2020 Billboard Music Awards: Post Malone is the top winner

October 14, 2020

Post Malone at the 2020 Billboard Music Awards at the Dolby Theatre in Los Angeles (Photo by Todd Williamson/NBC)

The following is a press release from Dick Clark Productions and NBC:

Post Malone swept the “2020 Billboard Music Awards” (BBMAs), winning a total of nine awards, including Top Artist and Top Male Artist – the most of the evening – bringing his total number of BBMA wins to 10. Echoing the theme of “Music Unites All’ throughout the night Malone said “music can bring everyone together, it’s absolutely incredible.” Airing tonight from the Dolby Theatre in Los Angeles, the BBMAs opened with an unforgettable performance by three-time host Kelly Clarkson, who brought down the house with Whitney Houston’s version of “Higher Love,” joined by two-time BBMA nominees Pentatonix and queen of percussion Sheila E. 

Khalid followed Post Malone for the most wins of the night with five, including Top R&B Artist, Top R&B Album, and Top R&B Song. Lil Nas X and Billy Ray Cyrus tied for the third most wins, with both artists recognized for their hit “Old Town Road” in the Top Hot 100 Song, Top Streaming Song, Top Selling Song, and Top Rap Song categories. Billie Eilish took home three awards including Top New Artist and Top Female Artist. Winners in the fan-voted categories were: BTS (Top Social Artist), Shawn Mendes and Camila Cabello’s “Señorita” (Top Collaboration) and Harry Styles (Billboard Chart Achievement Award).

Rapper and social activist Killer Mike was honored with the inaugural Billboard Change Maker Award from the historic APEX (African American Panoramic Experience) Museum in Atlanta, GA. The award, which honors an artist or group that speaks truth to power through music, celebrity, and community and is active in their community and charitable with time, money, or influence to improve the lives of others, was presented by Atlanta Mayor Keisha Lance Bottoms. NBC and MRC teamed up to deposit $1M to Killer Mike’s recently established digital bank, Greenwood.  

Cher made an appearance on the star-studded night to present Garth Brooks with the elite ICON Award, followed by his incredible performance of multiple chart-topping hits that was nothing short of iconic.

The night was full of spectacular performances: 

  • All the way from South Korea, K-Pop supergroup BTS gave an electrifying performance of “Dynamite,” their first No. 1 hit on the Billboard Hot 100
  • Demi Lovato gave a chills inducing world premiere performance of her timely and powerful new song “Commander in Chief” 
  • Post Malone delivered a soaring performance of his hits “Circles” and “Tommy Lee” featuring Tyla Yahweh, showing everyone why he took home nine awards
  • Alicia Keys made a long-awaited return to the BBMA stage for a dazzling perform of her latest single “Love Looks Better” 
  • Brandy made her BBMA performance debut and treated fans to her hit “Borderline” along with her new single “No Tomorrow” featuring Ty Dolla $ign, and “Almost Doesn’t Count” 
  • Bad Bunny was joined by surprise guests Nesi and Ivy Queen for “Yo Perreo Sola” for his dynamic and exciting BBMA performance debut
  • In her first BBMA performance, Doja Cat set the stage aflame with a dramatic medley of “Juicy,” “Say So,” and “Like That” 
  • EGOT-winner and multi-platinum singer-songwriter John Legend gave an emotional performance of “Never Break” 
  • Kane Brown, Khalid and Swae Lee tore up the stage with an energetic performance of their hit “Be Like That” 
  • In a rare appearance, Sia delivered a powerful moment with her song “Courage to Change” 
  • On the heels of one of his three wins, Luke Combs gave a moving performance of “Better Together” 
  • Breakout artist SAINt JHN, in his television debut, performed his global smash hit “Roses” 
  • And in this year’s Billboard throwback, iconic group En Vogue closed the evening with an empowering performance of their huge hit “Free Your Mind,” which first stormed the charts 30 years ago

In a tribute to legendary guitarist, musician, and songwriter Eddie Van Halen, the show featured a clip from the 2015 BBMAs when his son Wolfgang took the stage with him for a rare live tv performance. Presenters throughout the evening included Addison Rae, Cher, Garcelle Beauvais, Jane Lynch, Jay Ellis, Jharrel Jerome, Julia Michaels, Lilly Singh, Nicole Richie, Spencer X, Taraji P. Henson, TwinsthenewTrend (Fred & Tim Williams), and tWitch.

“Billboard Music Awards” nominees and winners are based on key fan interactions with music, including album and digital song sales, streaming, radio airplay, touring and social engagement, tracked by Billboard and its data partners, including MRC Data/Nielsen Music. The awards are based on the chart period of March 23, 2019, through March 14, 2020. Since 1940, the Billboard charts have been the go-to guide for ranking the popularity of artists, songs and albums, and are the ultimate measure of success in music.

The “2020 Billboard Music Awards” are sponsored by TikTok and Xfinity. The “2020 Billboard Music Awards” are produced by dick clark productions. Amy Thurlow, Mark Bracco, Barry Adelman, Linda Gierahn, Kelly Clarkson, and Robert Deaton are executive producers.

For the latest news on the Billboard Music Awards (BBMAs) visit billboardmusicawards.com and  www.billboard.com/bbma. For exclusive content and more, be sure to follow the BBMAs on social media (Twitter, Facebook, Instagram, Snapchat, TikTok, YouTube) and join the conversation by using the official hashtag for the show, #BBMAs.

