Bob Balaban Archives – CULTURE MIX

Review: ’80 for Brady,’ starring Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field and Tom Brady

January 28, 2023

by Carla Hay

Rita Moreno, Jane Fonda, Lily Tomlin and Sally Field in “80 for Brady” (Photo courtesy of Paramount Pictures)

Directed by Kyle Marvin

Culture Representation: Taking place in Boston and in Houston, in 2017 and briefly in 2020, the comedy film “80 for Brady” (inspired by a true story) features a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: Four elderly women best friends, who superfans of football star Tom Brady, win a contest to go to Super Bowl LI, and experience various hijinks before and after they lose their Super Bowl tickets.

Culture Audience: “80 for Brady” will appeal primarily to people who are fans the movie’s stars, American football and movies about senior citizens who have a zest for life.

Lily Tomlin and Tom Brady in “80 for Brady” (Photo courtesy of Paramount Pictures)

As lightweight as a styrofoam football, “80 for Brady” is a transparently old-fashioned comedy about four female fans of Tom Brady who go on a Super Bowl adventure. The cast members’ chemistry is the main reason to watch, because the jokes are hit and miss. This is the type of movie where you know even before it starts how it’s going to end, but it’s still a breezy and inoffensive ride that should bring some mild grins even to the most cynical viewers.

Directed by Kyle Marvin, “80 for Brady” is inspired by a true story and has a trailer where about 80% of the plot is revealed. Even without seeing the trailer or knowing anything about “80 to Brady” before seeing the film, viewers will know about 15 minutes into the movie what to expect. The “80 for Brady” screenplay by Emily Halpern and Sarah Haskins has many hokey sitcom-ish elements that could have been a lot more cringeworthy if not for the immense talents of the four principal actresses at the center of the story. It also helps that all four actresses are entirely believable in their “80 for Brady” roles as longtime best friends.

Lily Tomlin portrays Louella, nicknamed Lou, the group’s most enthusiastic risk-taker. Jane Fonda is Patricia, nicknamed Trish, who is a flirtatious and fun-loving divorcée. Rita Moreno has the role of sassy widow Maura Martinez, whose husband Francisco died the previous year. Sally Field depicts sensible and socially inhibited Elizabeth “Betty” Bachman, a retired Massachusetts Institute of Technology professor of applied mathematics. Betty is the only one in this group of four who is married; she’s been married to her husband Mark (played by Bob Balaban) for 51 years. All four of these female friends are in their 80s, except for Betty, who is 75.

The story of “80 for Brady” begins in Boston in 2017, when these four New England Patriots superfans look forward to watching Super Bowl LI, where the New England Patriots will be playing against the Atlanta Falcons at NRG Stadium in Houston. Fans of American football already know that Super Bowl LI had one of the most stunning victories in Super Bowl in history, so it’s no surprise that it would eventually be recreated in a scripted film. The four Patriot superfans in “80 for Brady” would love to go to the Super Bowl in person, but they can’t afford the trip and the price of the Super Bowl tickets.

As explained early on in the movie, these four best friends are particularly fond of quarterback Tom Brady. They’ve adored him, ever since 2001, his first year with the New England Patriots. However, Trish also has a big crush for Rob Gronkowski, who was the tight end for the New England Patriots at the time.

Trish has such lustful admiration of Gronkowski, she’s turned her steamy fan fiction about him into bestselling romance novels. Trish has the author pseudonym Virginia Le Doux, the name of a poodle that Trish used to own. Her current book is called “Between a Gronk and a Hard Place.” Gronkowski makes a cameo in “80 for Brady,” as already shown in the movie’s trailer. Other former National Football League (NFL) stars who make cameos in “80 for Brady” are Marshawn Lynch, Danny Amendola and Julian Edelman.

Lou, Trish, Maura and Betty are avid viewers of a TV show for New England Patriots fans called “Pats Nation,” hosted by two guys named Nat (played by Alex Moffat) and Pat (played by Rob Corddry), who announce that the show is giving away free tickets to Super Bowl LI. The winner will be whoever “Pats Nation” thinks has the best story for why that person deserves to go to Super Bowl LI. Only one entry per person is allowed. And so begins a not-very-funny stretch of the movie where Lou, Trish, Maura and Betty all come up with different ways to make their statements for the contest.

