Review: ‘The Addams Family 2,’ starring the voices of Oscar Issac, Charlize Theron, Chloë Grace Moretz, Javon ‘Wanna’ Walton, Nick Kroll, Bette Midler and Bill Hader

October 1, 2021

by Carla Hay

“The Addams Family 2”: Pictured in front row, from left to right: Gomez Addams (voiced by Oscar Isaac), Wednesday Addams (voiced by Chloë Grace Moretz), Morticia Addams (voiced by Charlize Theron), Pugsley Addams (voiced by Javon “Wanna” Walton) and It (voiced by Snoop Dogg). Pictured in back row, from left to right: Uncle Fester (voiced by Nick Kroll, Lurch (voiced by Conrad Vernon) and Grandma (voiced by Bette Midler). (Image courtesy of Metro Goldwyn Mayer Pictures)

“The Addams Family 2”

Directed by Conrad Vernon and Greg Tiernan

Culture Representation: Taking place in various parts of the U.S., the animated film “The Addams Family 2” features a predominantly white cast of characters (with a few African Americans and Latinos) representing the working-class and middle-class.

Culture Clash: The ghoulish Addams Family goes on a cross-country road trip, in an effort to create more family bonding, as adolescent daughter Wednesday Addams goes through an identity crisis about her biological origins. 

Culture Audience: Besides appealing to the obvious target audience of “Addams Family” fans, “The Addams Family 2” will appeal primarily to people who don’t mind watching overly cluttered animated films that have a very weak plot.

Wednesday Addams (voiced by Chloë Grace Moretz) and Cyrus Strange (voiced by Bill Hader) in “The Addams Family 2” (Image courtesy of Metro Goldwyn Mayer Pictures)

In the animated film “The Addams Family 2,” the family goes on a road trip while being chased by a lawyer who wants Wednesday Addams’ DNA because he says he needs to prove she’s not biologically related to the Addams Family. That’s all you need to know about how bad this sequel is. You don’t even have to be a familiar with “The Addams Family” franchise to know that the members of this comedically ghoulish clan are supposed to be very tight-knit (despite the occasional inter-family squabbles) precisely because they’re misfits in the real world and have an “us against them” attitude about it. It’s the basis of the comedy of “The Addams Family” franchise, which has included movies and TV shows, both live-action and animated.

“The Addams Family 2” is directed by Conrad Vernon and Greg Tiernan, who both also helmed the 2019 animated film “The Addams Family.” Wednesday Addams (voiced by Chloë Grace Moretz) is the gloomy, sarcastic and intelligent daughter of cheerful Gomez Addams (voiced by Oscar Isaac) and somber Morticia Addams (voiced by Charlize Theron), who looks and acts like stereotypical witch. With their pale skin and long, straight black hair, Wednesday and Morticia clearly have a physical resemblance to each other and have similar personalities. And yet, “The Addams Family 2” has a very misguided idea to have Wednesday go through an identity crisis just because someone told her that she’s not a true biological member of the family.

Pugsley Addams, who is Wednesday’s goofy pre-teen younger brother, is more like his father Gomez. In “The Addams Family 2,” Pugsley is voiced by Javon “Wanna” Walton, who replaces Finn Wolfhard, who voiced Pugsley in “The Addams Family” 2019 animated movie. Wednesday is such a negative person that she likes to torture and taunt Pugsley with cruel pranks and insults.

Also in the Addams Family are Uncle Fester (voiced by Nick Kroll), who is Gomez’s oddball bachelor brother; Cousin It (voiced by Snoop Dogg), a hair-covered character who grunts and raps; and Grandma (voiced by Bette Midler), Gomez’s sassy and free-spirited mother. All of them except for Cousin It live together in the same foreboding mansion up on a hill in an unnamed U.S. city. Cousin It drops in occasionally to visit; he’s not a major character in this movie.

Also living in the household, but not biologically related to the Addams Family, are two servants: a disembodied hand called Thing and a butler named Lurch (voiced by Conrad Vernon), who resembles the Frankenstein monster and who doesn’t talk but makes other sounds to communicate. In the 2019 “The Addams Family” movie, Lurch came to live with the family after Morticia and Gomez got into a car accident with a car that was transporting Lurch to an institution for the criminally insane. Lurch was able to escape, and he was invited to live with the Addams Family as their butler. The Addams Family also has a pet lion named Kitty.

In the beginning of “The Addams Family 2,” the family is gathered to watch Wednesday participate in the Cyrus Strange Foundation Science Fair. She is demonstrating an invention that she created which is intended to have the ability to extract personalities and intelligence and implant them in other beings through DNA. Wednesday is so confident about her invention, she’s sure that she will be declared the science fair’s winner.

