Review: ‘Abraham’s Boys’ (2025), starring Titus Welliver, Jocelin Donahue, Judah Mackey, Aurora Perrineau and Brady Hepner

July 11, 2025

by Carla Hay

Judah Mackey, Brady Hepner and Fanya Sanchez in “Abraham’s Boys” (Photo courtesy of RLJE Films and Shudder)

“Abraham’s Boys” (2025)

Directed by Natasha Kirmani

Culture Representation: Taking place in 1915, in the San Francisco Bay Area, the horror film “Abraham’s Boys” (based on the short story of the same name) features a predominantly white cast of characters (with a few black, Latin and multiracial people) representing the working-class and middle-class.

Culture Clash: Abraham Van Helsing is a strict patriarch who wants to teach his two adolescent sons how to be vampire slayers, as Abraham’s wife Mina begins to show signs that she could be turning into a vampire. 

Culture Audience: “Abraham’s Boys” will appeal primarily to people who are fans of movies that have characters connected to Dracula lore, but “Abraham’s Boys” has very little horror, a few brief sightings of Dracula, and a tedious story about a famly with a controlling patriarch.

Titus Welliver in “Abraham’s Boys” (Photo courtesy of RLJE Films and Shudder)

The drab and dull horror film “Abraham’s Boys” has the misleading subtitle “A Dracula Story.” Dracula is barely in the movie. It’s really just a mopey and sluggish origin story of the Van Helsing family of vampire hunters. (The character of Abraham Van Helsing first appeared in Bram Stoker’s 1897 novel “Dracula.”) The majority of the “Abraham’s Boys” plot is about people waiting around for something bad to happen.

Written and directed by Natasha Kirmani, “Abraham’s Boys” is based on the short story of the same name that was in Joe Hill’s 2004 anthology book “The Many Faces of Van Helsing.” The short story was also adapted into the 2009 short film “Abraham’s Boys,” directed by Dorothy Street, who co-wrote the film’s screenplay with Matt Duffer. The feature-length version of “Abraham’s Boys” had its world premiere at the 2025 Overlook Film Festival.

“Abraham’s Boys” takes places in a rural part of the San Francisco Bay Area in 1915. The movie was actually filmed further south in the California cities of Simi Valley and Monrovia. Almost the entire story takes place in and near the farmhouse of the Van Helsing family, a clan of four people who live an isolated existence where the parents and children have no social life outside of the house.

There’s a reason why they live like recluses: Family patriarch Abraham Van Helsing (played by Titus Welliver) and his wife Mina Van Helsing (played by Jocelin Donahue) consider themselves to be refugees who fled their native Dutch city of Amsterdam nearly 20 years ago. It’s later revealed that Abraham and Mina are trying to hide from a certain vampire whose name starts with the letter “d.”

After Abraham and Mina settled in the United States, the couple had two sons together: Maximillion “Max” Van Helsing (played Brady Hepner), who has a generic personality in this movie, is about 16 or 17 years old when this story takes place. Rudolph “Rudy” Van Helsing (played by Judah Mackey), who is quiet and obedient, is about 12 or 13 years old. Max gets much more screen time than Rudy because Max is the next-in-line heir to the family’s secret profession.

Abraham is a scholar and a medical doctor. This poorly written movie never reveals how the family makes any money. Abraham mostly just lords over the house like a stern and occasionally cruel school headmaster who homeschools his children. Abraham (who spends more time with Max than with Rudy) sometimes treats Max like a promising protégé or a detestable disappointment.

For example, there’s a scene where Abraham berates Max for not better at mathematics. Abraham also hits Max hard in the face when he thinks Max is being lazy. But other times, Abraham has a lot more patience for Max. Rudy seems to be spared from Abraham’s abuse.

One day, Abraham tells Max that something evil is targeting the family: “Perhaps I was foolish to think I could hide away forever. I’ve known for a long time it was coming. I’m going to need your help and cooperation. You’re a good boy, Max.”

Mina is a mostly passive parent who seems to be experiencing an undetermined physical illness that often keeps her in bed. She’s also having nightmares and hallucinations. And when she sees a bat that dies in the house, she almost has a mental breakdown. Mina tells Max, “The devil is coming, and I want to be ready for him.”

Abraham later drops some hints to Max about the family’s secret: “Years ago, your mother and her friends called on me … She was attacked by the enemy, and her blood was infected … I fear for your mother’s soul.”

