Review: ‘Thor: Love and Thunder,’ starring Chris Hemsworth, Christian Bale, Tessa Thompson, Taika Waititi, Russell Crowe and Natalie Portman

July 5, 2022

by Carla Hay

Natalie Portman and Chris Hemsworth in “Thor: Love and Thunder” (Photo by Jasin Boland/Marvel Studios)

“Thor: Love and Thunder”

Directed by Taika Waititi

Culture Representation: Taking place on Earth and other parts of the universe (including the fictional location of New Asgard), the superhero action film “Thor: Love and Thunder” features a predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: Nordic superhero Thor Odinson, also known as the God of Thunder, teams up with allies in a battle against the revengeful villain Gorr the God Butcher, while Thor’s ex-girlfriend Jane Porter has her own personal battle with Stage 4 cancer. 

Culture Audience: Besides appealing to the obvious target audience of comic book movie fans, “Thor: Love and Thunder” will appeal primarily to people who are fans of the movie’s headliners and action movies that skillfully blend drama and comedy.

Christian Bale in “Thor: Love and Thunder” (Photo courtesy of Marvel Studios)

“Thor: Love and Thunder” could also be called “Thor: Grief and Comedy,” because how of this superhero movie sequel balances these two themes with some results that are better than others. The movie goes big on showing bittersweet romance and the power of true friendships. Some of the movie’s subplots clutter up the movie, and any sense of terrifying danger is constantly undercut by all the wisecracking, but “Thor: Love and Thunder” gleefully leans into the idea that a superhero leader can be a formidable warrior, as well as a big goofball and a sentimental romantic.

Directed by Taika Waititi, “Thor: Love and Thunder” is also a commercial showcase for Guns N’Roses music. It’s the first Marvel Studios movie to blatantly shill for a rock band to the point where not only are four of the band’s hits prominently used in major scenes in the movie, but there’s also a character in the movie who wants to change his first name to be the same as the first name of the band’s lead singer. The music is well-placed, in terms of conveying the intended emotions, but viewers’ reactions to this movie’s fan worship of Guns N’Roses will vary, depending on how people feel about the band and its music. The Guns N’Roses songs “Welcome the Jungle,” “Paradise City,” “Sweet Child O’ Mine” and “November Rain” are all in pivotal scenes in “Thor: Love and Thunder.”

“Thor: Love and Thunder” picks up where 2019’s blockbuster “Avengers: Endgame” concluded. What’s great about “Thor: Love and Thunder” (which Waititi co-wrote with Jennifer Kaytin Robinson) is that the filmmakers didn’t assume that everyone watching the movie is an aficionado of the Marvel Cinematic Universe (MCU), nor did they assume that everyone watching “Thor: Love and Thunder” will know a lot about the Nordic superhero Thor Odinson (played by Chris Hemsworth) before seeing the movie. Near the beginning of the movie, there’s a montage summary (narrated cheerfully by Waititi’s Korg character, a rock-like humanoid who is one of Thor’s loyal allies) that shows the entire MCU history of Thor up until what’s about to happen in “Thor: Love and Thunder.”

The movie’s opening scene isn’t quite so upbeat, because it gets right into showing that grief will be one of the film’s biggest themes. In a very barren desert, a man and his daughter (who’s about 8 or 9 years old, played by India Rose Hemsworth) are deyhdrated, starving, and close to dying. The girl doesn’t survive, and the man is shown grieving at the place where he has buried her. Viewers soon find out that this man is Gorr the God Butcher (played by Christian Bale), who is the story’s chief villain. But he didn’t start out as a villain.

After the death of his daughter, a ravenously hungry Gorr ends up a tropical-looking, plant-filled area, where he devours some fruit. Suddenly, a male god appears before Gorr, who is pious and grateful for being in this god’s presence. Gorr tells the god: “I am Gorr, the last of your disciples. We never lost our faith in you.”

