Review: ‘Nickel Boys,’ starring Ethan Herisse, Brandon Wilson, Hamish Linklater, Fred Hechinger, Daveed Diggs and Aunjanue Ellis-Taylor

September 27, 2024

by Carla Hay

Brandon Wilson and Ethan Herisse in “Nickel Boys” (Photo by L. Kasimu Harris/Amazon Content Services)

“Nickel Boys”

Directed by RaMell Ross

Culture Representation: Taking place in Florida and in New York City, from the late 1950s to 2003, the dramatic film “Nickel Boys” (based on the novel “The Nickel Boys”) features a predominantly African American cast of characters (with some white people and a few Latinos) representing the working-class and middle-class.

Culture Clash: Two teenage boys become friends while they live at at a reform school and endure an oppressive, abusive and racist environment.

Culture Audience: “Nickel Boys” will appeal mainly to people who are fans of filmmaker RaMell Ross, the book and which the movie is based, and well-acted movies about how people process childhood trauma.

Aunjanue Ellis-Taylor in “Nickel Boys” (Photo courtesy of Orion Pictures)

Artfully made and absorbing to watch, “Nickel Boys” is a risk-taking drama that makes unorthodox choices about memories and perspectives. Inspired by real events about a reform school that abused teenage boys, this movie also has compelling acting. It’s the type of movie that will test the patience of viewers who might be expecting a more traditional narrative structure. But for open-minded movie fans who appreciate bold, artistic moves in cinema, “Nickel Boys” is like watching an unpredictable formation of a mosaic. “Nickel Boys” had its world premiere at the 2024 Telluride Film Festival and later screened at the 2024 New York Film Festival.

Directed by RaMell Ross (who co-wrote the “Nickel Boys” screenplay with Joslyn Barnes), “Nickel Boys” is adapted from Colson Whitehead’s Pulitzer Prize-winning 2019 novel “The Nickel Boys.” The book is loosely based on the real-life story of the Florida School for Boys, also known as the Arthur G. Dozier School for Boys, which was a state-operated reform school in Marianna, Florida, from 1900 to 2011. The school was permanently shut down after numerous lawsuits and a U.S. Department of Justice investigation uncovered decades of torture and other abuse against children who were at the reform school.

“Nickel Boys” (which takes place from the late 1950s to 2003) tells the non-chronological story of Elwood Curtis, whose life changes forever due to an unfortunate series of circumstances. In 1962, Elwood (played by Ethan Herisse) is a bright, empathetic and socially conscious 16-year-old, who will soon turn 17. Elwood’s parents are deceased.

Elwood lives with his widowed grandmother Hattie (played by Aunjanue Ellis-Taylor) in the racially segregated community of Frenchtown, Florida. Hattie (who works as a hotel maid) and Elwood have hope for and enthusiastic interest in the burgeoning U.S. civil rights movement led by Dr. Martin Luther King Jr., even though Hattie and her co-workers have been ordered not to talk about politics when they’re on the job. Elwood excels in academics and has a promising future.

Elwood has a teacher/mentor named Mr. Hill (played by Jimmie Fails), who recommends Elwood for an advanced-placement academy program called the Melvin Griggs Technical School, which has college-level courses but accepts intellectually gifted high school students for enrollment. Mr. Hill is also involved in the civil rights movement. When a student asks Mr. Hill if he’s a Freedom Rider and how he got a scar on his head, Mr. Hill replies: “Nashville. A white man slugged me with a tire iron.”

One day, Elwood accepts a car ride from a man driving an emerald turquoise Impala. Elwood doesn’t know this man, who appears to be friendly and helpful. Elwood isn’t in the car for very long when the car is pulled over by a racist cop, who pulls the driver by the ear and tells him the car has been reported stolen and “only spooks” steal this type of car. Elwood is in the wrong place at the wrong time, so he is arrested and charged with being a theft accomplice.

“Nickel Boys” doesn’t show Elwood’s courtroom proceedings because the movie makes a point that Elwood was going to be found guilty no matter what, in a system that is racially biased and stacked against people who can’t afford good legal representation. Elwood gets sentenced to Nickel Academy, a reform school for boys. It becomes a terrible experience where he is desperate to escape.