About Dick Clark Productions:
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest,” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and DCP. DCP also owns one of the world’s most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic programs, specials, performances, and legendary programming. DCP is part of MRC Live & Alternative, a division of diversified global entertainment company MRC. For additional information, visit www.mrcentertainment.com


Here is the complete list of nominations and winners:

*=winner

ARTIST AWARDS

Top Artist:
Billie Eilish
Jonas Brothers
Khalid
Post Malone*
Taylor Swift

Top New Artist:
DaBaby
Billie Eilish*
Lil Nas X
Lizzo
Roddy Ricch

Billboard Chart Achievement Award (Fan Voted):
Mariah Carey
Luke Combs
Lil Nas X
Harry Styles*
Taylor Swift

Top Male Artist:
DaBaby
Khalid
Lil Nas X
Post Malone*
Ed Sheeran

Top Female Artist:
Billie Eilish*
Ariana Grande
Halsey
Lizzo
Taylor Swift

Top Duo/Group:
BTS
Dan + Shay
Jonas Brothers*
Maroon 5
Panic! At The Disco

Top Billboard 200 Artist:
Drake
Billie Eilish
Khalid
Post Malone*
Taylor Swift

Top Hot 100 Artist:
DaBaby
Billie Eilish
Khalid
Lil Nas X
Post Malone*

Top Streaming Songs Artist:
DaBaby
Billie Eilish
Lil Nas X
Post Malone*
Travis Scott

Top Song Sales Artist:
Billie Eilish
Lil Nas X
Lizzo*
Post Malone
Taylor Swift

Top Radio Songs Artist:
Jonas Brothers*
Khalid
Lizzo
Shawn Mendes
Post Malone

Top Social Artist (Fan Voted):
BTS*
Billie Eilish
EXO
GOT7
Ariana Grande

Top Touring Artist:
Elton John
Metallica
P!nk*
The Rolling Stones
Ed Sheeran

Top R&B Artist:
Chris Brown
Khalid*
Lizzo
Summer Walker
The Weeknd

Top R&B Male Artist:
Chris Brown
Khalid*
The Weeknd

Top R&B Female Artist:
Beyoncé
Lizzo
Summer Walker*

Top R&B Tour:
B2K
Janet Jackson
Khalid*

Top Rap Artist:
DaBaby
Juice WRLD
Lil Nas X
Post Malone*
Roddy Ricch

Top Rap Male Artist:
DaBaby
Lil Nas X
Post Malone*

Top Rap Female Artist:
Cardi B*
City Girls
Megan Thee Stallion

Top Rap Tour:
Drake
Post Malone*
Travis Scott

Top Country Artist:
Kane Brown
Luke Combs*
Dan + Shay
Maren Morris
Thomas Rhett

Top Country Male Artist:
Kane Brown
Luke Combs*
Thomas Rhett

Top Country Female Artist:
Maren Morris*
Kacey Musgraves
Carrie Underwood

Top Country Duo/Group:
Dan + Shay*
Florida Georgia Line
Old Dominion

Top Country Tour:
Eric Church
Florida Georgia Line
George Strait*

Top Rock Artist:
Imagine Dragons
Panic! At The Disco*
Tame Impala
Tool
twenty one pilots

Top Rock Tour:
Elton John*
Metallica
The Rolling Stones

Top Latin Artist:
Anuel AA
Bad Bunny*
J Balvin
Ozuna
Romeo Santos

Top Dance/Electronic Artist:
Avicii
The Chainsmokers*
DJ Snake
Illenium
Marshmello

Top Christian Artist:
Lauren Daigle*
Elevation Worship
for KING & COUNTRY
Hillsong UNITED
Kanye West

Top Gospel Artist:
Kirk Franklin
Koryn Hawthorne
Tasha Cobbs Leonard
Sunday Service Choir
Kanye West*

ALBUM AWARDS

Top Billboard 200 Album:
Billie Eilish “When We All Fall Asleep, Where Do We Go?”*
Ariana Grande “thank u, next”
Khalid “Free Spirit”
Post Malone “Hollywood’s Bleeding”
Taylor Swift “Lover”

Top Soundtrack:
“Aladdin”
“Descendants 3”
“Frozen II”*
“K-12” by Melanie Martinez 
“The Dirt” by Mötley Crüe

Top R&B Album:
Beyoncé “Homecoming: The Live Album”
Justin Bieber “Changes”
Chris Brown “Indigo”
Khalid “Free Spirit”*
Summer Walker “Over It”

Top Rap Album:
DaBaby “KIRK”
Juice WRLD “Death Race For Love”
Post Malone “Hollywood’s Bleeding”*
Roddy Ricch “Please Excuse Me for Being Antisocial”
Young Thug “So Much Fun”

Top Country Album:
Kane Brown “Experiment”
Luke Combs “What You See Is What You Get”*
Maren Morris “GIRL”
Thomas Rhett “Center Point Road”
Morgan Wallen “If I Know Me”

Top Rock Album:
The Lumineers “III”
Slipknot “We Are Not Your Kind”
Tame Impala “The Slow Rush”
Tool “Fear Inoculum”*
Vampire Weekend “Father of the Bride”

Top Latin Album:
J Balvin & Bad Bunny “Oasis”*
Farruko “Gangalee”
Maluma “11:11”
Romeo Santos “Utopía”
Sech “Sueños”

Top Dance/Electronic Album:
Avicii “TIM”
The Chainsmokers “World War Joy”
Illenium “Ascend”
Marshmello “Marshmello: Fortnite Extended Set”*
Alan Walker “Different World”

Top Christian Album:
Bethel Music “Victory: Recorded Live”
Casting Crowns “Only Jesus”
Hillsong UNITED “People”
Skillet “Victorious”
Kanye West “Jesus is King”*

Top Gospel AlbumL
Kirk Franklin “Long Live Love”
Donald Lawrence & The Tri-City Singers “Goshen”
William McDowell “The Cry: A Live Worship Experience”
Sunday Service Choir “Jesus Is Born”
Kanye West “Jesus is King”*

SONG AWARDS

Top Hot 100 Song:
Lewis Capaldi “Someone You Loved”
Billie Eilish “bad guy”
Lil Nas X ft. Billy Ray Cyrus “Old Town Road”*
Lizzo “Truth Hurts”
Shawn Mendes & Camila Cabello “Señorita”

