Review: ‘The Informer’ (2020), starring Joel Kinnaman, Rosamund Pike, Common, Ana de Armas and Clive Owen

November 14, 2020

by Carla Hay

Joel Kinnaman in “The Informer” (Photo courtesy of Vertical Entertainment)

“The Informer”

Directed by Andrea Di Stefano

Culture Representation: Taking place in primarily in New York City, the crime drama “The Informer” has a predominantly white cast of characters (with some African Americans and Latinos) representing the middle-class and criminal underground.

Culture Clash: An ex-convict who’s become a confidential informant to the FBI gets caught up in a power struggle between the FBI, the New York Police Department and a drug kingpin when an undercover NYPD officer gets murdered during a botched drug deal.

Culture Audience: “Informer” will appeal primarily to people who like formulaic and generic movies about drug smuggling and undercover investigations.

Clive Owen, Rosamund Pike and Joel Kinnaman in “The Informer” (Photo courtesy of Vertical Entertainment)

There are times when people watching a movie have to suspend disbelief when they have to think to themselves, “It’s only a movie,” because the world created in the movie is not supposed to be a reflection of the real world. But when a gritty crime drama like “The Informer” invests so much of the story’s credibility in trying to be as realistic possible, it’s fair to judge the movie’s merits on how well the movie depicts “the real world.” Although the “The Informer” has moments of action-filled suspense, too much of the movie looks recycled from other better-made films, and some of the scenes are almost laughably unrealistic.

Directed by Andrea Di Stefano, “The Informer” is based on the 2009 Swedish novel “Three Seconds” by Anders Rosland and Börge Lennart Hellström. Di Stefano, Matt Cook and Rowan Joffe adapted “Three Seconds” into the mediocre and cliché-ridden screenplay for “The Informer.” The movie changes the setting of the story (it’s Sweden in the book, New York City in the movie) but the premise is essentially the same: An ex-con who’s an informant tries not to killed in a dangerous double-cross game as he deals with law enforcement and criminals.

In “The Informer,” Joel Kinnaman plays Pete Koslow, a Gulf War veteran who spent time in the fictional Bale Hill Prison for killing a man in a bar fight while defending his wife Sofia (played by Ana de Armas) from the sleazy guy who was harassing her in the bar. Now a heavily tattooed ex-con, Pete (who has post-traumatic stress disorder) lives in New York City with Sofia and their 8-year-old daughter Anna (played by Karma Meyer). Pete has stayed out of trouble since his release from prison, but he has a secret: He’s a confidential informant for the FBI to bust a major drug ring that has been importing and selling fentanyl.

The Polish kingpin who’s the leader of this drug-dealing operation is Rysard Klimek (played by Eugene Lipinski), who’s nicknamed The General. Pete is an American of Polish descent who can speak fluent Polish, and most of The General’s gang members are also Polish. Therefore, Pete has been chosen to help the FBI in busting The General and his drug-smuggling crew.

Pete has been able to infiltrate The General’s gang and gain their trust. The person he is closest to in the gang is an impulsive hothead named Stazek Cusik (played by Mateusz Kosciukiewicz), who sets off a chain of events that will test Pete’s loyalties and put Pete and his family in possibly fatal danger. With Pete’s help, the FBI is ready to do a huge drug bust to arrest The General and his gang.

Pete has been working directly with FBI agent Erica Wilcox (played by Rosamund Pike), and they have meticulously planned how the drug bust will go. Erica has instructed the FBI to “go easy” on Pete when the drug bust happens because he is one of the FBI’s informants. Erica has assured Pete that during the drug bust, he will be taken away safely in an unmarked vehicle.

But things go horribly wrong. Unbeknownst to the FBI, the New York Police Department has been trying to bust The General and his gang too. And the NYPD sent an undercover officer named Daniel Gomez (played by Arturo Castro), who’s been using the alias Carlos Herrera, to pose as a major drug buyer from Mexico. Stazek tells a nervous Pete that there’s been a last-minute change of plans since this “new buyer” named Carlos Herrera has shown in interest in making a big purchase.

During the meeting with “Carlos,” an argument erupts, he reveals he works for the NYPD, and Stazek shoots him in the head. A stunned Pete knows this has completely ruined the drug bust that the FBI had planned for that night. And sure enough, the FBI calls off the plans, and Erica cancels the backup that was supposed rescue Pete. Meanwhile, Stazek and some of his cronies dismember the murdered NYPD officer’s body and throw it into the river at a nearby dock.

