Review: ‘Fool’s Paradise’ (2023), starring Charlie Day, Ken Jeong, Kate Beckinsale, Adrien Brody, Jason Sudeikis, Jason Bateman, Common and Ray Liotta

August 11, 2023

by Carla Hay

Kate Beckinsale, Charlie Day and Ken Jeong in “Fool’s Paradise” (Photo courtesy of Lionsgate and Roadside Attractions)

“Fool’s Paradise” (2023)

Directed by Charlie Day

Culture Representation: Taking place in the Los Angeles area, the comedy film “Fool’s Paradise” features a predominantly white cast of characters (with a few African Americans Asians and Latinos) representing the working-class, middle-class and wealthy.

Culture Clash: A mostly mute man goes from being patient at a psychiatric facility to impersonating a famous actor while also hanging out with a con-man publicist.

Culture Audience: “Fool’s Paradise” will appeal primarily to people who are fans of the movie’s headliners, because their name recognition is the only thing that this embarrassing dud has going for it.

Charlie Day and Adrien Brody in “Fool’s Paradise” (Photo courtesy of Lionsgate and Roadside Attractions)

“Fool’s Paradise” is more like viewer’s hell, for anyone expecting this comedy to be funny. It looks like the type of flop whose all-star cast members are there because the director begged them to be in his movie, instead of the screenplay being good. Not only is “Fool’s Paradise” painfully unfunny, but it’s also relentlessly boring.

Written and directed by Charlie Day, “Fool’s Paradise” is Day’s feature-film directorial debut. Day has made a name for himself by mostly doing comedies on TV and in movies. (He’s one of the stars of the long-running comedy TV series “It’s Always Sunny in Philadelphia.”) You’d think that someone with all of these years of experience in comedy would’ve learned how to make an entertaining comedy film. “Fool’s Paradise” looks like a movie directed by a complete amateur who convinced several famous people to be in the movie.

There isn’t much to the rambling and garbage plot of “Fool’s Paradise,” which takes place in the Los Angeles area. Day portrays two characters in the movie: the constantly confused main character Latte Pronto and look-alike difficult actor Sir Thomas Kit Bingsley. Someone who buzzes around like an annoying insect in the movie is a con man named Lenny (played by Ken Jeong), who has decided he’s going to convince people that he’s a publicist in the entertainment business. Much of “Fool’s Paradise” is about the silly antics that happen after Lenny meets Latte.

“Fool’s Paradise” begins by showing Lenny in a tense meeting at a diner with an unnamed comedian (played by Andrew Santino), who is furious because he hired Lenny to introduce him to agents and managers, but Lenny hasn’t delivered on that promise. Lenny makes weak excuses, but this angry client has had enough of Lenny and fires him on the spot. With no more clients to deceive, Lenny goes on the hunt for his next scam victim.

Meanwhile, at a psychiatric facility, two unnamed doctors (played by Peter Mackenzie and Christine Horn) decide that they have to discharge one of the patients at the facility. The first doctor says about this hapless patient (played by Day): “The patient is a nobody. He has no family or friends. He has the mind of a 5-year-old or a Labrador retriever.” The doctor adds that the state won’t pay for any of Latte’s therapy, “so we’re going to put his ass on the first bus downtown.”

While this displaced man is now homeless walking on a street, he’s spotted by an unnamed producer (played by Ray Liotta), who is driving by and immediately notices that this person on the street looks identical to hard-drinking actor Thomas. The producer is frustrated because Thomas has been acting like a spoiled, alcoholic diva on the set of the producer’s latest movie, which is a Western.

The producer decides to meet this stranger and hire him as Thomas’ double whenever Thomas is too drunk to work. Even though this stranger seems incapable of telling anyone who he is, the producer decides to go through with the plan. The producer invites the stranger to be on the movie studio lot. During a lunch with the stranger, the producer orders someone to get him a “latte, pronto.” And that’s how the stranger begins to call himself Latte Pronto.

The problem? Latte has lost his ability to speak. That’s supposed to be the movie’s main gimmick, but “Fool’s Paradise” is so stupid, it does away with that gimmick by showing that Latte is mute, except when he has to deliver his actor lines when he’s impersonating Thomas. His co-star in the movie is Chad Luxt (played by Adrien Brody), who plays the villain character Black Bart in the producer’s Western movie.