This part of the movie looks very outdated, because people enter the contest by calling a hotline phone number and saying why they deserve to go to the Super Bowl. Haven’t these people ever heard of online technology? Maura, who lives at a group home called Calm Gardens Retirement Resort, gets some of the residents to help her with this contest by making phone calls on her behalf, by using their own names and promising they will give her the tickets if they win. One of these residents is Mickey (played by Glynn Turman), who is obviously attracted to Maura, but she’s still grieving over her husband and doesn’t seem ready to be in another romantic relationship for now.

Because viewers already know that these four friends are going to the Super Bowl, it’s only a matter of time before it’s revealed that Lou won the contest by making a heartfelt statement about how she, as a recovering cancer patient, and her three best friends became fans of Brady and the New England Patriots. “80 for Brady” has all sorts of contrived slapstick comedy to make this Super Bowl trip wacky and challenging. Accidents, misunderstandings and physical mishaps are all part of the predictable antics.

The hijinks start before they even get on the airport. Maura has taken some sleeping pills and can’t wake up when Lou, Trish and Betty arrive to pick up Maura and go to the airport. Calm Gardens Retirement Resort has a policy not to wake up sleeping residents. A well-meaning employee named Tony (played by Jimmy O. Yang) is determined to enforce this policy and won’t let Lou, Trish and Betty visit Maura.

Trish puts on a flowing blonde wig and a star-spangled, tight outfit, as if she Boston’s version of Dolly Parton. Trish then flirts wth Tony as a distraction, while Lou and Betty sneak into Maura’s room and try to wake up Maura. They eventually “smuggle” a passed-out Maura in a wheelchair, but not before Tony sees them and tries to stop them. Mickey helps by announcing on the P.A. system that “Wheel of Fortune” host Pat Sajak is in the building. Several curious residents gather in the hallway and block Tony’s path, so Maura and her pals are able to get away and go to the airport. Yes, it’s that kind of movie.

The “80 for Brady” trailer already shows many of the four pals’ other experiences after they get to Houston. Betty enters a contest called Spicy BBQ Hot Wings Challenge, hosted by Guy Fieri, who portrays himself in the movie. Trish meets a handsome ex-NFL player named Daniel “Dan” Callahan (played by Harry Hamlin), who has two Super Bowl rings from two different teams. You know exactly where the storyline is going to go for Trish and Dan.

At a pre-Super Bowl party, the shenanigans continue. Maura, Betty and Lou are unknowingly given gummy bears laced with an unnamed drug, which results in Maura hallucinating that everyone she sees looks like Guy Fieri. Maura ends up playing poker with some strangers, including comedians Patton Oswalt (as a character named Brisket) and Retta, portraying herself. She becomes fast friends with one of the poker players named Gugu (played by Billy Porter), who happens to be the leader of a group of dancers performing at the Super Bowl.

Betty is considered the most “responsible” on in the group, so she’s put in charge of keeping the Super Bowl tickets safe. As soon as she’s given that responsibility, you just know something is going to happen to the Super Bowl tickets. Ron Funches has a generic supporting role as a stadium security staffer named Chip, who becomes an obstacle for the ladies when they try to go into the stadium without their tickets.

Whenever there’s a comedy about best friends who are senior citizens, there always running gags that essentially seem to be saying, “Look: These old people are a lot stronger, smarter, and livelier than people think. Don’t underestimate them.” When it comes to that formula, “80 for Brady” follows it to the hilt.

Fonda and Tomlin have worked together on the Netflix’s 2015 to 2022 comedy series “Grace and Frankie” (and previously on the Oscar-nominated 1980 comedy film “9 to 5”), so they have an easy camaraderie with each other on screen. Moreno has some of the best comedic scenes in the movie, particularly in the party scene where she’s hallucinating. Field handles her role quite well, considering that Betty goes through the expected transformation from being the “uptight friend” to someone who learns how to loosen up more. The supporting characters in “80 for Brady” aren’t developed enough to really make a big impression, since the cast members in these roles have played versions of these types of characters in other movies.

