Review: ‘Icefall’ (2025), starring Joel Kinnaman, Cara Jade Myers, Martin Sensmeier, DeVaughn Nixon, Frida Gustavsson, Oliver Trevena, Will Fletcher, Danny Huston and Graham Greene

January 19, 2026

by Carla Hay

Joel Kinnaman and Cara Jade Myers in “Icefall” (Photo courtesy of Aura Entertainment)

“Icefall” (2025)

Directed by Stefan Ruzowitzky

Some language in Niitsíʼpowahsin with subtitles

Culture Representation: Taking place in Montana, the action film “Icefall” features a predominantly white cast of characters (with some Native Americans and a few African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: A poacher and a game preserve warden become unlikely allies after the poacher finds $20 million in stolen cash, and they are both hunted by the criminals who are looking for the cash.

Culture Audience: “Icefall” will appeal primarily to people who are fans of the movie’s headliners and subpar action movies that have gritty violence and hokey dialogue.

Danny Huston and Frida Gustavsson in “Icefall” (Photo courtesy of Aura Entertainment)

In the low-quality action flick “Icefall,” a cave-dwelling poacher is hunted by criminals because he found $20 million of their stolen cash. You can easily predict who will live and who will die, long before the movie ends, based on who has unbelievable luck and who makes the stupidest decisions. There are moments of suspense in some of the chase scenes, but most of the other scenes look too fake to be credible.

Directed by Stefan Ruzowitzky, “Icefall” was written by Steve Isles and George Mahaffey. The movie takes place in Montana. “Icefall” was actually filmed in Bulgaria. One of the main characters in “Icefall” is a game preserve warden, who happens to be Native American from the Blackfoot tribe. The movie awkwardly tries to incorporate Blackfoot culture into the movie in a way that looks more forced than organic to the story.

“Icefall” begins by showing the robbery that resulted in the $20 million in cash being stolen. Six thieves invade a pawn shop, where they tie up almost all the employees, and then shoot off the left ear of one of the employees, to force her to tell them the combination to the safe with the cash. After stealing the cash, the thieves lock all the employees in the safe room and blow it up.

Who are these ruthless criminals? You won’t learn much about them during the entire story, except that they work for a mysterious wealthy mogul named Rhodes (played by Danny Huston), who has other people do the dirty work for him unless he feels it’s absolutely necessary to get involved himself. The thieves gather in a hangar-sized warehouse for the next step of the plan: transporting the cash by plane to an unnamed location.

The criminals who are part of this major heist are Drake (played by DeVaughn Nixon), Ellis (played by Will Fletcher), Pen (played by Martin Sensmeier), Carl (played by Bashar Ramal), Sirena (played by Frida Gustavsson) and Dax (played by Oliver Trevena). Dax and Sirena are a couple. Drake is the chief henchman in charge of this team that does the dirty work.

Carl has been tasked with flying the small private plane to transport the cash. He will be flying by himself. It’s the first sign that these thieves aren’t as smart as they think they are because Carl could easily steal all the cash for himself, and there would be nobody on the plane to stop him. At any rate, this possibility won’t become an issue because the plane’s engine malfunctions, causing the plane to crash in a rural area of Red Rock, Montana. Carl dies in the crash.

Five months later, during a bitterly cold and icy winter, longtime poacher Harlan Fanshaw (played by Joel Kinnaman) sets out from the cave where he lives to look for food. Harlan is an Afghanistan War veteran who lives by himself in an isolated area of Red Rock. It’s later revealed in the story why Harlan chose to have this secluded life.

While walking on an ice-covered lake, Harlan finds the body of Carl trapped underneath the ice. When he breaks the ice to retrieve the body, Harlan also sees the suitcase filled with the $20 million cash. It must’ve been a waterproof suitcase because the cash is perfectly preserved. Harlan instinctively knows that this cash is probably stolen. He decides to take the cash back to his cave and waits to see what happens.

But there would be no “Icefall” movie if the inevitable didn’t happen: The thieves come looking for that cash. It’s never explained why it took them five months to figure out to look for the cash in Red Rock, Montana. Black box information on planes can be retrieved a lot sooner than that, but the movie never shows if the plane that crashed had a traceable device. Viewers are supposed to believe that somehow, the criminals found out the general area where the plane crashed and went looking for the cash in the Red Rock area.