The god scoffs at Gorr’s devotion and says, “There’s no eternal reward for you. There’ll be more followers to replace you.” Feeling betrayed, Gorr replies, “You are no god! I renounce you!” The god points to a slain warrior on the ground and tells Gorr that the warrior was killed for the Necrosword, a magical sword that can kill gods and celestials. The Necrosword levitates off of the ground and gravitates toward Gorr.

The god tells Gorr: “The sword chose you. You are now cursed.” Gorr replies, “It doesn’t feel like a curse. It feels like a promise. So this is my vow: All gods will die!” And you know what that means: Gorr kills the god in front of him, and Thor will be one of Gorr’s targets.

Meanwhile, Thor is seen coming to the rescue of the Guardians of the Galaxy, who need his help in battling some villains on a generic-looking planet in outer space. All of the Guardians are there (except for Gamora, who died at the end of “Avengers: Endgame”), and they see Thor as a powerful ally. However, the Guardians are worried that Thor has lost a lot of his emotional vitality. Thor (who hails from Asgar) is grieving over the loss his entire family to death and destruction.

Thor is also still heartbroken over the end of his romantic relationship with brilliant astrophysicist Jane Foster (played by Natalie Portman), who was in 2011’s “Thor” and 2013’s “Thor: The Dark World.” Viewers will find out in a “Thor: Love and Thunder” flashback montage what really happened that caused the end of this relationship. Jane and Thor are considered soul mates, but their devotion to their respective work resulted in Thor and Jane drifting apart.

Guardians of the Galaxy leader Peter Quill, also known as Star-Lord (played by Chris Pratt), tries to give Thor a pep talk, because Star-Lord can relate to losing the love of his life (Gamora, played by Zoe Saldana), but the main difference is that Thor has a chance to see Jane again because she’s still alive. As shown in the trailer for “Thor: Love and Thunder,” Jane will soon come back into Thor’s life in an unexpected way, when she gains possession of Thor’s magical hammer, Mjolnir, and she reinvents herself as the Mighty Thor. As an example of some of the movie’s offbeat comedy, Korg keeps getting Jane Foster’s name wrong, by sometimes calling her Jane Fonda or Jodie Foster.

The Guardians of the Galaxy section of “Thor: Love and Thunder” almost feels like a completely separate short film that was dropped into the movie. After an intriguing opening scene with Gorr, viewers are left wondering when Gorr is going to show up again. Instead, there’s a fairly long stretch of the movie with Thor and the Guardians of the Galaxy

After spending a lot of meditative time lounging around in a robe, Thor literally throws off the robe for the battle scene with Thor and the Guardians of the Galaxy, as the Guns N’Roses song “Welcome to the Jungle” blares on the soundtrack. After the battle is over (it’s easy to predict who the victors are), Thor’s confident ego seems to have come roaring back. He exclaims with a huge grin: “What a classic Thor adventure! Hurrah!”

As a gift for this victory, Thor gets two superpowered goats, which have the strength to pull space vessels and whose goat screaming becomes a running gag in the movie. The visual effects in “Thor: Love and Thunder” get the job done well enough for a superhero movie. But are these visual effects groundbreaking or outstanding? No.

The Guardians’ personalities are all the same: Star-Lord is still cocky on the outside but deeply insecure on the inside. Drax (played by Dave Bautista) is still simple-minded. Rocket (voice by Bradley Cooper) is still sarcastic. Mantis (played by Pom Klementieff) is still sweetly earnest. Groot (voiced by Vin Diesel) still only has three words in his vocabulary: “I am Groot.”

Nebula (voiced by Karen Gillan), who is Garmora’s hot-tempered adopted sister and a longtime Guardians frenemy, is now an ally of the Guardians. Guardians associate Kraglin Obfonteri (played by Sean Gunn) makes a brief appearance to announce that he’s gotten married to an Indigarrian woman named Glenda (played by Brenda Satchwell), who is one of his growing number of his wives. It’s mentioned in a joking manner that Kraglin has a tendency to marry someone at every planet he visits.

With his confidence renewed as the God of Thunder, Thor decides he’s ready to end his “retirement” and go back into being a superhero. He says goodbye to the Guardians, who fly off in their spaceship and wish him well. Little does Thor know what he’s going to see someone from his past (Jane), whom he hasn’t seen in a long time.