Top Streaming Song:
Chris Brown ft. Drake “No Guidance”
Billie Eilish “bad guy”
Lil Nas X ft. Billy Ray Cyrus “Old Town Road”*
Lil Tecca “Ran$om”
Post Malone & Swae Lee “Sunflower (Spider-Man: Into the Spider-Verse)”

Top Selling Song:
Lewis Capaldi “Someone You Loved”
Billie Eilish “bad guy”
Lil Nas X ft. Billy Ray Cyrus “Old Town Road”*
Lizzo “Truth Hurts”
Blake Shelton “God’s Country”

Top Radio Song:
Lewis Capaldi “Someone You Loved”
Jonas Brothers “Sucker”*
Khalid “Talk”
Lizzo “Truth Hurts”
Ed Sheeran & Justin Bieber “I Don’t Care”

Top Collaboration (Fan Voted):
Chris Brown ft. Drake “No Guidance”
Lil Nas X ft. Billy Ray Cyrus “Old Town Road”
Shawn Mendes & Camila Cabello “Señorita”*
Post Malone & Swae Lee “Sunflower (Spider-Man: Into the Spider-Verse)”
Ed Sheeran & Justin Bieber “I Don’t Care”

Top R&B Song:
Chris Brown ft. Drake “No Guidance”
Doja Cat & Tyga “Juicy”
Khalid “Talk”*
Lizzo “Good As Hell”
The Weeknd “Heartless”

Top Rap Song:
Lil Nas X ft. Billy Ray Cyrus “Old Town Road”*
Lil Tecca “Ran$om”
Lizzo “Truth Hurts”
Post Malone & Swae Lee “Sunflower (Spider-Man: Into the Spider-Verse)”
Post Malone “Wow.”

Top Country Song:
Dan + Shay with Justin Bieber “10,000 Hours”*
Maren Morris “The Bones”
Old Dominion “One Man Band”
Blake Shelton “God’s Country”
Morgan Wallen “Whiskey Glasses”

Top Rock Song:
Imagine Dragons “Bad Liar”
Machine Gun Kelly x YUNGBLUD x Travis Barker “I Think I’m Okay”
Panic! At The Disco “Hey Look Ma, I Made It”*
twenty one pilots “Chlorine”
twenty one pilots “The Hype”

Top Latin Song:
Anuel AA, Daddy Yankee, Karol G, Ozuna & J Balvin “China”
Bad Bunny & Tainy “Callaita”
Daddy Yankee ft. Snow “Con Calma”*
Jhay Cortez, J Balvin, & Bad Bunny “No Me Conoce”
Sech ft. Darell, Nicky Jam, Ozuna, Anuel AA “Otro Trago”

Top Dance/Electronic Song:
Black Eyed Peas x J Balvin “Ritmo (Bad Boys For Life)”
Ellie Goulding x Diplo ft. Swae Lee “Close To Me”*
Illenium & Jon Bellion “Good Things Fall Apart”
Kygo x Whitney Houston “Higher Love”
Marshmello ft. CHVRCHES “Here With Me”

Top Christian Song:
Bethel Music, Jonathan David Helser & Melissa Helser “Raise A Hallelujah”
Casting Crowns ft. Matthew West “Nobody”
Lauren Daigle “Rescue”
for KING & COUNTRY “God Only Knows”*
Kanye West “Follow God”

Top Gospel Song:
Kirk Franklin “Love Theory”
Kanye West “Closed on Sunday”
Kanye West “Follow God”*
Kanye West “On God”
Kanye West “Selah”

2020 Billboard Music Awards: performers and presenters announced

October 14, 2020

 
Kelly Clarkson (Photo by Sam Wasson/Getty Images for iHeartMedia)

The following is a press release from Dick Clark Productions and NBC:

WHO:
Host and opening performer Kelly Clarkson will be joined by Pentatonix and Sheila E. Additional performers include Alicia Keys, Bad Bunny, Brandy featuring Ty Dolla $ign, BTS, Kane Brown featuring Swae Lee and Khalid, Luke Combs, Doja Cat, En Vogue, John Legend, Demi Lovato, Sia, Post Malone featuring Tyla Yahweh, and SAINt JHN. Garth Brooks will receive the elite ICON Award. Mayor of Atlanta Keisha Lance Bottoms will present rapper and social activist Killer Mike with the inaugural Billboard Change Maker Award. Presenters include Addison Rae, Cher, Garcelle Beauvais, Jane Lynch, Jay Ellis, Jharrel Jerome, Julia Michaels, Lilly Singh, Nicole Richie, Spencer X, Taraji P. Henson, TwinsthenewTrend and tWitch.

WHAT:
The “2020 Billboard Music Awards” is hosted by three-time Billboard Music Award host Kelly Clarkson and airs live on NBC on Wednesday, Oct. 14 at 8 p.m. ET/PT from the Dolby Theater in Los Angeles.

The three-hour live telecast will showcase this year’s hottest musical acts, unexpected collaborations and buzzworthy moments. “Billboard Music Awards” nominees and winners are based on key fan interactions with music, including album and digital song sales, streaming, radio airplay, touring and social engagement, tracked by Billboard and its data partners, including MRC Data/Nielsen Music. The awards are based on the chart period of March 23, 2019 through March 14, 2020. Since 1940, the Billboard charts have been the go-to guide for ranking the popularity of artists, songs and albums, and are the ultimate measure of success in music.

The “2020 Billboard Music Awards” are sponsored by TikTok and Xfinity. The “2020 Billboard Music Awards” is produced by Dick Clark Productions. Amy Thurlow, Mark Bracco, Barry Adelman, Linda Gierahn, Kelly Clarkson and Robert Deaton are executive producers.

WHEN:         
The “2020 Billboard Music Awards” airs Wednesday, October 14 at 8 p.m. ET/PT on NBC.

