Review: ‘Boy Kills World,’ starring Bill Skarsgård

April 21, 2024

by Carla Hay

Bill Skarsgård in “Boy Kills World” (Photo courtesy of Roadside Attractions)

“Boy Kills World”

Directed by Moritz Mohr

Culture Representation: Taking place in an unnamed dystopian society, the action film “Boy Kills World” features a predominantly white cast of characters (with some black people and Asian) representing the working-class, middle-class and wealthy.

Culture Clash: A deaf man, who was raised as an orphan and trained to be a warrior by a shaman, goes on a revenge mission against the tyrannical dictator whom he blames for killing his family. 

Culture Audience: “Boy Kills World” will appeal primarily to people who are fans of videogame-styled action movies that have some offbeat comedy and don’t take themselves too seriously.

Famke Janssen in “Boy Kills World” (Photo courtesy of Roadside Attractions)

“Boy Kills World” is a cartoonishly violent revenge flick with touches of psychedelia and self-deprecating comedy in a dystopian society. The story drags with repetition in the middle of the movie, but a plot twist makes up for this occasional banality. This plot twist is not as predictable as another plot twist that happens around the same time.

Directed by Moritz Mohr, “Boy Kills World” was written by Tyler Burton Smith and Arend Remmers. “Boy Kills World” had its world premiere at the 2023 Toronto International Film Festival. The movie is based on director Mohr’s unreleased short film “Boy Kills World,” which has a similar concept.

In the feature-length “Boy Kills World,” which takes place in an unnamed dystopian society, a young man whose name is listed in the credits Boy (played by Bill Skarsgård) goes on a revenge mission against a tyrannical dictator named Beatrice Van Der Koy (played by Famke Janssen), whom he blames for murdering his single mother (played by Rolanda Marais) and his younger sister Mina (played by Quinn Copeland) when Boy was about 13 or 14 years old and when Mina was about 9 or 10 years old. The teenage Boy is played by twins Cameron Crovetti and Nicholas Crovetti. Beatrice is the leader of the Van Der Koy family, who have several members who also abuse their positions of power to intimidate and kill people.

Every year, this bleak society has a mass murder event called the Culling, where Beatrice orders the military to go after enemies and kill innocent people on live TV. Boy’s family got caught in the Culling crossfire. Flashbacks show that he witnessed his mother’s murder. Boy was able to escape but became deaf and mute from the attack. He was rescued and taken to a remote wooded area by a mystic whose name is listed in the credits as Shaman (played by Yayan Ruhian), who raised him in isolation and trained Boy to become a warrior skilled in martial arts.

Since Boy does not talk out loud in the movie, his inner thoughts are heard with the voice that he says was the voice of his favorite video game character. (H. Jon Benjamin does Boy’s voice in the movie.) Even in the flashback scenes where Boy is literally a boy, his voiceover is that of an adult man. Boy’s inner thought show that he can be self-deprecating and frequently sarcastic.

Boy says of the city that he left behind when he was rescued by Shaman: “This was never a great city. Hilda Vander Koy took it from us. She has a list of all of her enemies. If you’re on it, she’ll find you.” Boy adds, “Hilda took everything from me. And when I become the ultimate warrior, I’ll return the favor.”

Several scenes in “Boy Kills World” show that part of Shaman’s training includes blowing smoke from a hallucinogenic substance into Boy’s face. As a result, Boy often has psychedelic hallucinations. Boy says early on in the movie that there’s a state of being between reality and dreams. The visual effects for the psychedelia are among the more memorable aspects about this sensory overload film.

Boy frequently has visions of Mina appearing to him and talking to him and looking the same way since the last time he saw her. Boy and Mina had a very close and fun-loving relationship before their lives were torn apart. Even in his life as a vengeful warrior, Boy still gets teased and playful scolding from Mina, whom he sees as the only person in his life who truly made him happy.

During his vendetta quest, Boy encounters other members of the Van Der Koy family, including Hilda’s ruthless sister Melanie Van Der Koy (played by Michelle Dockery); Hilda’s arrogant brother Gideon Van Der Koy (played by Brett Gelman); and Melanie’s buffoonish husband Glen Van Der Koy (played Sharlto Copley), who is dominated by Melanie. (It says a lot that Glen took the Van Der Koy surname.)

The Van Der Koy family has a security chief named June27 (played by Jessica Rothe), and programmed assassin who wears a helmet and who might or might not be human. She has almost superhuman-like strength and becomes a formidable and elusive opponent to Boy. Meanwhile, Boy forms an alliance with two rebels: wisecracking Basho (played by Andrew Koji) and resourceful Bennie (played by Isaiah Mustafa), who both join in on the mayhem. Boy encounters many dangerous foes, leading to several brutal and bloody battles.