“Abraham’s Boys” can become very monotonous as it drags from scene to scene of the Van Helsing family waiting for “the devil” to show up. There are boring scenes of Max chopping wood outside, which is the movie’s way of foreshadowing that he knows how to use an ax that will be used for more than chopping wood. Max is so underdeveloped as a character, viewers of “Abraham’s Boys” will have a hard time remembering anything he says in the movie.

There are scenes of Max starting to have terrifying dreams and visions. In one of these dreams, Max sees Mina standing in the corner of a hallway and appears to be in a blood-sucking ritual with a tall pale man (played by Forrest McClain), who is only seen in the shadows. No one says the name Dracula out loud in the movie, but the tall pale man is obviously supposed to be Dracula, whose sightings in the movie are fleeting and total no more than 10 minutes.

“Abraham’s Boys” begins by showing a woman named Ada (played by Fayna Sanchez) in a field, as she seeks a ride into town during the day. She is suddenly attacked by a shadowy figure that is supposed to be a vampire. Ada shows up again in the movie as someone whom Abraham believes is turning into a vampire. But if that’s true, why did the vampire attack during the day? Don’t expect the movie to answer that question.

Some of the dialogue in “Abraham’s Boys” is just nonsensical and add nothing to the plot. For example, early on in the movie, Mina tells Max: “I’ve always wanted a daughter—softer and more difficult to keep safe.” It a bizarre thing to say in this family that has been hiding for years from danger and presumably wants it to be easier to keep the children safe.

The Van Helsing family gets a few visitors. Two young adult siblings named Eddie (played by Corteon Moore) and Elsie (played by Aurora Perrineau), who are both railroad workers, show up at the house because Eddie broke his rib during a work accident nearby. The rib punctured Eddie’s lung. Because Abraham is a medical doctor, he is able to give emergency treatment to Eddie.

Later in the movie, a lord named Arthur Holmwood (played by Jonathan Howard), who is someone from Abraham’s past, shows up in front of the Van Helsing house in a very contrived-looking way. Arthur’s only purpose in the movie is to talk about some background information about Abraham that’s not surprising or interesting. Viewers still won’t know much about the personal backgrounds of Abraham and Mina by the end of the movie.

Perhaps the biggest failing of “Abraham’s Boys” is that it’s not much of a vampire movie, because there are only a few scenes that show actual vampire activity. And if Abraham is supposed to be teaching his sons about how to identify and kill vampires, then he does a terrible job of preparing them and giving them necessary information. The only things that Max and Rudy learn how do out of necessity is to use weapons with blades or sharp endings. No one in the movie talks about vampire lairs, holy water as a weapon, or how sunlight can affect vampires.

At one point, the movie just becomes an unimaginative slasher film with a huge, unexplained plot hole that’s impossible to overlook. The acting performances aren’t terrible, but they’re not terrifying either. “Abraham’s Boys” is an empty tease of a horror movie instead of being an actual horror movie that can deliver genuine scares.

RLJE Films and Shudder released “Abraham’s Boys” in U.S. cinemas on July 11, 2025.

Review: ‘It Takes Three’ (2021), starring Jared Gilman, Aurora Perrineau, Mikey Madison and David Gridley

September 20, 2021

by Carla Hay

Jared Gilman and Mikey Madison in “It Takes Three” (Photo courtesy of Gunpowder & Sky)

“It Takes Three” (2021)

Directed by Scott Coffey

Culture Representation: Taking place in an unnamed U.S. city, the romantic comedy “It Takes Three” features a predominantly white cast of characters (with a few African Americans) representing the middle-class.

Culture Clash: At a high school, a nerd and a conceited jock schoolmate both have crushes on the same girl at school, but the nerd keeps his crush a secret and is recruited by the jock to fabricate a romantic online persona that the jock passes off as his own to woo the girl he wants to date.

Culture Audience: “It Takes Three” will appeal primarily to people who are interested in watching formulaic and not-very-funny teen romantic comedies.

