Review: ‘Southern Gospel,’ starring Max Ehrich, Katelyn Nacon, J. Alphonse Nicholson and Emma Myers

March 10, 2023

by Carla Hay

Max Ehrich and J. Alphonse Nicholson in “Southern Gospel” (Photo courtesy of Iconic Events)

“Southern Gospel”

Directed by Jeffrey A. Smith

Culture Representation: Taking place from the 1950s to the 1980s, primarily in Alabama and Florida, the faith-based dramatic film “Southern Gospel” (which is based on a true story) features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.

Culture Clash: A son of a pastor goes from being a religious kid to being a hedonistic rock musician to being a pastor, and he experiences a lot of tragedy and heartache along the way. 

Culture Audience: “Southern Gospel” will appeal primarily to people who are interested in watching faith-based biopics that tell fascinating stories about overcoming a troubled pas, as long as viewers don’t expect top-notch filmmaking.

Gary Weeks and Max Ehrich in “Southern Gospel” (Photo courtesy of Iconic Events)

Many aspects of “Southern Gospel” are predictable, but solid performances from most of the cast members help overcome some clichés of faith-based films. This biopic of Dream Church founder Samuel Allen also benefits from having good original songs. It’s a reasonably entertaining film, as long as viewers don’t expect it to be the best faith-based movie they could ever see.

Written and directed by Jeffrey A. Smith, “Southern Gospel” takes place from the 1950s to the 1980s, mostly in Alabama and Florida. The movie is mostly told in chronological order, with occasional, brief flashbacks. Because the story takes place over several decades, the movie sometimes suffers from over-simplification of some heavy life issues. There are also large gaps in the story, which skips over certain periods in Samuel Allen’s life, such as when he struggled with his band to “make it” in the music business.

“Southern Gospel” begins in the mid-1950s, when Samuel (played by Beau Hart) is about 10 years old. He is the only child of a widower pastor named Joe Allen (played by Gary Weeks), who leads a small congregation of a fundamentalist Christian church in Alabama. Due to pregnancy complications, Samuel’s mother died while pregnant with Joe’s younger sibling, who also did not survive. Joe is a part-time pastor. His other job is as the owner of a small company called Allen’s Paper Hangers.

Samuel is a slightly rebellious child who is endlessly curious and asks a lot of questions. His curiosity irritates the teacher of his Sunday school—a stern nun named Sister Abernathie (played by Sharon Blackwood)—who is quick to scold Samuel if he dares do anything that she thinks is “sinful.” The people in Joe’s religious community and church are so strict, they don’t believe in swimming in public places, because they think wearing swimsuits could cause sexual arousal and is therefore is “sinful.” They also believe that rock music is the devil’s music.

Joe appears to be a very judgmental pastor in church. “God knows how to spot a fake!” he tells his congregation during a sermon. However, when Joe is at home, he’s much more relaxed about the church’s “rules.” For example, when Samuel and Joe are sitting together at a dining table at home, Samuel tells Joe that Sister Abernathie told Samuel will go to hell for cursing. Samuel asks Joe if it’s true. Joe replies by saying with a smile, “Sister Abernathie doesn’t know what the hell she’s talking about.”

Privately, Joe also doesn’t seem to mind too much that Samuel has an interest in rock music, as long as Samuel isn’t too public about it. At this young age, Samuel has shown talent for being a singer and a guitar player. Joe privately encourages Samuel to continue his passion for music: “You have a gift, son. It’s in your blood.”

Samuel’s best friend Barry Linkler (played by Kal-El White) is a big fan of Elvis Presley. Barry says about Presley: “That white boy’s got soul.” Barry tries to convince Samuel to go with him to see Presley perform at an upcoming concert, but Samuel says his pastor father would never let him go to the concert or publicly listen to rock music,

Barry and Samuel both have acoustic guitars, and the two friends practice playing their guitars together. Joe doesn’t seem to mind that either, because electric guitars are considered sinful due to electric guitars being mostly associated with rock music at the time. Barry happens to be African American, but there is no mention of his race or racial segregation at all in “Southern Gospel.” It’s a very unrealistic part of the movie, because the shameful practice of racial segregation was prevalent and legal in Alabama in the 1950s.