Meanwhile, a game preserve warden named Ani Bayawala (played by Cara Jade Myers), who works for Montana’s Rock County, is very familiar with Harlan because they’ve had several run-ins in the past because of his poaching. Ani is a very “by the book” warden who works closely with a county sheriff named Raleigh (played by Trevor Van Uden), who is condescending to Ani. Raleigh is more willing to bend the rules and doesn’t want to alienate tourists that the area depends on for the area’s economy.

Ani is a single mother to an underage son named Tim, who is ill with a fever and has to stay home to recover. A woman named Carol (played by Joyce Grey-Carter), who is from the same Blackfoot tribe, used to take care of Ani when Ani was a child. Carol is looking after Tim while Ani is working. Ani doesn’t have a work partner and usually does patrols by herself.

Ani encounters Harlan on the ice, in an area that is supposed to be off-limits. Harlan says he’s looking for his wife. Ani sees that Harlan has the suitcase full of cash. He tells her that he found the cash, but she doesn’t believe him. She tells Harlan that she has to detain him and take him to the sheriff’s office for an investigation. Ani places Harlan in handcuffs and puts him in the back of her vehicle.

On the way back to the sheriff’s office, Ani stops to help a stranded driver on the ice. But then, all of a sudden, here come the criminals. Drake, Pen, Ellis and Sirena drive up in a Chevy SUV. The stranded driver starts a shootout, which leaves the driver dead and Drake shot in a shoulder.

Ani and Harlan escape in Ani’s patrol car. The suitcase of cash falls in the ice. Ani calls Sheriff Raleigh to report what happened and asks him to send help. The SUV has a flat tire from the shootout, but the criminals replace it with a spare tire. But then, the SUV sinks in the lake when the ice cracks.

Ellis almost dies in the water, but his three cohorts are able to pull him out of the SUV. They call to get help from their colleague Dax, who shows up later with his own car. The rest of the movie is about the criminals trying to find Ani and Harlan. And what about the suitcase full of cash? The criminals try to find that too.

It’s all a cluttered and jumbled mess. Observant viewers will be wondering during the ridiculous chase scenes, “Didn’t Ani call for help from the sheriff’s office a while ago? What’s taking the sheriff so long to send help?” That question is somewhat answered in the movie, but it’s not very plausible.

In between the shootouts and chase scenes, “Icefall” eventually reveals Harlan’s backstory. Someone who knows Harlan well but doesn’t like him is a respected Blackfoot tribe elder named Oz (played by Graham Greene), who has a personal grudge against Harlan, for reasons that are explained in the movie. (Greene died in September 2025. “Icefall” is one of the last movies that he did.)

The acting performances are adequate, but “Icefall” has such a ridiculous plot, these performances can’t help the atrocious screenplay and sloppy directing. Kinnaman and Huston, who are the most well-known members of the cast, are doing more of the same types of characters they’ve done before in so many other movies: Kinnaman is the troubled protagonist with a shady past, while Huston is a scowling villain. The ending of “Icefall” is so corny, it diminishes all the vicious and bloody violence that came before it, making the movie an uneven and unremarkable dud that is easily forgotten.

Aura Entertainment released “Icefall” in select U.S. cinemas, on digital and VOD on November 4, 2025.

Review: ‘Killers of the Flower Moon,’ starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone

October 19, 2023

by Carla Hay

Lily Gladstone and Leonardo DiCaprio in “Killers of the Flower Moon” (Photo courtesy of Apple Studios/Paramount Pictures)

“Killers of the Flower Moon”

Directed by Martin Scorsese

Some language in Dhegiha Siouan with no subtitles

Culture Representation: Taking place in Oklahoma, from 1919 to 1926, the dramatic film “Killers of the Flower Moon” (based on the non-fiction book of the same name) features a white and Native American cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: World War I veteran Ernest Burkhart gets caught up in murders of members of the Osage Nation, including family members of his Osage Nation wife, who are being killed to gain possession of land that is rich in petroleum oil.

Culture Audience: “Killers of the Flower Moon” will appeal primarily to people who are fans of filmmaker Martin Scorsese, the star headliners and history-based movies with a top-notch principal cast.

