Review: ‘We Bury the Dead’ (2026), starring Daisy Ridley

January 2, 2026

by Carla Hay

Daisy Ridley in “We Bury the Dead” (Photo by Nic Duncan/Vertical)

“We Bury the Dead” (2026)

Directed by Zak Hilditch

Culture Representation: Taking place in Australia, the horror film “We Bury the Dead” features a predominantly white cast of characters (with a few indigenous people and black people) representing the working-class and middle-class.

Culture Clash: After a nuclear accident in Australia’s island state of Tasmania leaves about 500,000 people dead and turns other people into zombies, a physical therapist travels to Tasmania to find her husband and has unexpected encounters. 

Culture Audience: “We Bury the Dead” will appeal primarily to people who are fans of star Daisy Ridley and zombie movies that are less about gore and more about the psychological impact of a zombie apocalypse.

Daisy Ridley in “We Bury the Dead” (Photo courtesy of Vertical)

“We Bury the Dead” is a different type of zombie apocalypse movie that is more about psychological effects for uninfected survivors than on gory action scenes. The movie has unanswered questions but interesting performances. “We Bury the Dead” will frustrate viewers who are expecting to see a lot of battle scenes between uninfected zombies and uninfected human survivors. The movie has some zombie/human fight scenes, but they are mostly one-on-one fights, and they don’t get a lot of screen time in “We Bury the Dead.”

Written and directed by Zak Hilditch, “We Bury the Dead” had its world premiere at the 2024 Adelaide Film Festival and its North American premiere at the 2025 SXSW Film & TV Festival. The movie takes place mostly in Australia’s island state of Tasmania. “We Bury the Dead” was filmed in Australia’s Great Southern Region, particularly in the city of Albany.

“We Bury the Dead” begins by showing a flashback to the wedding of physical therapist Ava (played by Daisy Ridley) and renewable energy executive Mitch (played by Matt Whelan), who are both in their 30s. Ava is American. Mitch is Australian. Their wedding is a happy occasion, but these wedding scenes are interrupted by a present-day voiceover of Ava frantically leaving voice messages for Mitch.

“Tell me you’re okay,” Ava says while breathing heavily, as if she’s panicking. “I’m scared. I need you. I love you. I’ll keep trying.” It’s later revealed that Mitch and Ava do not have children, but they have been trying to start a family, with no luck.

News reports on TV show that Australia has recently experienced a disastrous tragedy: The U.S. military accidentally deployed an experimental weapon off of the coast of Tasmania the week before. About 500,000 people across Tasmania died as a result of this catastrophe. The city of Hobart was completely decimated. An untold number of other people are “undead” zombies.

Mitch had traveled to Tasmania for a business conference/retreat and was staying at a place called Enso Resort when the disaster happened. The resort, much like most of Tasmania, is now considered a disaster area, where there is no communication available through technology. Mitch is considered a missing person.

Ava is determined to find Mitch. And so, she travels by airplane to Tasmania, on a flight where many other loved ones of missing people are also taking this trip for similar reasons. The Australian government has a volunteer “body retrieval” program, where adult civilians go to Tasmania and get bodies that need to be buried or cremated. Ava has signed up for this volunteer program because it’s the best way to get access to areas that are otherwise off-limits to the general public.

When she gets to the check-in area for the body retrieval job, Ava mentions to a briefing colonel (played Kim Fleming) that Ava’s husband is missing in Tasmania. The colonel warns Ava that if Ava uses her work time to find Ava’s husband instead of retrieving bodies, then Ava will be sent home. Ava says she understands, but you can tell Ava doesn’t care about this warning because her main goal will still be to find Mitch.

Ava attends a very short orientation session with other new volunteers. A military official named Captain Vance (played by Dan Paris) informs the group that the stories that they might have heard are true: There are survivors in Tasmania who are walking around as if “the lights are on but nobody’s home.” He doesn’t use the word “zombie,” but his message is clear: Be on the lookout for these zombies. Ava also finds out that the longer these survivors are in a zombie state, the more aggressive and violent they get.

“We Bury the Dead” has a few flimsy plot holes that are not adequately addressed. The volunteers are given no real training on how to do body disposals and are not required to wear any safety gear (such as hazmat suits) and are not supplied with any weapons. It’s a very irresponsible for a government to put civilians (most of whom are untrained rescue workers) in this type of danger, when it’s still unknown what the hazards and side effects will be of disaster caused by a weapon of mass destruction. You don’t have to be scientist to know that the existence of zombies is proof that people have been infected.