On the surface, Nickel Academy tries to give the impression that this institution truly cares about making these boys into better people. When new enrollees first arrive, they are told about the four levels of existence at Nickel Academy, where reaching the highest level will supposedly get an enrollee released from Nickel Academy. The lowest level is being a Grub, which is the level that all new enrollees are automatically assigned. From there, an enrollee can work his way up to being an Explorer, then a Pioneer, and then the highest level: Ace.

But the reality is that Nickel Academy is an institution that regularly abuses boys who are imprisoned there. In addition to getting vicious beatings and whippings, boys are often locked in solitary confinement in unsanitary conditions and sweltering temperatures. It’s also a racially charged environment because the people on the receiving end of this abuse are mostly black, while the people in authority positions are white. The people in power at this school include a sadistic administrator named Spencer (played by Hamish Linklater) and a bullying school employee in his 20s named Harper (played by Fred Hechinger), who is essentially a henchman who eagerly inflicts abuse and punishment.

Elwood starts off as an introverted loner at Nickel Academy. But he strikes up a tentative acquaintance with Jack Turner (played by Brandon Wilson), who likes to be called by his last name and appears to be more street-smart and tougher that Elwood. As the two teens get to know each other better and become close friends, it becomes apparent to both of them that Elwood has more bravery when it comes to fighting against injustice. Elwood is also the one who is more likely to meticulously plan an escape.

Meanwhile, Elwood’s separation from his protective and worried grandmother Hattie takes a toll on her mental health. There’s a heartbreaking scene where she’s alone at her kitchen and begins talking out loud to herself while cutting slices of frosted cake. Ellis-Taylor isn’t a main character in “Nickel Boys,” but her performance has an indelible impact on the emotional core of the movie.

Because the story of “Nickel Boys” is mainly about the friendship between Elwood and Turner, other enrollees at Nickel Academy don’t get much character depth. Two of the teenage side characters who get some screen time are (1) physically large Griff (played by Luke Tennie), a student boxer who is exploited for money by academy officials and (2) Jaime (played by Bryan Gael Guzman), a friendly and somewhat bashful Latino who is often shunned or excluded by other students because he isn’t black or white.

The movie’s scenes with middle-aged Elwood (played by Daveed Diggs) unfold gradually to reveal what he did with his life after he left Nickel Academy. Without giving away too much information, it’s enough to say that he moved to New York City not long after his hellish experience at Nickel Academy and has been living in New York City ever since. In the early 2000s, Elwood’s bad memories about Nickel Academy are triggered when he finds out that Nickel Academy has been in the news for horrific discoveries that were made about the academy.

“Nickel Boys” (which has cinematography by Jomo Fray) often has extreme close-ups of people or objects that could be somewhat jarring to viewers who want to see everything in that scene. But these extreme close-ups force viewers to pay more attention to the dialogue rather than get distracted by what’s in the background. The lighting and hues in the movie range from vibrant when Elwood’s life is bursting with optimism to bleak when Elwood’s life reaches depressing low points.

There’s one particular flashback scene early on in the movie that is example of how these extreme close-ups make the movie look more artistic: In a scene taking place in the late 1950s, when Elwood (played by Ethan Cole Sharp) is about 11 or 12 years old. His grandmother Hattie is ironing something, and as her iron slides back and forth, Elwood can be seen reflected in the iron.

The camera’s point of view often switches back and forth from a first-person angle to an observational angle. When the middle-aged Elwood is on screen, his face isn’t fully shown until much later in the movie. “Nickel Boys” also has interludes of real-world archival footage as context and comparison.

Clips from the 1958 dramatic film “The Defiant Ones” (starring Sidney Poitier and Tony Curtis as prison escapees) are shown when Elwood is in a situation where he and someone else are entangled with law enforcement. For example, when Elwood is in the back of a police car with someone, there’s also a similar clip of Poitier and Curtis in the back of a police vehicle. “The Defiant Ones” is an interesting choice because it’s a movie that was controversial in its time because of its observations of race relations and the criminal justice system.

Beyond the unconventional camera angles and somewhat abstract editing, “Nickel Boys” has a very talented principal cast authentically conveying the complex experiences of their characters. Herisse and Wilson are a dynamic duo together and separately in their portrayals of two teens fighting to keep their sanity and dignity when trapped in a cruel institution that wants to do permanent harm to them. Diggs also shines in his role as middle-aged Elwood, who is an example of survivor resilience.