“Southern Gospel” establishes early on who will be the “villain” of the story. His name is T.L. Whittmore (played by Justice Leak), the church’s state overseer. T.L. is self-righteous, arrogant and vengeful against anyone whom he thinks is a “sinner” who cannot be redeemed. And you know what that means: He will become a nemesis to Samuel.

The movie then fast-forwards to Samuel (played by Max Ehrich) as a teenager in high school. He’s the lead singer/guitarist for a band, and he become fairly popular because of his talented performances at school assemblies and at local church gatherings. A classmate named Julie Ledbetter (played by Katelyn Nacon) has a big crush on Samuel, but she’s too shy to let him know. Julie has a secret that she eventually tells Samuel about: Her father William Ledbetter (played by William Gregory Lee) is an alcoholic who is physically and emotionally abusive to her.

Another classmate named Angie Blackburn (played by Emma Myers) is more outgoing and flirtatious with Samuel. Angie is the daughter of Dr. Wade Blackburn (played by Ric Reitz), a prominent medical doctor in the community. Angie invites Samuel to her family’s Fourth of July party. Dr. Blackburn, who is a religious conservative, is a little suspicious of Samuel because he thinks Samuel might be a “rock and roll” type of person. Without giving away too much information, a fatal tragedy happens, and Samuel is immediately and unfairly blamed for it.

The movie then abruptly cuts to the Fox Theatre in Atlanta in 1969. Samuel is a long-haired, drug-abusing musician in a rock band called Bama Wildfire. It’s a trio consisting of Samuel on lead vocals and guitar, Barry (played by J. Alphonse Nicholson) on bass, and a blonde hippie named James (played by Dylan Barnes) on drums. Before going on stage, Samuel takes a tab of LSD while he’s in the dressing room.

After the concert, James is smoking marijuana while driving the three of them in a car. Barry and Samuel are asleep or passed out from whatever substances they ingested. James nods off and drops the lit marijuana joint on the car floor, which catches on fire. The flames wake James up, but it’s too late. James crashes the car into a tree, and he’s trapped inside the flaming car.

Barry was in the front passenger seat, and the crash ejected him from the front window, but not without getting serious burns and cuts. Samuel was in the back seat, and he was able to get out from the car with no serious injuries. But James dies in this car wreck. And it’s another tragic and shocking death for someone close to Samuel, who is arrested because a lot of drugs were found in the car.

The rest of “Southern Gospel” shows Samuel’s journey on his path to redemption. Barry remains a close friend, but he is struggling with his own personal demons, as he becomes an alcoholic. Sometime after the car wreck, when Samuel is trying to turn his life around, he sees Julie performing in a church. They reconnect, start dating, get married, and have two children together. None of this is spoiler information, since it’s all in the “Southern Gospel” trailer.

However, the movie shows how Samuel, Julie and Barry deal with their personal traumas. And it’s a very rough road in many ways. Samuel also has to decide if he wants to continue being a full-time musician or become a pastor.

Throughout the 1970s, Samuel and Julie start performing Christian rock as a touring duo, because they don’t see anything wrong with rock music being performed in churches. It’s an idea that’s a little too radical for some fundamental Christians. Samuel and Julie get a lot of resistance and criticism for performing rock music, including from T.L., who’s still acting like he’s the overlord of everyone else’s morality.

The movie’s best-acted scenes are those that show the friendship of Samuel and Barry after that fatal car accident. There are some heartwarming and harrowing moments that truly show the highs and lows of this brother-like relationship. Nicholson and Ehrich are very convincing as longtime friends who share good times as well as painful memories.