Before the movie can be completed, Thomas is found dead from self-asphyxiation. At the producer’s urging, Latte takes over Thomas’ identity completely, in order to finish the movie. The producer doesn’t want to lose his investment in the film. Latte then begins to live the life of a movie star, including having Lenny as his publicist. Also in Latte’s entourage are an agent (played by Edie Falco), an attorney, a stylist and an intern (played by Shane Paul McGhie).

An actress named Christiana Dior (played by Kate Beckinsale) starts off in the story as Chad’s girlfriend, but she dumps Chad to marry Latte. Christiana is a shallow trophy wife and one of the worst-written characters in “Fool’s Paradise.” Jason Sudeikis has a brief supporting role as a movie director. Jason Bateman makes a cameo as a special effects technician.

John Malkovich and Tom O’Rion portray wealthy businessman brothers Ed Cote and Dartanon Cote, who are heavly involved in political campaigns. It’s an obvious spoof of the real-life Charles Koch and David Koch. Hip-hop star/actor Common has a small supporting role as a homeless guy named The Dagger. Most of the characters in “Fool’s Paradise” do not have names.

There are some really awful movies where you can tell that at least the cast members were having fun. That’s not the case with “Fool’s Paradise,” which is the type of dreadful misfire where the principal cast members look like they know they’re stuck in a horrible movie, and they all (including Day) give lackluster performances. The sluggish pacing makes this cinematic cesspool of bad comedy even worse. The only good thing that might come out of “Fool’s Paradise” is that if Day directs another movie, hopefully he’ll learn from this colossal failure of creativity, and he won’t make the same mistakes again.

Lionsgate and Roadside Attractions released “Fool’s Paradise” in U.S. cinemas on May 12, 2023. The movie was released on digital and VOD on June 2, 2023.

Review: ‘The Super Mario Bros. Movie,’ starring the voices of Chris Pratt, Charlie Day, Anya Taylor-Joy, Jack Black, Seth Rogen, Keegan-Michael Key and Fred Armisen

April 4, 2023

by Carla Hay

Toad (voiced by Keegan-Michael Key), Mario (voiced by Chris Pratt), Donkey Kong (voiced by Seth Rogen) and Princess Peach (voiced by Anya Taylor-Joy) in “The Super Mario Bros. Movie” (Image courtesy of Illumination Entertainment and Universal Pictures)

“The Super Mario Bros. Movie”

Directed by Aaron Horvath and Michael Jelenic

Culture Representation: Taking place in New York City, and in the fictional Mushroom Kingdom and the Dark Lands, the animated film “The Super Mario Bros. Movie” (based on Nintendo’s “Super Mario Bros.” games) features a cast of characters that are humans and talking creatures.

Culture Clash: Bumbling brother plumbers Mario and Luigi are unexpectedly transported to a magical world, where Luigi is captured by an evil turtle, and Mario teams up with various allies (including a feisty princess) to try to rescue Luigi. 

Culture Audience: Besides appealing to the obvious target audience of “Super Mario Bros.” franchise fans, “The Super Mario Bros. Movie” will appeal primarily to people who are interested in watching animated films that have simple and amusing plots.

Luigi (voiced by Charlie Day) and Bowser (voiced by Jack Black) in “The Super Mario Bros. Movie” (Image courtesy of Illumination Entertainment and Universal Pictures)

“The Super Mario Bros. Movie” is entirely predictable but still entertaining, thanks to its playful comedy, appealing visuals and talented voice cast. Jack Black is a scene stealer as turtle villain Bowser. You don’t have to know anything about Nintendo’s “Super Mario Bros.” games in order to enjoy this movie. “The Super Mario Bros. Movie” is the very definition of an undemanding crowd pleaser that can appeal to a variety of age groups.

Directed by Aaron Horvath and Michael Jelenic, “The Super Mario Bros. Movie” (written by Matthew Fogel) is an origin story of what is obviously planned to be a series of movies. The beginning of the film shows a battle in a magical world where a king and his army defending the royal palace from an invader. Fans of the “Super Mario Bros.” games will know who these characters are already. The movie later shows these characters again in more detail.

Back on Earth, viewers see two brothers who are plumbers. Confident older brother Mario (voiced by Chris Pratt) and his neurotic younger brother Luigi (voice by Charlie Day) have recently launched a plumbing business together in their hometown of New York City, where they are based in the Brooklyn borough. The brothers have proudly filmed a TV commercial for their new business. They have spent their life savings on this commercial.

