Review: ‘Dumb Money’ (2023), starring Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley and Seth Rogen

September 9, 2023

by Carla Hay

Paul Dano in “Dumb Money” (Photo by Claire Folger/Columbia Pictures)

“Dumb Money” (2023)

Directed by Craig Gillespie

Culture Representation: Taking place in various parts of the United States, from 2020 to 2021, the comedy/drama film “Dumb Money” (based on true events) features a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the working-class and middle-class.

Culture Clash: Keith Gill, an insurance analyst and amateur stock-market adviser, becomes an Internet sensation with a cult-like following under his online alias Roaring Kitty, when he becomes a passionate advocate of buying stocks in the video game retail company GameStop, leading to a massive upheaval in the billionaire-owned hedge funds that want GameStop to fail. 

Culture Audience: “Dumb Money” will appeal primarily to people who are fans of the movie’s headliners and stories about financial underdogs who take on corporate giants.

Nick Offerman and Seth Rogen in “Dumb Money” (Photo by Lacey Terrell/Columbia Pictures)

The slick comedy/drama “Dumb Money” takes a little too long to get to the best parts of this story of financial underdogs versus billionaire corporate bullies, but it’s still a mostly entertaining ride with a talented cast. Some of the characters are very underdeveloped, while other characters are unnecessary distractions. People who are interested in finance and computer technology will enjoy and understand “Dumb Money” the most. “Dumb Money” might get compared to 2015’s “The Big Short” and 2010’s “The Social Network,” but “Dumb Money” isn’t as outstanding as those two Oscar-winning films.

Directed by Craig Gillespie, “Dumb Money” had its world premiere at the 2023 Toronto International Film Festival. This “Dumb Money” feature film is not to be confused with filmmaker Ryan Garry’s 2021 short narrative film “Dumb Money,” which is based on the same subject matter of the GameStop stock phenomenon that disrupted Wall Street’s stock market. From 2021 to 2023, there have been at least seven documentaries about the same subject. The “Dumb Money” short film has an entirely different cast and crew from the “Dumb Money” feature film. Gillespie (the director of 2017’s “I, Tonya” and an executive producer/director of 2022’s “Pam & Tommy” miniseries) has a style that blends intense drama and satirical comedy, even when based on true stories.

The “Dumb Money” feature film’s screenplay—which was co-written by former Wall Street Journal reporters Lauren Schuker Blum and Rebecca Angelo—is based on Ben Mezrich’s 2021 non-fiction book “The Anti-Social Network: The GameStop Short Squeeze and the Ragtag Group of Amateur Traders That Brought Wall Street to Its Knees.” Mezrich also wrote the 2009 non-fiction book “The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius, and Betrayal,” which was adapted into Aaron Sorkin’s Oscar-winning screenplay for “The Social Network.” Identical twin brothers Cameron Winklevoss and Tyler Winklevoss, who famously sued Facebook to get more of Facebook’s profits (as depicted in director David Fincher’s “The Social Network”), are two of the executive producers of the “Dumb Money” feature film.

If “The Social Network” and filmmaker Adam McKay’s “The Big Short” are mentioned in comparison to “Dumb Money,” that’s because “Dumb Money” has many similarities in how it approaches a complex story of financial wheeling and dealing with many players on different levels. The overarching theme of all three of these movies is that greedy corporate types are villains who don’t hesitate to crush the hopes, dreams and finances of “underdogs” who dare to challenge them. The title of “Dumb Money” comes from the term that arrogant rich people in the financial sector use for non-wealthy people who invest in the stock market. A more polite term used for non-wealthy investors are “retail investors.”

The “Dumb Money” feature film is based on the true story of a phenomenon that happened from 2020 to 2021, when the video game retailer GameStop suddenly went from being on the verge of going out of business to became a red-hot stock investment, because of a surge of working-class and middle-class people who decided to invest in GameStop stock. This massive interest in GameStop stock was based largely on the advice of an Internet media personality using the alias Roaring Kitty. It also caused a panic among wealthy Wall Street investors who did not know how to handle this unexpected grassroots movement.

In real life, Roaring Kitty was a middle-class, self-described computer geek in his 30s named Paul Gill (played by Paul Dano), whose day job at the time was working as an analyst/financial educator for insurance corporation MassMutual. He did his stock-market videos and Internet chatting on his own time at his home. Because of the unexpected success of GameStop stock, many billionaire-owned hedge funds that were betting on GameStop stock to fail (a practice known as “shorting” or “short-selling” a stock) experienced financial meltdowns. “Dumb Money” is an occasionally convoluted play-by-play of what happened during this stock-market war that led to a U.S. Congressional hearing and federal investigations.

