Review: ‘About My Father’ (2023), starring Sebastian Maniscalco, Robert De Niro, Leslie Bibb, Anders Holm, David Rasche and Kim Cattrall

May 26, 2023

by Carla Hay

Sebastian Maniscalco and Robert De Niro in “About My Father” (Photo by Dan Anderson/Lionsgate)

“About My Father” (2023)

Directed by Laura Terruso

Some language in Italian with no subtitles

Culture Representation: Taking place in Illinois and in Virginia, the comedy film “About My Father” features a nearly all-white cast of characters (with a few Latinos and black people) representing the working-class, middle-class and wealthy.

Culture Clash: An Italian American hotel manager in Chicago travels with artist girlfriend and his hair stylist father to Virginia, to meet the girlfriend’s Anglo Saxon wealthy family, and various uncomfortable situations occur because of different ethnic identities and socioeconomic classes. 

Culture Audience: “About My Father” will appeal primarily to people who are fans of the movie’s headliners and predictably subpar comedies about tension-filled family gatherings.

Kim Cattrall, Leslie Bibb and David Rasche in “About My Father” (Photo by Dan Anderson/Lionsgate)

“About My Father” is just a mishmash of scenes that look like stale leftovers from a second-rate sitcom. Robert De Niro is doing another “grumpy old man” character that he keeps doing in awful comedies that fail to match the quality of “Meet the Parents.” De Niro has not made a really good comedy film since 2000’s “Meet the Parents,” in which he co-starred as a stern potential father-in-law to a neurotic male nurse (played by Ben Stiller), who meets this patriarch and other would-be in-laws for the first time during a family gathering.

It’s perhaps no coincidence that “About My Father” (directed by Laura Terruso) is a weak imitation of “Meet the Parents,” but with no real charm and with characters that mostly look very phony. “About My Father” has so many of same plot points and gags as “Meet the Parents,” the screenwriters of “About My Father” should be ashamed to call the screenplay “original.” Sebastian Maniscalco (who stars as the nervous bachelor in “About My Father”) and Austen Earl co-wrote the shallow and derivative “About My Father” screenplay. “About My Father” has such a lack of imagination, Maniscalco portrays a character who has the same name as he does.

Just like in “Meet the Parents,” the plot of “About My Father” is about an insecure American man in Chicago who meets the conservative, wealthier parents of his blonde, thin and pretty girlfriend at the parents’ family home. In “Meet the Parents,” the bachelor is Jewish and works as a nurse. In “About My Father,” the bachelor is of Italian heritage and works as an average-level hotel manager. Both movies use various ethnic and socioeconomic stereotypes as fuel for the comedy. The bachelor goes back and forth between being embarrassed and being proudly defensive about coming from a working-class family. He tries very hard to impress his more sophisticated potential in-laws.

The anxious bachelor hopes to get the parents’ approval because he wants to propose marriage to his girlfriend. Several wacky incidents then ensue involving the family playing competitive games with each other; pet animals that are liked or disliked by people at this gathering; and physical mishaps that cause tension and embarrassment. “Meet the Parents” and “About My Father” both have the girlfriend’s annoying siblings make the bachelor uncomfortable.

In “About My Father,” you can do a countdown to a lot of the predictable comedy clichés that have been in dozens of other movies. There’s even a “race against time” scene of someone trying catch up to someone else who’s about to leave on an airplane. The main plot difference between the two movies is that in “About My Father,” the bachelor brings his father along for this family visit. As expected in a formulaic comedy such as “About My Father,” this dad is an outspoken loose cannon who will clash with the pretentious and snobby family who’s hosting this gathering.

“About My Father” has somewhat irritating voiceover narration from the character of Sebastian throughout the movie. In the beginning of the film, Sebastian says that his family is originally from the Italian region of Sicily and has a very strong work ethic. His father Salvo (played by De Niro) immigrated from Sicily and comes from “a long line of Sicilian hairstylists.” Even though Salvo is well past retirement age, he still works in his own hair salon, where his customers (at least those shown in the movie) are middle-aged women who laugh at his unfunny jokes.

Sebastian (who has no siblings) is a first-generation Italian American. Sebastian’s mother is talked about but never shown in any flashbacks. Near the beginning of the movie, it’s mentioned that Sebastian’s mother has been dead for about a year. Sebastian and Salvo have had a very close father-son relationship since Sebastian was a child. And now that Salvo is a widower, Sebastian feels obligated to stay close to his lonely father. Salvo and Sebastian live together.