As a live experiment to demonstrate how the invention works, Wednesday shows how Uncle Fester can’t solve a Rubik’s cube puzzle, while a smart octopus can solve the puzzle. She then temporarily implants the octopus’ DNA into Uncle Fester, and he’s able to solve the puzzle. However, for the rest of the movie, Uncle Fester becomes a mutant with the physical characteristics of an octopus. It’s one of this movie’s many terrible ideas, in a failed attempt at making this story funny.

The audience is impressed with Wednesday’s experiment. However, Wednesday becomes furious when she finds out that this science fair isn’t going to name a winner, because everyone who participated will get a ribbon as a prize. Wednesday fumes, “How can you be a winner if no one is a loser? Is this the third grade? It does not count!”

Someone who has been watching this science fair from afar is founder Cyrus Strange (voiced by Bill Hader), who appears at the event as a hologram. Cyrus asks Wednesday if she would like to work with him to further develop her invention. Cyrus says he has the money and resources to help her, but she declines his offer.

At home, Wednesday has been showing typical signs of adolescent rebellion. She doesn’t want to join the family when they’re gathered for dinner. She’s been sulking more than usual. And she’s been expressing that she wants more independence from her family, because she thinks her parents are too supportive of her.

Gomez decides the best way to resolve this issue is for the entire family (with Lurch, Thing and Kitty in tow) to go on a road trip together. Grandma will stay behind to look after the house. In typical Addams Family fashion, the black automobile that they’re using for the road trip looks like a combination of a recreational vehicle and a hearse.

Just as the Addams Family is packing up to leave for the trip, an attorney named Mr. Mustela (voiced by Wallace Shawn) shows up to inform the Addams Family that he represents a family in Sausalito, California. Mr. Mustela says that his clients are convinced that their daughter was switched at birth with Wednesday, and Mr. Mustela has arrived to collect Wednesday’s DNA as proof. He wants Wednesday’s DNA, right then and there.

Morticia and Gomez scoff at the idea that Wednesday is not their biological child. They refuse Mr. Mustela’s request and tell him to leave. But is this the last they’ll see of Mr. Mustela? Of course not. With a mute, hulking goon named Pongo as his accomplice, Mr. Mustela follows the Addams Family as they go on their road trip, which takes them to Niagra Falls, Sleepy Hollow, Miami, San Antonio, the Grand Canyon, Death Valley and Sausalito.

Why in the world would Wednesday and anyone else in her family start to doubt her biological identity? It happens during the road trip, when Uncle Fester confesses that there was a time when he was all alone in the hospital nursery where Wednesday was placed, shortly after Wednesday was born. This story is shown in a flashback.

Even as a baby, Wednesday did not look like other kids. However, Uncle Fester says that he was goofing around in the nursery and he started juggling the babies. Looking back on it, he thinks it’s possible that he could have put some of the babies back in the wrong cribs. However, what’s dumb about this major plot hole of a story is that Wednesday looked so vastly different from the other babies that there’s no way that a seeing person could confuse her with any of the other babies in the room.

As her parents, Gomez and Morticia should know this too, but that doesn’t stop them from having doubts that maybe Wednesday isn’t their biological child. Uncle Fester’s story sends Wednesday into an even more angst-ridden emotional tailspin. For a girl who’s supposed to be scientifically smart, this awful movie suddenly dumbs her down, in service of a poorly conceived story.

“The Addams Family 2” does what a lot of animated sequels do: It takes the characters on a journey to different places, just so it’ll make the movie try to look more adventurous than its predecessor. Sometimes this idea works, and sometimes it doesn’t. In the case of “The Addams Family 2,” it doesn’t work because the entire basis of the “possibly switched at birth” plot is flawed and an insult to how the Addams Family characters are supposed to be.

“The Addams Family 2” also has a bizarre recurring joke of Uncle Fester trying to teach a pre-teen Pugsley how to charm and seduce women. It’s supposed to be funny because Uncle Fester is terrible at dating and has very little experience with romance. But he creepily pressures Pugsley to start looking for a girlfriend who’s close to Pugsley’s age, even though this kid is too young to be dating anyone.

Didn’t any of the filmmakers think how inappropriate and weird this subplot is, considering that Pugsley hasn’t even reached puberty yet? Dan Hernandez, Benji Samit, Ben Queen and Susanna Fogel are the four screenwriters for “The Addams Family 2,” so they’re largely to blame for coming up with the awful ideas that plague this movie. However, other chief decision makers (including directors Vernon and Tiernan) were involved in making this movie into a stinking mess, so there’s plenty of blame to go around.