The movie’s principal characters have the same names as the real people, while some of the supporting characters are fabricated and are partially based on real people. (For the purposes of this review, the real people will be referred to by their last names, while the characters in the movie will be referred to by their first names.) Many of Gill’s real-life quirks are also portrayed in the movie. He liked to wear headbands (especially a red hedband) and T-shirts with kittens on the front of the shirts.

In the “Dumb Money” feature film, Keith is living in Brockton, Massachusetts, with his supportive wife Caroline Gill (played by Shailene Woodley) and their infant daughter (played by Leyla Eden and Mason Eden), who doesn’t have a name in the movie. (“Dumb Money” was actually filmed in New Jersey.) Keith has invested the couple’s entire life savings ($33,000) in GameStop. Most people who know about this investment think that Keith has made a reckless and foolish decision. Caroline is skeptical and nervous about the decision. But ultimately, she stands by Keith’s firm belief that GameStop investing could make them enough money, possibly millions of dollars, for them to retire early.

The movie shows that Keith’s online persona as Roaring Kitty (which he used on online platforms such as YouTube and on a Reddit subforum called WallStreetBets) didn’t start out being popular. In the beginning he had a very small audience, many of whom ridiculed him. However, his enthusiasm for GameStop was infectious. Over time, his following grew to thousands of enthusiastic fans who eagerly listened to Keith’s stock-market advice. In order to legally protect himself, Keith had disclaimers about how he was not a licensed stock broker, and his information about GameStop was for entertainment purposes only.

Keith’s other immediate family members, who all live nearby, are mother Elaine Gill (played by Kate Burton), a retired registered nurse; father Steve Gill (played by Clancy Brown), a retired truck driver; and Keith’s younger brother Kevin (played by Pete Davdison), a stoner who has trouble holding on to a steady job. In the movie, Kevin is working in a low-paying job as a food delivery person and is living with his parents. Kevin’s only purpose in the movie is to be comic relief, since he’s not involved in any of Keith’s stock-market shenanigans. Keith’s parents don’t find out about what Keith is doing in the stock market until he tells them some big news.

The Gill family is grieving over the death of Elaine’s and Steve’s other child: Sarah Elizabeth Gill, who died of COVID-19 in 2020, at the age of 43. Keith doesn’t like to talk about Sarah’s death, but there are a few scenes in the movie that show how her death has had a profound effect on him. It’s implied that Keith’s grief over his sister’s death is the fuel behind Keith’s willingness to risk his entire fortune and reputation on GameStop stock. Many people who experience the loss of a loved one often react with extreme “you only live once” decisions.

And because the movie’s story takes place during the height of the COVD-19 pandemic, there are several verbal and non-verbal references to the pandemic in “Dumb Money.” Observant viewers will notice that in the movie, the characters who tend to wear COVID-19 masks are either required to wear the masks as part of their jobs or are in precarious financial situations where they can’t afford to miss out on work if they get infected with COVID-19. There’s also an underlying implication that people being in COVID-19 quarantines or lockdowns resulted in more people spending time at home online, which might be one of the plausible reasons why the GameStop stock phenomenon happened so quickly.

“Dumb Money” opens with a scene taking place in 2020, showing one of the “villains” of the story panicking because he sees that GameStop stock is on the rise. Gabe Plotkin (played by Seth Rogen), the CEO of hedge fund Melvin Capital, is at his mansion in California, when he calls his fellow billionaire crony Ken Griffin (played by Nick Offerman), who’s relaxing at a Four Seasons Resort in Florida. During the conversation, Gabe tries not to show how frightened he is by this upward trend in GameStop stock, while he puts on a front in assuring Ken that Gabe has everything under control. Gabe wants to get Ken’s reaction to the rise in GameStop stock value. Ken doesn’t seem too worried at all. Viewers will later find out why.

The movie then does a flashback to three months earlier, when GameStop’s stock was valued at only $3.85 per share. Keith is shown doing his Roaring Kitty activities on the Internet, while other characters are introduced as eventual followers of Keith/Roaring Kitty. Every time a stock market player is shown on camera, the movie has a caption next to that person’s head that shows the person’s net worth at the time they are shown on screen. All of Keith’s followers who are depicted in “Dumb Money” are fictional versions of real people and are portrayed as having financial struggles before investing in GameStop.