Salvo and Sebastian’s relationship is a weird mix of co-dependent and macho. On the one hand, Salvo acts like Sebastian is being a disloyal son for having a life outside of being Salvo’s closest friend. (And to be clear: Salvo really has no other friends.) On the other hand, Salvo believes that certain things make men look like “sissies” and “wimps,” such as crying, or father and sons hugging each other.

Sebastian and Salvo have a ritual of spraying cologne on themselves before they go to sleep. It’s supposed to be one of the funny “gags” in the movie, but it just falls flat. Sebastian says in a voiceover: “At bedtime, our room smelled like an Uber [car] in Las Vegas.” Get used to this type of dreadful joke in “About My Father,” because the movie is full of these unfunny comments.

Sebastian is in a loving relationship with his cheerful and perky girlfriend Eleanor “Ellie” Collins (played by Leslie Bibb), who comes from a wealthy family in Virginia. Ellie’s ancestors were among the English settlers who came over to the future United States on the historic Mayflower voyage of 1620. Ellie is an artist whose specialty is in painting abstract art. An early scene in “About My Father” shows Ellie and Sebastian at a gallery exhibit for Ellie’s art. Sebastian and Ellie joke that one of her paintings looks like it could be a vagina, except when the painting is turned horizontally. That’s what’s supposed to pass as “comedy” in this lackluster film.

In the voiceover narration, Sebastian describes Ellie as his “complete opposite” and his “dream woman.” Sebastian also mentions that Ellie introduced him to things such as sunlight coming into bedroom windows, daytime naps, avocado facials and smiling. There’s even a montage in the movie showing Sebastian grimacing, as he “trains” himself to smile more. Viewers will be grimacing for different reasons, as this movie strains to come up with funny lines of dialogue.

Ellie invites Sebastian to meet her family in Virginia, for a Fourth of July holiday weekend. (“About My Father” was actually filmed in Louisiana and Alabama.) Sebastian think this visit is a great idea, until Salvo starts whining about how the trip would mean that Salvo will be left home alone. Salvo also doesn’t think that Sebastian will fit in well with Ellie’s family. Sebastian tells Ellie he won’t go on the trip because he doesn’t want to leave Salvo at home alone, but then Ellie says that Salvo is invited too.

However, Sebastian doesn’t want Salvo to meet Ellie’s family, because Sebastian is sure that Salvo will be a complete embarrassment. Sebastian wants to propose to Ellie with the engagement ring that was owned by Salvo’s deceased mother. Salvo won’t give Sebastian this ring unless Salvo meets and approves of Ellie’s family.

After much hemming and hawing back and forth, Salvo ends up going on the trip with Sebastian and Ellie to the Collins family estate. They take a private plane to a private air strip, where they are greeted by Ellie’s spoiled, obnoxious and hard-partying older brother Williams Collins XIII (played by Anders Holm), whose nickname is Lucky. Sebastian, Salvo and Ellie then go in a helicopter piloted by Lucky to the vast summer home owned by the Collins family. Predictably, one of the helicopter passengers (Sebastian) gets airsick.

At the Collins family estate, Salvo and Sebastian meet Ellie’s parents and younger brother. Ellie’s father William Collins XII (played by David Rasche), whose nickname is Bill, is a luxury hotel mogul in charge of the family’s Collins Hotel Group empire. Bill is friendly in an elitist way. He loves to name drop and brag about high-priced items that he’s bought, while trying (and failing) to look humble.

Ellie’s mother Tigger Collins (played by Kim Cattrall) is a hard-driving and prickly U.S. senator who is used to getting her way. Ellie has warned Sebastian that Tigger will be much harder to please than Bill. Tigger is essentially the type of character that De Niro played in “Meet the Parents”: a domineering authority figure who intimidates the visitors.

Ellie’s younger brother Doug (played by Brett Dier) is the family’s spaced-out weirdo, who walks around dressed like a hippie cult member. Doug rambles about things that he thinks are “enlightening,” such as chakras, cleansing the energy in a room, and how a certain organic food affects his bowel movements. Doug’s family members treat him like a harmless eccentric.