The road trip is just an excuse for the Addams Family to go from location to location and get into various shenanigans along the way. Wednesday is crueler than ever to Pugsley in this movie. For example, in one scene at Niagra Falls, Wednesday has a cursed voodoo doll of Pugsley, which she callously throws into the waterfall, therby making Pugsley plunge into the deadly waterfall with the doll. The movie wants to make viewers laugh at all the physical abuse and attempted murder that’s inflicted on Pugsley, but it’s not slapstick comedy that’s genuinely funny. It’s just plain mean-spirited.

Meanwhile, Grandma is at the mansion, which she has turned into a nightclub-styled party house where she’s charging young people $500 per person for admission. It’s a half-baked idea that’s executed in a mediocre and predictable way. It just recycles a tired joke that an old person partying with young people is automatically supposed to be funny.

“The Addams Family 2” isn’t the worst animated movie you’ll ever see. But it’s offensively bad enough because it had so much potential to be a good movie, considering its generous budget and very talented voice cast. “The Addams Family” movie that preceded it wasn’t great either, but it didn’t wildly go off-track like “The Addams Family 2” does. “The Addams Family 2” is an example of what happens when filmmakers don’t respect a franchise’s characters, and come up with an ill-conceived story that doesn’t ring true to how fans know these characters.

Metro Goldwyn Mayer Pictures released “The Addams Family 2” in U.S. cinemas and on VOD on October 1, 2021.

Review: ‘Tom and Jerry,’ starring Chloë Grace Moretz, Michael Peña, Colin Jost, Rob Delaney and Ken Jeong

March 2, 2021

by Carla Hay

Jerry and Tom in “Tom and Jerry” (Image courtesy of Warner Bros. Pictures)

“Tom and Jerry”

Directed by Tim Story

Culture Representation: Set in New York City, the live-action/animated film “Tom and Jerry” features a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: Longtime “frenemies” Tom (a stray cat) and Jerry (a pesky mouse) find themselves causing mischief at an upscale hotel, which will be the site of a major celebrity wedding.

Culture Audience: “Tom and Jerry” will appeal primarily to fans of the original “Tom and Jerry” cartoon series or people who want something for their young children to watch, but this clumsily made and boring film can’t come close to the exuberant spirit of the original “Tom and Jerry” cartoons.

Goldie, Jerry, Chloë Grace Moretz, Michael Peña and Rob Delaney in “Tom and Jerry” (Image courtesy of Warner Bros. Pictures)

Animation technology has come a long way since the “Tom and Jerry” franchise was created in 1940 with a series of short films by William Hanna and Joseph Barbera. But having better technology still can’t replace good storytelling. And in that respect, the live-action/animated film “Tom and Jerry” (directed by Tim Story) is vastly inferior to all the “Tom and Jerry” films that came before it. Even if the movie might have been “dumbed down” with the intent of making it easier for very young children to understand, it’s still an insult to children’s intelligence to make this such a dull and awkward film.

Written by Kevin Costello, “Tom and Jerry” is a movie that looks like a haphazard collection of short sketches that were forced into a flimsy overall plot. In the movie, main characters Tom (an animated cat) and Jerry (an animated mouse) wreak havoc at an upscale New York City hotel that’s the venue for a high-profile celebrity wedding. Tom and Jerry are famously mute, while other animated animal characters in their world can talk. It’s too bad that no one muted this lazy and unimaginative movie by not making the movie at all.

What’s supposed to pass as comedy in this film is very stale. The action sequences are forgettable. And there’s no suspense in this story because everyone, except for people who’ve never seen cartoons before, will know exactly how this movie is going to end. The live-action actors all look like they did this movie for their paychecks, not because their hearts are in it.

“Tom and Jerry” takes place in New York City, where Tom and Jerry have known each other for an undetermined period of time and have crossed paths on the streets of New York City, where they live. Jerry is the “brattier” one of the two. In an early scene in the movie, a marquee sign at Madison Square Garden shows that Tom is a keyboardist who’s supposed to be appearing as an opening act for John Legend.

But, as an example of how poorly written this movie is, Tom is then shown playing his keyboard in a park, busking for change to a small group of people and pretending to be a blind musician. It doesn’t make sense that an artist who’s reached the level of playing Madison Square Garden, even as an opening act, would have to stoop to the level of doing these small-time con games. The marquee could have been Tom’s fantasy but it’s presented in the movie as real.

Jerry knows that Tom isn’t really blind, so it isn’t long before he causes some mischief and exposes Tom for being a fraud. It’s one of many “back and forth” acts of revenge that the cat and mouse play on each other throughout the story. None of these acts is particularly inventive or exciting in this movie. Tom has two imaginary alter egos that can talk and represent his inner thoughts: an “angel” that represents Tom’s “good side” and a “devil” that represents Tom’s bad side. Both characters are voiced by Lil Rel Howery.

