Review: ‘Darby and the Dead,’ starring Riele Downs and Auli’i Cravalho

January 2, 2023

by Carla Hay

Riele Downs and Auli’i Cravalho (both pictured in center) in “Darby and the Dead” (Photo by Marcos Cruz/20th Century Studios/Hulu)

“Darby and the Dead”

Directed by Silas Howard

Culture Representation: Taking place in an unnamed U.S. city, the fantasy comedy film “Darby and the Dead” features a racially diverse cast of characters (African American, white, Asian and Latino) representing the working-class and middle-class.

Culture Clash: After a popular but snobby girl in high school dies in a freak accident, she returns as a ghost to haunt her psychic former best friend to throw a tribute party for her, and the former friend goes from being a social outcast to being the most popular student in the school.

Culture Audience: “Darby and the Dead” will appeal primarily to people who don’t mind watching teen comedies that are “dumbed down” for audiences, and lazily mix together plots that were in superior movies.

Riele Downs, Asher Angel and Auli’i Cravalho in “Darby and the Dead” (Photo by Marcos Cruz/20th Century Studios/Hulu)

The cringeworthy comedy “Darby and the Dead” is as fresh and funny as a rotting corpse. This dreadful dud relentlessly insults its characters and viewers, as it clumsily rips off ideas from better movies. It’s easy to see why 20th Century Studios dumped “Darby and the Dead” on a streaming service instead of releasing the movie in theaters: “Darby and the Dead” is the type of awful movie that viewers would want refunds for if they had the misfortune of buying movie tickets for it.

Directed by Silas Howard, “Darby and the Dead” (written by Becca Greene and Wenonah Wilms) was originally titled “Darby Harper Wants You to Know.” It’s about a psychic teenage girl who can see dead people and is then haunted by a former best friend while they argue about issues having to do with cliques and popularity at their high school. You don’t have to be a psychic to know that this subject matter has been so overdone with predictable endings in comedy films about teenagers, any movie with the same concept has do something special to stand out from the forgettable mediocrity of most of these formulaic teen films.

Unfortunately, everything about “Darby and the Dead” looks like it was made by out-of-touch adults who took the cheesiest aspects of teen comedies from the 1980s and 1990s and just shoveled it into “Darby and the Dead” while making a few technological updates for the early 2020s. “Darby and the Dead” has the benefit of some talented cast members, but they don’t have believable chemistry as friends or enemies in the movie. In “Darby and the Dead,” they look exactly like what they are: cast members in their 20s pretending to be teens in high school and trying too hard to be comical while saying their very unfunny lines of dialogue.

The title character of “Darby and the Dead” is Darby Harper (played Riele Downs), a sarcastic loner, who’s about 16 or 17 years old. Darby is also a psychic who lives with her widowed father Ben (played by Derek Luke) in an unnamed U.S. city. (“Darby and the Dead” was actually filmed in South Africa.) Darby’s constant voiceover narration gets annoying after a while, because what she thinks are witty observations are actually just dull rants from a teenager who doesn’t want to admit that she’s bitter about her life.

When she was 7 years old, Darby (played by Milan Maphike) witnessed her mother (played by Kim Syster) drown while they were both swimming in an ocean. The movie also shows a brief flashback of Darby (played by Emily Maphike), when Darby was about 13 or 14 years old. “I was never the same,” Darby explains about how the death of her mother changed Darby. “I see dead people everywhere. The dead needed my help.” Darby says she turned her back on the living world and started what she calls her “side hustle: counseling dead people.”

She calls herself a “spiritual messenger, of sorts” and the ghosts who still haunt Earth have “unfinished business.” Darby further explains what happened to the ghosts who received her help: “Spirits were able to cross over, which is pretty beautiful. Word spread in the purgatory circuit, and my after-school job took off. There’s no pay, but if dead people’s gratitude had value, I’d be [Amazon’s billionaire founder] Jeff Bezos.”

Now that it’s been established that Darby has such a huge ego, she thinks she’s the Jeff Bezos of the ghost world, Darby becomes quite insufferable for much of the movie, as she shows a mixture of self-pity and arrogance about being a pariah at her high school. On the one hand, Darby likes to brag about how she thinks she’s too smart and too special to mingle with the common people who go to her high school. On the other hand, it’s obvious that she desperately craves their approval.