MORE:
About Dick Clark Productions:
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and DCP. DCP also owns one of the world’s most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic programs, specials, performances and legendary programming. DCP is part of MRC Live & Alternative, a division of diversified global entertainment company MRC. For additional information, visit www.mrcentertainment.com

Review: ‘Scream, Queen! My Nightmare on Elm Street,’ starring Mark Patton

March 3, 2020

by Carla Hay

Mark Patton in “A Nightmare on Elm Street 2: Freddy’s Revenge” (Photo courtesy of New Line Cinema)

“Scream, Queen! My Nightmare on Elm Street”

Directed by Roman Chimienti and Tyler Jensen

Culture Representation: In this documentary which has mostly white Americans and some Latino representation, actor Mark Patton (who’s best known for starring in “A Nightmare on Elm Street 2: Freddy’s Revenge”) tries to make sense of the circumstances that led to him quit acting in the 1980s, including the homophobia that he says ruined his career.

Culture Clash: Patton places a lot of blame for his career downfall on “A Nightmare on Elm Street 2: Freddy’s Revenge” screenwriter David Chaskin, who gave interviews saying that Patton made the movie too gay.

Culture Audience: This movie will appeal primarily to horror fans, audiences who care about LGBTQ issues, and people interested in “whatever happened to” stories.

David Chaskin and Mark Patton in “Scream, Queen! My Nightmare on Elm Street” (Photo courtesy of Virgil Films)

Faded actor Mark Patton says that the 1985 horror flick “A Nightmare on Elm Street 2: Freddy’s Revenge” was the best thing that ever happened to his career and also the worst thing. He never starred in another major motion picture again after this sequel got mixed-to-negative reviews. And in the documentary “Scream, Queen! My Nightmare on Elm Street,” he tries to make sense of what went wrong.

Patton is one of the producers of the documentary, which was capably directed by Roman Chimienti and Tyler Jensen. Because Patton is a producer of the documentary, it explains why the film is mostly a sympathetic portrayal of him. It’s a compelling story, even though Patton (who still calls himself a “movie star”) at times seems to have an exaggerated sense of importance about his impact on the movie industry. He certainly isn’t the only actor who’s become a “has-been.”

Narrated by Cecil Baldwin (who sounds like he could be narrating a true-crime documentary), the movie starts off with Baldwin’s voiceover saying that “the world wasn’t ready for a male scream queen” when “A Nightmare on Elm Street 2: Freddy’s Revenge” was released in 1985, when Patton was in his 20s. Although Patton’s Jesse Walsh character in the movie wasn’t explicitly gay, he had effeminate mannerisms, and the movie had some homoerotic undertones, which are explained in this documentary.

The basic premise of “Freddy’s Revenge” was that “A Nightmare on Elm Street” villain Freddy Krueger—the slasher serial killer with full-body burn scars, a striped sweater and gloves with knife blades as fingernails—had invaded the body of Jesse Walsh, a nerdy and sensitive high-school student. Jesse has been having nightmares about Freddy after moving into the same house where Freddy terrorized the main female character in the first “A Nightmare on Elm Street” movie. Jesse finds out later that his body has been possessed by Freddy—which is a departure from the first “Nightmare” movie, where Freddy only appeared when the main character was asleep.

In one of his dreams, Jesse goes to a gay bar and orders a drink. He’s seen at the bar by his gym teacher, who later punishes him for underage drinking. Freddy then kills the gym teacher in a homoerotic shower moment that includes the naked teacher getting slapped with a towel on his rear end. And the very concept of Freddy entering and leaving Jesse’s body has also been pointed to as homoerotic. Although Jesse shows a romantic interest in his friend Kim Myers (played by Lisa Webber), many people who’ve seen the movie think that Jesse is gay and in the closet.

“A Nightmare on Elm Street 2: Freddy’s Revenge” director Jack Sholder, who’s interviewed in the documentary, swears that he didn’t see any gay overtones when he was making “A Nightmare on Elm Street 2: Freddy’s Revenge.” Sholder says that he cast Patton in the starring role because Patton looked like he had the vulnerability needed for the Jesse Walsh character. The movie’s screenwriter David Chaskin is more evasive when he’s asked about any homoerotic content in the movie. Chaskin says that although he didn’t intend for “A Nightmare on Elm Street 2: Freddy’s Revenge” to be a gay horror movie, he understands why people think it is.

Patton was a closeted gay man during his brief acting career in the late 1970s to mid-1980s. After “A Nightmare on Elm Street 2: Freddy’s Revenge” was released to profitable box office but mixed-to-negative reviews, there were minor rumblings in the media about the gay overtones in the movie. Patton says the chatter was enough for his agent to get scared and demand that Mark only audition for roles where he played an obviously heterosexual character.

But except for two roles in television in 1986, Patton didn’t work as an actor again for decades. (He resumed his acting career with a small role in the 2016 independent horror film “Family Possessions.”) As far as a lot of people where concerned, he had disappeared. What really happened?

Patton places a lot of misdirected anger on Chaskin, whom he accuses of getting him “blacklisted” from the industry by “outing” Patton in interviews, where Chaskin would claim that he never wrote the Jesse Walsh character as gay and that Patton just played the character as gay. In the documentary, Chaskin gives his perspective: “‘Nightmare 2′ was a possession movie. I like the concept of an innocent person being invaded.”

But the more Patton tells his life story, the more it becomes obvious that Chaskin is just a scapegoat for what really led Patton to suddenly “disappear” from showbiz. Patton’s on-again, off-again live-in boyfriend—actor Timothy Patrick Murphy, best known for his early 1980s role as Mickey Trotter in “Dallas”—had AIDS, and so did many of their friends.  Murphy was “in the closet” about being gay, at a time when almost no working Hollywood actors were openly gay.

In the documentary, Patton candidly talks about finding out around the same time that he was filming “A Nightmare on Elm Street 2” that he was also HIV-positive. Because his lover and many of his friends were HIV-positive or dying of AIDS, and because he didn’t know if or when he was going to die too, Patton says in the documentary that he had a “nervous breakdown,” and he decided to quit acting. After admitting all of that, why does he have so much hatred for Chaskin?