Not everyone is impressed with this commercial. At a local diner, a wrecking crew employee named Spike (voiced by Sebastian Maniscalco) makes fun of the commercial. Luigi says defensively, “It’s not a commercial. It’s cinema.” Spike also thinks it was foolish for Mario and Luigi to quit their day jobs to start this new business.

The brothers have a large family that includes their father (voiced by Charles Martinet), their mother (voiced by Jessica DiCicco), the brothers’ Uncle Tony (voiced by Rino Romano) and the brothers’ Uncle Arthur (voiced by John DiMaggio), and not all of these relatives are supportive of the brothers’ new business venture. (Martinet does the voices of Mario and Luigi in the “Super Mario Bros.” video games.) During a family meal at a dining table, Mario and Luigi have to endure some taunting, especially from their uncles, who think that the brothers’ plumbing business will fail. The brothers’ mother is supportive though.

“The Super Mario Brothers Movie” shows the brothers going on their first plumbing job since their new business opened. It’s a house call to fix a leaking bathroom sink faucet. And the job is a disaster, involving a major mishap with an unfriendly dog named Francis. By the time the brothers leave the home, the sink hasn’t been fixed and the home has a lot of damage to it.

Not long after this plumbing fiasco, the brothers see on the local TV news that parts of Brooklyn have been flooded because a major water main has broken. Mario and Luigi rush to the scene to see if they can help. The brothers end up in a giant underground tunnel and unexpectedly get whisked through a portal that transports the brothers to a magical world.

However, the brothers land in different places in this magical world. Mario lands in the Mushroom Kingdom, which s populated by inanimate giant mushrooms and small talking mushrooms, all with polka dots. The talking mushrooms are called Toads, Mushroom People or Mushrooms. Luigi lands in a desolate forest area called the Dark Lands, full of dead trees. Luigi is soon abducted by the movie’s chief villain: a spike-wearing giant turtle named Bowser (voiced by Black), who wants to take over the Mushroom Kingdom and marry Princess Peach (voiced by Anya Taylor-Joy), the human ruler of the Mushroom Kingdom.

“The Super Mario Bros. Movie” includes Mario finding his way around the Mushroom Kingdom with the help of a friendly mushroom named Toad (voiced by Keegan-Michael Key), who is Princess Peach’s loyal attendant. Some hijinks ensue when Mario is perceived as an untrustworthy intruder by certain people in the Mushroom Kingdom. Mario eventually meets the princess, who has her own story of how she ended up in the Mushroom Kingdom.

In addition to rescuing Luigi, the heroes of the story also have to fight off an invasion from Bowser and his army, which includes Kamek (voiced by Kevin Michael Richardson), who is Bowser’s menacing and most dutiful henchman. Along the way, Princess Peach and Pario have to convince the powerful Kong army of primates from the Jungle Kingdom to help defeat Bowser. That’s how Mario meets the king Cranky Kong (voiced by Fred Armisen) and his immature son Donkey Kong (voiced by Seth Rogen), who is a powerful but goofy warrior.

“The Super Mario Bros. Movie” has enough touches of dark comedy to keep it from being annoyingly overloaded with juvenile jokes. Making a cameo in the movie is the cyan Luma character named Lumalee (voiced by Juliet Jelenic), who has a star-shaped, flame-like physical appearance that makes her look like she’s a cute and upbeat character, but she spews a lot of pessimistic comments that unnerve those who are around her. Bowser has a secret desire to be a heavy metal rocker who can belt out power ballads, so there are a few hilarious scenes showing him privately singing corny love songs that he wrote for Princess Peach while playing the piano.

“The Super Mario Bros. Movie” leans heavily into nostalgia for the 1980s, because Nintendo’s “Super Mario Bros.” games were launched in that decade. Most of the movie’s prominently placed pop songs are from the 1980s. They include Beastie Boys’ “No Sleep Till Brooklyn,” a-ha’s “Take on Me” and Bonnie Tyler’s “Holding Out for a Hero.” Brian Tyler’s competent musical score for “The “Super Mario Bros. Movie” keeps things moving along at a zippy pace with some nods to 1980s-inspired synth music.

The movie’s visuals have all the characteristics of above-average animation using modern technology, but the designs and hues of the characters and locations are throwbacks to 1980s animation and the original Nintendo “Super Mario” games. All of it is proof that any movie version of the “Super Mario” video games is better as animation, rather than as a live-action movie. (The less said about 1993’s awful live-action “Super Mario Bros.” movie, the better.)