One of the reasons why she’s treated like an outsider is that anti-social Darby talks out loud to the ghosts that no one else can see. Therefore, people wonder if Darby has some type of mental illness. When it comes to being shunned by her peers, Darby also puts a lot of blame on her former best friend Capri Donohue (played by Auli’i Cravalho), who is a classmate of Darby’s at Frederick Douglass High School. Darby says in a voicever that Capri is the “head phony” at the school, which Darby calls “a torturous realm, where I am forced to spend my days.”

Capri is currently the queen bee of the most popular clique in school. Capri’s three subservient sidekicks are Bree (played by Genneya Walton), Taylor (played by Kylie Liya Page) and Piper (played by Nicole Maines), whose personalities are indistinguishable from each other. Because Darby has a reputation for being weird, Capri ended their friendship. Capri and her “mean girls” clique also ridicule and insult Darby any chance that they can get.

Adding to the animosity between the two ex-pals is (teen comedy cliché alert) they both want to date the same guy. His name is James Harris (played by Asher Angel, in a generic teen boyfriend role), whom Darby describes as a “band geek” she’s had a crush on since sixth grade. However, when James went on “The Voice” TV talent show as a contestant and had his 15 minutes of fame, Capri suddenly took an interest in him, turned on the charm, and now Capri and James are dating each other. James has fallen hard for Capri, but Capri is not nearly as smitten. Capri is interested in James as long as she thinks that dating him will boost her popularity.

Meanwhile (teen comedy cliché alert), a new transfer student named Alex (played by Chosen Jacobs) arrives at the school. Principal Morgan (played by Anthony Oseyemi) tells Darby, of all people, to be Alex’s study buddy in school. It’s quite the unrealistic, meddling reach for a school principal to order a student to be a study buddy for another student who just transferred to the school. Alex is friendly, a little nerdy, and he likes a lot of the same entertainment and literature that Darby likes. And you know what that means.

Maybe the “Darby and the Dead” filmmakers didn’t want to use the tired teen-comedy stereotype of making two potential love interests get assigned by a teacher to be study partners, usually in a biology class. However, by having the school principal force this partnership, it just looks even phonier. At any rate, as soon as Alex meets Darby, and she is rude and standoffish to him, you know exactly what’s going to happen between these two characters later in the movie.

While Darby has voiceover rants about how Capri and her friends are horrendous snobs, Darby doesn’t see the irony that she is almost equally unpleasant and snooty to Alex when she rebuffs his attempts to become her friend. “I’m a lone wolf,” Darby curtly tells Alex. The off-putting tone of “Darby and the Dead” is that viewers are supposed to automatically love Darby’s rudeness because she’s the “underdog” of the story. However, Darby is such a terribly written character (she says multiple times she doesn’t like being around people who are still alive), there’s no good reason to root for her for most of the story.

As part of Darby’s “spiritual guidance” counseling sessions, “Darby and the Dead” has some awkward filler of Darby hanging out with two old men (who are both dead) that is embarrassing to everyone in these movie scenes. A better movie would have had more variety in the types of ghosts that Darby helps, but that would involve creative imagination, which “Darby and the Dead” sorely lacks. It actually comes across as a little creepy that these dead old men have gravitated to this underage teen.

Gary (played by Tony Danza) is a dead janitor who used to work at the high school, but he hasn’t passed on to the other side. He’s waiting for his widow to die and join him, so they can cross over to the other side of the spirit world together. There’s a stupid scene of Darby talking to Gary on the school bleachers, and he gives Darby some cash to pass on to his widow. This scene is as bad as it sounds.

Even worse: Gary introduces Darby to his dead friend Mel (played by Wayne Knight), who died of a heart attack but has not crossed over the other side yet. Mel’s wife died 17 years earlier. Mel is concerned that when he dies, his wife will see him in the body that Mel has now: older and with a lot more weight gain, compared to 17 years ago. Darby assures Mel that when he passes on to the next realm to reunite with his dead wife, Mel will be his “optimal self” (whatever that means). So now, viewers know that not only does Darby think she’s the Jeff Bezos of the ghost world, she also thinks she’s a makeover guru for the ghost world.

Capri’s death doesn’t happen until almost halfway through the movie, which takes entirely too long to get to this plot development, considering “Darby and the Dead” is marketed as a movie that’s mostly about what happens after Capri dies. Capri’s death is another badly written, phony-looking scene: In a school locker room, Capri is holding a plugged-in, hairstyling iron after stealing Darby’s clothes in a bullying incident. Capri accidentally falls down in a shallow body of water while holding the iron, she gets electrocuted, and dies.