In the city of Pittbsurgh, Jenny (played by America Ferrera) is a divorced mother of two sons, who look like they’re about 8 to 10 years old. It’s briefly mentioned in the movie that Jenny’s ex-husband abandoned the family. Jenny is financially broke (when she’s first seen in the movie, her net worth is a deficit of more than $5,000) and works as a nurse at Pittsburgh Presbyterian Hospital. She becomes obsessed with Roaring Kitty’s videos, and eventually invests in GameStop. Jenny gets repeated warnings and admonishments from her sassy, openly gay best friend/co-worker Chris (played by Larry Owens), who thinks she’s making a big mistake with this investment. Chris frequently advises Jenny to sell all of her GameStop stock.

In the city of Detroit, Marcos Garcia (played by Anthony Ramos) is a low-paid and under-appreciated cashier at a GameStop store. Marcos is also financially broke. His net worth is only $136 when he’s first seen in the story, and he’s denied a request to get an advance on his next paycheck. Marcos’ boss Brad (played by Dane DeHaan) treats Marcos in a condescending and dismissive manner, especially after he finds out that Marcos has invested in GameStop.

At the University of Texas in Austin, two students meet during a drinking game at a party and eventually become lovers. Their names are Harmony Williams (played by Talia Ryder) and Riri (played by Myha’la Herrold), whose sexual chemistry with each other can be seen as soon as Riri is told to put her hand down Harmony’s pants because of a dare during the drinking game. During this first conversation, Harmony tells Riri that she’s thinking about investing in GameStop stock because Harmony has become a fan of Roaring Kitty. Eventually, Harmony and Riri (who each has thousands of dollars in student-loan debt) invest their money in GameStop stock. Harmony has a scowling, unnamed roommate (played by Andrea Simons), whose annoyance with this romance is used as an occasional joke in the movie.

All of these financial underdogs express various levels of anger and motivation to fight back against what they believe to be a rigged stock market that was designed to make the rich get richer, and non-wealthy people to be at a disadvantage. After Harmony and Riri become intimate partners, Harmony tells Riri that her father used to be the general manager of a Costco-like retailer called Shopco, but he lost his job, his pension and much of his life savings. Harmony says it’s because he was a victim of a corporate raiding firm that bought Shopco to purposely bankrupt the company, in order to benefit the people who were short-selling Shopco stock.

Real-life billionaire investor Steve Cohen (played by Vincent D’Onofrio) is another player in the GameStop stock-market war depicted in “Dumb Money,” although this character is shown intermittently and doesn’t get nearly as much screen time as billionaires Gabe and Ken. Gabe is portayed as a tone-deaf partier who likes to spend lavishly and doesn’t really think about all the lives he’s ruining by short-selling stock. Ken is depicted as a cold manipulator who is very much aware of the lives he’s ruining, but he just doesn’t care.

And in this billionaire clique, it’s very much portrayed as a “boys’ club.” The only woman connected to this clique who has a significant speaking role (and it’s still a small role) is Gabe’s wife Yaara Plotkin (played by Olivia Thirlby), a “trophy wife” type. The only purpose she’s given in this movie is to worry about whether or not Gabe is making enough money so that she can maintain the lifestyle to which she has become accustomed. There are no female stockbrokers or female hedge fund leaders who are depicted as characters in this movie.

Two other characters who have pivotal roles in the GameStop stock-market war are the co-founders of the Robinhood app: Vlad Tenev (played by Sebastian Stan) and Baiju Bhatt (played by Rushi Kota), who marketed Robinhood as an app where ordinary people could buy and sell stocks for free. In the movie, Robinhood users include Jenny, Marcos, Harmony and Riri. Vlad and Baiji, who are both in their 30s, are “tech bro” stereotypes of being arrogant big talkers of start-up companies. Vlad is portrayed as the more corrupt person in this greedy and ambitious duo.

The first half of “Dumb Money” clips along at a fairly uneven pace where characters are quickly introduced, and then the movie slows down to show aspects of each character’s personal lives. “Dumb Money’ spends way too much time on Kevin, who didn’t need as much screen time as he gets, considering he had no part in the GameStop stock war. Keith was a star track runner in high school, so “Dumb Money” has multiple scenes of Keith jogging on a residential street or running on a local school’s track (sometimes with Kevin) as a way to relieve stress.