Aurora Perrineau and David Gridley in “It Takes Three” (Photo courtesy of Gunpowder & Sky)

Predictable, boring and plagued by amateurish acting, “It Takes Three” is a forgettable mashup of a John Hughes movie and “Cyrano de Bergerac.” There’s an overabundance of teen romantic comedies that have the storyline of a nerdy underdog who has a secret crush on someone who’s seemingly unattainable. The challenge for filmmakers who turn this over-used trope into a movie is to do something uniquely creative with the plot and the characters. Unfortunately, “It Takes Three” comes up short on every single level.

Directed by Scott Coffey and written by Logan Burdick and Blair Mastbaum, “It Takes Three” doesn’t have a single thing about it that hasn’t been done in other teen romantic comedies. Not even the title is original, since there’s at least one other feature film titled “It Takes Three.” In director Coffey’s “It Takes Three,” the movie is so banal and lacking in originality, viewers could watch the first 20 minutes and easily predict what’s going to happen for the rest of the movie.

In the production notes for “It Takes Three,” Coffey makes this statement: “Directing ‘It Takes Three’ grew out of my personal history with teen movies. I was an actor in the John Hughes films ‘Some Kind of Wonderful’ and ‘Ferris Bueller’s Day Off,’ and also had leading roles in ‘Shag’ and ‘Satisfaction.’ These movies were a huge part of my own coming of age as an actor and I wanted ‘It Takes Three’ to harken back to these transformative 1980s teen movies. I wanted to homage these classics and add to their lineage, but at the same time, I wanted to make something fresh and new.”

Actually, there’s nothing fresh and new about “It Takes Three.” The only things that the filmmakers did to try to make this movie look more “modern” than a Hughes movie were to have a lot more explicit discussions of sex and to include today’s technology as a big part of the storyline. But again, other teen romantic comedies have already done those exact same things. The best Hughes movies are considered classics because of the well-written dialogue and because the roles were played by talented cast members. By contrast, “It Takes Three” has witless dialogue and some cast members who need to take more acting lessons because they’re just not believable in their roles.

In “It Takes Three,” protagonist Cy Berger (played by Jared Gilman) is a shy nerd whose only friend is Kat Walker (played by Mikey Madison), who’s a stereotypical wisecracking “sidekick” character in movies of this type. Kat and Cy are students at the same high school in an unnamed U.S. city, where Cy is a social outcast. And yet somehow (it’s never explained in the movie), Cy has gotten a date with a pretty and popular student named Cora (played by Katie Baker), who is as vain about her physical appearance as Cy is insecure about how he looks.

“It Takes Three” opens with a nervous Cy driving to Cora’s house to pick her up for their first date together. Cy predictably drives the type of old, clunky and dirty car that a shallow person like Cora wouldn’t even want to be near. But since this movie is so poorly written, it never tells what led up to this hard-to-believe scenario that Cora wants to go on a date with Cy. Is it a pity date? Did Cy help Cora with her homework and is this her way of thanking him? Did she lose a bet? Don’t expect any answers.

Cy awkwardly compliments Cora by telling her that she looks electrifying. She thinks it’s an odd description of her, so she asks Cy if he’s rolling on molly. (Translation for people who don’t know drug slang: She wants to know if he’s high on Ecstasy.) And if so, Cora tells Cy that she wants some of this drug. Cy tells her that he’s sober and that he’s on a natural high, just by being with her. How did these two obviously mismatched people end up on a date? Right from the start, this movie looks too fake for its own good.

The whole purpose of this phony-looking and very contrived date is so the filmmakers could set up a humiliating experience for Cy. This humiliation serves as the catalyst for the rest of the story. Kat is helping Cy on this date, which takes place at a beach, by arranging to be part of a small marching band (how very un-romantic) perform on the beach during the date. Cy also wants the date to be an opportunity to ask Cora to the school’s upcoming prom.

When Cy asks Cora his big prom date question, she casually tells him no because she wants to have sex on prom night, and Cy just isn’t who she has in mind as a sex partner for her. Cora tells Cy: “I just can’t imagine you going down on me. It’s an important part of my prom fantasy.” Unfortunately for Cy, Cora gave him this rejection right when he was having an erection.

And it’s get worse for Cy: A fellow classmate, who saw Cy and Cora on the beach together, was close enough to use a phone to zoom in and film Cy with this erection during Cora’s rejection. The video was posted online. Of course, the video went viral. And so, the next time that Cy is at school, he is mercilessly teased by many students about it.