Lucky works in the family’s hotel business. Doug doesn’t seem to work at all. Out of all three siblings, Ellie is clearly the favorite child of their parents, who treat Ellie like a pampered princess. When she’s around her parents, Ellie seems to revert back to acting like a teenager, which should be a “red flag” warning sign for someone who’s in a romance with her. However, immature Sebastian has got enough family issues of his own, and he gets very caught up in trying to impress Ellie’s parents.

The Collins family has peacocks that Ellie says are the family mascots. These peacocks walk around the property wherever they want, mostly outside. Salvo dislikes peacocks and says that they are bad luck. You know where this is going, of course. In “Meet the Parents,” the family pet that caused conflicts was a cat, which was adored by the patriarch but disliked by the visiting bachelor.

“About My Father” has mostly unremarkable acting by cast members trying very hard to be funny when saying cringeworthy lines and depicting even more cringeworthy scenarios. Cattrall fares the best in some of the slapstick comedy, while De Niro is just going through the motions in rehashing the same persona he does in nearly all of his comedies since “Meet the Parents.”

Maniscalco became famous as a stand-up comedian, but he can’t carry this comedy film with the leading-man qualities required for this role. His smirking Sebastian character is both hollow and dull, reduced to nothing but idiotic quips and hammy facial expressions. The direction and writing for “About My Father” look very outdated, like a 1990s movie that was made for a third-tier cable TV network.

“About My Father” might elicit a few chuckles from viewers. A scene that shows a brief flash of mildly amusing banter is when Sebastian and Salvo privately rant to each other about how pompous Tigger and Bill are about their wealth. But watching this disappointing movie dud is like being stuck in a room full of comedians using other people’s well-known and tired jokes, while the comedians try desperately to convince the audience that what they’re watching is fresh and original.

Lionsgate released “About My Father” in U.S. cinemas on May 26, 2023.

Review: ‘After Yang,’ starring Colin Farrell, Jodie Turner-Smith, Malea Emma Tjandrawidjaja, Justin H. Min and Haley Lu Richardson

March 4, 2022

by Carla Hay

Colin Farrell, Jodie Turner-Smith, Malea Emma Tjandrawidjaja and Justin H. Min in “After Yang” (Photo courtesy of A24)

“After Yang”

Directed by Kogonada

Culture Representation: Taking place in an unnamed U.S. city, the sci-fi dramatic film “After Yang” has a racially diverse cast of characters (white, black, Latino and Asian) representing the working-class and middle-class.

Culture Clash: After a family’s android malfunctions and appears to be unfixable, the family’s patriarch goes on a quest to find out the origins of this robot.

Culture Audience: “After Yang” will appeal primarily to people who are interested in watching introspective movies about what life could be like in the future.

Justin H. Min and Haley Lu Richardson in “After Yang” (Photo courtesy of A24)

What happens when a family robot breaks down and apparently can’t be fixed? And what if that robot was such an integral part of this family, the family might be broken too if the robot can no longer be in their lives? Those are the questions posed in the thoughtful sci-fi drama “After Yang,” written and directed by Kogonada. The movie might be too slow-paced for some viewers, but it’s worth viewing for a contemplative story about how the need for emotional connections won’t change, no matter how much technology advances.

“After Yang” opens with a “selfie” family portrait in the home backyard of the Fleming family: Jake (played by Colin Farrell), Jake’s wife Kyra (played by Jodie Turner-Smith), their daughter Mika (played by Malea Emma Tjandrawidjaja) and their human-looking android Yang (played by Justin H. Min), who operates the camera before getting into the group photo. It seems like a happy family gathering, based on the smiles in the photo, but Jake and Kyra have grown emotionally distant from each other in their marriage.

Mika, who’s about 6 or 7 years old, seems oblivious to the tension in her parents’ relationship. Jake and Kyra adopted Mika as a baby from China. Yang is described as a “techno-sapien.” He was purchased to be a companion to Mika and so he could teach her about Chinese history and culture. Yang, who has a kind and patient personality, has known Mika since she was a baby. Yang is treated like a nanny and a family member.

“After Yang” takes place in an unnamed U.S. city in an unspecified future, when human-looking androids and human clones are fairly common. (“After Yang” was filmed primarily in New York state’s Rockland County.) All of the actors in “After Yang” keep their native accents, so the movie has a very cosmopolitan tone to it. Most of the cast members are American, but Farrell is Irish, Turner-Smith is British, and there are some other non-Americans who are in the cast.