Sif (played by Jaimie Alexander), an Asgardian warrior who was in the first “Thor” movie and in “Thor: The Dark World,” re-appears in “Thor: Love and Thunder,” but she now has a missing left arm and has to learn to re-adjust her fighting skills. Sif’s presence in this movie isn’t entirely unexpected. It’s a welcome return, but some viewers might think that Sif doesn’t get enough screen time.

Meanwhile, as shown in “Avengers: Endgame,” Thor gave up his King of New Asgard title to his longtime associate Valkyrie (played by Tessa Thompson), who’s finding out that being the leader of New Asgard isn’t quite as enjoyable as she thought it would be. She’d rather do battle alongside her buddy Thor instead of having to do things like attend dull council meetings or cut ribbons at opening ceremonies. New Asgard is a fishing village that has become a tourist destination that plays up its connection to Thor and his history.

The stage play recreation of Thor’s story was used as a comedic gag in 2017’s “Thor: Ragnarok” (also directed and written by Waititi), and that gag is used again in “Thor: Love and Thunder,” as this play is staged in New Asgard, but with an update to include what happened in “Thor: Ragnarok.” Making uncredited cameos as these stage play actors in “Thor: Love and Thunder” are Matt Damon as stage play Loki (Thor’s mischievous adopted brother), Luke Hemsworth as stage play Thor, Melissa McCarthy as stage play Hela (Thor’s villainous older sister) and Sam Neill as stage play Odin (Thor’s father). This comedic bit about a “Thor” stage play isn’t as fresh as it was in “Thor: Ragnarok,” but it’s still amusing.

One of the New Asgard citizens is a lively child of about 13 or 14 years old. His name is Astrid, and he announces that he wants to change his first name to Axl, in tribute to Axl Rose, the lead singer of Guns N’Roses. Axl (played by Kieron L. Dyer) is the son of Heimdall (played by Idris Elba), the Asgardian gatekeeper who was killed by supervillain Thanos in 2018’s “Avengers: Infinity War.” As fans of superhero movies know, just because a character is killed on screen doesn’t mean that that character will never be seen again. And let’s just say that “Thor: Love and Thunder” makes it clear that people have not seen the last of Heimdall.

Jane has a poignant storyline because she has Stage 4 cancer, which is something that she’s in deep denial about since she wants to act as if she still has the same physical strength as she did before her cancer reached this stage. Jane’s concerned and loyal assistant Darcy Lewis (played by Kat Dennings) makes a brief appearance to essentially advise Jane to slow down Jane’s workload. Jane refuses to take this advice.

The way that Jane gets Thor’s hammer isn’t very innovative, but she finds out that the hammer gives her godlike strength and makes her look healthy. It’s no wonder she wants to explore life as the Mighty Thor. (Her transformation also includes going from being a brunette as Jane to being a blonde as the Mighty Thor.)

And where exactly is Gorr? He now looks like a powder-white Nosferatu-like villain, as he ends up wreaking havoc by going on a killing spree of the universe’s gods. And it’s only a matter of time before Gorr reaches New Asgard. With the help of shadow monsters, Gorr ends up kidnapping the children of New Asgard (including Axl) and imprisoning them in an underground area. Guess who’s teaming up to come to the rescue?

After the mass kidnapping happens, there’s a comedic segment where Thor ends up in the kingdom of Greek god Zeus (played by Russell Crowe), a toga-wearing hedonist who says things like, “Where are we going to have this year’s orgy?” Zeus is Thor’s idol, but Thor gets a rude awakening about Zeus. Thor experiences some humiliation that involves Thor getting completely naked in Zeus’ public court. Crowe’s questionable Greek accent (which often sounds more Italian than Greek) is part of his deliberately campy performance as Zeus.

“Thor: Love and Thunder” packs in a lot of issues and switches tones so many times, it might be a turnoff to some viewers who just want to see a straightforward, uncomplicated and conventional superhero story. However, people who saw and enjoyed “Thor: Ragnarok” will be better-prepared for his mashup of styles that Waititi continues in “Thor: Love and Thunder,” which has that same spirit. “Thor: Love and Thunder” tackles much heavier issues though, such as terminal illness and crushing heartbreak.