The second half of the movie is an improvement, as it gets into the conflicts created during the GameStop stock war. Still, there might be some “Dumb Money” viewers who will feel disconnected because of the movie’s first half, which can be perceived as a blur of people talking stock market jargon and Internet slang. If you’re the type of person who could care less about the intersections of technology and commerce, and if you will probably never read a Wall Street Journal article or Reddit forum in your life, then “Dumb Money” is not the movie for you.

Dano is an actor who can be counted on to deliver top-notch performances in his projects. He has made a career out of doing characters who are eccentric outsiders, so he’s not doing anything that’s very new or groundbreaking in “Dumb Money.” Still, Dano’s portrayal of Keith holds this movie together, when some scenes tend to be a little pointless (for example, there’s a scene where Jenny somewhat flirts with a guy she meets at a gas station) or completely unnecessary (any scene that shows what Kevin does when he’s not with Keith). The character of Caroline isn’t given much to do but be a stereotypical “worried wife” character.

For all of its flaws, “Dumb Money” still has enough that’s enjoyable to watch, regardless of how much viewers know about what happened in real life. A lot of the credit should go to the “Dumb Money” cast members, who admirably do as much as they can with the dialogue that they have, even if some of their characters are very underwritten. Toward the end of the movie, before the inevitable epilogue with updates of what happened in real life, there’s some archival footage of the real-life people who were involved in this stock-market war. Some of what they said was recreated in “Dumb Money,” which might be a based on a true story, but it’s not immersive enough to make you forget that you’re watching actors saying scripted lines on screen.

Columbia Pictures will release “Dumb Money” in select U.S. cinemas on September 15, 2023, with an expansion to more U.S. cinemas on September 22, 2023, and September 29, 2023.

Review: ‘Barbie’ (2023), starring Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman and Will Ferrell

July 19, 2023

by Carla Hay

Emma Mackey, Simu Liu, Margot Robbie, Ryan Gosling and Kingsley Ben-Adir in “Barbie” (Photo courtesy of Warner Bros. Pictures)

“Barbie” (2023)

Directed by Greta Gerwig

Culture Representation: Taking place in Barbie Land and in “the real world” in the United States, the comedy film “Barbie” features a predominantly white cast of characters (with some African Americans, Latinos and Asians) portraying Barbie dolls and human beings.

Culture Clash: Barbie and Ken, who are two of Mattel’s most famous dolls, leave Barbie Land to venture out into the real world, and they encounter humans who have various reactions.

Culture Audience: “Barbie” will appeal primarily to people who are fans of the Barbie brand and campy comedies that have pointed observations about society and feminism.

Ana Cruz Kayne, Sharon Rooney, Alexandra Shipp, Margot Robbie, Hari Nef and Emma Mackey in “Barbie” (Photo courtesy of Warner Bros. Pictures)

Despite a few parts of the screenplay being clumsy and meandering, “Barbie” is a nearly pitch-perfect comedy in its blend of satire and social commentary. The production design, costume design and casting are impeccable. The musical numbers are a bonus. If you like pop-culture-drenched comedies that can appeal to many generations (but adults will understand most of the jokes), then “Barbie” is the type of movie for you.

Directed by Greta Gerwig (who co-wrote the “Barbie” screenplay with Noah Baumbach), “Barbie” is candy-hued madcap adventure that sometimes gets overstuffed and unfocused in what it’s trying to say. It’s an occasionally bumpy ride that’s still worth the journey, but it’s best appreciated by people who are attuned to the impact that Mattel’s Barbie dolls have had on the perception of “feminine ideals.” People’s views of the “Barbie” movie will likely be affected by their views of Barbie dolls.

Barbie dolls (and what they represent) have been loved, hated, and somewhere in between by countless numbers of people, ever since the first Barbie dolls were sold in 1959. Within the Barbie toy brand are dolls with other names, but the Barbie doll name is iconic for various reasons. Barbie having a woman’s body and an entire imaginary world built around her have become part of Barbie’s image of being a “superstar” doll.

The “Barbie” movie acknowledges this impact from its opening scene, where voiceover narrator Helen Mirren is heard saying, “Since the existence of time, there have been dolls—baby dolls.” It’s a spoof of the opening scene from the 1968 sci-fi classic “2001: A Space Odyssey.” The “Barbie” movie then shows girls playing on a beach with baby dolls until a giant Barbie (played by Margot Robbie) suddenly appears on the beach, in a one-piece, black-and-white-striped swimsuit, like a doll version of Godzilla. The girls on the beach quickly smash and abandon their baby dolls and are in awe of Barbie.