In the beginning of the movie, “We Bury the Dead” makes a brief mention of the international political fallout of this disaster. A TV news report says that protests in Washington, D.C., have escalated. Pressure has reached a “fever pitch” from the United Nations and the Australian prime minister to hold the U.S. president accountable for this disaster. Therefore, it doesn’t make sense that the Australian government would put Australian residents in more jeopardy by starting a volunteer “body retrieval” program without giving the volunteer workers any common-sense protections.

Questionable government decisions aside, “We Bury the Dead” is mostly an intimate portrait of how this work affects Ava. The volunteer body retrievers are supposed to work with at least one partner. Ava’s first partner (played by Deanna Cooney), who doesn’t have a name in the movie, ends up quitting immediately because the job is more traumatic than she thought it would be, and she wants to go back home to her daughters.

Ava’s next partner is a roguish type named Clay (played by Brenton Thwaites), who takes a hardened and cynical approach to this type of work. Ava is more emotional and is more concerned about following safety protocol than Clay is. At first, Ava wears an optional gas mask on the job, but Clay mocks her for it. Ava, just like Clay, ends up wearing no safety gear. As for weapons to fight the violent zombies, Ava’s weapon of choice is an axe, which she finds on her own. Just like in other zombie movies, “We Bury the Dead” shows that zombies can be killed by blows to their heads.

It takes a while, but Clay and Ava eventually open up to each other about their closest relationships and why they decided to volunteer for this body retrieval job. But another shortcoming of the movie is reveals nothing about the families of Ava and Mitch. It’s possible that Ava and Mitch could be estranged from their families, but the movie doesn’t say either way.

“We Bury the Dead” does reveal some more information about what Ava and Mitch’s marriage was like before Mitch went on the business trip. The movie also shows if Clay agrees to help Ava find Mitch. During their time together, Ava and Clay encounter a lone military official named Riley Harris (played by Mark Coles Smith), who has an agenda of his own. Something to do with Riley’s personal life ends up being a factor in the movie’s climactic scene. This low-budget film has believable visual effects, as well as convincing makeup and hairstyling for the zombies.

“We Bury the Dead” is somewhat of a “buddy movie” that shows how two people with differences in their personalities and backgrounds can meet under unusual circumstances and learn to trust each other while working together. Thwaites is believable in his role as rebellious Clay. Ridley gives a fairly adequate performance that is slightly marred by her inconsistent speaking accent for this role. Ava is American, but Ridley (who is British in real life) sounds American or British in her portrayal of Ava. It’s a minor flaw that doesn’t ruin the movie, but it’s a distraction that could’ve been prevented with better direction.

One of the best aspects of “We Bury the Dead” is the visually artistic cinematography by Steve Annis. The movie skillfully conveys the dichotomy of being in an area with wide open spaces but still feel doom and claustrophobia of being stuck in this area because zombies can suddenly appear and attack. “We Bury the Dead” will bore or annoy people who expect the movie to be a more typical zombie film that has epic chases and fight scenes. But for people who are open to a more introspective look at surviving a zombie apocalypse, “We Bury the Dead” can be a satisfying movie experience.

Vertical released “We Bury the Dead” in U.S. cinemas on January 2, 2026. A sneak preview of the movie was shown in U.S. cinemas on December 22, 2025.

2017 CinemaCon: What to expect at this year’s event

March 19, 2017

by Carla Hay

CinemaCon

CinemaCon, the annual convention for the National Association of Theatre Owners (NATO), will be held March 27-30, 2017 at Caesars Palace in Las Vegas. About 5,000 people attend the event, which gives movie studios the chance to showcase what they expect to be their biggest hits of the year.

Movie studios scheduled to give their presentations at the event are Sony Pictures Entertainment on March 27; STX Films, Paramount Pictures and Walt Disney Pictures on March 28; Universal Pictures, Focus Features and Warner Bros. Pictures on March 29; Universal Pictures, Amazon Studios and Lionsgate on March 30. Although most of the presentations only include clips and trailers, a few movies will be screened in advance in their entirety. Disney’s “Pirates of the Caribbean: Dead Men Tell No Tales” and Lionsgate’s “The Hitman’s Bodyguard.”

CinemaCon culminates with the CinemaCon Big Screen Achievement Awards ceremony, which will take place March 30.

Here are the announced winners of the awards:

Cinema Icon Award
Goldie Hawn

Goldie Hawn
Goldie Hawn (Photo courtesy of PBS)

In a career spanning more than 50 years, Goldie Hawn has won an Oscar (for 1969’s “Cactus Flower”) and starred in such hits as 1980’s “Private Benjamin,” 1987’s “Overboard” and 1996’s “The First Wives Club”. In 2017, she returns to the big screen after a 15-year hiatus by co-starring with Amy Schumer in the comedy “Snatched.”