Erica’s corrupt supervisor Agent Montgomery (played by Clive Owen) blames her and Pete for the botched drug bust and wants to cut Pete loose from the informant program. Erica begs Montgomery to give her and Pete a little more time to set up another drug bust. Montgomery says that officially the FBI is done with Pete and can’t give her the authority to continue dealing with him. But unofficially, Montgomery tells Erica that if she still wants to pursue the drug bust with Pete’s help, she’s free to do so but she has to inform him of what she’s doing. However, if things go wrong again, she will be forced to take full responsibility and she’ll probably get fired.

Meanwhile, the General is furious over the botched drug deal that got a NYPD officer killed, and he says that Pete owes his life to Stazek. The General orders Pete to get himself arrested so that he can be incarcerated again at Bale Hill Prison, where Pete is supposed to take over the drug operation there. Pete tells Sofia about his secret life as an informant for the FBI and how he’s now being coerced to do what The General wants.

It’s around this time that Pete has a meeting with Erica and Montgomery, who tell Pete that he can redeem himself with the FBI if Pete gets the names of all of The General’s drug operators in Bale Hill Prison. And so, Pete and Sofia stage a domestic violence incident that sends Pete back to Bale Hill Prison faster than you can say “stupid plot development.”

Meanwhile, the NYPD is investigating the murder of Officer Gomez, whose partner Detective Edward Grens (played by Common) is on a personal revenge mission to catch the killer. At first, he suspects Pete of committing the murder. Detective Grens eventually figures out that Pete is an informant for the FBI, so he confronts Erica and Montgomery, who deny knowing anything about Pete, even though Detective Grens has uncovered video surveillance and other evidence that Erica has been in contact with Pete.

Detective Grens decides that the FBI is covering up something, so he makes it known that if the NYPD has to go to war with the FBI, so be it. Detective Grens eventually goes to Sofia (who owns an aquarium shop) to ask for her help, but she has a hard time trusting him. She tells Detective Grens that ever since Pete got arrested for that deadly bar fight, whenever someone has offered to help, the person ends up doing the opposite and Pete gets in more trouble.

And so, with Pete feeling pressure from the FBI, the NYPD and The General who all have their own agendas, this is how the movie sets up dilemmas for Pete on whom he should trust and whom he should betray. The scenes of Pete in prison have the predictable elements that have been seen in many other dramas with prison scenes. Unoriginal stereotypes abound, including typical violent fights between inmates; a corrupt corrections officer named Slewett (played by Sam Spruell), who’s in on the prison’s drug trade; and a prison chief name Warden Leinart (played by Matthew Marsh), who looks the other way at the illegal activities that he knows goes on in his prison.

One of the dumbest scenes in “The Informer” is when Pete makes a desperate phone call from prison to FBI agent Erica, who is officially not supposed to be in contact with Pete at this point in the story. Apparently, the filmmakers want viewers to forget or not know that all inmate phone calls in prison are recorded. Someone who works for the FBI should know this too. It’s unfortunate that the filmmakers have made this FBI agent look so inept.

During Pete and Erica’s phone conversation, Erica and Pete say enough incriminating things in the conversation that would expose their “secret” plans to people in the prison, which is crawling with corrupt corrections officers, and word would get back to Slewett, who’s working with The General. This phone conversation from prison would also then get Pete branded as a snitch, which could make the inmates turn against him too. But the filmmakers cover up this massive plot hole, which completely ruins whatever credibility this movie was trying to grasp.

And then “The Informer” just turns into complete garbage with a very unrealistic prison hostage scene where viewers are supposed to believe that the hostage taker, who is just one person, is able to hold off a small army of law enforcement officers (including a S.W.A.T team) that come to the rescue. The hostage scenes exist only so that the movie can have more violence, such as shootouts, an explosion and a gross-out scene where the hostage taker plunges a pair of scissors into someone’s ear.

Although Kinnaman’s role in the movie requires a lot of physical prowess, his character is the typical tough, brooding, misunderstood loner that we’ve seen so many times before in movies about ex-cons who become confidential informants. Pike’s Erica character is problematic because she’s supposed to be morally conflicted, but the reality is that this FBI agent is just incredibly incompetent. Owen’s Montgomery character is a stereotypical callous bureaucrat, while de Armas has yet another role as a “worried wife/love partner,” which is the type of character she has in a lot of her movies.