As Tom chases Jerry for ruining Tom’s “blind keyboardist” act, they both crash into Mackayla “Kayla” Forester, a temp worker in her 20s who was on her way from picking up dry cleaning in her work as a personal assistant. Of course, the clothes go flying in different directions and get dirty.

The next thing you know, Kayla is on the phone with her boss (played by Craig Stein) at the employment agency, and he tells her that she’s suspended. She begs for another chance and offers to be his personal assistant. He refuses and says she might not be suited for this type of work. She agrees and quits on the spot.

Kayla is apparently having financial problems because she’s been going to the Royal Gale Hotel by pretending to be a guest and getting free meals at the buffet-styled dining area. The hotel’s main doorman Gavin (played by Daniel Adegboyega) knows that she’s been doing this freeloading. The next time he sees Kayla arrive at the hotel one morning, he asks if she’s back for the free food.

After getting some free breakfast, Kayla is in the lobby when she sees a prim and proper woman who looks like she might be able to afford a personal assistant. The woman is seated by herself in the lobby. Kayla sits down next to the woman, who is a Brit named Linda Perrybottom (played by Camilla Arfwedson), and strikes up a conversation.

Kayla is wearing a black leather jacket and tight black jeans, so she’s not as well-dressed as most of the hotel’s usual clientele. Linda notices it immediately, and she’s a little standoffish when Kayla tries to figure out if she can finagle her way into this stranger’s life for some money. Kayla asks Linda if she needs a personal assistant, and the answer is no.

It turns out that Linda is not a guest at the hotel, but she’s applying for a temp job in the hotel’s events department. Linda tells Kayla that she wants the job so that she can work on the upcoming wedding ceremony of a celebrity couple named Preeta Mehta (played by Pallavi Sharda) and Ben Jacobson (played by Colin Jost), who are famous enough to be on the cover of a gossip magazine that Linda shows to Kayla. It’s implied that Preeta and Ben are in the entertainment business, probably as actors.

Although Linda seems wary of Kayla, Linda ends up talking too much and giving away too much information about herself. Kayla sees an opportunity to steal Linda’s identity by first lying to Linda and saying that she’s an undercover supervisor who works for the hotel and was testing Linda to see how she treats strangers at the hotel. Kayla tells Linda that she failed the test because Linda was rude and indiscreet about Preeta and Ben’s wedding.

Kayla then asks Linda to see her résumé and tells Linda that she didn’t get the job. And just like that, Kayla takes Linda’s résumé, goes to a copy center to replace Linda’s name with her own. The résumé is so impressive that Kayla is hired on the spot for the job that Linda wanted. Needless to say, Kayla has no experience in hotel hospitality work or in event planning.

Kayla’s immediate boss is Terence Mendoza (played by Michael Peña), the hotel’s events manager. Terence reports to Henry Dubros (played by Rob Delaney), the hotel’s general manager. They both meet Kayla for the interview and put her immediately to work.

Terence is a smarmy character who becomes suspicious of Kayla’s qualifications early on, so she has to always keep one step ahead of him to prevent him from finding out that she’s a fraud. Terence is more likely to dismiss Kayla’s ideas, while Henry is more open-minded and willing to give Kayla a chance. Terence is desperate for Henry’s approval, so he’s often two-faced in how he deals with employees, depending on how well he thinks it will help further his career and impress Henry.

During Kayla’s first day on the job, she’s introduced to some of the other hotel employees who are featured in the movie. Chef Jackie (played by Ken Jeong) is a cranky taskmaster who likes to yell at his subordinates. Joy (played Patsy Ferran) is a nervous and socially awkward bellhop. Cameron (played by Jordan Bolger) is a laid-back and friendly bartender, who ends up giving Kayla some pep talks when certain things start to go wrong for her.

The first problem that Kayla encounters is finding out there’s a mouse loose in the hotel. The mouse is first spotted in one of the worst places to find a mouse: in the kitchen. And we all know who the mouse is. Tom the cat is lurking around too, so Kayla decides to “hire” Tom to capture Jerry. There’s a scene where Tom is literally wearing a bellhop cap, as if that is automatically supposed to be funny.

The rest of the movie is just more run-arounds, mishaps and sight gags, leading up to the big wedding. There’s a very dull subplot about how Ben ignores that Preeta wants a simple ceremony, and he becomes caught up in the idea of making the wedding more and more elaborate. It’s supposed to be a traditional Indian wedding, but Ben has taken over the wedding planning, as if he wants it to be a big movie production.

Ben is also very nervous about getting the approval of Preeta’s stern father (played by Ajay Chhabra), who acts like he can barely tolerate Ben. There are some humorless scenes where Ben and Mr. Mehta interact with each uncomfortably. Preeta’s mother (played by Somi De Souza) and Ben’s parents (played by Patrick Poletti and Janis Ahern) are also there, but their characters are written as very non-descript and unremarkable.