The romance between Samuel and Julie is less convincing, as much of it looks like a fairy tale that’s sometimes marred by Julie being haunted by memories of her father’s abuse, and Samuel experiencing inner turmoil over his own personal problems. However, Ehrich capably handles portraying the myriad of emotions and life phases that Samuel goes through in the movie. Nacon is perfectly fine in her performance as Julie, which doesn’t require as many transformative qualities as the role of Samuel.

“Southern Gospel” writer/director Smith wrote several of the original songs that Ehrich (as Samuel) sings in the movie. Many of the songs aren’t award-worthy but they’re catchy and are well-placed in scenes where the musical performances enliven this occasionally dull film. “Southern Gospel” actually has very little gospel music and has mostly Christian rock/pop music.

The makeup and hairstyling for “Southern Gospel” fall short of excellence. Samuel and Julie still look like they’re in their 20s when they’re supposed to be in their 40s, while the wigs they wear in some scenes look terribly obvious. Those are minor flaws that don’t take too much away from “Southern Gospel,” which ends exactly the way that you think it will end in a movie about someone who founded a church after going through some rough and troubled times.

Iconic Events released “Southern Gospel” in select U.S. cinemas on March 10, 2023.

Review: ‘American Underdog,’ starring Zachary Levi, Anna Paquin and Dennis Quaid

December 17, 2021

by Carla Hay

Anna Paquin and Zachary Levi in “American Underdog” (Photo by Michael Kubeisy/Lionsgate)

“American Underdog”

Directed by Andrew Erwin and Jon Erwin

Culture Representation: Taking place from 1990 to 2000 in Iowa, Missouri, Wisconsin, Arkansas, and some other U.S. states, the dramatic biopic “American Underdog” features a predominantly white cast of characters (with a few African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: After several years of trying to break into the National Football League (NFL) as a football player, Kurt Warner joins the St. Louis Rams, but he faces opposition and skepticism from people who think he’s too old and not good enough to play in the NFL. 

Culture Audience: “American Underdog” will appeal primarily to people who are interested in American football movies and inspirational “against all odds” true stories.

Zachary Levi and Dennis Quaid in “American Underdog” (Photo by Michael Kubeisy/Lionsgate)

Even though retired NFL player Kurt Warner’s life story is already known by many NFL fans, “American Underdog” is an entertaining version of his life on and off of the football field. The movie is entirely predictable but not too mawkish, thanks to grounded performances from Zachary Levi and Anna Paquin. With “American Underdog,” directors Andrew Erwin and Jon Erwin (the filmmaking brothers whose specialty is making faith-based Christian movies) tone down a lot of the religious preachiness that can be found in many of their other films. In fact, it’s pretty obvious in the movie that the biggest thing that Warner really worships is American football.

“American Underdog” (which was written by Jon Erwin, David Aaron Cohen and Jon Gunn) is not a completely comprehensive biopic, because it covers Warner’s life only from 1990 to 2000. He was with the St. Louis Rams from 1998 to 2003. Warner would later go on to play for the New York Giants (in 2004) and the St. Louis Cardinals, from 2005 to 2009.

“American Underdog” chronicles Warner’s life journey from his days on the football team at the University of Northern Iowa to his wannabe NFL player struggles to the first few years of his stint with the Rams. The movie accelerates and compresses Warner’s first three years with the Rams to make it look like he was on the team for a very short time before he played a life-changing game in 1999. (Most NFL fans already know what that game is.)

Up until that game-changing moment, the movie focuses on how Kurt Warner (played by Zachary Levi) was underestimated or dismissed for most of his football career. A great deal of the movie also shows the ups and downs in his personal life, including an on-again/off-again romance with Brenda Meoni (played by Anna Paquin), who was a divorced mother of two underage children when they first met while he was a student and a star football quarterback at the University of Northern Iowa. This romance, even when it was at its most painful and distant, would turn out to be the one constant in the couple’s lives when experiencing life lessons about love, loyalty and not giving up on dreams.