“The Informer” director Di Stefano and cinematographer Daniel Katz occasionally try to make the movie look a little artsier than most cheesy crime dramas of this ilk. For example, the scene with Sofia and Detective Grens in her aquarium shop is lit with the blue-ish glow of the aquariums, not by overhead room lights. It’s as if to convey that Sofia is untouched by all the grime and sleaze that has ensnared her husband. However, as much as this one scene was trying to show the beauty amongst all the corruption and violence, it’s still not enough to compensate for the shoddily written screenplay.

When the FBI or a big city’s police department (such as the NYPD) is trying to bust a large drug operation in an undercover sting, there are things that these professionals are trained not to do, so that they won’t blow their cover. And yet, the numskulls in “The Informer” do a lot of dumb things to blow their cover that no self-respecting law enforcement official or street-smart informant would do in an undercover investigation. “The Informer” is ultimately for people who just want to see some forgettable fight scenes and other mindless violence amid a lot of plot holes. This movie is not for people who want to see a compelling and well-written crime drama.

Vertical Entertainment released “The Informer” in select U.S. cinemas, on digital and VOD on November 6, 2020. The movie was released in several countries in Europe and Asia in 2019.

Review: ‘Flipped’ (2020), starring Kaitlin Olson and Will Forte

April 16, 2020

by Carla Hay

Will Forte and Kaitlin Olson in “Flipped” (Photo courtesy of Quibi)

“Flipped” (2020)

Directed by Ryan Case

Culture Representation: Taking place in California and Mexico, the satirical comedy “Flipped” has a racially diverse cast (white, Latino and a few African Americans) portraying the middle-class and wealthy.

Culture Clash: A husband and wife who aspire to host their own home-renovation show end up being forced to work for members of a Mexican drug cartel.

Culture Audience: “Flipped” will appeal primarily to fans of stars Will Forte and Kaitlin Olson, but the premise of the comedy wears thin about halfway through the story.

Kaitlin Olson and Will Forte in “Flipped” (Photo courtesy of Quibi)

The streaming service Quibi (which launched on April 6, 2020) has set itself apart from its competitors by offering only original content, and each piece of content is 10 minutes or less. Therefore, content that Quibi has labeled a “movie” actually seems more like a limited series, since Quibi will only make the “movie” available in “chapters” that look like episodes. The satirical comedy “Flipped” is one of Quibi’s flagship movies that began streaming on the service on Quibi’s launch date.

“Flipped” takes a concept that’s ripe for parody and wastes it with a dumbed-down crime caper that becomes repetitive and runs out of creative steam long before the story ends. Funny Or Die is one of the production companies for “Flipped,” which was directed by Ryan Case and written by Damon Jones and Steve Mallory. Despite some occasional laugh-out-loud comedic scenes and good efforts from the “Flipped” actors, they’re not enough to make up for the overall mediocrity of the screenwriting.

The married couple at the center of “Flipped” are Cricket Melfi (played by Kaitlin Olson) and Jann Melfi (played by Will Forte), two frequently unemployed, bitter and delusional people who consider themselves to be smarter and better than the “common people” they have to interact with in the real world. Cricket and Jann (who live somewhere in the Los Angeles area) also have a lot of resentment toward people who are more financially successful than they are. Cricket and Jann think that most rich people get financial success through luck or dishonesty, not intelligence or talent.

The irony is that Cricket and Jann have none of the intelligence or talent that they think they have. In the beginning of the story, Cricket has been fired from her job as a sales clerk at a Home Depot-style retail store called Fair & Square. Her supervisor tells Cricket that too many customers have complained about Cricket for being abrasive and rude. Cricket responds to being fired by smashing several store mirrors on the ground.

Around the same time, Jann also gets axed from his job as a theater director of a middle school. Jann wants to stage a school musical called “Children of the Fire,” which is based on a true story of 12-and-13-year-old children who died in a fire in the local area. The musical is obviously a terrible idea, but Jann can’t understand why school officials and parents want him fired over it.

While simmering with anger and self-pity at home, Cricket and Jann (who are having problems paying their bills) commiserate with each other on their living room couch about how they think they’re underappreciated in the world. Cricket says, “Is this our life now? Are we destined to be two people with vision living amongst the blind?” Jann adds, “I think people are intimidated by us because we’re ahead of our time.”