Skarsgård is quite skillful in combining the action and facial expressions required for this character who is supposed to be deaf and mute. Melanie the villain who is the most fun to watch in the movie, thanks to Dockery’s prickly performance. Janssen’s Hilda is a fairly generic and predictable villain, while Gideon and his bad jokes quickly become annoying. “Boy Kills World” is by no means an intellectual movie, but some of the quips are amusing enough to keep most viewers entertained. The movie’s most surprising “reveal” has some imagination, which saves “Boy Kills World” from being just another violent action flick that’s a checklist of death and destruction.

Roadside Attractions and Lionsgate will release “Boy Kills World” in U.S. cinemas on April 26, 2024

Review: ‘Strays’ (2023), starring the voices of Will Ferrell, Jamie Foxx, Isla Fisher and Randall Park

August 17, 2023

by Carla Hay

Reggie (voiced by Will Ferrell), Maggie (voiced by Isla Fisher), Hunter (voiced by Randall Park) and Bug (voiced by Jamie Foxx) in “Strays” (Photo by Chuck Zlotnick/Universal Pictures)

“Strays” (2023)

Directed by Josh Greenbaum

Culture Representation: Taking place in an unnamed U.S. city, the comedy film “Strays” features a cast of dogs and a predominantly white group of people (with some African Americans and Latinos) representing the working-class and middle-class.

Culture Clash: Four stray dogs band together to get revenge on the sleazy and abusive man who abandoned one of the stray dogs.

Culture Audience: “Strays” will appeal mainly to people who are fans of the movie’s headliners and anyone who doesn’t mind watching intentionally vulgar comedies about adorable animals that have some sweetness with the raunchiness.

Reggie (voiced by Will Ferrell) and Will Forte in “Strays” (Photo courtesy of Universal Pictures)

The purpose of “Strays” is to disrupt the image that people have of movies where cute animals talk. It’s the “Jackass” of talking animal movies: crude, comedic camaraderie. If you can’t tolerate a lot of jokes about bodily functions, then avoid this film.

Directed by Josh Greenbaum and written by Dan Perrault, “Strays” has been very clear in its marketing that this movie is not a “family-friendly film” that’s appropriate for people of all ages. This is most definitely a very adult-oriented film for adults who aren’t easily offended when watching movies filled with cursing, gross-out scenes involving body waste, and explicit talk about sex. The fact that domesticated dogs who talk like humans are supposed to be the source of all this raunch is the whole point of the movie.

In “Strays” (which takes place in an unnamed U.S. city but was filmed in and around Stone Mountain, Georgia), viewers are first introduced to the movie’s narrator. He’s an optimistic and eager-to-please Border Terrier (voiced by Will Ferrell), who has lived his entire life with a loser named Doug (played by Will Forte), who never gave this dog an official name. Instead, Doug calls the dog horrible names that usually have the word “shit” in the name. (In real life, this Border Terrier is a female named Sophie.)

In the beginning of the movie, bachelor Doug is unemployed and living in a messy house. Doug spends his days and nights getting stoned and masturbating. A phone conversation between Doug and his mother reveals that Doug can’t live near a school that has children, which is the movie’s way of saying that Doug is a registered sex offender. Because the Border Terrier doesn’t know any better, he thinks Doug is a great person.

Doug likes to do something that the Border Terrier thinks is a game called “Fetch and Fuck.” Doug throws a tennis ball far away, so the Border Terrier can run off and fetch the ball. Doug only does this because he hopes the dog will get lost and never find his way back home. When the dog inevitably does find his way back home, Doug says out loud in anger: “Fuck!”

One day, Doug drives the Border Terrier several miles away, into the inner part of a big city where the dog has never been to before. Doug throws the tennis ball, knowing that this dog will be too far away to walk back to the house. Doug then drives away. Doug’s heinous plan works, and the Border Terrier gets lost.

While out on the street at night, the Border Terrier meets a rebellious and tough-talking Boston Terrier named Bug (voiced by Jamie Foxx), who sees how naïve this Border Terrier is and offers to teach him how to survive on the streets as a stray dog. (This Boston Terrier’s name is real life is Benny.) Bug calls this Border Terrier the name Reggie, since that’s the name that one of Doug’s girlfriends used to call this Border Terrier.