“The Super Mario Bros. Movie” has a well-cast ensemble, with everyone doing their parts to be engaging in their performances. As the chief villain Bowser, Black is the standout performer, because he gives this villain a larger-than-life personality that will make viewers anticipate what Bowser will say and do next. There’s also a part of the story where Bowser shows he’s not just a two-dimensional antagonist: He really is kind of lovelorn over Princess Peach.

“The Super Mario Bros. Movie” isn’t without flaws. The movie has a world where there are very few female characters. Princess Peach is the only female character in the movie with a prominent speaking role. There’s really no good excuse for why the filmmakers couldn’t create more than one female character to have significant roles in the adventure parts of the story. Some viewers might also dislike how brothers Mario and Luigi are not together for the vast majority of the movie.

“The Super Mario Bros. Movie” has a very formulaic story that is watchable because the characters have their share of charm. The movie has a mid-credits scene featuring Bowser and an end-credits scene that hints at what a sequel’s plot might be. There are no real surprises at all to “The Super Mario Bros. Movie,” which does not reinvent anything from the Nintendo games, and it’s not a groundbreaking animated film. For fans who have been anticipating this movie, think of it as the cinematic equivalent of comfort food for “Super Mario Bros.” enthusiasts and people who want to see lightweight, escapist animation.

Universal Pictures will release “The Super Mario Bros. Movie” in U.S. cinemas on April 5, 2023.

Apple announces Apple TV+ with Steven Spielberg, Oprah Winfrey, Reese Witherspoon, Jennifer Aniston and more

March 25, 2019

The following is a press release from Apple:

Apple today announced Apple TV+, the new home for the world’s most creative storytellers featuring exclusive original shows, movies and documentaries, coming this fall. Apple TV+, Apple’s original video subscription service, will feature a brand new slate of programming from the world’s most celebrated creative artists, including Oprah Winfrey, Steven Spielberg, Jennifer Aniston, Reese Witherspoon, Octavia Spencer, J.J. Abrams, Jason Momoa, M. Night Shyamalan, Jon M. Chu and more. On the Apple TV app, subscribers will enjoy inspiring and authentic stories with emotional depth and compelling characters from all walks of life, ad-free and on demand.

“We’re honored that the absolute best lineup of storytellers in the world – both in front of and behind the camera – are coming to Apple TV+,” said Eddy Cue, Apple’s senior vice president of Internet Software and Services. “We’re thrilled to give viewers a sneak peek of Apple TV+ and cannot wait for them to tune in starting this fall. Apple TV+ will be home to some of the highest quality original storytelling that TV and movie lovers have seen yet.”

Additionally, Apple debuted the all-new Apple TV app and Apple TV channels coming in May 2019. The all-new Apple TV app brings together the different ways to discover and watch shows, movies, sports, news and more in one app across iPhone, iPad, Apple TV, Mac, smart TVs and streaming devices. Users can subscribe to and watch new Apple TV channels – paying for only services they want, like HBO, SHOWTIME and Starz – all on demand, available on and offline, with incredible picture quality and sound; enjoy sports, news and network TV from cable and satellite providers as well as purchase or rent iTunes movies and TV shows all within the new, personalized Apple TV app.

Beginning in May, customers can subscribe to Apple TV channels à la carte and watch them in the Apple TV app, with no additional apps, accounts or passwords required. Apple TV channels include popular services such as HBO, Starz, SHOWTIME, CBS All Access, Smithsonian Channel, EPIX, Tastemade, Noggin and new services like MTV Hits, with more to be added over time around the world.

The new Apple TV app personalizes what viewers love to watch across their existing apps and services while developing a secure and comprehensive understanding of users’ viewing interests. The app will offer suggestions for shows and movies from over 150 streaming apps, including Amazon Prime and Hulu, as well as pay-TV services such as Canal+, Charter Spectrum, DIRECTV NOW and PlayStation Vue. Optimum and Suddenlink from Altice will be added later this year.*

Additionally, the Apple TV app will become the new home to the hundreds of thousands of movies and TV shows currently available for purchase or rent in the iTunes Store.

Availability

Pricing and availability for the Apple TV+ video subscription service will be announced later this fall.

The all-new Apple TV app is coming to iPhone, iPad and Apple TV customers in over 100 countries with a free software update this May, and to Mac this fall.

Through Family Sharing, users can share Apple TV+ and subscriptions to Apple TV channels.