As they’re watching TV together, Jann and Cricket jeer at a home-improvement show called “Pros & Connellys,” starring a cheerful married couple Chazz and Tiffany Connelly (played by real-life married couple Jerry O’Connell and Rebecca Romijn), who do tasteful but bland renovations of middle-class houses. “Pros & Connellys,” which is on a network called HRTV (Home Renovation TV), is “Flipped’s” obvious spoof of the real-life Chip and Joanna Gaines’ “Fixer Upper” show on HGTV.

While watching “Pros & Connellys” with contempt, Jann and Cricket tell themselves that Chazz and Tiffany are mediocre hacks. And lo and behold, there’s an announcement on the show that HRTV is looking to cast a new home-renovation show starring a married couple who could be the next Chazz and Tiffany Connelly. The auditions are open to the public and the winners will get to star in the new show. Jann and Cricket immediately decide that they’re the ones who deserve to win the contest.

With nothing to lose, Jann and Cricket buy a “fixer-upper” desert property for a very low price: $3,400. But there was a catch in the deal: Jann and Cricket bought the property sight unseen. And when they drive out to see the property for the first time, of course it’s a dirty and broken-down dump.

But the delusional Jann and Cricket think the house has a lot of potential for their tacky tastes. As they break down some walls, they come across a shocking discovery hidden in one of the walls: a large pile of cash totaling $500,000. Cricket and Jann can’t believe their luck. Or is it luck if they make the wrong decision on what to do with the money?

Instead of turning the money over to authorities, Jann and Cricket keep the cash and spend it all on redoing the house with trashy and gaudy decorations (including plastic pink flamingoes on the front lawn) and hiring a TV crew to film their HRTV audition video. But, of course, stealing that amount of hidden cash means that whoever owns the cash will eventually come looking for it. And, of course, chances are that whoever hid that cash is probably involved with something illegal.

Sure enough, three members of a Mexican drug cartel show up to retrieve the money, and they menace Jann and Cricket when they find out that the dimwitted couple spent it all. The leader of this trio of enforcers is named Diego (played by Arturo Castro), who reluctantly lets Jann and Cricket talk him into watching their HRTV audition video to get his feedback.

He actually likes what he sees, but Diego and his henchmen still kidnap Jann and Cricket to take them to Mexico and murder them. Just as Jann and Cricket are about to be killed and buried in their already-dug graves, Diego announces that he’s changed his mind. He tells Cricket and Jann that he’ll let them live if they “pay back” the amount of the stolen cash by doing free renovations for his home.

Diego is so pleased with the renovations that he recommends Jann and Cricket for home renovations to other members of the drug cartel. Among these “clients” are Diego’s boss Rumualdo (played by Andy Garcia) and Rumualdo’s  wife Fidelia (played by Eva Longoria), who live in a lavish mansion. And that’s what happens during the most of the story.

How long will Cricket and Jann be stuck in Mexico paying off their debt? And will they be able to submit their HRTV audition video in time? Those questions are answered in “Flipped,” which goes downhill about halfway through the story when the “fish out of water” concept starts to wear very thin. There’s a cringeworthy scene of Rumualdo and Jann singing a cover version of Sonny Curtis’ “Love Is All Around” (also known as the theme to “The Mary Tyler Moore Show”) at the quinceañera of Rumualdo and Fidelia’s daughter.

Castro’s comedic performance as Diego is actually one of the best things about “Flipped,” but he doesn’t get nearly as much screen time as he deserves. Diego comes across as a tough guy, but then he’ll make off-the-cuff remarks that reveal another side to him, such as when he laments that people don’t show enough respect to Pottery Barn.

Forte has made a career out of playing tone-deaf dolts, so there’s nothing really new that he does here as Jann. Olson’s Cricket character (who’s the more dominant and aggressive partner in the marriage) has some standout comedic moments, but she becomes more of a shrieking shrew as the story keeps going.

Garcia and Longoria have characters that are written in a very hollow and generic way, so ultimately their talents are underused in “Flipped.” And some people might be offended that “Flipped” panders to negative stereotypes of Mexicans as drug dealers. (Almost all of the Latino people cast in “Flipped” are criminals or connected in some way to the illegal drug trade.) But regardless of the race or ethnicity of the criminals in the story, “Flipped”  comes across as an idea that should have been a 15-minute skit instead stretched into an 80-minute comedy that wears out its welcome.

Quibi premiered the first three chapters of the 11-chapter “Flipped” on April 6, 2020.