You already know what’s going to happen next: Capri won’t cross over into the other realm, Darby can see Capri’s ghost, and the two teens spend a lot of time bickering and getting on each other’s nerves. Capri’s “unfinished business” is that she died before she could have her Sweet 17 birthday party extravaganza. Capri makes a deal with Darby: Capri will leave Darby alone if Darby turns the birthday party into a special tribute for Capri, and Capri will teach Darby how to become the most popular girl in school.

What about Capri’s boyfriend James? “Darby and the Dead” has more terribly staged scenarios over this love triangle. And let’s not forget Alex, who is waiting around and hoping that Darby will wake up and see that Alex is a much better match for her. There are absolutely no surprises in “Darby and the Dead,” which isn’t necessarily a bad thing, but the movie makes it all so boring and witless.

Downs isn’t horrible in the role of Darby. She’s just been saddled with a horrible script, and she’s just not able to make grumpy Darby all that endearing for most of the movie. There’s only so much whining and pouting that viewers can take from Darby, a teenager who’s actually fairly privileged and is, by her own admission, anti-social by choice.

Cravalho, who’s best known as a singer, might excel in musical roles, such as her voice-starring title role in Disney’s 2016 animated film “Moana.” However, live-action comedy doesn’t appear to be a strong suit for Cravalho, who is too hammy in “Darby and the Dead,” and she needs to work on her comedic timing. Not only is Capri dead for most of the movie, but Capri also has a dead personality. Cravalho tries too hard to be campy in this role, and her performance just doesn’t work well for how this mean-spirited and soulless character is written.

The rest of the cast members are serviceable and don’t do anything special. “Darby and the Dead” fails to impress as a movie that can portray teenagers in ways other than the usual, narrow movie stereotypes. To rephrase the title of a Nirvana song, the teen spirit in “Darby of the Dead” smells like bad filmmaking.

Hulu premiered “Darby and the Dead” on December 2, 2022.

Review: ‘When the Streetlights Go On,’ starring Chosen Jacobs, Sophie Thatcher, Sam Strike and Queen Latifah

April 13, 2020

by Carla Hay

Sophie Thatcher and Chosen Jacobs in “When the Streetlights Go On” (Photo courtesy of Quibi)

“When the Streetlights Go On”

Directed by Rebecca Thomas and Brett Morgen

Culture Representation: Taking place in Colfax, Illinois, the mystery drama “When the Streetlights Go On” has a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the middle-class.

Culture Clash: An African American man tells the story of the year he was 15, when two sisters from his high school were murdered within six months of each other.

Culture Audience: “When the Streetlights Go On” will appeal to people who like “mature audience”-level stories about teenagers and don’t mind if the stories have a lot of formulaic clichés.

Sam Strike and Sophie Thatcher in “When the Streetlights Go On” (Photo courtesy of Quibi)

The streaming service Quibi (which launched on April 6, 2020) has set itself apart from its competitors by offering only original content, and each piece of content is 10 minutes or less. Therefore, content that Quibi has labeled a “movie” actually seems more like a limited series, since Quibi will only make the “movie” available in installments that look like episodes. One of the original movies that was part of Quibi’s launch is “When the Streetlights Go On,” a mystery drama about a man who tells the story about what happened in the year that he was 15 years old, when two sisters from a prominent family were murdered within six months of each other, beginning in the summer of 1995.

“When the Streetlights Go On” is narrated by a man named Charlie Chambers, but the entire story is told as a flashback to 1995, in the suburb of Colfax, Illinois, which was devastated by the murders of Chrissy Monroe (played by Kristine Froseth) and her younger sister Becky Monroe (played by Sophie Thatcher). Charlie is seen in “When the Streetlights Go On” only as his 15-year-old self (played by Chosen Jacobs), as the story unfolds from his perspective.

Chrissy was the sister who was murdered first, and her brutal slaying is shown in the first installment of “When the Streetlights Go On.” A popular high-school student, Chrissy also had a big secret: She was having an affair with her married teacher Steve Carpenter (played by Mark Duplass). Steve is so besotted with Chrissy that he tells her that he’s going to leave his wife for her. One night, while Chrissy and Steve meet in the woods for a tryst in his car, they are ambushed by a man armed with a gun and wearing a ski mask.