CinemaCon Vanguard Award
Salma Hayek

Salma Hayek
Salma Hayek (Photo by Lacey Terrell)

Salma Hayek, who received an Oscar nomination for starring as artist Frida Khalo in the 2002 biopic “Frida,” has appeared in a number of hit movies, including 2010’s “Grown Ups,” 2013’s “Grown Ups 2” and 2011’s “Puss in Boots.” She has four movies lined up for release in 2017: “Beatriz at Dinner,” “Drunk Parents,” “How to Be a Latin Lover” and “The Hitman’s Bodyguard.”

Distinguished Decade of Achievement in Film
Naomi Watts

Naomi Watts
Naomi Watts (Photo courtesy of Exclusive Releasing)

Nominated twice for an Oscar (for 2003’s “21 Grams” and 2013’s “The Impossible”), Naomi Watts has starred in practically every movie genre, including the blockbusters “King Kong” (2005) and “The Ring” (2002). In the past 10 years, she has received acclaim for her roles in the Oscar-winning movie “Birdman” (2014),  “Mother and Child” (2009) and “Eastern Promises” (2007).

CinemaCon Male Star of the Year
Charlie Hunnam

Charlie Hunnam
Charlie Hunnam (Photo by Aidan Monaghan)

Charlie Hunnam, one of the stars of the FX TV series “Sons of Anarchy,” has headlined the 2013 action flick “Pacific Rim.” In 2017, he stars in “The Lost City of Z” and “King Arthur.”

CinemaCon Female Star of the Year
Jessica Chastain

Jessica Chastain
Jessica Chastain (Photo courtesy of EuropaCorp)

Jessica Chastain has received Oscar nominations for her roles in 2011’s “The Help” and 2012’s “Zero Dark Thirty.” Her other big hits include 2014’s “Interstellar” and 2015’s “The Martian.” In 2017, her movies are “The Zookeeper’s Wife,” “Woman Walks Ahead” and “Molly’s Game.”

CinemaCon Director of the Year
Jordan Peele

Jordan Peele (Photo by Justin Lubin)

Jordan Peele rose to fame as part of the Emmy-winning comedy duo Key & Peele (with Keegan-Michael Key), who co-starred in an eponymous TV series and the 2016  film “Keanu.” Peele wrote, directed and was one of the producers of the 2017 horror thriller “Get Out,” his directorial debut. With the smash success of “Get Out,” Peele became the first African-American director to have his directorial debut gross more than $100 million at the U.S. box office.

CinemaCon Action Star of the Year
John Cena

John Cena
John Cena (Photo by Mary Cybulski)

Although John Cena has had well-received supporting roles in the 2015 hit comedies “Trainwreck,” “Sisters” and “Daddy’s Home,” his WWE background paved the way for him to star in mostly action flicks. In 2017, he stars in “The Wall,” a war drama co-starring Aaron Taylor-Johnson.

CinemaCon Male Star of Tomorrow Award
Ansel Elgort

Ansel Elgort
Ansel Elgort (Photo courtesy of TBS)

Ansel Elgort is best known for starring in 2014’s “The Fault in Our Stars” and the “Divergent” series. In 2017, his movies include “Baby Driver,” “Jonathan,” “Billionaire Boys Club” and “November Criminals.”

CinemaCon Female Star of Tomorrow Award
Sofia Boutella

Sofia Boutella
Sofia Boutella (Photo by Gareth Cattermole/Getty Images for Paramount Pictures)

Sofia Boutella has had high-profile roles in 2015’s “Kingsman: The Secret Service” and 2016’s “Star Trek Beyond.” Her movies set for release in 2017 include “The Mummy” (starring Tom Cruise) and “Atomic Blonde” (starring Charlize Theron).

CinemaCon Breakthrough Performer of the Year
Brenton Thwaites

Brenton Thwaites
Brenton Thwaites (Photo by David Dare Parker)

After starring in movies that failed to find a large audience (2014’s “The Giver,” 2014’s “Son of a Gun,” 2013’s “Oculus,”), Brenton Twaites is poised to have a major blockbuster breakthrough with 2017’s “Pirates of the Caribbean: Dead Men Tell No Tales,” starring Johnny Depp. Thwaites’ other movies releasing in 2017 are “Office Uprising” and “An Interview With God.”

March 24, 2017 UPDATE:

CinemaCon Rising Star of the Year
Isabela Moner

Isabella Moner (Photo by Nicholas Hunt/Getty Images)

Isabela Moner is an actress and singer whose on-screen roles include starring in the Nickelodeon series “100 Things to Do Before High School” (from 2014 to 2016) and the 2016 feature film “Middle School: The Worst Years of My Life.” In 2017, she is co-starring with Mark Walhberg in her biggest movie so far: the action sequel “Transformers: The Last Knight.” She also has a voice role in the 2017 animated film “The Nut Job 2: Nutty by Nature.”

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