Robert De Niro and Jesse Plemons in “Killers of the Flower Moon” (Photo courtesy of Apple Studios/Paramount Pictures)

Epic in scope and tragic in tone, “Killers of the Flower Moon” is an impactful drama that tells the true story of a shameful part of American history when racism and greed caused the murders of Osage Nation people. The movie is very long but worth seeing. At 206 minutes (nearly three-and-a-half hours), “Killers of the Flower Moon” has moments when the pacing tends to drag. However, the movie is impressive in almost every other way.

Oscar-winning filmmaker Martin Scorsese directed “Killers of the Flower Moon” from a screenplay that he co-wrote with Eric Roth. The screenplay was adapted from David Grann’s 2017 non-fiction book “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI.” “Killers of the Flower Moon” had its world premiere at the 2023 Cannes Film Festival.

“Killers of the Flower Moon” (which takes place in Oklahoma from 1919 to 1926) is fairly straightforward in showing what it’s about early on the story. World War I veteran Ernest Burkhart (played by Leonardo DiCaprio) arrives in the city of Fairfax, Oklahoma, to start a new chapter in his life. Ernest was wounded in the war, so his job opportunities are limited.

Ernest begins working for his cattle-farming uncle William “Bill” Hale, also known as King Hale, who is one of the most powerful and corrupt people in the city. Bill, who is also Farifax’s deputy sheriff, has a fake persona of being an upstanding and lawful citizen. Fairfax and the surrounding cities have a lot of petroleum-rich land that is owned by the Osage Nation tribe of Native Americans/indigenous people, who have a complicated and often uneasy co-existence with the white people who live in the same cities.

Soon after bachelor Ernest arrives in Fairfax, Bill asks him what kind of women appeal to Ernest. Ernest says he likes all types of women and is open to romancing women of Native American heritage. Bill tells Ernest that it would be to Ernest’s financial advantage if he marries and has children with an Osage Nation woman, in order for Ernest to get control of some of the Osage Nation land that can make the owners wealthy from the petroleum oil mined from the land.

There’s a very sinister aspect to this inheritance-by-marriage scheme: Osage Nation people in the area have been dying in alarming numbers in the region. Many of these deaths look like accidents or suicides but are actually murders. This period of time was called the Reign of Terror.

The local law enforcement controlled by white people are doing little to nothing to investigate these deaths and hinder any investigations from Osage Nation officers. It isn’t long before Ernest gets involved in these murders. None of this is spoiler information, since “Killers of the Flower Moon” is a history-based drama.

At Bill’s urging, Ernest begins courting an Osage Nation woman named Mollie Kyle (played by Lily Gladstone), who has hired Ernest to be her driver. Mollie is the movie’s frequent voiceover narrator. Ernest and Mollie have a mild flirtation that quickly grows into mutual sexual attraction. Mollie genuinely falls in love with Ernest. Meanwhile, Ernest seems to have romantic feelings for Mollie, but he’s more in love with what he can get out of this marriage. After a quick courtship, Mollie and Ernest get married and they have children together.

At the time that Mollie and Ernest get married (she changes her last name to Burkhart), her family consists mostly of women. Mollie’s widowed mother Lizzie Q (played by Tantoo Cardinal) suspects that white people are murdering Osage Nation people, so she doesn’t trust white people, and she disapproves of Mollie’s marriage to Ernest. Mollie’s sister Reta (played by Janae Collins) is married to a white man named Bill Smith (played Jason Isbell), who was previously married to Mollie’s other sister Minnie (played by Jillian Dion), who died of a “wasting illness.” Mollie has another sister named Anna (played by Cara Jade Myers), who is feisty and who likes to party.

Other people who are connected in some way to the murders and/or the investigations include Federal Bureau of Investigation official Tom White (played by Jesse Plemons); Osage Nation Chief Bonnicastle (played by Yancey Red Corn); and a lowlife thug named Kelsie Morris (played by Louis Cancelmi), who works closely with Bill. Other supporting actors in the movie include John Lithgow as Prosecutor Peter Leaward and Brendan Fraser as defense attorney W.S. Hamilton. Fraser’s over-the-top performance verges on being campy and doesn’t quite fit the more grounded and somber tone of the movie.