What do Cy’s parents have to say about this bullying? They don’t do much about it except to tell Cy that they love him just the way he is. Cy’s parents are two lesbians named Sara (played by Lori Alan) and Jessica (played by Jessica Lorez), who appear briefly in the movie in an early scene where they seem more concerned about talking about their sex life in front of Cy than getting help for their obviously depressed child.

Cy is so insecure about his looks that he wants to have plastic surgery, but his mothers discourage him from this idea. That doesn’t stop Cy from visiting a plastic surgeon’s office by himself for a consultation. In a voiceover, Cy has this to say about why he wants to change his physical appearance: “It doesn’t matter how stupid, lazy and uncultured you are, if you have a pretty face, people just love you.”

One of these “pretty people” whom Cy has resentment toward is the school bully who’s been the cruelest to Cy. His name is Chris Newton (played by David Gridley), a self-centered star athlete who has an obsession with filming himself doing karate and other martial arts, and putting the videos on his social media. Chris is described as one of the most popular classmates at the school. But you can tell this movie was written by adults who are clueless about what today’s young people think is “cool,” because in real life, Chris would be considered a stupid dork in an athlete’s body.

It doesn’t help that Gridley’s acting is among the worst in this subpar movie that has Chris as a one-dimensional dimwit. Gridley’s acting style is way too hammy in this role. Guys who are considered “cool” and “popular” in high school don’t act this ridiculous. Cy is also written in very broad strokes (every conceivable nerd stereotype) and portrayed by an actor whose talent isn’t on the same level as the talent of some of the other cast members.

Cy is still recovering from the embarrassment of his viral video when he meets a new student named Roxy (played by Aurora Perrineau), who establishes a friendly rapport with him. Roxy is a free-thinking feminist who is sort of an outsider herself, since she’s a new student and isn’t as superficial as the popular students in school. It doesn’t take long for Cy to forget all about Cora and instead fixate on Roxy as his ideal dream girl.

But what do you know, Chris ends up being attracted to Roxy too. Cy thinks he won’t have a chance of competing against Chris for Roxy’s affections. And through a series of contrived events, Cy ends up making a deal with Chris to get Chris to stop bullying him: Cy agrees to create an online persona to pretend to be Chris and woo Roxy.

It works too much for Cy’s comfort, because Roxy believes that the romantic and articulate person she’s talking to online is Chris. She has no idea that the person she’s really talking to online is Cy, even though she’s getting to know Cy as a friend. Roxy thinks that maybe Chris isn’t a dumb, conceited jock after all. And she agrees to date him. Cue the scenes where Cy comes up with the words that Chris says on these dates.

The more that Roxy starts to fall for Chris, the more miserable Cy gets, until he begins to wonder what would happen if he told Roxy the truth. “It Takes Three” has cliché after cliché of teen comedies, including a showdown at a prom and a race against time to confess true feelings to a love interest. The filmmakers didn’t even try to do anything different with these stereotypes.

Perrineau’s depiction of Roxy is adequate, but Roxy looks and acts more like Cy’s chaperone than a potential girlfriend because Roxy is so much more emotionally mature than Cy. One of the main problems with “It Takes Three” is that some of the cast members, such as Perrineau and Gridley, do not look believable as high schoolers, because these actors look and act much older than high school students. It’s distracting and an example of bad judgment in this movie’s filmmaking.

And where is Cy’s best friend Kat during all of Cy’s angst? She’s sidelined for most of the movie, but she makes it clear that she disapproves of Cy’s deception in the online persona scam that Cy has with Chris. Kat also thinks that Cy can do better than all the “unattainable” girls he constantly falls for and who end up breaking his heart.

Madison’s portrayal of Kat is one of the few highlights of the film, because she displays comedic timing that’s much better than her castmates. It’s too bad that the Kat character is so underdeveloped. Her biggest scenes are in the beginning and end of the movie.

Other romantic comedies have already done this spin on the “Cyrano de Bergerac” play—most notably 1987’s “Roxanne,” starring Steve Martin and Daryl Hannah. You won’t find anything surprising in “It Takes Three.” Usually, the “nerdy underdog” in the story is supposed to be witty and charming, but the Cy character is dull and whiny. For a better-made teen romantic comedy that uses the “Cyrano de Bergerac” template, watch director Alice Wu’s award-winning 2020 movie “The Half of It.”

Gunpowder & Sky released “It Takes Three” on digital and VOD on September 3, 2021.

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