The movie’s cancer storyline with Jane could have been mishandled, but it’s written in a way that has an emotional authenticity among the fantastical superhero shenanigans. “Thor: Love and Thunder” also goes does fairly deep in exposing the toll that superhero duties can take on these superheroes’ love lives. Thor and Jane have to come to terms with certain decisions they made that affected their relationship.

The movie also provides a glimpse into the personal lives of supporting characters Korg and Valkyrie. In a memorable scene, Valkyrie and Korg are alone together in an area of Thor’s Viking ship, and they have a heart-to-heart talk about not finding their true loves yet. They are lovelorn cynics but still show some glimmers of optimism that maybe they will be lucky in love. It’s in this scene where Korg mentions that he was raised by two fathers, and Valkyrie briefly mentions having an ex-girlfriend. A scene later in the movie shows that Korg is open having a same-sex romance.

All of the cast members do well in their roles, but Hemsworth and Portman have the performances and storyline that people will be talking about the most for “Thor: Love and Thunder.” The ups and downs of Thor and Jane’s on-again/off-again romance are not only about what true love can mean in this relationship but also touch on issues of power, control, trust and gender dynamics. It’s a movie that acknowledges that two people might be right for each other, but the timing also has to be right for the relationship to thrive.

Bale does a very solid job as Gorr, but some viewers might be disappointed that Gorr isn’t in the movie as much as expected. That’s because the first third of “Thor: Love and Thunder” is taken up by a lot of Guardians of the Galaxy interactions with Thor. In other words, Gorr’s villain presence in “Thor: Love and Thunder” is not particularly encompassing, as Hela’s villain presence was in “Thor: Ragnarok.”

The movie’s final battle scene might also be somewhat divisive with viewers because one member of Thor’s team is not part of this battle, due to this character being injured in a previous fight and being stuck at a hospital. Fans of this character will no doubt feel a huge letdown that this character is sidelined in a crucial final battle. Leaving this character out of this battle is one of the flaws of “Thor: Love and Thunder.”

The mid-credits scene and end-credits scene in Thor: Love and Thunder” show characters who are supposed to be dead. The mid-credits scene also introduces the family member of one of the movie’s characters, while the end-credits scene teases the return of other characters who exist in another realm. Neither of these scenes is mind-blowing. However, they’re worth watching for MCU completists and anyone who likes watching all of a movie’s credits at the end.

What “Thor: Love and Thunder” gets right is that it shows more concern than many other MCU movies about how insecurities and isolation outside the glory of superhero battles can have a profound effect on these heroes. Saving the universe can come at a heavy emotional price, especially when loved ones die. Whether the love is for family members, romantic partners or friends, “Thor: Love and Thunder” acknowledges that love can result in grief that isn’t easy to overcome, but the healing process is helped with loyal support and some welcome laughter.

Disney’s Marvel Studios will release “Thor: Love and Thunder” in U.S. cinemas on July 8, 2022.

Review: ‘Jurassic World Dominion,’ starring Chris Pratt, Bryce Dallas Howard, Laura Dern, Jeff Goldblum, Sam Neill, DeWanda Wise and Mamoudou Athie

June 8, 2022

by Carla Hay

Jeff Goldblum, Sam Neill, Laura Dern, Bryce Dallas Howard, Chris Pratt, Isabella Sermon and DeWanda Wise in “Jurassic World Dominion” (Photo courtesy of Universal Pictures)

“Jurassic World Dominion”

Directed by Colin Trevorrow

Culture Representation: Taking place in the United States and briefly in Malta, the sci-fi/action film “Jurassic World Dominion” features a predominantly white cast of characters (with some black people, Latinos and Asians) portraying scientists, business people and animal advocates involved in some way with the interaction of the dinosaur population that was first seen in 1993’s “Jurassic Park.”