A valid criticism of “Killers of the Flower Moon” is it that the Osage Nation people in the movie aren’t the center of the story and should have been given more screen time and better character development. Except for Mollie and her Osage Nation family members, Osage Nation people are primarily depicted in the movie has having vague or non-existent personalities. Without Mollie and her family, “Killers of the Flower Moon” would be a largely soulless portrayal of hate crimes and racial injustice.

“Killers of the Flower Moon” accurately shows that the wealthy Osage Nation people couldn’t get access to their money without getting permission from the white government officials (in this case, all white men) who controlled the Osage Nation’s finances. Ironically, similar dynamics exist in the film industry, in terms of who usually gets to tell stories about Native American people in big-budget movies. (Not much has changed since the Oscar-winning blockbuster success of 1990’s “Dances With Wolves.”) It’s unlikely that Native American filmmakers—no matter how talented or experienced—would have been given the same privileges or budget to tell this story as the all-white team of producers, screenwriters and director who made “Killers of the Flower Moon.”

One of the more fascinating aspects of “Killers of the Flower Moon” is how the personalities of Ernest and Mollie change during the period of time when this story takes place. At first, Ernest appears to be somewhat of an easily led buffoon who doesn’t seem to know much about life. Over time, Ernest shows that he’s much more manipulative and cunning than he first appears to be. He’s the type of schemer whose loyalties to anyone except himself are very murky, questionable, and can quickly shift to suit his own agenda.

Mollie starts off being confident and outspoken, with more power in the relationship. After all, she was Ernest’s boss when they began their courtship. However, as time goes on, after Mollie and Ernest are married, she becomes worn down and insecure by tragedy and illness. (Mollie, who has diabetes, is being slowly poisoned by tainted insulin without her knowledge.) Mollie’s unconditional love for Ernest also blinds her to the dark side of his personality, so she becomes too trusting of what he’s saying and doing.

The movie tries to push a narrative that Ernest is a loving father and husband who’s conflicted about his ulterior motives. However, during the latter half of the film, there’s no doubt about what type of husband Ernest is, because of his knowledge about why Mollie is slowly dying. Ernest is also not shown having a close bond with his and Mollie’s children (Elizabeth, Cowboy, and Anna), who are all under the age of 7, and are mostly background characters.

Vanessa Rose Pham has the role of Elizabeth as a baby. Kinsleigh McNac has the role of Elizabeth at ages 2 and 3. Elizabeth Waller has the role of Elizabeth at ages 3 to 5 years old. Alexis Waller has the role of Elizabeth at ages 5 and 6. Roanin Davis has the role of Cowboy as a baby. Bravery Lane Nowlin has the role of Cowboy at ages 2 and 3. Mamie Cozad has the role of Anna as a baby. Lux Britni Malaske has the role of Anna at 2 years old.

“Killers of the Flower Moon” is not a murder mystery, because it’s revealed very early on in the story who are the main perpetrators of these crimes. The movie is more of a chronicle of systemic racism and how it leads to incalculable damage that goes beyond city borders. The story is told through the lens of the relationship between Mollie and Ernest as a way for viewers to see how one particular family was affected by evil disguised as entitlement.

On a technical level, “Killers of the Flower Moon” is nearly flawless, when it comes to cinematography, production design, costume design and musical score. (Robbie Robertson, the composer for “Killers of the Flower Moon,” passed away in August 2023.) “Killers of the Flower Moon” succeeds in immersing viewers into this particular community where “truth” and “justice” can be warped and have different meanings to people.

People who watch “Killers of the Flower Moon” can expect the usual excellence from the principal cast members, although there’s a lot of familiarity to DiCaprio and De Niro portraying dishonorable characters in Scorsese movies, as they have done so many times already. Gladstone has the breakout performance in “Killers of the Flower Moon,” since her depiction of Mollie is absolutely superb. Although the Reign of Terror involved many people in several regions, “Killers of the Flower Moon,” along with Gladstone’s performance, shows with disturbing clarity the horror of a duplicitous serial killer as a trusted member of one’s own household.

Apple Studios and Paramount Pictures will release “Killers of the Flower Moon” in U.S. cinemas on October 20, 2023.

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