Jake owns a tea shop, while Kyra works at an office job in an unnamed industry. The passion seems to have left their marriage, but Jake and Kyra are not on the verge of splitting up. These two spouses don’t have big arguments, but they just seem to barely tolerate each other.

Through various conversations between Jake and Kyra, viewers find out that her main complaint about him is that she doesn’t think he spends enough time with the family. Kyra tells Jake during one of their tension-filled conversations: “I just want us to be a team, a family.” An early scene in the movie shows Mika and Kyra at home eating dinner. Mika asks where Jake is, and Kyra tells her that he has to work late. However, Kyra puts a positive spin on Jake’s absence by saying that Jake being busy with customers means that his business is doing well.

Jake obliges Kyra’s request to spend more time with family, by participating with Kyra, Mika and Yang in a worldwide virtual dance-off competition that happens once a month. The dance-offs are based on the number of people in each group. For example, groups of four compete against each other, groups of three compete against each other, etc. Because this is a virtual competition, thousands of people can compete at the same time.

In this dance-off, groups go online and dance to the same song and are monitored by judges. The objective is for everyone in the group to dance in sync. Any group that has a member who dances out of sync is eliminated.

The movie’s opening credits play over a memorable montage sequence of the Fleming family and other four-member groups dancing in this contest. Some of the people in the other groups end up being supporting characters in this movie. Despite the Fleming family’s best efforts, someone in their group dances out of sync (Jake gets the blame), and they’re eliminated, but they seemed to have fun bonding over this shared activity.

Not long after the family participated in this dance-off, Yang malfunctions and shuts down. Because his exterior is made of human-like flesh, there’s a limited time to fix him before he will start decomposing. Jake and Kyra have different reactions to Yang’s shutdown. Jake wants to do everything he can to save Yang, because he knows how emotionally attached Mika is to Yang. Kyra is more reluctant to fix Yang, because of the expenses involved and because she thinks that Mika needs to learn about death.

Kyra also gripes to Jake that he should’ve bought Yang as a new android from a company called Brothers and Sisters, which is the main company that has the authority to sell new androids. Instead, Yang was purchased as a used android from a company called Second Siblings, a company that’s considered to be inferior to Brothers and Sisters. The place where Yang was purchased affects the ability to repair him quickly, because Yang’s warranty is with Second Siblings, not with Brothers and Sisters.

The Fleming family has a next-door neighbor named George (played by Clifton Collins Jr.), whom Jake thinks is a little weird and annoying. George notices that Jake is carrying Yang, so Jake tells George that Yang malfunctioned the night before. George mentions to Jake that he has a friend named Russ who does android repairs for a reasonable price. George advises Jake on what to do about Yang: “I wouldn’t take him back to Brothers and Sisters. They’re just going to try to get you to recycle him for a new model.”

When Jake goes to the place where he remembers Second Siblings was located, he’s dismayed to find out that the business has closed, and a fish aquarium store is now in its place. Mika is with him on this trip and is afraid of what will happen to Yang. To placate Mika’s worries, Jake buys her a pet fish from the shop.

Jake then goes to a repair shop called Quick Fix, where a repair consultant named Aaron (played by Brett Dier) tells Jake that he has two options: (1) recycle Yang and get a $1,000 discount toward a new android, or (2) turn Yang’s head and voice box into a virtual assistant, and the family can keep the rest of Yang’s salvaged parts. Jake decides to take neither option.

With Mika growing increasingly anxious about losing Yang, Jake decides to go to George’s friend Russ (played by Ritchie Coster) as a last resort. Russ tells Jake that he needs Jake’s permission to open Yang’s interior core. Opening this interior core is is an illegal thing to do, but Russ insists it’s the only way to figure out how Yang can be fixed. Yang is left at Russ’ repair shop for the time being.

Back at home, Jake and Kyra continue to disagree over what to do about Yang. Kyra also tells Jake: “Yang has been wonderful, and we’d miss him terribly, but we’ve been over-reliant on him. We bought Yang to connect [Mika] to her Chinese heritage, not to raise her.” Jake replies, “Yeah, but we spent a lot of money on Yang.”