As Patton tells it, Chaskin deliberately and cruelly fueled the homophobia that Patton believes led to him becoming an industry pariah. Patton says that the AIDS crisis was just one of the reasons why he quit acting, but he believes that Chaskin and homophobia in Hollywood were the main reasons. It was also during a time when Rock Hudson revealed he had AIDS, and there was a “gay panic” in Hollywood to not hire actors who were rumored to be gay. (This was during the beginning of the AIDS crisis, when many people mistakenly thought that only gay men could get the disease.)

Even though homophobic ideas about AIDS certainly affected how Hollywood did business, Patton comes across as too paranoid and illogical when he says that Chaskin was out to get him. Chaskin never had that much power to get Patton blacklisted from Hollywood. “A Nightmare on Elm Street 2: Freddy’s Revenge” was Chaskin’s first movie screenplay, and his Hollywood career never really thrived after that. Chaskin has written only three feature-length movies since then (all little-seen independent films), the last one being 2000’s “Love Hurts.”

Furthermore, an untold number of gay actors were in the closet back then who had rumors swirling that they were really gay, but they still kept working. Patton’s boyfriend Murphy was one of them. Murphy’s last movie was released in 1988, the year that he died from AIDS at the age of 29. The reality is that Patton just gave up because of all the personal problems in his life. If he has anyone to blame other than himself, it’s probably his agent at the time, who obviously didn’t have enough confidence that Patton could find work because of the gay rumors.

We’ll never know what would’ve happened if Patton had a better agent at the time. But in hindsight, from the way that Patton describes his epic meltdown, he probably would’ve quit acting anyway, even if he had been getting steady work. He says he left Los Angeles, moved to Mexico, cut ties with showbiz, and spent years in a deep state of depression. He says that by the time he left the entertainment business, he had found out that he had “HIV, cancer and tuberculosis” and he was “bedbound for a year.” With all of these health problems that would affect his ability to work, exactly how is that David Chaskin’s fault?

And when Patton describes how he got into acting in the first place, it’s easy to see why he couldn’t handle the first major rough patch that came along. He never really struggled to get his big break. It all happened very quickly for him.

He describes his childhood in suburban Missouri, where he grew up in a Christian household, as living in an area where people looked just like him (white and wholesome-looking). However, his parents’ marriage was troubled (they divorced when he was 14), and his mother spent time in and out of psychiatric institutions.

In the documentary, Patton says he knew he was gay from an early age, but he went to great lengths to keep it a secret. He caught the acting bug when he would perform at talent shows in school. When he made the decision to move to New York City after high school, Patton says it was the first time in his life he felt he could be openly gay among his friends. (Although Patton’s IMDb page lists his birth year as 1964, more likely he was born in 1959 or 1960, because in the documentary, he says he moved to New York in 1977, after he graduated from high school.)

And how Patton broke into showbiz is the stuff that people dream about but rarely happens. Within days of getting his first agent, he was working as an actor, and he says it’s because he had the right “look.” (In other words, a pleasant-looking boy next door.) Getting work in commercials led to his first big break: a supporting role in the Broadway play “Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean,” starring Cher, Sandy Dennis and Karen Black. In 1982, Robert Altman directed the play and the movie, which had the same stars as the Broadway show.

That kind of luck—co-starring in your first movie with that level of talent at such a young age—almost never happens to most actors. Therefore, it’s easy to see why Patton took for granted that things would continue to go that easily for him. In the documentary, he’s somewhat arrogant in describing how lucky he was to have such smooth sailing in his first few years as an actor. His attitude comes across as, “Of course I got work right away. I was cute and I had a great personality.” He doesn’t fully acknowledge that the opportunities that he got at the beginning of his acting career is not how it happens for most people when they first become actors, even for those who reach the A-list.

Because he never really paid his dues before getting high-profile roles, Patton comes across as a little too entitled in thinking that the ride should’ve kept going that way for him because he thinks he deserved it. Even the biggest entertainers have had career flops and pitfalls. The ones who survive the bad times (such as Patton’s idol Cher) are the ones who don’t give up, like Patton did.

Early in the documentary, Patton quotes something that Cher told him: “In show business, you always have to do what’s best for you.” Patton should also have learned more than a few other things from Cher about how to get through career slumps. (He’s old enough to remember how Cher became a laughingstock of showbiz in the early 1990s when she did infomercials for Lori Davis hair-care products.)

Patton says he decided to return to the entertainment business shortly after he was tracked down in Mexico by the filmmakers of the 2010 documentary “Never Sleep Again: The Elm Street Legacy,” which was a comprehensive history of all the “Nightmare on Elm Street” movies up to that point. It was through that movie that Patton realized how the “Nightmare” fandom was still large enough that he could start making money by doing personal appearances, such as going to fan conventions that specialize in fantasy entertainment.

A considerable amount of the documentary shows Patton doing just that, as he’s seen interacting with fans, doing Q&As at “Nightmare” events, and traveling with his assistant Bill Nugent from personal appearance to personal appearance. The documentary also features commentary from “Nightmare” fans, some more famous than others. (Podcast host John Fozzie Nelson and drag queens Peaches Christ and Knate Higgins are among those who say glowing remarks about Patton.) Most of them either comment on the “Nightmare on Elm Street 2” movie, Patton’s identity as a gay man and/or how he and the movie helped them accept their own sexuality.

To his credit, Patton seems very grateful for fan appreciation, now that he knows how fickle fame can be. He has this to say about interacting with fans: “They don’t want to know about your problems. They want to see a movie star.” And he offers this response to people who think that doing the convention circuit is degrading: “If it seems whorish to do this, then be a good whore, because you’re taking their money.”

When he’s not traveling, Patton runs a gift shop in Mexico, where he lives with a man who’s described in the movie as his husband Hector Morales, who didn’t know when they first met about Mark’s past as a Hollywood actor. Because Patton is now a passionate AIDS activist and because he seems to have found true love with Hector, it’s safe to say that Patton is in a much better place in his life right now.

