Review: ‘One Day as a Lion,’ starring Scott Caan, Frank Grillo and J.K. Simmons

April 24, 2023

by Carla Hay

Virgina Madsen, Marianne Rendón and Scott Caan in “One Day as a Lion” (Photo courtesy of Lionsgate)

“One Day as a Lion”

Directed by John Swab

Culture Representation: Taking place in Oklahoma, the action film “One Day as a Lion” features a predominantly white group of people (with a few African Americans and Latinos) representing the working-class, middle-class and wealthy.

Culture Clash: A bungling assassin, who wants enough money to get his son out of juvenile detention, kidnaps a waitress while getting caught up in a debt-collection feud between his crime-boss employer and a stubborn rancher. 

Culture Audience: “One Day as a Lion” will appeal primarily to people who are fans of the movie’s headliners and don’t mind watching meaningless and moronic action flicks.

J.K. Simmons and Frank Grillo in “One Day as a Lion” (Photo courtesy of Lionsgate)

“One Day as a Lion” has the whimper of a weak and rambling vanity project rather than the roar of a great action flick. Scott Caan, who wrote and co-stars in “One Day as a Lion,” just wants to show off doing fight scenes in his underwear. J.K. Simmons is slumming it in this garbage film. Simmons is a very talented Oscar-winning actor, but “One Day as a Lion” looks like a low-quality movie he was talked into doing out of pity or because he owes someone a favor. Simmons certainly acts like he doesn’t want to be there.

Directed by John Swab, “One Day as a Lion” (which takes place in Oklahoma) looks like a sloppy version of a screenplay that was already unfocused. Viewers can expect to see a lot of terrible acting in this idiotic story about an assassin who goes from place to place, in scatter-brained efforts to find enough money to get his son out of juvenile detention. Along the way, he encounters characters that are either boring or stupid.

A press release for “One Day as a Lion” describes this train-wreck movie as a “witty homage to [Quentin] Tarantino and the Coen brothers.” An accurate description is a “failed and irritating attempt to be a witty homage to [Quentin] Tarantino and the Coen brothers.” It’s the type of bad movie that doesn’t have any redeeming qualities. It just gets worse and worse, with no self-awareness of how horrible it is.

The assassin at the center of this nonsense is Jackie Powers (played by Caan), a dimwitted, good-for-nothing loser. Jackie botches a job to collect a debt from a stubborn and mean-spirited rancher named Walter Boggs (played by Simmons), who is supposed to be murdered by Jackie if the debt isn’t paid. Jackie has been hired by a thug named Pauly Russo (played by Frank Grillo, doing yet another “tough guy” role in his long list of “tough guy” roles), who is running out of patience.

Pauly is described as some kind of powerful crime boss, but he’s not very smart if he hired a buffoon like Jackie. The beginning of the movie shows Jackie following Walter into a diner and trying to convince Walter to pay the money. Walter is having none of it, and a shootout happens between Walter and Jackie.

In the mayhem, the diner’s cook/manager Bob (played by Bruce Davis) is shot and left possibly dead on the floor. Jackie kidnaps a waitress named Lola Brisky (played by Marianne Rendón), a witness to the entire shootout. Meanwhile, Walter gets away on horseback. Yes, it’s that kind of movie.

Jackie confronts Walter again, this time at Walter’s ranch. Pauly has ordered Jackie to tell Walter that Walter has one week to pay back the money that Walter owes Pauly. Walter snarls at Jackie, “Don’t fucking tell me what I will or will not do.” This is the type of amateurish and unimaginative dialogue that pollutes “One Day as a Lion.”

Jackie eventually finds out Lola comes from a rich family, but she’s estranged from her widowed mother Valerie Brisky (played by Virginia Madsen), who is currently in a hospital and dying of cancer. In this small, unnamed Oklahoma community, Valerie has the unflattering nickname The Black Widow, because all four of her wealthy husbands died within a year of each marriage. The movie has a very tedious section about Lola reluctantly visiting Valerie to ask Valerie for money, while Lola pretends that Lola and Frankie are engaged to be married. There’s a very unfunny running gag that Valerie has a craving to eat crab legs.

Meanwhile, Frankie has his own real-life relationship woes, since he’s still having conflicts with his nasty-tempered and foul-mouthed ex-wife Taylor Love (played by Taryn Manning) over how their son Billy Powers (played by Dash Melrose) is being raised. Jackie and Taylor blame each other for Billy ending up in juvenile detention. Billy was arrested for a crime that he says he didn’t commit. The people who are supposed to be family members in “One Day as a Lion” are not convincing at all as relatives.