Kyra says, “If we can’t fix Yang, we’re not going to buy another sibling for Mika. We can’t afford it anyway.” Kyra also says that she and Jake, not an android, should be responsible for teaching Mika about her Chinese heritage. Jake remains undeterred. His determination to save Yang leads him down unexpected paths and eventually on a quest to find out Yang’s origins.

Along the way, some other people play important roles in this story, including a Museum of Technology curator named Cleo (played by Sarita Choudhury) and a young female clone named Ada (played by Haley Lu Richardson), who has a connection to Yang. It’s enough to say that through a series of circumstances, Jake can access Yang’s memories by putting on special sunglasses. What Jake finds out changes his outlook on many things in life.

“After Yang” takes its time in unpeeling some of the layers in this story. There are several scenes of people staring off into space, as if they’re in deep thought. And although Jake is seen occasionally at work, he doesn’t seem to have any employees at his tea shop. It will make viewers wonder who’s operating Jake’s tea shop while he’s going around investigating the mystery of Yang, while Mika is sometimes along for the ride.

One of the biggest flaws in the movie is how Kyra is such an underdeveloped character. It will be hard for a lot of viewers to emotionally connect to Kyra, who comes across as cold and completely boring. Yang might be a robot, but he has more personality than Kyra does. And for all of Kyra’s complaining about Jake not spending enough time with the family, Jake is the one who ends up spending more time with Mika than Kyra does during the course of this story.

Only when Jake accesses Yang’s memories do viewers get to see a brief glimpse of Jake and Kyra in happier times, when they look like a real married couple. But for the vast majority of “After Yang,” there’s little to no chemistry between Farrell and Turner-Smith as these spouses. Even though they are portraying a married couple drifting apart, there’s nothing in the movie that shows why Jake and Kyra fell in love with each other in the first place.

“After Yang” also could have used more of the story to explore family issues when an adopted child is of a race that’s different from the adoptive parents. The only reference to any realistic challenges of interracial adoptions is a flashback scene where Mika confides in Yang about how some kids at her school told her that Jake and Kyra are not her real parents and asking him what it means to be Asian. Mika knows that she’s adopted, but she still seems a little hurt and confused over people thinking that Jake and Kyra aren’t her “real parents.” Yang then tells Mika about tree grafting as an analogy to adoption. It’s a very trite and simplistic way to deal with this issue.

Later in the movie, Kyra calls Jake while she’s at her job to ask Jake to pick up Mika from school because Mika got into a physical fight with another student. Mika was sent to the school principal’s office over this altercation, but the movie never shows Jake and/or Kyra interacting with anyone at the school about this problem or talking to Mika about it. It would be easy to assume that Mika might have gotten into the fight because of the adoption issue, but the movie never explains how Jake, Krya and Mika tried to resolve this problem.

Tjandrawidjaja is very good in the role of Mika, but her character was basically written to be just a cute and somewhat precocious kid. Instead, “After Yang” puts most of the emphasis on Jake as the person whose thoughts and feelings have the most importance in the story, since he’s the one who’s the most involved with and affected by finding out Yang’s origins. Farrell handles the character of Jake with a lot of care, but some viewers might grow tired of so many people in the movie having pained expressions on their faces without much action happening in the story.

The rest of the supporting cast members are perfectly fine in their roles. Min and Richardson do the best that they can with their Yang and Ada characters in the limited screen time that these characters have. When viewers see the connection between Yang and Ada, it will make a lot of people wish that there could’ve been an entire movie centered on Yang and Ada.

Kogonada brings a futuristic, dream-like style to the flashback sequences of Yang’s memories. These striking visuals are among the best aspects of “After Yang.” If viewers have the patience to watch this movie, the last third is the best and most meaningful part of the film. “After Yang” isn’t a groundbreaking sci-fi movie, but it offers a unique perspective of humanity when human clones and androids that look like humans co-exist with people.

A24 released “After Yang” in select U.S. cinemas on March 4, 2022, the same date that the move premiered on Showtime.

Review: ‘Fresh’ (2022), starring Daisy Edgar-Jones and Sebastian Stan

March 1, 2022

by Carla Hay

Sebastian Stan and Daisy Edgar-Jones in “Fresh” (Photo courtesy of Searchlight Pictures/Hulu)

“Fresh” (2022)

Directed by Mimi Cave

Culture Representation: Taking place in an unnamed U.S. city, the horror film “Fresh” features a predominantly white cast of characters (with a few African Americans and Asians) representing the middle-class and wealthy.