These types of senior-citizen comedies usually have a cliché about one of the friends having a health/medical condition but hasn’t told the other friends about it. There’s no subtlety about it in “80 for Brady,” which has multiple scenes of Lou’s worried daughter Sara (played by Sara Gilbert) begging Lou to call Lou’s doctor, who reached out to Sara (Lou’s emergency contact) because Lou wasn’t returning the doctor’s messages. Considering that the movie announces early on that Lou is a recovering cancer patient, there really is no mystery about why her doctor might be calling.

Aside from this health issue, “80 for Brady” keeps the tone very jovial, even when the pals get into uncomfortable predicaments. Some of the comedy is downright silly, such as an early scene where Lou imagines that a bobblehead toy of Brady tells her, “Let’s go,” when she says out loud that she’s thinking about entering the contest to win the Super Bowl tickets. The movie has an abundance of people gushing about Brady, as if he’s the greatest American football player who could ever exist.

Why is there all this the over-the-top fan worship of Brady in this movie? Brady is one of the movie’s producers. He also has a small supporting role in “80 for Brady,” although many of his scenes are on the football field. Is this movie a vanity project for Brady? Yes and no. You can’t go 15 minutes without hearing Brady’s name in this movie, but he wisely chose not to appear as a leading star of the film.

Most famous athletes finance movies so that the athletes can launch acting careers too, but they usually end up embarrassing themselves with terrible acting. Brady does a fairly competent job as an actor, but he’s clearly not a natural when it comes to acting skills. He plays a slightly goofier version of himself who doesn’t take his sex symbol status seriously, but the movie definitely takes his celebrity status a little too seriously.

And speaking of not taking anything too seriously, viewers should not take “80 for Brady” that seriously at all. It’s a fantasy version of what a Super Bowl experience would look like if four superfans won Super Bowl tickets and had things go wrong and things go right in some extreme ways. Simply put: “80 for Brady” fulfills its intention to be harmless entertainment that isn’t masterful comedy but can be a satisfactory amusing diversion.

Paramount Pictures will release “80 for Brady” in U.S. cinemas on February 3, 2023. The movie will be released on digital and VOD on March 7, 2023. “80 for Brady” will be released on Blu-ray and DVD on May 2, 2023.

Review: ‘The French Dispatch,’ starring Bill Murray, Tilda Swinton, Owen Wilson, Benicio del Toro, Léa Seydoux, Frances McDormand, Timothée Chalamet and Jeffrey Wright

October 22, 2021

by Carla Hay

“The French Dispatch”

Directed by Wes Anderson

Some language in French with subtitles

Culture Representation: Taking place in the fictional city of Ennui-sur-Blasé, France, the comedy film “The French Dispatch” features predominantly white cast of characters (with a few black people, Latinos and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: After the American editor of The French Dispatch magazine dies, his staffers gather to put together the magazine’s final issues, with four stories coming to life in the movie.

Culture Audience: “The French Dispatch” will appeal primarily to people who are fans of filmmaker Wes Anderson and of arthouse movies that have well-known actors doing quirky comedy.

Lyna Khoudri, Frances McDormand and Timothée Chalamet in “The French Dispatch” (Photo courtesy of Searchlight Pictures)

At times, “The French Dispatch” seems like an overstuffed clown car where filmmaker Wes Anderson tried to fit in as many famous actors as possible in this movie. This star-studded cast elevates the material, which is good but not outstanding. Anderson’s style of filmmaking is an acquired taste that isn’t meant to be for all moviegoers. He fills his movies with retro-looking set designs, vibrant cinematography and snappy dialogue from eccentric characters. “The French Dispatch,” written and directed by Anderson, takes an anthology approach that doesn’t always work well, but the fascinating parts make up for the parts that are downright boring.