“Nickel Boys” might get some criticism from people who think the world has more than enough movies about racism, child abuse and other struggles experienced by people who are often oppressed and exploited. However, even though “Nickel Boys” is a story that takes place in the past, the movie also serves as a reminder that these injustices are still going on today. And with children in institutions often being the targets of these crimes, “Nickel Boys” is also an urgent wake-up call to hold institutions accountable when they do more harm than good.

Amazon MGM Studios’ Orion Pictures will release “Nickel Boys” in select U.S. cinemas on December 13, 2024.

Review: ‘The Way Back’ (2020), starring Ben Affleck

March 6, 2020

by Carla Hay

Ben Affleck (pictured in front, at far right) in “The Way Back” (Photo by Richard Foreman/Warner Bros. Pictures)

“The Way Back” (2020)

Directed by Gavin O’Connor

Culture Representation: Taking place in the beach city of San Pedro, California, the drama “The Way Back” has a racially diverse (white, Latino, African American) cast of characters representing the middle class.

Culture Clash: An alcoholic man, who was a star basketball player in high school, returns to his alma mater as a basketball coach while battling his addiction.

Culture Audience: “The Way Back” will appeal mostly to people who want to see stories about addiction or basketball (and there might be some curiosity over how the story compares to star Ben Affleck’s real-life personal problems), but the movie doesn’t show anything that hasn’t been done before in TV movies of the week.

Janina Gavankar and Ben Affleck in “The Way Back” (Photo by Richard Foreman/Warner Bros. Pictures)

Not to be confused with director Peter Weir’s Soviet gulag-escape drama “The Way Back” (which was released in 2010), the 2020 release of “The Way Back” (directed by Gavin O’Connor) is a drama about an entirely different struggle: alcoholism and coping with the death of a child. Ben Affleck plays Jack Cunningham, a lonely middle-aged guy who’s living a dead-end, self-destructive existence in San Pedro, California. In the beginning of the story, he has a job as a day laborer in construction. When he’s not on the job, he gets drunk at local bars before he heads home, where he lives by himself. Jack is obviously in a lot of emotional pain, but the story unfolds in layers over why he’s in turmoil and why he’s become an alcoholic.

On one of the many days that he’s woken up with a hangover, Jack unexpectedly gets a call to meet with Father Edward Devine (played by John Aylward), the head of Bishop Hayes High School, a Catholic school that is Jack’s alma mater. Father Edward asks Jack if he would like to be the head coach of the school’s basketball team. He’s up front in telling Jack that the team loses almost all of its games, but they could really use guidance from Jack, who was a star basketball player at the school from 1993 to 1995. It’s also the last period of time when the Bishop Hayes basketball team made it to the national finals.

Jack’s immediate reaction is to say no, but Father Edwards pleads with Jack to think it over and call him the next day with his decision. Before he makes that call, Jack spends some time rehearsing the words he’ll say to decline the offer. The next thing you know, Jack is being introduced to the team as the new head coach.

The assistant coach is Dan Espinosa (played by Al Madrigal), an algebra teacher at the school. Dan graduated from Bishop Hayes High School a few years after Jack did. When Dan was a basketball player in high school, he idolized Jack. Dan wasn’t a very good player back then (he mostly stayed on the bench), so he knows his limitations and is excited about working with Jack.

“The Way Back” has two very different trailers. The first trailer, which is the more accurate one, shows how much of a screw-up alcoholic Jack is and how he happens to coach a basketball team. The second trailer takes more of a “feel good” sports angle by playing up the basketball aspects of the movie. There are some thrilling basketball scenes in the film, but the movie is really about Jack’s turbulent journey as an alcoholic.

During the course of the movie, viewers find out that Jack has been separated from his wife Angela (whom he calls “Ange”) for more than a year. Jack has been an alcoholic for several years, but his marriage reached a breaking point after the 2017 death of their only child, an 8-year-old son named Michael. (How he died is revealed in the movie, and it’s an emotional trigger when something similar happens to someone on Angela’s side of the family.)

Jack’s main emotional support system comes from his younger sister Beth (played by Michaela Watkins) and her family, which consists of her husband and pre-teen son and daughter. Jack’s mother has recently moved in with Beth and her family. Over a Thanksgiving dinner that turns argumentative, long-simmering resentments come to the surface.

Jack is somewhat jealous that Beth is doing better in life than he is, and it adds to his feelings of self-loathing. Beth shows concern over Jack’s obvious drinking problem, but he thinks she’s overreacting and being a nag. He’s also annoyed because Angela has recently called Beth, not Jack, to check up on Jack to see how he’s doing.