Culture Clash: A woman in her 20s thinks that she’s dating her dream guy, but when he kidnaps her and holds her captive in an isolated house in the woods, she finds out that he has terrible secrets. 

Culture Audience: “Fresh” will appeal primarily to people interested in suspenseful “women in peril” movies with unusually ghastly surprises.

Jojo T. Gibbs in “Fresh” (Photo courtesy of Searchlight Pictures/Hulu)

The horror film “Fresh” is effectively terrifying and nauseating when the movie’s gruesome surprise is revealed. What will disturb many viewers the most is that it’s not just a contrived plot twist for a movie but something that could happen in real life. Because so much of what happens in “Fresh” is considered “spoiler information,” it’s best if viewers don’t know about this shocking plot development before seeing the movie. It’s enough to say that “Fresh” is definitely one of the more memorable horror movies that people can see in any given year.

“Fresh” had its world premiere at the 2022 Sundance Film Festival, so what happens in the movie was already leaked online by people who saw “Fresh” almost two months before the movie was set to premiere on Hulu in the United States. (Outside the U.S., “Fresh” is available on other Disney-owned streaming platforms.) Directed by Mimi Cave and written by Lauryn Kahn, “Fresh” has all the elements of what could have been a formulaic film about a young woman held captive by someone she thought was a “nice guy.” However, thanks to above-average performances from the cast members and a taut thriller of a story that’s well-directed, “Fresh” is anything but an ordinary horror film.

The movie’s protagonist is Noa (played by Daisy Edgar-Jones), who’s in her early-to-mid-20s, single, and looking for love, although she’s the first person to admit that she hates dating. Noa lives in an unnamed U.S. city that’s not on the East Coast, because on her first date with the man who will become her sadistic captor, Noa says that she’s originally from the East Coast. Noa is an only child. Her father is dead, and she’s estranged from her mother, whose whereabouts are unknown to Noa. This is information that she also tells on the first date with the man who will be her kidnapper.

Not much else is revealed in the movie about Noa’s life, except that she lives alone. Her sassy best friend (and apparently only friend) is named Mollie (played by Jojo T. Gibbs), who is openly queer or bisexual. Noa and Mollie met about seven years ago, when Noa moved to the area where they live now. Noa and Mollie also used to be co-workers, but it’s never revealed what Noa does for a living. Mollie currently works in an unspecified office job, where she’s seen using her computer to do some Internet sleuthing after Noa goes missing.

“Fresh” opens with a scene showing Noa on a bad date at a low-priced restaurant. It’s a casual date, so she’s wearing a sweater and jeans. Her date is a boorish egomaniac named Chad (played by Brett Dier), who gives Noa a sexist lecture about what she’s wearing on the date.

Chad tells Noa: “The women in our parents’ generation, they just cared more about how they dressed and how they looked. They were more into femininity. Nowadays, I feel like girls wear oversized everything, like it’s a blanket. I think you would look good in a dress—not that you don’t look good in a sweater.”

And to top off this date, Chad asks Noa for the leftovers on her plate, so that he can take this unfinished meal home with him. Needless to say, there’s no second date between Noa and Chad. When she tells him at the end of the date that she doesn’t think that they’re compatible, he calls her a “stuck-up bitch” before he walks away.

On a day after this bad date, Noa and Mollie are doing boxing exercises in a gym while Noa tells Mollie about this unpleasant dating experience. Mollie and Noa talk about a dating app called Puzzle Piece, but Noa has become cynical about online dating. Noa is also a homebody type, so going to bars or nightclubs to meet people isn’t really her thing. Mollie thinks that Noa is being too fearful and that Noa should take more risks when it comes to dating.

Noa is in a lovelorn state of mind when she goes shopping at a grocery store and she unexpectedly meets a handsome man named Steve (played by Sebastian Stan), who strikes up a conversation with her about grapes. Steve, who’s about 10 to 15 years older than Noa, has a somewhat awkward flirtation with her. She’s charmed by his apparent down-to-earth and self-deprecating nature, so when Steve asks for Noa’s phone number, she gives it to him without hesitation.