The masked man orders Steve to drive all three of them further into the woods, where he orders Steve and Chrissy to strip to their underwear before he shoots both of them in the head. The double homicide has stunned and terrified the community. And it’s at the forefront of the local high school’s gossip when school resumes in the fall, because the murderer hasn’t been caught yet. (“When the Streetlight Goes On” has some violence and language that don’t make it suitable for very young or very sensitive viewers.)

Heading the homicide investigation is Detective Darlene Grasso (played by Queen Latifah), who is a very by-the-numbers generic cop character that has been done many times before in TV shows and movies. Charlie, who’s a writer/reporter for the school’s newspaper, seems himself as an aspiring investigative journalist, so he asks to be assigned the story of investigating Chrissy’s murder.

Meanwhile, all eyes at the school are on Chrissy’s younger sister Becky, who is the opposite of Chrissy. Becky is quiet, withdrawn and one of those “quirky” creative types who doesn’t make friends easily. People feel sympathy for her but they also feel awkward around her because they don’t know what to say to her about her tragic loss. And a creepy thing happens when the murderer calls Chrissy’s phone number (which hadn’t been disconnected yet after she died), to apparently taunt the Monroe family and the authorities.

During the course of the story, two very different young men fall under suspicion for murdering Chrissy. One of the possible suspects is Brad Kirchoff (played by Ben Ahlers), who was Chrissy’s high-school boyfriend while she was also secretly having an affair with Steve Carpenter. There’s speculation that Brad (who’s a popular but very arrogant guy) might have found out about the affair, and murdered Chrissy and Steve out of jealousy and revenge. It doesn’t help Brad look innocent when he admits that he and Chrissy argued shortly before she was murdered.

The other young man who gets a lot of scrutiny is Casper Tatum (played by Sam Strike), a rebellious delinquent with an arrest record and a drug problem. Casper is a student who’s slightly older than high-school age because his failing grades have prevented him from graduating from high school with his original class. Because he’s over 18 and doesn’t seem to have any parental supervision, he has a lot more freedom than other students at the high school.

Because of Casper’s hoodlum reputation, more people in the community think that he’s the murderer than those who think Brad is the one who’s guilty. Casper has a massive crush on Becky, but he thinks he has no chance with her, because even if he weren’t under a cloud of suspicion for murdering her sister, Becky would still be considered out of Casper’s league. But Casper soon learns that Becky has a crush on him too, and they begin dating each other.

Casper and Becky’s relationship is a major scandal in the community. Becky ignores the orders of her parents (played by Cameron Bancroft and Eliza Norbury) to stop seeing Casper. One of the people who is the most offended by this romance is Brad, who thinks Becky is being disrespectful of Chrissy’s memory by dating someone whom a lot of people in the community think is the one who murdered Chrissy.

Needless to say, Brad isn’t shy about telling people that he thinks Casper is the murderer. Brad gets so angry at Becky that he curses her out and physically assaults her at school. Brad later apologizes to Becky, but when Casper hears about the assault, that leads Casper and Brad to have a major brawl at a house party attended by several of the students. It seems like every TV show or movie that’s centered on a high school has to show at least one big fight among students.

Meanwhile, Becky and Charlie become friends, as they bond over their mutual love of reading the same type of literature. You know where this is going: Charlie starts to fall for Becky too. And because Charlie is distracted by his feelings for Becky, it leads to him losing some interest in investigating Chrissy’s murder.

“When the Streetlights Go On” starts off promising, but it rapidly goes downhill when it starts to focus on Charlie falling in love with Becky. What happened to the murder mystery? It takes a back seat in the story after Charlie tries to get Becky to fall in love with him.

The acting in “When the Streetlights Go On” isn’t very remarkable, except for Thatcher, who gives a standout performance as the troubled and complicated Becky. And this story from screenwriters Chris Hutton and Eddie O’Keefe needed a lot of improvement. For example, it would’ve been better to not tell viewers up front that Becky would be murdered too.

When Becky’s death happens at the end, it’s not shocking because viewers know it’s coming. And when the murderer is finally revealed, how this reveal is handled is very rushed and almost like an afterthought. If you want to see yet another story about an angst-ridden teenage love triangle, then “When Streetlights Go On” might not disappoint you. But if you’re looking for a compelling drama about solving a murder mystery, then this isn’t that story.

Quibi premiered “When the Streetlights Go On” in 10 chapters, with the first three chapters debuting on April 6, 2020.

https://www.youtube.com/watch?v=mahQOEbhA7o

Copyright 2017-2024 Culture Mix
CULTURE MIX