One of the best parts of the documentary is when it shows the 30th anniversary reunion of “A Nightmare on Elm Street 2: Freddy’s Revenge,” which took place at Shock Pop Comic Con in Fort Lauderdale, Florida. The reunion included director Sholder, along with cast members Robert Englund (who plays Freddy Kreuger), Patton, Myers, Clu Gulager, Marshall Bell and Robert Rusler.

Patton’s co-stars have good things to say about him, but Sholder is the only one shown on camera giving Patton a much-needed reality check that he needs to let go of all this hatred toward Chaskin. (Chaskin was originally announced to attend the 30th anniversary reunion, but he ended up not going, for reasons that weren’t made clear in the documentary.)

And so, it’s inevitable that near the end of the film, Patton and Chaskin agree to sit down together and hash out their differences, after not speaking to each other for decades. It’s a necessary part of this documentary, since all of Patton’s whining about Chaskin gets very irritating after a while. Ultimately, “Scream, Queen! My Nightmare on Elm Street” is a cautionary tale about bitterness, and it’s a wake-up call for any actors who think they’re owed a long and successful career in showbiz just because they starred in a couple of movies.

Virgil Films released “Scream, Queen! My Nightmare on Elm Street” in Los Angeles on February 27, 2020, and on VOD on March 3, 2020.

 

2018 Kennedy Center Honors: Cher, Reba McEntire, Philip Glass, Wayne Shorter, ‘Hamilton’ creators are the honorees

July 25, 2018

The following is a press release from the Kennedy Center:

The Kennedy Center Honors announced today that its honorees for 2018 will be actress Cher, composer and pianist Philip Glass, country music entertainer Reba McEntire and jazz saxophonist and composer Wayne Shorter. Additionally, the co-creators of the Tony Award-winning Broadway musical “Hamilton” – writer and actor Lin-Manuel Miranda, director Thomas Kail, choreographer Andy Blankenbuehler and music director Alex Lacamoire – will receive a unique Kennedy Center Honors as trailblazing creators of a transformative work that defies category. These artists will receive tributes during THE 41st ANNUAL KENNEDY CENTER HONORS, to be broadcast Wednesday, Dec. 26 (8:00-10:00 PM, ET/PT) on the CBS Television Network. CBS has broadcast the special each year since its debut 41 years ago.

“The Kennedy Center Honors recognizes exceptional artists who have made enduring and indelible marks on our culture,” stated Kennedy Center Chairman David M. Rubenstein. “Cher is the consummate star, wowing generations of fans with her distinctive voice, blockbuster albums and glittering on-screen presence; Philip Glass is a modern-day Mozart whose works across opera, symphony, chamber music and film define contemporary music and simply transfix us; country songstress Reba McEntire has inspired us over five decades with her powerhouse voice and music that conveys heartfelt, heartwarming honesty; Wayne Shorter is a seminal artist, defying categorization while carrying forward the mantle of jazz; and the creators of ‘Hamilton’ have literally and figuratively changed the face of American culture with daringly original, breathtakingly relevant work.”

“The world looks to America for its creative instincts and artistic courage. This year’s slate of Honorees represents the pinnacle of our nation’s originality and the rich mosaic of diverse perspectives and art forms that have come to define who we are as a people,” said Kennedy Center President Deborah F. Rutter.

“As the national cultural center, the Kennedy Center is guided by its artistic mission to pay tribute to the past, to offer a platform for artists making transformative impact in the present, and to shepherd creative innovators as we look toward the future,” Ms. Rutter continued. “Historically, the Kennedy Center Honors have celebrated lifetime achievement. In recognizing ‘Hamilton’ and its co-creators, the Kennedy Center is making an unprecedented statement about an unprecedented work – a work that transcends cultural boundaries and tells America’s story in a powerful and contemporary way.”

In a star-studded celebration on the Kennedy Center Opera House stage on Dec. 2, the 2018 Honorees will be saluted by today’s leading performers from New York, Hollywood and the arts capitals of the world, accepting the recognition and gratitude of their peers through performances and tributes.

The Honors recipients are recognized for their lifetime contributions to American culture through the performing arts – whether in dance, music, theater, opera, motion pictures or television – and are confirmed by the executive committee of the Center’s board of trustees. The primary criterion in the selection process is excellence. The Honors are not designated by art form or category of artistic achievement; over the years, the selection process has produced a balance among the various arts and artistic disciplines.

Ricky Kirshner and Glenn Weiss of White Cherry Entertainment will executive produce the special for the fourth consecutive year. Also, Weiss returns as director. The Kennedy Center Honors founding producer is George Stevens, Jr.

ABOUT THE HONOREES

Cher (Singer, Actress)

A worldwide superstar and household name for more than 50 years, Cher has conquered more challenges than a handful of other talents put together – recording, concerts, film and Broadway acting, television and directing. Along the way, she has been richly rewarded with an Academy Award®, a GRAMMY®, an Emmy®, three Golden Globes, a Cannes Film Festival Award and a People’s Choice Award.

Beginning as a studio backing singer in the 1960s, Cher met fledgling producer Sonny Bono, and they quickly became pop sensations with the worldwide smash “I Got You Babe.” Their attention-grabbing hair and clothes were an early hint of Cher’s subsequent profound influence on the world of fashion. The couple’s popularity peaked with “The Sonny and Cher Comedy Hour” television series until they split up in the mid-1970s. In 1982, Cher took a huge gamble to appear on Broadway in “Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean.” It worked, however, and prompted a hugely successful acting career, which included “Mask,” “Silkwood” and “Mermaids” and culminated in an Academy Award® for Best Actress in “Moonstruck.”

Cher stunned the music world with a complete musical reinvention in the mid-1980s, highlighted by her controversial hit video for “If I Could Turn Back Time.” But it would be her venture into the world of dance music with the GRAMMY® Award-winning “Believe” in 1998 that eclipsed it all. “Believe” made Cher the oldest woman (at 52) to have a #1 hit in the Hot 100 rock era. It made her the only female artist to have top 10 hits in every decade from the 1960s to 2000s. The subsequent three-year “Farewell Tour” played to more than three million fans, was captured in an Emmy®Award-winning TV special and is one of the most successful tours in history.