Bug tells Reggie that humans can’t be trusted and a dog’s life is better without having an owner because the dog has the freedom to do whatever the dog wants. Bug believes that humans “brainwash” dogs into thinking that dogs need humans. Bug also tells Reggie that stray dogs shouldn’t get too close to other dogs either, because all stray dogs should eventually learn to fend for themselves. Bug’s past is eventually revealed to explain why he detests humans. One of Bug’s quirks is that he is fixated on humping inanimate objects, including furniture (Sofia Vergara voices a character called Dolores the Coach) and lawn decorations.

Soon, Reggie is introduced to two of Bug’s closest dog acquaintances: Maggie (voiced by Isla Fisher) is an Australian Shepherd who is intelligent and has a super-keen sense of smell. She is a stray because her previous owners preferred to have a puppy. (In real life, this Australian Shepherd’s name is Elsa.) Hunter (voiced by Randall Park) is a Great Dane who is insecure and often fearful. Hunter trained to be a police dog, but instead he was placed in a retirement home to be a therapy dog for the elderly residents, and he ran away. (In real life, this Great Dane’s name is Dalin.)

This motley canine quartet then goes on a series of misadventures. All other animals in the movie do not talk. The only living beings that talk in the movie are dogs and humans. An English bulldog named Chester (voiced by Jamie Demetriou) makes a brief but memorable appearance as a neurotic dog who imagines that there is an invisible, electrical fence surrounding his front yard. The four strays also encounter a German Shepherd named Rolf (voiced by Rob Riggle), a K-9 police dog who trained with Hunter at the same K-9 academy.

Two other noteworthy dog characters in the movie are a philosophical Labrador Retriever named Gus (voiced by Josh Gad) and a feisty Chihuahua named Shitstain (voiced by Harvey Guillén), who is almost as combative as Bug. And when there’s a movie about stray dogs roaming around a city, there are inevitable scenes of the dogs trying to evade capture from the animal control officers. “Strays” also has some scenes that take place in an animal shelter, where an animal control officer named Willy (played by Brett Gelman) has a job that’s similar to a jail guard/janitor.

Dennis Quaid makes a cameo portraying himself as a bird watcher. Why is Quaid in this movie? Quaid is the star of 2017’s “A Dog’s Purpose” and 2019’s “A Dog’s Journey,” two sentimental dramas about a “talking” dog (voiced by Gad) who gets reincarnated and whose thoughts are heard in voiceover narration. Quaid and Gad being cast in “Strays” is obviously the “Strays” filmmakers’ way of poking fun at family-oriented talking dog movies.

For a great deal of the story, Reggie is denial that Doug abandoned him and that Doug is not a good person. When the truth finally sinks in with Reggie, he decides that he’s going to get revenge on Doug, with the help of his new stray dog friends. If anyone watching “Strays” complains about how unrealistic this movie is, the question must be asked: “What part of ‘talking dog movie’ do you not understand?”

The comedy in “Strays” is far from award-worthy, but it does bring some laughs, and it doesn’t try to pretend to be lofty art. The biggest flaw in “Strays” is an over-reliance on jokes and gags about defecation. However, the best parts of the movie have to do with the friendship that develops between these four dogs. Hunter has a crush on Maggie, so there’s potential for more than a friendship between them.

The expressions on these dogs’ faces are enough to charm viewers who like dogs, although obviously much of what is in the movie involves visual effects using computer-generated imagery. The voice actors also play their roles capably, with Foxx and Ferrell being the obvious standouts. As long as viewers don’t have skewed or misunderstood expectations for “Strays,” it can be amusing entertainment with some genuine, laugh-out-loud moments. It’s not the type of comedy for everyone, but neither is “Jackass.”

Universal Pictures will release “Strays” in U.S. cinemas on August 18, 2023.

Review: ‘Lyle, Lyle, Crocodile,’ starring Javier Bardem, Constance Wu and the voice of Shawn Mendes

October 6, 2022

by Carla Hay

Constance Wu, Winslow Fegley, Lyle (voiced by Shawn Mendes) and Javier Bardem in “Lyle, Lyle, Crocodile” (Photo courtesy of Columbia Pictures)

“Lyle, Lyle, Crocodile”

Directed by Will Speck and Josh Gordon

Culture Representation: Taking place in New York City, the comedy musical film “Lyle, Lyle, Crocodile” features a predominantly white cast of characters (with some Asians, African Americans and Latinos) representing the middle-class and working-class.

Culture Clash: When a flamboyant vaudeville performer suddenly has to leave home to go on tour, he leaves his singing crocodile behind in his New York City home, where a new family moves in, keeps the crocodile as a pet, and gets in trouble for it by a neighbor who wants the crocodile out of this residential neighborhood.

Culture Audience: “Lyle, Lyle, Crocodile” will appeal primarily to fans of Bernard Haber’s 1965 book of the same name and family-friendly movies that dumb down the original source material.