The Apple TV app will be available on Samsung smart TVs beginning this spring and on Amazon Fire TV, LG, Roku, Sony and VIZIO platforms in the future.

Later this year, customers with eligible VIZIO, Samsung, LG and Sony smart TVs will be able to effortlessly play videos and other content from their iPhone or iPad directly to their smart TVs with AirPlay 2 support.

Apple revolutionized personal technology with the introduction of the Macintosh in 1984. Today, Apple leads the world in innovation with iPhone, iPad, Mac, Apple Watch and Apple TV. Apple’s four software platforms – iOS, macOS, watchOS and tvOS – provide seamless experiences across all Apple devices and empower people with breakthrough services including the App Store, Apple Music, Apple Pay and iCloud. Apple’s more than 100,000 employees are dedicated to making the best products on earth, and to leaving the world better than we found it.

Editor’s note: The shows on Apple TV+ include:

  • Steven Spielberg’s reboot of the “Amazing Stories” anthology
  • Oprah Winfrey projects, including a documentary titled “Toxic Labor” about workplace harassment; a documentary (title to be announced) about mental health; and a book club-oriented program whose title is to be announced.
  • “The Morning Show,” a drama series about morning television, starring Jennifer Aniston, Reese Witherspoon and Steve Carell, with Aniston and Witherspoon among the executive producers
  • “See,” a post-apocalyptic drama series starring Jason Momoa and Alfre Woodard
  • “Little Voice,” a musical drama series, executive produced by J.J. Abrams, with original songs written by Sara Bareilles
  • “My Glory Was I Had Such Friends,” starring Jennifer Garner and executive produced by J.J. Abrams
  • “Peanuts” content, based on the beloved comic-strip characters
  • “Swagger,” a drama series based on the life of basketball star Kevin Durant, with Durant executive producing the show with Ron Howard and Brian Grazer
  • “Defending Jacob,” a drama series starring and executive produced by Chris Evans, about a father whose teenage son is suspected of killing a classmate
  • “Pachinko,” a drama series based on Min Jin Lee’s book, with Soo Hugh as the showrunner
  • A comedy series (title to be announced) about video-game company, executive produced by “It’s Always Sunny in Philadelphia” co-stars Rob McElhenney and Charlie Day
  • “Are You Sleeping,” a drama series about how a podcast affects a cold murder case, starring Octavia Spencer, Lizzy Caplan and Aaron Paul
  • “Dickinson,” a drama series about Emily Dickinson, starring Hailee Steinfeld
  • “Bastards,” a drama series about war veterans, starring Richard Gere
  • A drama series (title to be announced) about CIA operative Amaryllis Fox, starring and executive produced by Oscar-winning actress Brie Larson
  • “Little America,” a comedy series about immigrants, executive produced by Oscar-nominated “The Big Sick” writers Kumail Nanjiani and Emily V. Gordon
  • “Helpsters,” a children’s show from Sesame Workshop
  • “Calls,” an American remake of a French drama series that does reenactments of 911 calls
  • “For All Mankind,” a space drama series starring Joel Kinnaman
  • “Central Park,” an animated series from “Bob’s Burgers” creator Loren Bouchard, with a voice cast that includes Kristen Bell, Tituss Burgess, Daveed Diggs, Josh Gad, Kathryn Hahn, Leslie Odom Jr. and Stanley Tucci.
  • “Homes,” a docuseries about unusual homes
  • “Losing Earth,” a possible drama or docuseries about climate change
  • “Shantaram,” a drama series about an escaped prisoner from Australia who’s hiding out in India, from executive producer/screenwriter Eric Warren Singer (“American Hustle”)
  • “Time Bandits,” a fantasy comedy series from executive producer/director Taika Waititi, based on Terry Gilliam’s 1981 film of the same title
  • A still-untitled drama/thriller series from executive producer M. Night Shyamalan, with a cast that includes Lauren Ambrose, Rupert Grint and Toby Kebbell [UPDATE: The series is titled “Servant.”]
  • A still-untitled drama series from Oscar-winning director Damien Chazelle, with the show’s plot and cast to be announced
  • A still-untitled sci-fi series from executive producer Simon Kinberg, who has written several “X-Men” movies
  • A still-untitled mystery drama series from executive producer/director Jon M. Chu (“Crazy Rich Asians”), based on real-life pre-teen reporter Hilde Lysiak (played by Brooklynn Prince), with Jim Sturgess co-starring as her father

SOURCE: Variety

*Network and streaming app availability may vary by country.

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