Ben’s obsession with wanting a lavish wedding reaches a point where he gets two elephants and a tiger for the ceremony. The idea is to have Ben and Preeta ride in on the two elephants, whose names are Cecil and Malcolm. All of the wild animals in the movie are animated characters. So too are the movie’s many domesticated animals, including Ben and Preeta’s pets: a bulldog named Spike (voiced by Bobby Cannavale) and a pampered cat named Toots.

The other animal characters in “Tom and Jerry” are three alley cats that are members of a gang that sometimes menace Tom: gang leader Butch (voiced by Nicky Jam), red-haired Lightning (voiced by Joey Wells) and diminutive Topsy (voiced by Harry Ratchford). There’s also Goldie, a goldfish that lives in Henry’s office and becomes a hunting target for Tom. And there’s a rapping bird named Pigeon (voiced by “Tom and Jerry” director Story) that acts as a narrator.

Because “Tom and Jerry” is a live-action/animation hybrid, the movie relies heavily on how convincing the actors look next to these animated characters. Moretz fares the best in putting the most effort in expressing different emotions with these imaginary animals. Peña at times looks uncomfortable, while Jeong dials up his angry and sarcastic persona to the highest and campiest notches.

There are some very predictable hijinks that ensue that often happen in movies with a wedding as the center of the action. A ring goes missing, a cake is in danger of being destroyed, and certain characters will inevitably have a big fight. It’s nothing that hasn’t already been done in other movies.

In addition to the formulaic plot developments, the dialogue and gags are often cringeworthy. When Kayla first meets Preeta and Ben, she gushes over them and tells them what a cute couple they are. Kayla also compliments Preeta on Preeta’s enormous engagement ring: “That rock! You can see it from outer space!” Ben smugly replies, “You can see our love from outer space.”

And it should come as no surprise that Spike the bulldog character is used for the inevitable fart and defecation jokes that every kids-oriented animal film seems to have these days. Spike eats a burrito that doesn’t agree with his intestinal system. And there’s a scene where Terence has to walk the dog after the dog ate the burrito. Enough said.

The direction and tone of “Tom and Jerry” are best described as a movie that doesn’t have any clever ideas and jumps around too much from antic to antic, in order to distract people from the very weak plot. The alley cat gang, which could have been used for more comedy, is very under-used in the film. Tom and Jerry do their expected slapstick shenanigans, but they’re surrounded by human characters that are just too bland.

And the movie’s visual effects aren’t very impressive, since some of the animation looks really out-of-place with the live actors. An example of a live-action/animation hybrid that did everything right is 1988’s “Who Framed Roger Rabbit,” which didn’t have a lot of the animation technology that exists today. “Tom and Jerry” isn’t the worst animated film ever. But considering that people have so many better options, this movie is not essential viewing. It’s just not worth watching if you’re interested in engaging entertainment that’s truly fun to experience.

Warner Bros. Pictures released “Tom and Jerry” in U.S. cinemas and on HBO Max on February 26, 2021.

Review: ‘Red Shoes and the Seven Dwarfs,’ starring the voices of Chloë Grace Moretz, Sam Claflin, Gina Gershon, Patrick Warburton and Jim Rash

September 22, 2020

by Carla Hay

Jack (voiced by Frederik Hamel), Hans (voiced by Nolan North), Arthur (voiced by Simon Kassianides), Snow White/Red Shoes (voiced by Chloë Grace Moretz), Merlin (voiced by Sam Claflin) and Pino, Noki, Kio (all three voiced by Frank Todaro) in “Red Shoes and the Seven Dwarfs” (Image courtesy of Lionsgate)

“Red Shoes and the Seven Dwarfs”

Directed by Sung-ho Hong, with co-direction from Moo-Hyun Jang and Young Sik Uhm

Culture Representation: This animated re-imagination of the “Snow White and the Seven Dwarfs” features an all-white cast of characters.

Culture Clash: The Seven Dwarfs are cursed by a spell that has made them into dwarfs, and Snow White’s evil stepmother wants possession of the red shoes worn Snow White, because the shoes can make someone look young and beautiful .

Culture Audience: “Red Shoes and the Seven Dwarfs” will appeal to anyone who’s a fan of the original “Snow White” fairy tale and anyone who’s looking for a mildly entertaining and predictable reimagination of this classic.

Magic Mirror (voiced by Patrick Warburton) and Regina (voiced by Gina Gershon) in “Red Shoes and the Seven Dwarfs” (Image courtesy of Lionsgate)

Imagine the classic fairytale “Snow White” reimagined as a story about the importance of judging people for who they are rather than for their physical appearances. It’s this positive message that uplifts the lightweight and mostly enjoyable animated “Red Shoes and the Seven Dwarfs,” which can be entertaining to watch for people of any generation. The story will be completely predictable to adults, but the appealing animation and the briskly paced adventure aspects of the story (the movie is 92 minutes long) should keep most viewers interested from beginning to end.