Javier Bardem in “Lyle, Lyle, Crocodile” (Photo by Fernando Decillis/Columbia Pictures)

Simple-minded to a fault, the trite comedy “Lyle, Lyle, Crocodile” fails to do justice to Bernard Waber’s charming children’s book. The original songs are the best aspects of this dull and vapid movie, which relentlessly insults viewers’ intelligence. There’s so much tedious formula in the movie’s screenplay and so much lazy editing, it’s obvious that more thought and imagination were put into crafting the songs rather than putting an innovative cinematic spin on a beloved children’s book.

Directed by Will Speck and Josh Gordon, “Lyle, Lyle, Crocodile” looks like the filmmakers decided to just coast on the name recognition of the “Lyle the Crocodile” book series and put some famous people in the movie’s cast as a way to fool audiences into thinking that it would be a reasonably good film. It’s not. Will Davies wrote the very lazy and unimaginative “Lyle, Lyle, Crocodile” screenplay. Apparently, the “Lyle, Lyle, Crocodile” filmmakers think that “child-oriented entertainment” is supposed to be “stupid entertainment.”

“Lyle, Lyle, Crocodile” (which takes place in New York City) begins by introducing vaudeville performer Hector P. Valenti (played by Javier Bardem), who can be a fast-talking, hustling con artist when he has to be. Hector will say and do anything to make quick money from whatever he can do in showbiz. In the movie’s opening scene, Hector fails an audition to be a magician on a TV talent show called “Show Us What You’ve Got.”

Hector soon meets a smaller-than-usual adult crocodile that he names Lyle, which he buys from a pet store called Eddie’s Exotic Animals. Hector (who is bachelor with no children) brings Lyle home to live with him as a pet. Never mind that in real life, you just can’t walk into a pet store and buy a crocodile, because that type of animal sale in a pet store is illegal. And it’s also illegal in New York City and most other U.S. cities to keep a crocodile as a pet in a private, residential home. This lack of realism is not this movie’s biggest problem.

At first, Hector thinks he’s just going to have the crocodile as part of Hector’s mediocre magician act. But then, Hector finds out that Lyle can sing. And the next thing you know, Lyle and Hector become a performing duo. Lyle is the main attraction, while Hector is the emcee. The duo’s act become a big hit.

But their good fortune comes to an abrupt halt when Lyle unexpectedly loses his singing voice while on stage. Hector calls it a “minor setback,” and he decides he’ll have to go on tour as a solo act to make some money. While Hector is away from home, he keeps Lyle hidden in the attic. Hector leaves Lyle behind with nothing but a book of songs.

Although “Lyle, Lyle, Crocodile” is lightweight entertainment, the movie irresponsibly glosses over some issues that should have been addressed in the movie. Lyle (who looks very sad to see Hector go) essentially has to fend for himself when locked up in the home. It’s a form of animal cruelty. Because it isn’t made clear how long Hector will be away, it’s very likely Lyle was going to run out of food.

And apparently, Hector was away for so long, another family moved into what the family thought was an unoccupied house. The real-estate situation in this story is very murky and purposely vague, ignoring real-life details such as house inspections and home appraisals that home owners usually have to go through before buying or renting out a home. It’s also never really clear why or how this house went on the market. There’s some real-estate talk rushed in toward the end of the movie to conveniently explain something to make a problem go away, but it’s all so ridiculous and phony.

Hector eventually comes home and finds out another family is living there, and these new residents have found Lyle. And eventually (as shown in the movie’s trailer), Hector joins in on some of the shenanigans involving Lyle and the family trying to prevent Lyle from being confiscated by animal welfare authorities. Hector should’ve thought of that when he left a crocodile home alone for who knows how long.

But there would be no “Lyle, Lyle, Crocodile” movie if people acted with common sense. At any rate, you already know where this story is going if you’re familiar with the “Lyle the Crocodile” book series, or if you’ve seen enough movies were an animal befriends a lonely, misfit child, but a miserable adult wants to break up the friendship by taking the animal away. Predictable stories can be entertaining if delivered with some unique flair, but “Lyle, Lyle, Crocodile” lacks a lot of creativity in the movie’s dialogue and action scenes.

The family that ends up sharing living space with Lyle consists of married couple Mr. Primm (played by Scoot McNairy), Mrs. Primm (played by Constance Wu) and their son Josh Primm (played by Winslow Fegley), who’s about 12 or 13 years old. Most of the adults in the movie do not have first names. And they also don’t have anything memorable to say.