The movie revolves around a fictional magazine called The French Dispatch of the Liberty, Kansas Evening Sun (also known as The French Dispatch), which is a widely circulated American magazine based in the fictional city of Ennui-sur-Blasé, France. The French Dispatch was founded in 1925. The movie opens in 1975, when the French Dispatch editor/owner Arthur Howitzer Jr. (played by Bill Murray), an American originally from Kansas, has died in the magazine’s offices. The employees have gathered to work on his obituary and reminisce about him and the magazine’s history.

Arthur appears in flashbacks throughout the movie. In one of the flashbacks, Arthur has told his top-ranking staffers that he has put a clause in his will which requires that The French Dispatch will stop publishing after he dies. The staffers are melancholy and a bit disturbed when they hear about this decision. Arthur is loved and respected by his employees, so they oblige his request. Therefore, they know that the French Dispatch issue that will have Arthur’s obituary will also be the magazine’s final issue.

The French Dispatch is a magazine that is known for its collection of stories. In “The French Dispatch” movie, four of these stories come to life and are told in anthology form, with each story told by someone from the magazine’s staff. Some scenes are in color, and other scenes in black and white. Anderson says in the movie’s production notes that The French Dispatch was inspired by his love for The New Yorker magazine. That’s all you need to know to predict if you think this movie will be delightful or pretentious.

The French Dispatch staffers are mostly Americans. They including copy editor Alumna (played by Elisabeth Moss), cartoonist Hermès Jones (played by Jason Schwartzman), an unnamed story editor (played by Fisher Stevens), an unnamed legal advisor (played by Griffin Dunne), an unnamed proofreader (Anjelica Bette Fellini) and an unnamed writer (played by Wally Wolodarsky). All of these aforementioned staffers don’t have in-depth personalities as much as they have the type of quirky reaction conversations and stagy facial expressions that people have come to expect from characters in a Wes Anderson movie. A running joke in “The French Dispatch” is how obsessive Alumna and proofreader are about things such as comma placement.

The staffers who get more screen time and more insight into their personalities are the four staffers who tell their stories. The first story is told in travelogue form by Herbsaint Sazerac (played by Owen Wilson), whose title is cycling reporter. Herbsaint travels by bicycle to various parts of the city. He has a penchant for going to the seedier neighborhoods to report what’s going on there and the history of how certain locations have changed over the years. During his travels, he visits three other French Dispatch writers who tell their stories. They are J.K.L. Berensen (played by Tilda Swinton), who is the magazine’s flamboyant art critic; Lucinda Krementz (played by Frances McDormand), a secretive essayist who likes to work alone; and Roebuck Wright (played by Jeffrey Wright), a lonely and brilliant writer with a typographic memory.

J.K.L.’s story is “The Concrete Masterpiece,” which is about the how a “criminally insane” painter named Moses Rosenthaler (played by Benicio del Toro as a middle-aged man and by Tony Revolori as a young man) is discovered and exploited while Moses is in prison for murder. One of the paintings that first gets attention for Moses is a nude portrait of a prison guard named Simone (played by Léa Seydoux), who is his muse and his lover. Moses has a makeshift art studio in prison for these intimate painting sessions, which he is able to do because Simone gives him a lot of leeway and protection from being punished.

An unscrupulous art dealer named Julian Cadazio (played by Adrien Brody), along with his equally corrupt and greedy uncles Nick (played by Bob Balaban) and Joe (played by Henry Winkler), find out about Moses’ talent and are eager to make huge profits off of Moses’ work. These art vultures figure that they can take advantage of Moses because he’s in prison. Julian, Nick and Joe get a tizzy over how much money they can make off of Moses, who is a mercurial and unpredictable artist. Imagine these art dealers’ panic when Moses decides he’s going to stop painting until he feels like painting again. There’s also a Kansas art collector named Upshur “Maw” Clampette (played by Lois Smith) who comes into the mix as a potential buyer.