“American Underdog” has a straightforward narrative told in chronological order. (There are few brief flashback scenes showing Kurt as a child, played by Beau Hart.) The first third of the movie depicts Kurt’s life when he was a college student and his first few years out of college. Therefore, it’s a bit of stretch to see Levi and Paquin (who were in their late 30s/early 40s when they filmed this movie) portraying people who were supposed to be in their early-to-mid-20s. (The real-life Kurt and Brenda had consulting roles for “American Underdog” and visited the film set.)

One of the better aspects of “American Underdog” is how it doesn’t portray Kurt and Brenda’s romance in a fairytale way. Brenda (who’s four years older than Kurt) played very hard-to-get in the beginning—not in a coy way, but in a way that was a reflection of who she was at the time: a financially struggling divorcée with trust issues because her ex-husband cheated on her. In the beginning of their relationship, Brenda was emotionally aloof and outright insistent to Kurt that they wouldn’t make a good couple because she said she didn’t like sports. (Obviously, she changed her mind later.)

Kurt, as portrayed in this movie, wasn’t exactly a dashing and suave Romeo. In many ways, his courtship of Brenda could be considered aggressive and even stalkerish. When they first meet at a bar playing country music, Kurt can’t take his eyes off of Brenda. He’s instantly smitten, and she’s not. Brenda loves line dancing to country music. Kurt not only dislikes country music, but he also doesn’t know how to line dance.

However, that doesn’t stop Kurt from making his first move on Brenda. Kurt literally muscles his way in on her dance partner, by nudging the other man and telling him (in a polite manner) to get out of the way. During this first dance together, Kurt introduces himself, but Brenda is so wary that she won’t even tell Kurt what her name is. It becomes an awkward joke for the rest of the evening when she still won’t tell Kurt her name.

Their first conversation also reveals how different their lives are. Kurt came from a family where his parents split up when his father abandoned the family. Kurt’s mother Sue Warner raised Kurt and his brother as a financially struggling divorced parent. Kurt tells Brenda, “Football was the most important thing my pops taught me before he left.” Kurt adds that he has reconciled with his father, “who’s back in my life now,” but there are still some emotional difficulties in this father/son relationship.

Brenda tells Kurt, “I hate sports, so it’ll never work between us.” She tells him up front that she’s divorced with two kids. And she’s certain that this information will scare off this young bachelor college student. “If I never see you again, I’ll totally understand,” Brenda says when she tells him that she’s a single mother. Brenda’s messy personal life is in contrast to that of her parents, who are still happily married after decades together.

What Brenda doesn’t tell Kurt during their first meeting is that she and her two children are currently living with her parents because Brenda is unemployed and can’t afford to have her own place. Kurt finds out when he shows up unannounced and uninvited at the house to see Brenda and meet her children. Brenda is naturally shocked to see him. Kurt tells Brenda that he found out where she lived by asking the bartender at the bar where Kurt and Brenda met.

It’s a stalker move, but it’s supposed to show that Kurt was willing to go to certain lengths to court Brenda. Not only that, but Kurt also walked the three or four miles to get to the house because he didn’t have a car at the time. Brenda doesn’t want invite him into the house, but her son Zack (played by Hayden Zaller), who’s about 7 or 8 years old, lets Kurt into the house.

Kurt and Zack have an almost immediate bond. Zack tells him that his transistor radio in the bathroom doesn’t work, and Kurt sees that all the radio needs is a second battery. Kurt and Zack then lie down on the bathroom floor to listen to the radio. Zack happens to be legally blind, but Kurt treats him like would treat any other kid. Brenda’s other child is a daughter named Jessie, who’s about 2 or 3 years old.