Josh isn’t happy about this move to a new home, because he liked living in the unnamed suburbs where the family used to live. Joe complains out loud that most people move to the suburbs to get away from the city, and he doesn’t understand why his parents wanted to do the opposite. Get used to seeing Josh being a bit of a whiny brat, because that’s apparently why he needs a talking and singing crocodile to teach him how to be a better human being.

Josh has problems fitting in at his new school. He doesn’t excel at anything in particular, and he has a hard time making friends. He’s on the school’s wrestling team, where he frequently loses in practice matches. Guess who’s going to get Josh to do things that are outside of Josh’s comfort zone to experience things that will build up Josh’s confidence? Josh also predictably befriends a neighborhood girl named Kara Delany (played by Lyric), a generic character who’s only in the movie to give Josh someone else to hang out with besides Lyle.

Before Josh and Lyle become friends, Lyle and Josh get off to a rough start, when Josh at first thinks that this crocodile is a pesky nuisance. There are some not-very-funny slapstick scenes of Lyle escaping from the house and causing some mischief. In one scene, Lyle accidentally swallows a neighbor’s pet cat, but then Lyle ends up vomiting up the cat unharmed.

Eventually, Mr. and Mrs. Primm find out about Lyle, who charms almost every human he meets with his upbeat singing. Mr. Primm is a laid-back teacher at a private middle school for girls, who wear matching school uniforms. Mrs. Primm is a cookbook author who is frustrated that she put her career on hold to raise Josh. Expect to see some tedious and predictable scenes involving Mrs. Primm’s cooking skills and Lyle.

The story’s “villain” is Mr. Grumps (played by Brett Gelman), who finds out about Lyle and is outraged that there’s a crocodile living as a pet in a residential building. Mr. Grumps is determined to have Lyle removed and taken away from the home. Apparently, Mr. Grumps didn’t get the memo that crocodiles aren’t dangerous if they can sing human songs.

“Lyle, Lyle, Crocodile” doesn’t have much of a story and attempts to fill this void with several performances of songs written for the movie. Oscar-winning songwriting duo Benj Pasek and Justin Paul (“La La Land”) wrote most of the original songs in “Lyle, Lyle, Crocodile. Other songwriters who contributed to the movie’s original tunes include Mendes, Joriah Kwamé, Emily Gardner Xu Hall, Mark Sonnenblick and Arianna Asfar. Pasek, Paul and Matthew Margeson co-wrote the movie’s original score.

Even with all this songwriting talent, there’s nothing award-worthy about the movie’s music, which is far from Pasek and Paul’s best work. Songs like “Take a Look at Us Now” (a Mendes/Bardem duet), “Carried Away,” “Rip Up the Recipe” (a Mendes/Wu duet) and “Top of the World” are pleasant, but also instantly forgettable. Pasek and Paul wrote original songs for 2017’s “The Greatest Showman,” which had a lot of memorable and catchy tunes, regardless of how people felt about the movie’s screenplay.

The “Lyle, Lyle, Crocodile” filmmakers also made the odd decision not to have “best friends” Lyle and Josh perform a duet, which would have given this movie more emotional resonance. Fegley is one of the main characters in the movie, but he doesn’t even have a moment in the movie to shine in the spotlight as a singer, in the way that Bardem and Wu have their respective duets with Mendes. As it stands, so much of “Lyle, Lyle, Crocodile” looks and sounds assembly-line formulaic. There’s very little soul to be found in this hollow film.

Bardem seems to be having some fun hamming it up in his song-and-dance scenes, but that’s not saying much, because he’s not a great singer or dancer. He’s not terrible, just not superb. The computer-generated animation for Lyle doesn’t have much of a charismatic personality, especially when Lyle loses his singing voice for a large chunk of the story. Mendes is bland and bland can be in this role.

Fegley does a version of the many misfit kid characters that he’s played in movies. McNairy and Wu look like they’re just going through the motions and reciting lines of dialogue. Gelman is nothing but a caricature villain. Everything in this movie is cliché-ridden, very corny, and not very funny for a movie that’s supposed to be a comedy.

“Lyle, Lyle, Crocodile” drags on and on with silly scenarios until the movie’s inevitable conclusion. (And yes, there’s a predictable scene where Elton John’s “Crocodile Rock” is performed by members of the cast.) In real life, crocodiles spend a lot of time in water. “Lyle, Lyle, Crocodile” is so watered-down with banality, it’s washed away any outstanding qualities that this disappointing movie could have had.

Columbia Pictures will release “Lyle, Lyle, Crocodile” in U.S. cinemas on October 7, 2022.

Copyright 2017-2024 Culture Mix
CULTURE MIX