Cher remains very active as a stage performer, actress and recording artist with a starring role in the current movie “Mamma Mia! Here We Go Again,” a new album scheduled for September release, and a stage musical about her life debuting on Broadway in December.

Philip Glass (Composer, Pianist)

Born in Baltimore, Md., Philip Glass is a graduate of the University of Chicago and the Juilliard School. In the early 1960s, Glass spent two years of intensive study in Paris with Nadia Boulanger and, while there, earned money by transcribing Ravi Shankar’s Indian music into Western notation. By 1974, Glass had a number of innovative projects creating a large collection of new music for the Philip Glass Ensemble and for the Mabou Mines Theater Company. This period culminated in Music in Twelve Parts and the landmark opera “Einstein on the Beach,” for which he collaborated with Robert Wilson. Since then, Glass has expanded his repertoire to include music for opera, dance, theater, chamber ensemble, orchestra and film. His scores have received Academy Award nominations (“Kundun,” “The Hours,” “Notes on a Scandal”) and a Golden Globe (“The Truman Show”). In the past few years, several new works were unveiled, including an opera on the death of Walt Disney, “The Perfect American” (co-commissioned by Teatro Real, Madrid and the English National Opera); a new touring production of “Einstein”; the publication of Glass’ memoir, Words Without Music, by Liveright Books; and the premiere of the revised version of Glass’ opera “Appomattox,” in collaboration with librettist Christopher Hampton, at the Washington National Opera in November 2015.

Glass celebrated his 80th birthday on Jan. 31, 2017 with the world premiere of “Symphony No. 11” at Carnegie Hall. His 80th birthday season featured curated programming around the globe, including the U.S. premieres of operas “The Trial” and “The Perfect American,” and world premieres of several new works, including “Piano Concerto No. 3,” “String Quartet No. 8” and his first “Piano Quintet.”

Other recent accolades include the U.S. National Medal of the Arts, presented to Glass by President Barack Obama in 2015. In 2016, Glass was named the 11th recipient of the Glenn Gould Prize, a lifetime achievement award given to prominent musicians. Also, he was honored to hold Carnegie Hall’s Richard and Barbara Debs Composer’s Chair throughout the 2017-2018 season.

On Jan. 10, 2019, the Los Angeles Philharmonic will present the world premiere of Glass’ “Symphony No. 12,” based on David Bowie’s album Lodger, and a completion of three symphonies based on Bowie’s Berlin Trilogy. Glass continues to perform solo piano evenings, chamber music evenings with world renowned musicians and regularly appears with the Philip Glass Ensemble.

Reba McEntire (Country Music Entertainer)

Multi-media entertainment mogul Reba McEntire has become a household name through a flourishing career that spans music, television, film, theater and retail. Her album Sing It Now: Songs of Faith & Hope topped both the Billboard Country and Christian/Gospel charts, bolstering McEntire’s successful record of 35 #1 singles and over 56 million albums sold worldwide across four decades. The double-disc collection earned McEntire her third GRAMMY®Award and first GMA Dove Award. The Country Music Hall of Fame, Grand Ole Opry and Hollywood Bowl member has also won 16 ACM Awards, 15 American Music Awards, nine People’s Choice Awards and six CMA Awards. Her leadership and philanthropic endeavors have been recognized with the Andrea Bocelli Foundation Humanitarian Award, Leadership Music Dale Franklin Award, the Music Biz Chairman’s Award, the National Artistic Achievement Award from the U.S. Congress, and joining the Horatio Alger Association.

McEntire returned for the 15th time to host the ACM Awards in April 2018 and led the 2017 ratings-high CMA Country Christmas television special. In 2005 she partnered with Dillard’s to launch her own lifestyle brand, and launched the REBA by Justin™ collection at select retailers nationwide for holiday 2017. The Oklahoma native is an acclaimed actress with 11 movie credits to her name, a lead on Broadway in “Annie Get Your Gun,” and starred in the six-season television sitcom “Reba.” As part of the longest-running country act in the Colosseum’s history, she will join with superstar pals for another round of “REBA, BROOKS & DUNN: Together in Vegas at Caesars.”

Wayne Shorter (Jazz Saxophonist, Composer)

Wayne Shorter has been called a genius, a trailblazer, a visionary and one of the world’s greatest composers. Born in Newark, N.J. in 1933, he grew up poring through comic books and imagining adventures in undiscovered universes. He studied music at New York University, and upon graduating, he was drafted into the U.S. Army.

In 1959 Shorter joined Art Blakey’s Jazz Messengers as a saxophonist, eventually composing for the group and becoming its music director. After four years, Miles Davis invited him to join his second historical quintet, with Herbie Hancock, Tony Williams and Ron Carter. This marked the beginning of Shorter’s exploration of uncharted territories that led him to form, with pianist Joe Zawinul, the world’s first fusion band, Weather Report.

Over the next decade, Short produced a succession of jazz albums for the Columbia label. During this period, he became known for collaborations with greats across genres, including Joni Mitchell, Steely Dan, Carlos Santana and Don Henley. In 1996 he released High Life, which received the GRAMMY® for best contemporary jazz album. Two years later, he reunited with longtime friend Herbie Hancock for an intimate duet recording entitled “1+1,” winning another GRAMMYfor their collaboration. In 2000 he formed his first acoustic group under his name, the Wayne Shorter Quartet, featuring Danilo Shorter, John Patitucci and Brian Blade, which still performs today. At the same time, Shorter began exploring the world of classical music. He paired with the Los Angeles Philharmonic, the Royal Concertgebouw, and the BBC Chamber Orchestra, unveiling his new symphonic repertoire.