None of the acting in “One Day as a Lion” is any good. Rendón’s drab performance as Lola is the worst and can best be described as “dead weight.” It looks like another miscast role that was cast because someone owed someone else a favor. Rendón has zero chemistry with Caan, even though Lola and Jackie predictably are supposed to be each other’s love interest.

“One Day as a Lion” has a very flimsy backstory for Lola. She grew up in Oklahoma, but moved away from her hometown a few years ago, because her hometown reminded her of “failure” and “trauma.” She relocated to Costa Rica, where she started an acting school. And when that failed, she moved back to Oklahoma. The only purpose for this information is so the movie can show Lola using her “acting skills” to help Jackie get out of tricky situations. Lola, like Rendón, has cringeworthy acting.

Caan seems to have written this movie so he could have multiple scenes of him showing off his body instead of doing any real acting. There’s a ridiculous-looking scene of Jackie getting ambushed in a motel room while he’s wearing nothing but tight underwear briefs. All of the fights in this movie look very phony, by the way.

And if you want to continue to punish yourself by watching “One Day as a Lion” until the end credits, then you’ll see a useless end-credits scene of Caan as Jackie wearing nothing but the same underwear while getting into another fight with another man in the same motel. Both scenes have homoerotic undertones, although a “trying too hard to be macho” dolt like Jackie would probably deny it. The end-credits scene, just like this entire junkpile movie, adds up to nothing but meaningless drivel from people who just waste time embarrassing themselves in this rotten film.

Lionsgate released “One Day as a Lion” in select U.S. cinemas on April 4, 2023. The movie was released on digital and VOD on April 7, 2023.

Review: ‘The Vast of Night,’ starring Sierra McCormick, Jake Horowitz, Gail Cronauer and Bruce Davis

May 29, 2020

by Carla Hay

Jake Horowitz and Sierra McCormick in “The Vast of Night” (Photo courtesy of Amazon Studios)

“The Vast of Night”

Directed by Andrew Patterson

Culture Representation: Taking place in the 1950s in fictional Cayuga, New Mexico, the sci-fi drama “The Vast of Night” has a predominantly white cast of characters (with one African American) representing the middle-class.

Culture Clash: Two young people unexpectedly find out about mysterious UFO occurrences that appear to involve massive government conspiracies and cover-ups.

Culture Audience: “The Vast of Night” will appeal mostly to people who like movies that explore issues about life in outer space and what the U.S. government knows about it.

Sierra McCormick in “The Vast of Night” (Photo courtesy of Amazon Studios)

People who don’t know anything about “The Vast of Night” before seeing this sci-fi drama will get some pretty obvious clues within the first 20 minutes of this slow-burn-to-intensity film that’s clearly been inspired by “The Twilight Zone.” Taking place in the 1950s, the movie is set entirely during one night in the fictional city of Cayuga, New Mexico, where some of the people have reported unidentified flying objects (UFOs) in the sky during a night with a full moon.

There have also been some strange interruptions in the electrical lighting in certain buildings. “The Vast of Night”—directed by Andrew Patterson and written by James Montague and Craig W. Sanger—takes a while to get the action going, but the last third of the film is worth sticking around for, as the movie deliberately builds up to a suspenseful pace.

The city of Cayuga in this movie at first appears to be the type of tranquil, middle-class suburb where the majority of the city residents will turn up for a Cayuga High School basketball game as a major social event. That’s what is going on in the beginning of the film, as viewers are introduced to Everett Sloan (played by Jake Horowitz), a radio DJ who goes by the on-air name “The Maverick” when he works at the local station.

Everett, who appears to be in his late teens or early 20s, has in his possession a portable reel-to-reel tape recorder, which was a fancy new technology invention at the time. He’s making the rounds at the school’s gym during the pre-game practice to test out the recorder, which he plans to use to record the basketball game. Everett interviews people in the gym because he’s an aspiring investigative news journalist, but there’s also a sense that he wants to show off this recorder too.

Everett’s activity is briefly interrupted when he’s asked to help out some school administrators who have reported an electrical power problem in the room where the generators are stored. Apparently, the lights have been blinking off and on in certain parts of the school, and they don’t want any of these problems during the basketball game.

When Everett arrives, he finds out that there was an identity mix-up, and they wanted to send for a guy named Emmett (the school’s electrician), not Everett. The administrators mention that the electrical glitches are probably because of a small animal, such as a mouse or squirrel. As the movie continues, it seems like the only purpose of this scene is to establish that the town is having some unexplained electrical problems.