Written and directed by Sung-ho Hong (and co-directed by Moo-Hyun Jang and Young Sik Uhm), “Red Shoes and the Seven Dwarfs” begins with a twist on the origin story of the Seven Dwarfs. It’s explained that they used to be tall, good looking young men who were members of a heroic group known as the Fearless Seven. They are described as “the greatest heroes of Fairy Tale Island.”

However, one day the Fearless Seven made the mistake of attacking a fairy princess who looked like a witch, so she cursed them by turning them into green dwarfs. The only way to break this curse is for them to get a kiss from the most beautiful girl in the world. Feminists might cringe at this aspect of the story, but if you’re easily offended by stories that have old-fashioned ideas of the roles of males and females, then avoid fairy tales altogether.

The Seven Dwarfs (formerly known as the Fearless Seven) have become outcasts in society and their only mission now is to find the most beautiful girl in the world. As far as the world is concerned, the Fearless Seven have disappeared and have been missing for more than a year by the time that the Seven Dwarfs meet Snow White. The Seven Dwarfs are so ashamed of how they look that they deny that they are the Fearless Seven if anyone suspects that they are.

The Seven Dwarfs are Merlin, the group’s friendly leader (voiced by Sam Claflin); Arthur (voiced by Simon Kassianides), the often-impulsive warrior who tries to pull his Excalibur sword out of a stone; Jack (voiced by Frederik Hamel), a finicky Frenchman; Hans (voiced by Nolan North), a gung-ho German; and triplets Pino, Noki and Kio (voiced by Frank Todero), who are relegated to sidekick roles with personalities that can’t be distinguished from one another.

Meanwhile, an evil witch named Regina (voiced by Gina Gershon) has a pair of high-heled red shoes that have the power to make the person wearing them look young, thin and conventionally beautiful. These shoes are her most-prized possession because wearing the shoes can changes Regina’s appearance from a mean-looking old hag (her real physical appearance) to someone whose physical appearance is in keeping with conventional standards of beauty.

Snow White (voiced by Chloë Grace Moretz) is a princess who lives with her widower father, the king of the land. The major difference between this Snow White and other versions of Snow White is that this Snow White happens to be plus-sized and self-conscious about her looks. However, her father accepts and loves her for exactly who she is. At the beginning of the story, Snow White has just turned 18 and is set to inherit adult royal duties.

And it’s around this time that Regina shows up in town with a strange mirror, and people in the town start mysteriously disappearing. Regina, who has disguised herself as a beautiful young woman (thanks to wearing the red shoes), has found a way to charm the king and get him to marry her, but the king disappears not long after the marriage. Snow White finds the magical red shoes, turns into a thin and conventional pretty young woman, and flies away on a broom to look for her father. An enraged Regina then does what she can in her royal stepmother power to find Snow White and the red shoes.

During Snow White’s quest to find her father, she encounters the Seven Dwarfs. They think she could be the most beautiful girl in the world. Therefore, much of the movie revolves around the Seven Dwarfs trying to find out if Snow White is the one who can break their curse. Meanwhile, because she has other people do the dirty work for her, she is seen back at the castle with her talking Magic Mirror (voiced by Patrick Warburton), which gives her advice on what to do next.

Snow White has been declared a fugitive thief, so when she meets the Seven Dwarfs, she lies and tells them her name is Red Shoes. She wants them to help her find her father, but they don’t want to admit that they’re the heroic group called the Fearless Seven. However, they all have to dodge people who are out to get Snow White, since there’s a reward for anyone who can capture her.

There’s kind of a cringeworthy scene were Arthur awkwardly tries to kiss Snow White/Red Shoes, but she’s resistant because she’s not attracted to him at all. And it should come as no surprise to people looking for a fairy tale romance in this story that Snow White falls for another dwarf in the group. It’s very easy to guess who it is. The movie plays around a lot with the idea of whether or not this budding romance will survive if Snow White and her would-be beau have their true physical selves revealed to each other.

There’s also a subplot of a spoiled royal named Prince Average (voiced by Jim Rash), who is throwing a birthday party for himself, and he’s obsessed with getting “beautiful people” to attend his party. What he wants most is for a beautiful princess to be his date for the party, so he sends his minions to go out and find one and bring her back to him. It’s really not all that much different from real life, when rich people hire supermodels to be at their parties.