Over the years, Mattel has presented Barbie as different races, occupations and body sizes, in order to deflect criticism that Barbie is not diverse. The “Barbie” movie does the same thing too. It also pokes fun at the stereotype that the “ideal” Barbie is supposed to be thin, blonde and pretty, by naming its protagonist Stereotypical Barbie (played by Robbie, one of the producers of the movie) and having her do a lot of stereotypical things that an eternally cheerfully doll would do. Barbie lives in fantastical world called Barbie Land, where the majority of everything is in pink, and parties often feature well-choreographed song-and-dance numbers.

But then, this Barbie begins to see signs that she’s not as “perfect” as she thought she was. Barbie starts to have dark thoughts about death. Her feet—which are supposed to be in permanent “tip-toe” mode so she can easily slip into high heels—suddenly become flat fleet, much to the horror of the other Barbies in Barbie Land. The movie’s other Barbies who have prominent speaking roles are portrayed by Issa Rae (the president of Barbie Land), Hari Nef, Emma Mackey, Alexandra Shipp, Sharon Rooney, Ana Cruz Kayne, Ritu Arya, Dua Lipa and Nicola Coughlin.

In the “Barbie” movie, Stereotypical Barbie has a possible love interest named Ken (played by Ryan Gosling), just like Mattel has a Ken doll that’s supposed to be Barbie’s love interest. In the movie, there are also various Kens of different races and body sizes. The ones with prominent speaking roles are portrayed by Simu Liu, Kingsley Ben-Adir, Scott Evans, Ncuti Gatwa and John Cena. (Cena’s appearance in the movie is very brief: no more than two minutes.)

More often than not, the Barbies in Barbie Land co-exist peacefully with each other and the Kens and are in perpetual supportive “girl power” mindsets. The Kens in Barbie Land aren’t as friendly with each other, because they are often competing for the attention of the Barbies. Gosling and Liu portray the Kens who have the biggest rivalries with each other. It’s the movie’s way of saying that competitive male egos will always exist, even in so-called utopias. (After all, history has shown which gender is more likely to start wars on Earth.)

One male who’s not named Ken in Barbie Land is Allan (played by Michael Cera), who represents every sad-sack beta male who’s treated like an outcast misfit. Allan is not considered “cool” enough to be a close friend of the Kens in Barbie Land. And he’s not considered “attractive” enough to be swooned over by the Barbies in Barbie Land, although the Barbies treat Allan better than the Kens do.

The Barbies have their own outcast misfit: Weird Barbie (played by Kate McKinnon), a disheveled doll who was played with too hard by whoever used to own her. Weird Barbie is a moody, sarcastic nonconformist who prefers the real world over Barbie Land. Almost all of the Barbies in Barbie Land have no idea what the real world is about, but they have a vague concept that it’s an undesirable place.

Weird Barbie has some of the best lines in the movie. There’s a scene that has some snarky commentary about how Mattel makes all Barbie and Ken dolls with genital areas that are not explicitly detailed. Weird Barbie quips in this scene about the Ken character played by Gosling: “I’d to see what kind of nude blob he’s packing under those jeans.” There’s also a joke about discontinued Barbie dolls, including Midge (played by Emerald Fennell), who was controversial because she was pregnant.

The Ken played by Gosling is frustrated because he wants to have sleepovers at Stereotypical Barbie’s place. Stereotypical Barbie doesn’t think about sex and only wants to have female-only slumber parties, so Ken is always rejected when he asks Barbie to spend the night at her home. As Barbie tells Ken about her sleepover rules: “Every night is girls’ night.”

Stereotypical Barbie grows increasingly disturbed by signs that she’s turning into a different Barbie. In addition to having flat feet, Barbie also shows signs that she’s becoming klutsy, insecure and no longer “perfect.” Through a series of events, Stereotypical Barbie finds out from Weird Barbie that someone in the real world has been planning a Barbie with “irrepressible thoughts of death” and other non-Barbie-like characteristics that Stereotypical Barbie has been experiencing.