Eventually, Angela (played by Janina Gavankar) meets with Jack in person to tell him news that he wasn’t expecting to hear: She has a new man in her life (his name is Nick), and her separation from Jack is probably going to lead to divorce. Jack is upset, but he channels his frustrations into his new job as a basketball coach.

As the team’s new coach, Jack is abrasive and prone to cursing a lot. He gets reprimanded multiple times for his foul-mouthed, short-tempered behavior by the team’s chaplain, Father Mark Whelan (played by Jeremy Radin), who’s there for spiritual guidance and to make sure that the team and the coaches follow the school’s moral code of conduct.

There are many expected scenes in the movie of Jack doing the “shouting coach” thing. There are also some basketball scenes using borderline hokey freeze-frames and slow-motion shots that give this film a “TV movie of the week” tone. It’s during the quieter moments, when Jack is alone and facing his demons, that the movie has more emotional resonance.

Under Jack’s leadership, the team predictably starts to win games (as seen in the movie’s trailers), but this isn’t a basketball movie drama like “Hoosiers,” “Blue Chips” or “Glory Road” (all featuring “tough love” coaches), where the biggest thing at stake is a basketball championship. In “The Way Back,” the biggest thing at stake is Jack’s physical and emotional health. As such, the basketball players’ individual personalities aren’t given as much screen time as you might think they would get.

There are some standout players on the team. Brandon Durrett (played by Brandon Wilson), a withdrawn loner, is the most talented player and Jack’s favorite. As the team starts to win more games, Brandon comes out of his shell and gains confidence. He starts to think that he might have a shot at a college scholarship and possibly the big leagues of the National Basketball Association.

However, Brandon’s father Russ (played by T.K. Carter) never goes to see his son play and isn’t very supportive of Brandon’s basketball dreams. When Jack goes to visit Russ at his shrimp fishery job to encourage him to support Brandon, Russ brushes Jack off and tells Jack that basketball is a long-shot, short-lived career that will only disappoint Brandon. He wants to see his son succeed in a job where he won’t be considered “washed-up” by the time he’s in his 40s.

Other players on the team whose personalities are distinct are Marcus Parrish (played by Melvin Gregg), the team’s cocky showoff; sharpshooter Kenny Dawes (played by Will Ropp), who’s a ladies’ man; Chubbs Hendricks (played by Charles Lott Jr.), an overweight guy who’s predictably the team jokester; Sam Garcia (played by Fernando Luis Vega), the guy most likely to give pep talks to the other players; and Bobby Freeze (played by Ben Irving), who’s a solid team player.

In doing publicity for “The Way Back,” Affleck has given candid interviews about the parallels between him and the Jack Cunningham character. Over the past several years, Affleck has been open about his addiction issues (alcoholism and gambling), which were among the reasons for his messy divorce from actress Jennifer Garner, the mother of their three kids. During filming of “The Way Back,” Affleck publicly had a relapse in his alcoholism. And “The Way Back” director O’Connor says that Affleck had a breakdown during a scene in the movie where Jack meets with Angela and confronts his issues. The scene got so emotionally raw, says O’Connor, that he had to cut most of it out of the film.

Although that scene between Jack and Angela is emotional, it’s a lot more muted than what it could be. It didn’t have to be melodramatic, but it’s not a moment where people in the audience will gasp or get so emotionally moved that they’ll start crying—a reaction that happened a lot in the big confrontation scene between the estranged spouses in the 2019 film “Marriage Story,” writer/director Noah Baumbach’s award-winning divorce drama.

Affleck does a very good job in the role, but the movie’s weakest link is that it’s a predictable script (written by Brad Ingelsby) that handles the subject matter in a way that’s been done so many times before in movies and TV shows. That predictability is one of the reasons why it might be difficult to convince people to pay full price to see this movie in a theater. People might be more inclined to wait until “The Way Back” can be seen on a small screen. However, “The Way Back” isn’t a bad way to spend a couple of hours watching a serviceable drama. It’s just not the most essential film about basketball coaches or alcoholism.

Warner Bros. Pictures released “The Way Back” in U.S. cinemas on March 6, 2020.

UPDATE: Because of the widespread coronavirus-related closures of movie theaters worldwide, Warner Bros. Home Entertainment has moved up the digital and VOD release of “The Way Back” to March 24, 2020.

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