“The Concrete Masterpiece” is the movie’s highlight because it adeptly weaves the absurd with harsh realism. Swinton is a hilarious standout in her scenes, because J.K.L. is quite the raconteur. She delivers her story as a speaking engagement in front of an auditorium filled with unnamed art people. It’s like a pompous lecture and bawdy stand-up comedy routine rolled into one. You almost wish that Anderson would make an entire movie about J.K.L. Berensen.

Lucinda’s story is “Revisions to a Manifesto,” which chronicles a youthful uprising in the French town of Ennui, when young people stage a labor strike that shuts down the entire country. At the center of this youthful rebellion are two lovers named Zeffirelli (played by Timothée Chalamet) and Juliette (played by Lyna Khoudri). Zefferelli (a college student) is the sensitive and romantic one in this relationship, while Juliette has a tendency to be aloof and no-nonsense. Although “Revisions to a Manifesto” has some visually compelling scenes depicting the strikes and protests, the overall tone of this story falls a little flat. Chalamet’s performance is very affected, while McDormand is doing what she usually does when she portrays a repressed character.

Roebuck’s story “The Private Dining Room of the Police Commissioner,” which is a tale of kidnapping and other criminal activities. The story starts off being about a famous chef named Nescaffier (played by Stephen Park), who is hired to serve Ennui-sur-Blasé’s police commissioner (played by Mathieu Amalric), who is just named The Commissaire in the story. But then, the story becomes about The Comissaire’s son/crime-solving protégé Gigi (played by Winsen Ait Hellal), who gets kidnapped by some thugs, led by someone named The Chauffeur (played by Edward Norton). The kidnappers say that Gigi will be murdered unless a recently arrested accountant named Albert (played by Willem Dafoe), nicknamed The Abacus, is set free from jail.

“The Private Dining Room of the Police Commissioner” ends up being too convoluted and somewhat sloppily executed. Liev Schreiber has a small role as a Dick Cavett-type TV talk show host who interviews Roebuck on the show. There’s some whimsical animation in this part of the movie. But ultimately, “The Private Dining Room of the Police Commissioner” is a story about a lot of people running around and making threats with no real sense of danger.

Although it’s admirable that Anderson was able to attract so many famous actors in this movie, after a while it seems like stunt casting that can become distracting. Viewers who watch “The French Dispatch” will wonder which famous person is going to show up next. Some well-known actors who make cameos in “The French Dispatch” include Christoph Waltz, Saoirse Ronan and Rupert Friend. Anjelica Huston is the movie’s voiceover narrator.

“The French Dispatch” can almost become a game of Spot the Celebrities, since there are so many of them in this movie. That being said, there isn’t a bad performance in the bunch. However, the movie would’ve benefited from taking a chance on casting lesser-known but talented actors in some of the prominent speaking roles, in order to make the film a more immersive viewing experience instead of it coming across as an all-star parade.

Despite its flaws, there’s no doubt that “The French Dispatch” is a highly creative film that has Anderson’s unique vision and artistic flair. He has a love of language and a knack for keeping viewers guessing on what will happen next in his movies. And these bold risks in filmmaking are better than not taking any risks at all.

Searchlight Pictures released “The French Dispatch” in U.S. cinemas on October 22, 2021.

Alamo Drafthouse celebrates National Dog Day by bringing back ‘Isle of Dogs’ with previously unseen footage

August 9, 2018

A still from "Isle of Dogs" (Image courtesy of Fox Searchlight Pictures) — A still from “Isle of Dogs” (Image courtesy of Fox Searchlight Pictures)

Alamo Drafthouse is going to the (isle of) dogs.

On August 26, 2018, 25 Alamo Drafthouse theaters will celebrate National Dog Day with special encore presentations of Fox Searchlight’s 2018 stop-motion insta-classic “Isle of Dogs.” The screenings will be followed by a conversation recorded exclusively for this event between visionary writer/director Wes Anderson and “Isle” co-star Bob Balaban.

Tickets are on sale now for screenings at Alamo Drafthouse locations across the country. Ten percent of all ticket sales for this event will be donated to the American Society for the Prevention of Cruelty to Animals® (ASPCA®), a national non-profit organization that has advocated for animal welfare since 1866. For purchases made on drafthouse.com or through the Alamo Drafthouse app, guests will be able to make additional donations to ASPCA.

