aquaman still does some joyous whooping and hollering during the fight scenes with Steppenwolf, but it’s toned down in “Zack Snyder’s Justice League” so he doesn’t sound so much like a happy guy at a frat party. And these superheroes say occasional curse words that wouldn’t make the cut in a movie that’s intended for people all ages.

Even the music that plays during the end credits reflects this more somber and more reflective tone. In “Justice League,” the music playing over the end credits was Gary Clark Jr.’s bluesy-rock, upbeat version of The Beatles’ “Come Together.” In “Zack Snyder’s Justice League,” the music that plays over the end credits is Allison Crowe’s raw and soulful version of Leonard Cohen’s “Hallelujah,” which is a song that’s often played at funerals in tribute to someone.

In “Zack Snyder’s Justice League,” there’s a lot more screen time devoted to showing the aftermath of death and how the loved ones left behind are grieving, including extended scenes of how Superman’s adoptive mother Martha Kent (played by Diane Lane) and Lois are dealing with Clark/Superman’s death. Arthur/Aquaman keeps going back to the deep ocean to spend time with the preserved body of his father. Victor visits the gravesite of his mother. And then later, Victor goes to the gravesites of his mother and his father, who was killed when a STAR Labs building exploded. Wonder Woman and Aquaman discuss a past war between the Amazons and the Atlanteans and how there are still lingering repercussions of that destruction.

“Zack Snyder’s Justice League” also delivers more details on what happened in the STAR Labs building during the part of the movie where Superman was resurrected and Steppenwolf stole the Mother Box that was hidden by humans on Earth. This new scene gives more context and shows that Steppenwolf did not get the Mother Box so easily. Victor made a decision that cost him his life, while certain members of Justice League were inside the building soon after the Mother Box was taken.

There are also extended scenes with Mera (played by Amber Heard), Nuidis Vulko (played by Willem Dafoe), Alfred Pennyworth (played by Jeremy Irons) and Deathstroke (played by Joe Manganiello). And the epic battle with Steppenwolf toward the end is truly a spectacle to behold. Viewers will see DeSaad’s and Darkseid’s reactions to this fight. The movie’s epilogue includes a conversation between Bruce and Martian Manhunter that strongly indicates that fans should look for Martian Manhunter to play a major role in another DCEU movie. Simply put: “Zack Snyder’s Justice League” is mostly a triumph and can easily be considered one the the best DCEU movies of all time.

HBO Max will premiere “Zack Snyder’s Justice League” on March 18, 2021.

L’Oréal Paris celebrates women who ‘own it’ in new Superior Preference Hair Color Campaign starring Julianne Moore, Courteney Cox, Amber Heard

January 3, 2019

The following is a press release from L’Oréal Paris:

L’Oréal Paris Superior Preference Hair Color launched in 1973, introducing the brand’s now iconic tagline “Because I’m Worth It” for the first time. Written by a female copywriter, those four words struck an immediate chord as a celebration of self-worth and confidence and became an unofficial call-to-action for women. Now, the brand is amplifying that message even further with the launch of the Superior Preference #OWNINGIT campaign. It’s a rallying cry for women everywhere to truly own, celebrate and be proud of their personal achievements and decisions made in life – their hair color included. Why? Because they’re worth it.

The campaign stars actress Courteney Cox along with L’Oréal Paris  spokeswomen and actresses Julianne Moore and Amber Heard, all of whom go all in when believing in something. Each woman has a unique, personal story of owning their life and their signature hair color. The first part of the integrated campaign debuts as a commercial during this weekend’s Golden Globes broadcast.

“Since launching over 40 years ago, Superior Preference has stood for more than just hair color. Its message of empowerment and championing women is more relevant today than ever before,” says Anne Marie Nelson-Bogle, Senior Vice President, Marketing, L’Oréal Paris USA. “With this new campaign, we want to inspire women to powerfully own it across all facets of their life – from their personal and professional passions to their approach to beauty, including their hair color.”