Culture Clash: As dinosaurs and humans co-exist on Earth, swarms of giant locusts are eating crops and killing off Earth’s population, while a group of scientists and other people race against time to save the world. 

Culture Audience: Besides appealing to the obvious target audience of “Jurassic” franchise fans, “Jurassic World Dominion” will appeal to fans of the stars of the movie, as well as viewers who will tolerate a mediocre and jumbled story to see some familiar faces.

Beta and Blue in “Jurassic World Dominion” (Photo courtesy of Universal Pictures)

Bloated and with a scatterbrained plot, “Jurassic World Dominion” is a disappointing, overstuffed mess with too many awkward jokes and not enough dinosaur action. Bringing back original “Jurassic Park” cast members will just remind viewers how superior the first “Jurassic Park” movie is to this “Jurassic World” sequel. Colin Trevorrow directed and co-wrote 2015’s “Jurassic World,” a spinoff to the “Jurassic Park” series that began with 1993’s “Jurassic Park.”

Trevorrow was set to direct 2018’s “Jurassic World: Fallen Kingdom,” but he was replaced by J.A. Bayona, although Trevorrow co-wrote the “Jurassic World: Fallen Kingdom” screenplay. Trevorrow returned as a director of the “Jurassic” franchise by helming “Jurassic World Dominion,” which he co-wrote with Emily Carmichael. Unfortunately, it seems like the “Jurassic World Dominion” filmmakers couldn’t stick to an uncomplicated plot, because the movie (which is too long, at 146 minutes) goes off on some distracting and unwelcome tangents.

“Jurassic World Dominion” picks up four years after the destruction of the Central American island of Isla Nublar, the sanctuary-like domain of dinosaurs. Dinosaurs co-exist with humans all over the world—a prediction come true by Dr. Ian Malcolm (played by Jeff Goldblum), who was shown at the end of “Jurassic World: Fallen Kingdom” testifying before the U.S. Senate that Earth would have dinosaurs and humans being able co-exist peacefully. But there would be no “Jurassic World Dominion” if things ended that simply.

The main cause of all of Earth’s problems in “Jurassic World Dominion” (as with most of the other “Jurassic” movies) comes down to one thing: human greed. And there’s yet another evil businessman who’s at the root of it. One of the more frustrating things about “Jurassic World Dominion” is that it lazily recycles and copies too many other things from previous “Jurassic” movies.

The beginning of “Jurassic Dominion” features a news report explaining that, once again, a black market has emerged for captured dinosaurs. As a result, the U.S. government has awarded the global rights to collect the world’s dinosaurs to a biotech company called Biosyn, which is located in the Dolomite Mountains valley. Not only is Biosyn now in charge of collecting all the dinosaurs on Earth but this mysterious company is also in the business of trying to eradicate world hunger by creating crops immune to pests and diseases.

Try not to laugh at the idea that one company has been given control over the world’s dinosaurs and possibly the world’s food supply chain. (The movie makes no mention whatsoever of what the United Nations would have to say about it, because apparently, the United States makes decisions for the entire world.) But “Jurassic Park Dominion” viewers are supposed to believe this flimsy premise, because it’s the basis of all of the conflicts in this movie.

With one company having this much power, corruption is inevitable. And the movie reveals early on who the chief villain is, which should surprise no one: Biosyn CEO Lewis Dodgson (played by Campbell Scott), who has several subordinates, but he’s really presented unrealistically as the only villain mastermind. Meanwhile, there’s a whole slew of heroes who zigzag around the world and eventually join forces for the predictable “we have save the world” part of the story.

“Jurassic World Dominion” is so disjointed and so caught up in introducing a new subplot every 20 minutes, it ends up being too jumbled for its own good. The beginning of the movie re-introduces former Velociraptor trainer Owen Grady (played by Chris Pratt) and dinosaur rescue advocate Claire Dearing (played Bryce Dallas Howard), who are now officially a couple, after trying to deny that they wanted to be a couple for the previous two “Jurassic World” movies.