“What a combination: the ASPCA, Alamo Drafthouse, and Mr. Bob Balaban,” says Wes Anderson. “I leapt at the chance to be a part of this little shindig and share our movie during its last days on the big screen.”

Fans will get an exclusive insight into Anderson’s process and discover behind-the-scenes details in a freewheeling cross-continental conversation between the director and Balaban that’s set to be recorded in late August.

“This year ‘Isle of Dogs’ had one of the most successful Alamo Drafthouse runs ever,” says Tim League, Alamo Drafthouse founder and CEO. “So we’re honored to work with Wes and Bob to be able to make this event happen, and benefit the work of the fine people at the ASPCA.”

“We’re pleased to partner with Alamo Drafthouse on this National Dog Day project that celebrates the special bond between people and animals,” said Christina Wyman, Senior Director, ASPCA Cause Partnerships. “All animals deserve strong voices to represent them, whether that voice comes from famous actors in a movie or average people committed to animal welfare in the real world.”

“Isle of Dogs” with Wes Anderson Event Details

Menu specials
By popular demand, select Alamo Drafthouse locations will be bringing back popular drink menu items from the original run of “Isle of Dogs” like the beloved Trash Island Shake, featuring rich vanilla ice cream, a sweet ‘n salty ‘n frosty mix of peanuts, chocolate chip cookies, caramel, popcorn, Oreos, and Cocoa Puffs.

Special giveaways
Each Alamo Drafthouse location will give away a rare set of finely-detailed “Isle of Dogs” figures to one lucky audience member. Each set of these highly-coveted collectibles (that aren’t available in stores) features the five main dogs and the main character, Atari.

Locations
Tickets are on sale right now at the following participating Alamo Drafthouse locations at drafthouse.com/show/national-dog-day-isle-of-dogs or via the Alamo Drafthouse app on iOS and Android.

About “Isle of Dogs”
Visionary director Wes Anderson’s “Isle of Dogs” tells the story of Atari Kobayashi, 12-year-old ward to corrupt Mayor Kobayashi. When all the canine pets of Megasaki City are exiled to vast Trash Island, Atari sets off in search of his bodyguard dog, Spots. With the assistance of his newfound mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The film features an all-star cast voicing the dog and human characters including Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban, Bill Murray, Jeff Goldblum, Kunichi Nomura, Akira Takayama, Greta Gerwig, Frances McDormand, Akira Ito, Scarlett Johansson, Harvey Keitel, F. Murray Abraham, Yoko Ono, Tilda Swinton, Ken Watanabe, Mari Natsuki, Fisher Stevens, Nijiro Murakami, Liev Schreiber, and Courtney B. Vance.

Fans can add “Isle of Dogs” to their digital collection on Movies Anywhere or purchase the Blu-ray and DVD, available in stores now.

Alamo Drafthouse links
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About Alamo Drafthouse
Alamo Drafthouse Cinema was founded in 1997 as a single-screen mom and pop repertory theater in Austin, TX. Twenty-one years later, with 36 locations and counting, Alamo Drafthouse has been called “the best theater in America” by Entertainment Weekly and “the best theater in the world” by Wired. Alamo Drafthouse has built a reputation as a movie lover’s oasis not only by combining food and drink service with the movie-going experience, but also introducing unique programming and high-profile, star-studded special events. Alamo Drafthouse created Fantastic Fest, a world renowned film festival dubbed “The Geek Telluride” by Variety. Fantastic Fest showcases eight days of genre cinema from independents, international filmmakers and major Hollywood studios. Alamo Drafthouse’s collectible art gallery, Mondo, offers breathtaking, original products featuring designs from world-famous artists based on licenses for popular TV and Movie properties including Star Wars, Star Trek & Universal Monsters. Alamo Drafthouse continues to expand its brand in new and exciting ways, including Birth.Movies.Death., an entertainment content platform for movie lovers, and the American Genre Film Archive, a non-profit film archive dedicated to preserving, restoring and sharing film.