Shorter is the recipient of the NEA Jazz Masters Award (1998), the GRAMMY Lifetime Achievement Award (2015) and, most recently, the prestigious Polar Music Prize (2017). With a total of 11 GRAMMY Awards under his belt, Shorter refuses to slow down. Currently, in collaboration with Esperanza Spalding, he is composing his first opera, “Iphigenia,” his ultimate expression honoring the nobility of humanity – to awaken one’s inherent power. Wayne Shorter believes that there are no limits: “To me, jazz means: I dare you.”

The Co-Creators of “Hamilton”

Lin-Manuel Miranda (Writer and Actor)

Lin-Manuel Miranda is a Pulitzer Prize, GRAMMY®, Emmy® and Tony® Award-winning composer, lyricist and actor. He is the creator and original star of Broadway’s Tony Award-winning shows “Hamilton” and “In the Heights.” Additionally, his Broadway credits include “Bring It On: The Musical” (co-composer/co-lyricist, Tony nomination for Best Musical) and “West Side Story” (2009, Spanish translations). A 2015 MacArthur Foundation Award recipient, Miranda composed songs for Disney’s “Moana” (2017 Oscar and Golden Globe nominations for Best Original Song). He has actively supported the relief efforts in Puerto Rico following Hurricane Maria in September 2017, creating the benefit single “Almost Like Praying.” TV/film credits include “Saturday Night Live” (2017 Emmy nomination, Guest Actor), “Sesame Street,” “The Electric Company,” “House,” “How I Met Your Mother,” “DuckTales,” “Curb Your Enthusiasm,” “200 Cartas,” “The Odd Life of Timothy Green” and the upcoming 2018 holiday movie “Mary Poppins Returns.” In addition to his work as an artist, Miranda has worked with the Hispanic Federation since Hurricane Maria to support the rebuilding of Puerto Rico, and most recently he announced the launch of the Flamboyan Arts Fund to provide grants for artists, cultural institutions and programs on the island. Miranda received his B.A. from Wesleyan University in 2002. He lives with his family in New York City.

Thomas Kail (Director)

Thomas Kail received the 2016 Tony Award® for his direction of the Broadway production of “Hamilton.” He received a Tony nomination for his direction of “In the Heights.” Additional Broadway credits include the new plays “Lombardi” and “Magic/Bird.” Other credits include the world premiere of “Hamilton,” “Kings,” “Tiny Beautiful Things” and “Dry Powder” at the Public Theater; the world premiere of “In the Heights,” “Broke-ology” and the world premiere of “When I Come to Die” at Lincoln Center Theater; the world premiere of “Daphne’s Dive” at the Signature Theatre; Randy Newman’s “Faust,” as well as “The Wiz” at New York City Center; the world premiere of “The Tutors” at Second Stage Uptown; the world premiere of “Broke-ology” at Williamstown Theater Festival; the world premiere of A.R. Gurney’s “Family Furniture” at The Flea; and the national tour of “In the Heights.” Kail is the co-creator and director of the Hip Hop improv group Freestyle Love Supreme. He won the 2016 Emmy® for his direction of “Grease Live.” Also, Kail is the recipient of a Drama Desk Award, an Obie, a Callaway Award, the Lucille Lortel Award and the Martin E. Segal Award from Lincoln Center. He is a graduate of Wesleyan University.

Andy Blankenbuehler (Choreographer)

Andy Blankenbuehler is a proud three-time Tony Award® winner for his choreography in the Broadway productions of “Hamilton,” “Bandstand” and “In The Heights.” The recent production of “Bandstand” (director/choreographer) also received the Drama Desk and Chita Rivera Award for Best Choreography. Additional Broadway credits include “Bring It On” (Tony nomination), “9 to 5” (Tony nomination), “The People in the Picture,” “The Apple Tree,” “Annie,” and the recent revival of “CATS.” Other theatrical work includes “Desperately Seeking Susan” (West End), the world premiere of the new musical “FLY” (Dallas Theatre Center), “The Wiz” (City Center Encores), “A Little Princess” (Andrew Lippa), and the recent international tour of “Joseph and the Amazing Technicolor Dreamcoat.” Upcoming projects include the new musical “Only Gold” with British singer/songwriter Kate Nash.

On television, Mr. Blankenbuehler’s work has appeared on “Dirty Dancing,” “America’s Got Talent,” “So You Think You Can Dance,” “The Sopranos,” MTV, “Sesame Street” featuring Janelle Monae, and many commercials. He has staged concert work for both Elton John and Bette Midler, and he conceived, directed and choreographed the hit Caesars Palace production “Nights on Broadway.” His work will be seen on the big screen next year in a yet-to-be-titled film with writer/director Adam McKay, starring Christian Bale and Steve Carell.

As a performer, Mr. Blankenbuehler danced on Broadway in “Fosse,” “Contact,” “Man of La Mancha,” “Saturday Night Fever,” “Steel Pier,” “Big” and “Guys and Dolls.” Originally from Cincinnati, Mr. Blankenbuehler resides in New York City with his wife, Elly, and two children, Luca and Sofia. He is a recipient of a special 2015 Drama Desk Award for his achievement in the theater.

Alex Lacamoire (Music Supervisor/Orchestrator/Co-Arranger)

Alex Lacamoire is a three-time Tony Award® and three-time GRAMMY® winner for his work on the Broadway musicals “Hamilton,” “Dear Evan Hansen” and “In The Heights.” His film credits include “The Greatest Showman” (executive music producer) and “Incredibles 2” (arranger/orchestrator). As music director, arranger and/or orchestrator on Broadway, he has worked on “Annie” (2011 Broadway revival), “Bring It On,” “The People In The Picture,” “9 to 5” (Drama Desk and Grammy nominations), “Legally Blonde,” “High Fidelity” and “Wicked.” Other theatrical credits include “Bat Boy: The Musical,” “Godspell” (2001 National Tour), orchestrations for the Rockettes and the Academy Awards. He is an Emmy-nominated composer for “Sesame Street.”