Owen and Claire are living in isolation the Sierra Nevada Mountains and raising 15-year-old Maisie Lockwood (played Isabella Sermon), the orphaned daughter of Benjamin Lockwood (played by James Cromwell), the co-founder of Jurassic Park. Benjamin’s fate is show in “Jurassic World: Fallen Kingdom,” which is why Owen and Claire are now Maisie’s guardians. As shown in “Jurassic World: Fallen Kingdom” (mild spoiler alert) Benjamin’s daughter Charlotte died an untimely death, so in his grief, he controversially used Charlotte’s DNA to clone another daughter, who is Maisie, whom Benjamin presented to the world as his granddaughter.

This “Jurassic World: Fallen Kingdom” plot reveal is talked about multiple times in “Jurassic World Dominion,” because Maisie knows she was cloned from her dead mother Charlotte’s DNA. Maisie is now in hiding with Owen and Claire, who both don’t want her to be captured by the U.S. government for experiments. This is all information that viewers need to know within the first 15 minutes of watching “Jurassic World Dominion.” It’s an example of how badly the movie is written for people who might not know anything about “Jurassic World: Fallen Kingdom.”

An early scene in “Jurassic World Dominion” shows that Claire (who is part of the Dinosaur Protection Group) has been fanatically rescuing dinosaurs from illegal breeders. The scene depicts one such recue at an illegal breeding farm in Nevada. Two of Claire’s dinosaur rescue colleagues—systems analyst Franklin Webb (played by Justice Smith) and paleo-veterinarian Dr. Zia Rodriguez (played by Daniella Pineda)—are with her on this successful mission, but they start to question Claire’s recklessness in putting them in increasing danger. Franklin’s and Zia’s appearances in the movie are really just filler.

Owen and Claire refuse to let Maisie interact with any other people except Owen and Claire. And now, teenage Maisie is starting to resent this control and is beginning to rebel. Expect to see several scenes of Maisie shouting, pouting and being resentful to Owen and Claire. But before Owen and Claire have much time to deal with Maisie wanting more freedom, this family has another more pressing problem: a dinosaur kidnapping.

One of the stars of the previous two “Jurassic World” movies was a female Velociraptor named Blue, who was rescued and adopted by Owen and Claire. Blue (one of the last-known Velociraptors on Earth) conceived a child on her own and gave birth to this child, which is named Beta. And now, Beta has been stolen by poachers, led by a shaggy-haired lowlife named Rainn Delacourt (played by Scott Haze), who works for the most obvious person possible. And then, Maisie gets kidnapped too. A sassy former U.S. Air Force pilot named Kayla Watts (played by DeWanda Wise) has been hired to transport Maisie by private plane during this kidnapping.

But wait, there’s more: Swarms of giant locusts have been causing terror on Earth, by killing people and eating essential food crops. And these giant locusts, which are rapidly spreading across the world, are only eating food crops that were not engineered by Biosyn. It doesn’t take a genius to figure out that it’s not a coincidence. But apparently, only a few people on Earth have figured out that it’s not a coincidence. And in this idiotic movie, that small group of people will to have to be the ones to save the world.

Meanwhile, original “Jurassic Park” characters Dr. Alan Grant (played by Sam Neill) and Dr. Ellie Sattler (played by Laura Dern) are shoehorned into a clumsy plot where they reunite with Ian, who now works for Biosyn. Before that happens, paleobotanist Ellie meets up with paleontologist Alan, who is now living in Utah and making money offering paleontological digs for tourists. It’s a reunion scene that should be entertaining to watch, but it just looks so forced and uncomfortably written.

Alan has had a crush on Ellie for years—so much so, that he has a photo of her on his wall. He quickly hides the photo when Ellie suddenly shows up to visit him. Ellie is now divorced with college-age children. Alan is a bachelor who’s happy to hear Ellie is now single and available. And you know what that means later in the movie.

Ian has invited Ellie and Alan to Biosyn, where he is now the company’s in-house philosopher. It’s just an excuse for the movie to have Ian act like a New Age eccentric. Later in the movie, Ian makes this creepy statement: “I had a dog once. It humped my leg so much, I got a callous on my shin bone.” That’s an example of the awful dialogue in “Jurassic World Dominion.”