In fact, some parts of “Red Shoes” have some underlying sly commentary about how shallow people can become so obsessed with youth and beauty that it can turn them into soulless people who lose sight of what really matters in life. This isn’t a movie that needs to be over-analyzed, but there is an interesting metaphor that can be found between the Magic Mirror and what’s going with a lot of people who over-use Instagram and other social media for ego validation. “Red Shoes and the Seven Dwarfs” essentially has the message that people who put a fake image of themselves out there the world so that they can be rewarded for it in some way end up doing the most damage to themselves.

In an animation world where movies from Pixar, Disney Animation and DreamWorks Animation get most of the major awards and blockbuster sales, “Red Shoes and the Seven Dwarfs” (from Locus Animation Studio) isn’t going to make a dent in that domination. However, the animation and other visuals in “Red Shoes” are very good for a movie that has the fraction of the budget that a movie from Pixar, Disney Animation or DreamWorks Animation would have.

If “Red Shoes and the Seven Dwarfs” looks and sounds very influenced by Disney, that might be because the movie’s character design and animation direction are by Jin Kim, whose credits include the Disney animated films “Fantasia 2000,” “Frozen II” and “Tangled.” Also complementing the film well is the musical score by Geoff Zanelli, whose movies credits include the Disney live-action films “Maleficent: Mistress of Evil” and “Pirates of the Caribbean: Dead Men Tell No Tales.” However, there are elements of “Red Shoes and the Seven Dwarves” that are also influenced by a film from a Disney rival: DreamWorks Animation’s first “Shrek” movie.

The subplot with Prince Average makes the story a little cluttered at times, but the movie doesn’t drag too much and there’s enough humor in it so that it doesn’t seem to take itself too seriously. And as is the case with many reimagined fairy tales that have been updated with modern sensibilities, this Snow White is definitely not a damsel in distress who needs to be rescued by a prince at the end of the story.

Disney’s 1937 animated film “Snow White and the Seven Dwarfs” stuck to the fairy tale that had traditional gender roles in who does the rescuing. The overall message of “Red Shoes and the Seven Dwarfs” has a more impactful message about how true love can be found if it isn’t based solely on how someone looks and if you have self-acceptance first.

Lionsgate released “Red Shoes and the Seven Dwarfs” on digital and VOD on September 18, 2020, and on Blu-ray and DVD and September 22, 2020.

SK-II recruits Chloe Grace Moretz and other stars for #Bare Skin Project

June 8, 2018

Chloe Grace Moretz for SK-II Bare Skin Project
Chloe Grace Moretz for #SK-II Bare Skin Project (Photo courtesy of SK-II)

The following is a press release from SK-II:

In a world where nearly half of all women believe they must wear makeup to feel beautiful and confident,1 prestige skincare brand SK-II makes a bold affirmation to the beauty of bare skin in its latest campaign—the #BareSkinProject. This statement-making movement turns the spotlight on six global celebrities who have boldly taken on the challenge to reveal their bare skin for the first time with the help of SK-II’s signature Facial Treatment Essence.

The #BareSkinProject’s first endeavor, a photoshoot by world renown photographers from Magnum Photos, features SK-II’s six celebrity muses–Chloe Moretz, Chun Xia, Kasumi Arimura, Mayu Matsuoka, Ni Ni and Tang Wei in a bold and unfiltered light.

To offer the most authentic vision of bare skin beauty, all six celebrities were photographed with no makeup on their skin by photographers Christopher Anderson, Alessandra Sanguinetti and Jim Goldberg. There was also no skin retouching for all photos in the #BareSkinProject.

“It’s still unconventional to see female celebrities photographed bare skin and through the #BareSkinProject, we hope to provide a different point of view, said Sandeep Seth, CEO, Global SK-II.  “We are proud to partner with six brave personalities who share the same goal. We hope their authentic journeys with Facial Treatment Essence will inspire women all over the world to embrace their natural bare skin beauty.

The celebrities rallied together in a resounding show of support for the movement. “It was so refreshing to hear about a campaign that aims to embrace women’s natural beauty and spark a movement of authenticity and confidence,said American actress Chloe Moretz.  “I knew that this was a perfect fit for me and what I represent.”

As part of the campaign, SK-II will also launch short films that intimately document each celebrity’s personal journey with Magnum Photos. They will be revealing their bare skin and showcasing their unique skin journey with Facial Treatment Essence.  Chloe’s film will launch on June 29 on YouTube and SK-II.com.

“Our goal was to capture authentic emotions as they went through their journeys,” said directors Virgile Textier and Guillaume Cagniard from HOSSEGOR. “Although each journey is unique, they each went through similar emotions of doubt, excitement, boldness and pride. It’s beautiful to see it all unfold.”

For more information and to see exclusive #BareSkinProject content, visit the #BareSkinProject online exhibition on SK-II’s Instagram at https://www.instagram.com/skii or visit https://www.sk-ii.com/bareskin.html.