Brenda starts to warm up a little to Kurt when she sees how kind he is to Zack. Eventually, Brenda opens up to Kurt when she tells him a little more about her background: She used to be in the U.S. Marines and thought that she would have a perfect Marine life, including the Marine man she married named Brad, who is not seen in the movie. But Brad cheated on her when she was pregnant with Jessie.

Brad also caused Zack’s blindness: When Zack was four months old, Brad accidentally dropped Zack on the head when Brad was alone taking care of the Zack. However, when Zack was taken to the hospital with a swollen head, Brad didn’t immediately tell anyone that the reason for the swollen head was because her dropped Zack.

Brad didn’t disclose this crucial information until more than a day after Zack was taken to the hospital. But by then, it was too late, and Zack lost most of his eyesight because of the brain damage. Doctors had predicted that Zack would never be able to sit up or walk on his own. Zack defied those predictions and had the ability to do those things as a child.

At the time Kurt and Brenda met, she had left the Marines and was studying to be a nurse. Because she has to take care of two young kids, Brenda warns Kurt that she won’t be able to spontaneously go out on dates because her kids will be her top priority. It doesn’t deter Kurt. Although some people might think that Kurt and Brenda’s “meet cute” was fabricated for a movie, how they met and how Kurt followed up really did happen this way, according to interviews that Kurt and Brenda have given.

When she finally agrees to go on a date with him, he’s gotten a truck, and the kids go with them. It’s a simple date—Kurt and Brenda just hang out at a lake and talk while the kids sleep in the back of the truck—but it’s enough to spark a romance. When Kurt takes them back to the house, and he and Brenda spend some time alone, she again tells him that their relationship won’t work. But then she practically jumps on him to kiss him, and Kurt enthusiastically kisses her too.

Over time, Brenda’s parents Jenny Jo (played by Morgana Shaw) and Larry (played by Danny Vinson) are more accepting of Kurt than Kurt’s mother Sue (played by Cindy Hogan) is accepting of Brenda. Sue is afraid that Brenda being an unemployed single mother will be too much of a burden for Kurt, because Sue went through similar struggles. Brenda tells Kurt that most mothers of men she’s dated have had similar reactions to Brenda. As the movie goes on, it shows how much Kurt and Brenda are each other’s biggest support during the lowest points in their lives.

Kurt’s NFL dreams seemed to be on track when he was recruited by the Green Bay Packers not long after graduating from college. However, those dreams got a serious setback when he was cut from the Packers after less than two days. The reason? The team’s quarterback coach Steve “Mooch” Mariucci (played by Brett Varvel) didn’t think Kurt was prepared to play in the NFL.

The turnoff for Mooch was that when Mooch asked Kurt to go on the field during practice, Kurt didn’t want to go on the field because Kurt said he didn’t know the playbook yet. As far as Mooch was concerned, Kurt should’ve been eager and ready to know the playbook on the first day of practice. Kurt’s hesitancy cost him a place on the team.

It was a painful rejection that led to years of struggle for Kurt, who never gave up on his dream to play professional football. During those lean years, he experienced unemployment and a lot of financial problems, including being temporarily homeless. At one point, the only job he could find was being a shelf stocker at a Hy-Vee grocery store in Cedar Falls, Iowa, where he had to face people who knew him as a once-promising college football star. Eventually, Brenda invited Kurt to live with her and her parents because Kurt had nowhere else to live.

“American Underdog” has moments where these struggles are depicted in very dramatic and very “in your face” ways—literally. There’s a scene where Kurt is stocking shelves at the grocery store, and he sees a Wheaties box with Miami Dolphins star Dan Marino on the cover. Kurt looks at the box with a sad expression on his face that says, “That could’ve been me. I should have the life that Dan Marino is having.”

In another scene, Kurt and Brenda are so financially broke, they can barely afford gas for their car. And sure enough, they run out of gas, with the kids in the back of the car, on a deserted road. And wouldn’t you know: It’s during a blizzard. And so, Kurt has to walk to the nearest gas station, which is about four or five miles away, all the while hoping that Brenda and the kids won’t freeze to death or get frostbite in the car.