“There was a time where I was fighting against the external representation and presentation of myself and what other people thought about that. But now, I just own it,” remarks Amber Heard. “I own my blonde and I own being me.  Just like my hair, there are many more dimensions to my life than meet the eye.”

“Above all, I own being a mom and nurturing my relationships,” notes Courteney Cox. “Being a good mom, a good partner and a good friend are three of the most important things to me. I try to own it by always being there and listening. As for my hair, simply stated, my brunette color is who I am.”

Superior Preference has been L’Oreal Paris’ gold standard in hair color since 1973. Available in over 50 shades, Superior Preference delivers long lasting color that’s luminous and fade defying. It pairs the brand’s translucent gel hair dye formula with its exclusive Care Supreme Conditioner to help keep color vibrant, while providing silky and shiny hair color. Preference Hair Color has a suggested retail price of $9.99 and is available at www.lorealparisusa.com, as well as mass, food and drug retailers nationwide.

Just like the original Superior Preference campaign in 1973, “Own It” was created by McCann New York. The campaign premieres this weekend and will live on social, digital and in print media throughout the following months.

About L’Oréal Paris:
The L’Oréal Paris division of L’Oréal USA, Inc. is a total beauty care brand dedicated to empowering women by offering luxurious and innovative products and services available in the mass market.  The brand’s signature tagline, “Because I’m Worth It,” was born in the United States in 1973 to celebrate the beauty and intrinsic self-worth of women, and for more than 100 years, L’Oréal Paris has been providing women around the world with products in four major beauty categories: hair color, haircare, skincare and cosmetics. With L’Oréal’s invention of hair color in 1909, the brand continues to serve as a leading innovator of hair products across color, care, and styling with brands such as Superior Preference, Féria, Colorista, Elvive, the Ever Collection, and Elnett Satin Hairspray. L’Oréal Paris provides scientifically-advanced skincare products that are tested to address individual skin concerns through its renowned brands Revitalift, Pure-Sugar, Pure-Clay, Age Perfect, and Sublime Bronze. L’Oréal Paris’ iconic cosmetics include best-seller Voluminous Lash Paradise, as well as the Infallible, True Match, Colour Riche, Voluminous, and Visible Lift collections. For more information about L’Oréal Paris and to receive personalized advice, expert tips, and exclusive content, please visit www.lorealparisusa.com or follow on Instagram (@LOrealMakeup, @LOrealHair, @LOrealSkin, @LOrealMen, Snapchat (@LOrealMakeup), Twitter (@LOrealParisUSA), Facebook (@LOrealParisUSA), and Pinterest (@LOrealParisUSA).

https://www.youtube.com/watch?v=Bpr3yCGz4pk

https://www.youtube.com/watch?v=4KhSBtIwQ6Q

2018 American Music Awards: Heidi Klum, Tyra Banks, The Chainsmokers, Lenny Kravitz among presenters

October 8, 2018

AMAs logo

The following is  a press release from Dick Clark Productions and ABC:

Dick Clark Productions and ABC today announced a star-studded line-up of presenters for the “2018 American Music Awards.” Some of the biggest names from film, television and music including Kelsea Ballerini, Tyra Banks, Kane Brown, Chloe x Halle, Macaulay Culkin, Lauren Daigle, Billy Eichner, Sara Gilbert, Kathryn Hahn, Amber Heard, Vanessa Hudgens, Taran Killam & Leighton Meester, Heidi Klum, Liza Koshy, Lenny Kravitz, Normani, Rita Ora, Busy Philipps, Bebe Rexha, Florida Georgia Line, Thomas Rhett, Evan Ross, Ashlee Simpson-Ross, John Stamos, Amandla Stenberg, The Chainsmokers, Constance Wu, and the cast of “Bohemian Rhapsody” including Rami Malek, Joseph Mazzello & Gwilym Lee will take the stage throughout the night.