And so, to solve this mystery and to find the person who’s been messing with her “perfect” life, Barbie decides to go to the real world, right to the place where she was made: Mattel headquarters in the Los Angeles area. Because she’s a master traveler, she goes by land, air and sea in a quick montage. Barbie starts her journey on a road trip, and she’s surprised to find Ken has hidden in the back of her car, because he wants to go to the real world too.

The Mattel executives are an all-male team led by an unnamed CEO (played by Will Ferrell), who has more ego posturing and bluster than he has intelligence. His team consists of a bunch of “yes men,” except for a junior executive named Aaron Dinkins (played by Connor Swindells), who dares to be an independent thinker. The CEO is predictably a bumbling oaf.

Meanwhile, another Mattel employee named Gloria (played by America Ferrera) and her daughter Sasha (played Arianna Greenblatt), who’s about 12 or 13 years old, are big parts of the story. Sasha is a pouty adolescent who’s angry that her mother left her father, for reasons that aren’t fully explained in the movie. Sasha and her female friends hate Barbie dolls and aren’t afraid to say so.

“Barbie” director/co-writer Gerwig is an outspoken feminist, so it should come as no surprise that the movie has a lot of satire about misogyny, patriarchy and how people are treated or perceived a certain way because of gender and physical appearances. The female characters aren’t excused for terrible actions, since “Barbie” also lampoons “mean girls” who are bullies and snobs. “Barbie” is not a male-bashing film, but it does point out the privileges men often get just for being men. One of the funniest parts of the movie is when Ken discovers that the real world is the opposite of Barbie Land, such as men have most of the power in the real world.

“Barbie” stumbles a bit in the backstory for Gloria and Sasha. It could have been a better-developed part of the screenplay, because Gloria and Sasha just seem kind of thrown into the movie without viewers really getting much of a chance to know them before Gloria and Sasha become a big part of the story. The movie also doesn’t do enough with Barbie’s and Ken’s “real world” interactions with adults who don’t work for Mattel.

There’s a very children’s movie-type subplot about the Mattel CEO wanting to capture Barbie and Ken, in order to put both of these life-sized dolls back in their boxes. During a chase sequence through Mattel headquarters, Barbie finds refuge in a kitchen, where she meets an elderly woman named Ruth (played by Rhea Perlman), who shows up again later in a hilarious scene.

Robbie and Gosling are a very good comedic team in “Barbie,” with both playing their respective roles in an effectively funny tongue-in-cheek style. Robbie’s Barbie is naïve but resourceful and a quick learner. Gosling’s Ken proves that he’s not just a mindless “himbo” and he has very thoughtful side. McKinnon (whose Weird Barbie deadpan delivery is very amusing) is a true standout among the “Barbie” cast, but she isn’t in the movie as much as many people think she should have been.

Ferrell, who has played pompous jerks in many other comedies, doesn’t do anything new in “Barbie,” but people who like to see him in this type of role will find his performance to be what’s expected. Ferrera and Greenblatt give believable performances as a mother and a daughter working through their own issues. Ferrera’s Gloria character has had an interesting life that is only hinted at in the movie, especially when she gives a dramatic monologue at one point in the story. The rest of the “Barbie” cast members give serviceable performances.

The soundtrack music of “Barbie” has some predictable selections, including Cyndi Lauper’s “Girls Just Wanna Have Fun,” Spice Girls’ “Spice Up Your Life” and Lizzo’s “Pink.” Barbie has a personal theme song during her “real world” journey: Indigo Girls’ “Closer to Fine,” while Ken’s personal theme song after he discovers patriarchy is Matchbox Twenty’s “Push.” “Closer to Fine” and “Push” are inspired choices for the soundtrack, which includes “Barbie” co-star Lipa’s “Dance the Night,” Gosling’s “I’m Just Ken” and Billie Eilish’s “What Was I Made For?” Also on the soundtrack: Nicki Minaj and Ice Spice have a duet cover version of Aqua’s “Barbie Girl.”

Making a live-action “Barbie” movie is so much harder than it sounds. You can’t alienate the die-hard Barbie fans, but you can’t make it so sickeningly sweet that it will turn off people who have no interest in buying Barbie dolls. There’s some product placement in “Barbie,” but it isn’t aggressively obnoxious, like some product placement is in many other major studio movies. The “Barbie” movie is a lot like a Barbie doll: Some people will find it to be disposable entertainment, while others will be hooked and will become devoted fans.

Warner Bros. Pictures will release “Barbie” in U.S. cinemas on July 21, 2023.

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