After this “stranded during a blizzard” incident, Kurt realizes that he can’t continue to be financially unstable, and he has to be a better provider for Brenda and the kids. And so, Kurt does something that he vowed that he would never do: Say yes to an offer from Iowa Barnstormers chief Jim Foster (played by Bruce McGill) to play for the Barnstormers in the Arena Football League, which Kurt says is “for guys who are circling the drain.”

Kurt signs on to play for the Iowa Barnstormers, which he gripes is “all the way in Des Moines, and it’s not even real football.” However, bills must be paid, and Brenda is supportive because she knows playing professional football is what Kurt really wants to do with his life, even if it’s for a team that Kurt thinks is a pathetic joke. Luckily for Kurt, his college best friend Mike Hudnutt (played by Ser’Darius Blain) is also on the Barnstormers team.

Just like during his college football days, Kurt also becomes a star quarterback for the Barnstormers. What Kurt and Brenda don’t anticipate in advance his how much Kurt ends up enjoying the partying that comes with being a football star. His constant traveling also takes a toll on their relationship. Brenda then goes through a tragedy that also tests the love that she and Kurt have for each other.

Brenda is a religious Christian, while Kurt was not particularly religious when he first met Brenda. Over time, Kurt became a more devout Christian. And although “American Underdog” could be considered a faith-based movie, this is not a typical Christian faith-based movie where God or Jesus is mentioned every 10 minutes. There are scenes of people praying, but there aren’t scenes of people going to church on a regular basis. There’s one big church scene, and it’s exactly what you think it is, considering that it’s easy to predict or know what happened to Kurt and Brenda’s courtship.

As Kurt, Levi has somewhat of a passing physical resemblance to the real Warner, and he capably handles all the football scenes, which include several real-life current and former pro football players. Levi is known to appear in mostly comedic projects or in dramas where he’s a wisecracking comedic character, so “American Underdog” is a real departure for him as an actor. He’s an easy protagonist to root for, but the movie also shows how a single-minded persistence to follow a career dream always comes at some price to someone’s personal life.

Paquin also makes her character command the screen with a believability. Brenda is both strong and vulnerable as someone who knows what it’s like to have broken dreams but has enough love in her heart to encourage Kurt to follow his football dreams, even if it means Kurt has to sacrifice time that he could be spending with her and the children. Yes, there are thrilling football scenes, but the movie’s heart is really in the relationship between Kurt and Brenda. It’s a reminder that anyone who achieves fame and fortune through a career always had supportive people along the way who helped with those achievements.

As for the supporting cast members, Dennis Quaid shows up in the last third of the movie as Rams head coach Dick Vermeil, the person on the team who believed in Kurt the most, even when numerous people—including Rams offensive coordinator Mike Martz (played by Chance Kelly)—told this coach that he was making a mistake in supporting Kurt. Mike was one of the naysayers until Kurt proved him wrong. Quaid plays the role in a standard way that still manages to convey some individual personality. Zaller (who is legally blind in real life) is a scene stealer as Zack. He’s not an extremely polished actor, but child actors don’t get much more adorable than Zaller in this movie.

“American Underdog” mostly succeeds in its obvious aim to be a heartwarming and inspirational movie. It’s not pretending to be artsy or subtle. And the movie isn’t going to be winning any prestigious awards. But for audiences who want to see a drama about “ordinary” people who can do “extraordinary” things with persistence and the right support system, then “American Underdog” delivers on those expectations. The movie does a good job in conveying the message that people’s true characters are made during their most difficult times.

Lionsgate will release “American Underdog” in U.S. cinemas on December 25, 2021. The movie is set for release on digital on February 4, 2022, and on Blu-ray, DVD, 4K Ultra HD and VOD on February 22, 2022.

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