One of the people whom Everett encounters when he’s showing off his tape recorder is 16-year-old Fay Crocker (played by Sierra McCormick), who’s fascinated and a little intimidated by this new technology. Fay and Everett aren’t close friends, and he treats her like an older brother who doesn’t want his younger sister tagging along. But tag along she does, as Sierra and Everett make their way into the school’s parking lot, where several families are in their cars, waiting to be let in for the basketball game. Everett goes from car to car to further test his new tape recorder.

Although the dialogue in “The Vast of Night” is spoken with a rapid-fire pace (in the manner that many American sci-fi/thriller films did back in the 1950s), the story unfolds in a leisurely manner in the beginning of the film. Not much happens in the first third of the movie, in order to create an atmosphere that this is supposed to be just a regular night in Cayuga, where the biggest thing going on is the basketball game.

Sierra and Everett aren’t staying at the basketball game because they have to work elsewhere. Everett is headed to the radio station, where he has a live broadcast for his music/talk show. Sierra is scheduled to work a shift alone as the city’s telephone switchboard operator.

Before they walk to their respective workplaces, Sierra and Everett have a lively discussion about some of the future technology that’s she’s read about in magazines like Modern Mechanics. She tells Everett that by the year 2000, there will be vacuum-tube transportation that can travel at incredible speed; phones that will look like tiny TVs; and lifelong telephone numbers as IDs that will be assigned to babies at birth, with the numbers disconnected upon death. Everett tells Sierra: “I believe the train tubes in the highways, but the tiny TV phones—that’s cuckoo.” (It’s the screenwriters’ obvious inside joke, since smartphones now exist.)

As soon as Sierra begins her switchboard operator shift, a few strange things start happening. She gets a call where all she hears is a repeated clicking-echo type of noise and nothing else. Then another call comes in, with a terrified woman saying that there appears to be a tornado coming toward her. A barking dog can be heard in the background, and then the caller is suddenly disconnected.

A concerned Sierra then calls a neighbor named Ethel to check on Sierra’s  pre-school-age sister Ethel and the babysitter Maddie, who are both home alone at Sierra’s house. Sierra has been listening to Everett’s radio show while she works. She hears the strange clicking sound at the beginning of the show’s news broadcast, so she calls Everett to ask him if he heard this strange noise too.

Everett didn’t hear it, but Sierra hooks him up to the phone line where he can hear it, and he records the noise. They both decide that Everett should play the noise on the air and ask listeners to call in and say if they recognize what this mysterious sound is.

A retired military man who identifies himself by the name Billy (played by Bruce Davis, in a voice role only) then calls in, and begins to tell a story live on the air. This story takes Everett and Sierra down a path of trying to uncover a mystery. Everett also gets a call from an elderly shut-in named Mabel Blanche (played by Gail Cronauer), who also has some information that’s part of the mystery, as the movie accelerates to a breakneck speed with a heart-pounding conclusion.

“The Vast of Night” uses a visual device of framing the story as if it’s an episode of a fictional show called “Paradox Theater” (an obvious nod to “The Twilight Zone”), by having some scenes open with the action playing out on a  tiny, 1950s-style black-and-white TV.  The movie’s cinematography by Miguel Ioann Littin Menz is infused with a lot of sepia tones that were common in movies of the 1950s, when color technology in films was still fairly new. And “The Vast of Night” also takes an unconventional approach by having the screen go completely dark during some suspenseful moments (one “blackout” scene lasts for about five minutes), which might give the viewers the impression that something is wrong with the screen or the movie’s playback.

Avid sci-fi fans will also notice some Easter eggs in “The Vast of Night,” such as Cayuga is the name of “Twilight Zone” creator Rod Serling’s Cayuga Productions. And the radio station that Everett works at is WOTW, which is an acronym for “War of the Worlds,” even though radio and TV stations west of the Mississippi River are supposed to have call letters that start with the letter K.

The only real flaw of “The Vast of Night” (and it’s a fairly minor one) is that the movie never really feels like it takes place in New Mexico, because “The Vast of Night” was actually filmed in Texas with a cast of mostly Texans and Oklahomans who keep their heavy Southern accents in the film. It’s kind of distracting for the cast to have the wrong accents, but this discrepancy in regional accents doesn’t take away too much from this engaging story. “The Vast of Night” might not be completely original in its subject matter, and the acting is good (not great), but the way the story is told with some unique touches should please die-hard sci-fi fans.

Prime Video premiered “The Vast of Night” on May 29, 2020.

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