About SK-II Facial Treatment Essence
Since the discovery of Pitera™ more than 37 years ago, SK-II’s iconic bestseller Facial Treatment Essence has helped millions of women around the world achieve crystal clear skin. SK-II’s signature ingredient Pitera™ is a bio-ingredient containing over 50 micro-nutrients such as vitamins, minerals, amino acids and organic acids. Pitera™ helps condition skin, lock in moisture from within over time and soothes skin concerns caused by external aggressors such as UV and pollution. Formulated with over 90% Pitera™, SK-II’s Facial Treatment Essence helps transform skin to beautiful bare skin– reducing the appearance of wrinkles, giving a more refined skin texture, leaving less visible spots, improving firmness and elevating radiance.

About SK-II 
For more than 35 years, SK-II has touched the lives of millions of women around the world by helping them to #ChangeDestiny through the miracle of crystal clear skin. The fascinating story behind SK-II begins at a sake brewery in Japan, where scientists noticed the elderly workers had wrinkled faces, but extraordinarily soft and younger-looking hands. A rigorous search of more than 350 kinds of yeast was conducted before SK-II’s researchers discovered the unique yeast strain from which Pitera is naturally derived. Pitera, exclusive to SK-II, is the cornerstone of the brand and transforms the five dimensions of skin – texture, radiance, firmness, spot control and wrinkle resilience – that lead to crystal clear skin. A leading skin care brand in Asia for years, SK-II is now becoming a beauty must-have in the U.S. with its best-selling and award-winning Facial Treatment Essence, Facial Treatment Mask and GenOptics Aura Essence serum.

For the latest news and in-depth information, please visit http://www.sk-ii.com/.

1The Renfrew Center, 2012. Available from: https://www.huffingtonpost.com/alexis-sclamberg/makeup_b_1291785.html

“It was so refreshing to hear about a campaign that aims to embrace women’s natural beauty and spark a movement of authenticity and confidence. I knew that this was a perfect fit for me and what I represent.” Chloe Grace Moretz

“From where I come from, healthy bare skin is a big trend but most of the time, these bare skin photos are still enhanced by “a natural make up look”. With the #BareSkinProject, I want to show my sincerity to my audience and fans and present my most natural self in bare skin.” – Chun Xia

“For me, wearing make up is like “turning my switch on for work” and there is a pressure to always wear make up on set.  With the #BareSkinProject, I took on the challenge of going for my first photoshoot with no makeup on my skin at all – just skin care. Preparing with Facial Treatment Essence for this shoot gave me confidence. My skin condition has improved and with my clear skin I was able to stand in front of the camera naturally and confidently.” Kasumi Arimura

“I truly admire the #BareSkinProject’s authentic and unfiltered take on beauty. It is very unconventional and I love doing something different and challenging myself. I was nervous initially but preparing with the ‘miracle water’, SK-II’s Facial Treatment Essence, gave me confidence to turn up on set bare face and do my best.” – Ni Ni

“When I first heard about SK-II’s #BareSkinProject, I thought I could not do it as I have never revealed my bare skin in public before. I was initially nervous about the shoot for Bare Skin Pride series but long term usage of SK-II Facial Treatment Essence has improved my skin condition and really gave me the confidence I needed to take up this challenge. Facial Treatment Essence has been my trusted skin care companion for many years and it has never once let me down.” – Tang Wei

“The photography I gravitate to tends to be something that is simple, instinctive and from the heart. This is why the #BareSkinProject spoke to me in such a big way. I was shooting for Bare Skin Uniqueness and it is the first time I heard a beauty brand tell me that the celebrities were not going to have any make up on their skin. The brand was not going to do any skin photoshop. The sheer authenticity of their message was really powerful.” Christopher Anderson

“Most of my work is around women’s lives, the passing of time and the degree to which we control our destiny. The only way to tell these stories is with intimacy, and that is exactly what this campaign was about for me. Letting me photograph them as they really look, simply, with no makeup, no masks and no pretensions made the short time I had with them very personal and intimate. It was a luxury to work on a campaign that appreciates women as they really are and not what they are supposed to look like.” Alessandra Sanguinetti

“Most of my work involves collaborations with individuals or groups who are unapologetically themselves. I am drawn to those who are able to share their strengths and their vulnerabilities with me in front of the camera. Beauty comes in many forms and I see my role as an image-maker to help reveal the unique loveliness that lies beneath the surface of my subjects. When photographing Tang Wei and Arimura for the #BareSkinProject, I was able to use this use authentic and honest approach. and they in turn trusted me enough to reveal their selves to the camera. Their natural confidence lit up the shoot. They are perfect representatives of women who are not afraid to be themselves and meet the world on their own terms.”Jim Goldberg