The lineup of presenters joins host Tracee Ellis Ross and previously announced performers benny blanco with Halsey and Khalid, Camila Cabello, Cardi B featuring Bad Bunny and J Balvin, Mariah Carey, Ciara featuring Missy Elliott, Dua Lipa, Jennifer Lopez, Ella Mai, Panic! At The Disco, Post Malone featuring Ty Dolla $ign, Shawn Mendes with Zedd, Taylor Swift, Twenty One Pilots, and Carrie Underwood, as well as a special tribute to the Queen of Soul, Aretha Franklin.

The “2018 American Music Awards,” the world’s largest fan-voted awards show, will broadcast live from the Microsoft Theater in Los Angeles on Tuesday, October 9, 2018 at 8:00 p.m. ET on ABC.

The American Music Awards winners are voted entirely by fans. Voting is now closed in all categories except New Artist of the Year presented by Capital One® Savor® Card and Collaboration of the Year.
Fans can vote for each award 100 times per day, per voting platform in one or both of the ways below.

  • Via web at VoteAMAs.com
  • Posting a tweet on Twitter that includes the nominee’s name or Twitter handle, the category name and #AMAs within the tweet
Voting for New Artist of the Year presented by Capital One Savor Card and Collaboration of the Year will close on Tuesday, October 9 at 5:59:59pm PT, one hour into the live broadcast.American Music Awards nominees are based on key fan interactions as reflected on Billboard.com, including streaming, album and digital song sales, radio airplay, social activity and touring. These measurements are tracked by Billboard and its data partners, including Nielsen Music and Next Big Sound, and reflect the time period of September 15, 2017 through August 9, 2018.

YouTube Music is the presenting sponsor of the “2018 American Music Awards.”

Capital One Savor Card and Subaru of America, Inc. are sponsors of the “2018 American Music Awards.” Media partner is Cumulus Media/Westwood One.
The “2018 American Music Awards” is produced by dick clark productions. Barry Adelman, Mark Bracco and Tracee Ellis Ross are Executive Producers. Larry Klein is Producer.

For the latest American Music Awards news, exclusive content and more, be sure to follow the AMAs on social and join the conversation by using the official hashtag for the show, #AMAs.

Facebook: Facebook.com/AMAs
Twitter: @AMAs
Instagram: @AMAs
Snapchat: TheAMAs
YouTube: YouTube.com/TheAMAs

Tickets are now on sale at www.axs.com.

About the American Music Awards
The American Music Awards, the world’s largest fan-voted award show, features performances from today’s hottest artists and presents fan-voted awards in the music genres of Pop/Rock, Alternative Rock, Country, Rap/Hip-Hop, Soul/R&B, Adult Contemporary, Contemporary Inspirational, Latin, EDM and Soundtrack, and the categories of Artist of the Year, New Artist of the Year presented by Capital One Savor Card, Collaboration of the Year, Tour of The Year, Favorite Social Artist presented by Xfinity and Favorite Music Video. The American Music Awards pays tribute to today’s most influential and iconic artists.  The show is produced by dick clark productions and is seen in more than 200 countries and territories around the world. For more information, visit www.theamas.comwww.dickclark.com or abc.go.com/shows/american-music-awards.

About dick clark productions
dick clark productions (dcp) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and dcp. dcp also owns one of the world’s most unique and extensive entertainment archive libraries with over 60 years of award-winning shows, historic programs, specials, performances and legendary programming. dcp is a division of Valence Media, a diversified media company with divisions and strategic investments in premium television, wide release film, specialty film, live events and digital media. For additional information, visit www.dickclark.com.

About YouTube Music 
YouTube Music is a completely reimagined streaming music service with music videos, official albums, singles, remixes, live performances, covers and hard-to-find music you can only get on YouTube. It’s ALL here! YouTube Music serves music based on your tastes and what’s moving the community around you. Discover something new or keep up with what’s trending. Basic functions such as playing music and watching videos are totally free, but you can upgrade to YouTube Music Premium to explore the world of music ad-free, offline, and with the screen locked. Available on mobile and desktop.  For additional information, visit  www.youtube.com/musicpremium.

 

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