Steve doesn’t waste time in contacting Noa for a date. Their first date is at a mid-scale restaurant/bar. A bartender who works there is named Paul (played by Dayo Okeniyi), and he happens to be an ex-boyfriend of Mollie’s. During Noa’s first date with Steve, she tells Steve a little bit about her background, which is how he finds out that Noa lives alone and doesn’t have her parents in her life. Steve says that he’s a doctor who’s originally from Texas. “I work in reconstructive surgery,” he adds. Steve also mentions that his father is still alive, but his mother is dead.

When Steve mentions that he’s not on any social media, Noa says flirtatiously, “How am I supposed to stalk you now?” Steve quips, “You’ll just have to do it in person, the old-fashioned way.” At one point in the conversation, Noa blurts out to Steve: “I hate dating! People who believe in true love are fucking idiots!” With that comment, Noa reveals that she actually feels hurt and vulnerable when it comes to love. Steve is charming and attentive to Noa. He says all the right things and makes her feel attractive.

Although it’s not unusual for people to talk about their backgrounds on a first date, in hindsight, Noa could certainly be considered an ideal target for a kidnapper because of what she revealed to Steve on their first date: She lives alone, she’s an only child whose parents are not in her life, she doesn’t have a lot of close friends, and she doesn’t appear to have a job that requires her to work in-person with other people. It’s exactly the type of “profile” of someone who might not have a lot of people searching for that person if that person is kidnapped.

It isn’t long before Noa and Steve become lovers. Their relationship happens so quickly, Noa doesn’t have time to introduce Steve to Mollie, but she does tell Mollie about him. Soon after Noa and Steve have begun dating each other, he invites her to a weekend getaway at a place that Steve says will be a romantic surprise.

At this point, Noa and Steve have only known each other for about two weeks or less. It would be easy to judge and say that it’s too soon to go away for getaway trip with a lover you’ve known for less than two weeks. But there are plenty of real-life examples of couples who’ve moved in together after knowing each other for a very short period of time. “Fresh” realistically shows how easy it is for people to get caught up in quickie romances if the people in the relationship feel trust and have a mutual “connection” with each other.

Noa knows that things are moving very fast with Steve. Mollie expresses some concern too, but Noa sees no reason not to trust Steve, so she accepts his invitation to go on the trip, which they will take in Steve’s car. Steve tells her that they should spend the night at his place before they leave for their getaway destination in the morning. When Steve picks Noa up in his car to take her on this trip, she has no idea of what’s in store for her.

“Fresh” is yet another horror movie where the terror takes place in a remote wooded area. Steve’s getaway house is at a place called Cottage Grove. And because this is a horror movie, Noa soon finds out that she can’t get cell phone service in this isolated area. Not long after arriving at Cottage Grove, Steve hands Noa a drink. And the next thing that Noa knows, she has woken up alone in a room, with her right hand handcuffed to a bed.

Noa eventually finds out why Steve kidnapped her. The rest of the movie shows what Noa does to try to escape and if other people are involved in Steve’s sordid secret life. As this depraved kidnapper, Stan gives a chilling performance of someone with a “Jekyll and Hyde” personality. Edgar-Jones is equally riveting as the trapped heroine who has to use her wits to try to escape from this horrible situation.

“Fresh” also has another heroine: Noa’s best friend Mollie, who actively does everything she can to find Noa when Noa goes missing. Mollie doesn’t have a lot of information about Steve, so her search for Noa is very difficult during the period of time when adults can’t be declared missing with law enforcement until 48 hours after the missing people were last seen. “Fresh” shows a lot of cruelty, but the friendship between Noa and Mollie is really at the heart of the film.

And as gory and unsettling as “Fresh” can be, the movie has some dark satire that brings some twisted comedy to this otherwise very grim horror story. The movie uses 1980s pop hits, such as Animotion’s “Obsession” and Peter Cetera’s “Restless Heart,” in scenes to juxtapose this nostalgic pop music with the current torture that is being inflicted in those scenes. There’s also a memorable scene where Noa dances with Steve, in an effort to let his guard down and make him completely trust her. “Fresh” is Cave’s feature-film directorial debut. And even though there are some predictable elements to “Fresh,” it’s an impressive first feature film and an indication that Cave is a talented filmmaker to watch.

Hulu will premiere “Fresh” on March 4, 2022.

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