Biosyn’s head of communications Ramsay Cole (played by Mamoudou Athie) is open about his hero worship of Ian. Ramsay also professes his loyalty to Rasmay’s Biosyn CEO boss Lewis. Ramsay becomes the official Biosyn tour guide for visitors Ellie and Alan, who are both suspicious of Lewis. “Jurassic” movie franchise recurring character Dr. Henry Wu (played by BD Wong), who works for Biosyn as a genetic engineer, is in the movie for less than 15 minutes, where he spends most of his screen time looking stressed-out and worried.

With the reunion of old characters and the introduction of new characters, “Jurassic World Dominion” keeps throwing different subplots into the mix to separate the characters and then eventually bring them back together. There’s an unnecessary detour to Malta, featuring a cameo from Barry Sembène (played by Omar Sy), who was a dinosaur trainer in 2015’s “Jurassic World” movie. Barry’s only purpose in “Jurassic World Dominion” is to tell people that Malta is a gateway for people involved in illegal dinosaur trafficking, and so he can show Claire and Owen what an underground dinosaur fight club looks like.

And what about the dinosaurs in this story? They’re not in the movie as much as some viewers might expect. The dinosaur action scenes are not very terrifying at all. You never feel like the “heroes” are in any real danger. And when you see the lack of serious injuries at the end of the film, considering all the physical attacks that the characters experienced, it all just adds to the movie’s phoniness.

None of the acting in “Jurassic World Dominion” is special, because the cast members are just going through the motions reciting the often-silly dialogue that they have to say. (Expect to see plenty of cringeworthy comments from Goldblum’s Dr. Malcolm character. ) “Jurassic World Dominion” is ultimately a “Jurassic” movie where the dinosaurs have lost a lot of edge, and the human drama is entirely toothless.

Universal Pictures will release “Jurassic World: Dominion” in U.S. cinemas on June 10, 2022. The movie was released in other countries first, beginning June 1 in Mexico and South Korea, and June 2 in Argentina, Brazil and Peru.

Review: ‘Onward,’ starring the voices of Chris Pratt and Tom Holland

March 6, 2020

by Carla Hay

Ian Lightfoot (voiced by Tom Holland) and Barley Lightfoot (voiced by Chris Pratt) in “Onward” (Image courtesy of Disney/Pixar Animation Studios)

“Onward”

Directed by Dan Scanlon

Culture Representation: Taking place in a magical world (where almost everyone has an American accent), the main characters of the animated film “Onward” are mythical creatures, but there are some human characters with minor supporting roles.

Culture Clash: A recurring theme in the movie is the conflicts between modern customs versus the magical customs.

Culture Audience: “Onward” is a family-friendly movie that will appeal to anyone who likes an adventurous and heart-warming story.

Ian Lightfoot (voiced by Tom Holland) and Barley Lightfoot (voiced by Chris Pratt) in “Onward” (Image courtesy of Disney/Pixar Animation Studios)

“Onward,” the first original film from Disney’s Pixar Animation Studios since 2017’s “Coco,” won’t be winning any Oscars as “Coco” did, but it’s a solid animated film that will be a crowd-pleaser for people of various generations. The movie (directed by Dan Scanlon who wrote the screenplay with Keith Bunin and Jason Headley) spends most of the film as a Pixar version of a video game. The story is simple and straightforward, involving the main characters doing a series of challenges to get to a coveted treasure item. It isn’t until the last 15 minutes that “Onward” packs an emotional punch that shows the movie is a little deeper than a typical animated film.

In the beginning of the movie, which is narrated by teenage elf Ian Lightfoot (voiced by Tom Holland), viewers learn that the world he lives in used to be filled with magic. But then modern technology took over, and magic became a antiquated custom that has been forgotten by numerous people in the world.

Ian lives with his kind and loving mother Laurel Lightfoot voiced by Julia-Louis Dreyfus) and his goofy older brother Barley Lightfoot (voiced by Chris Pratt). Laurel, who is a widow, has a “good guy” boyfriend named Colt Bronco (voiced by Mel Rodriguez), a centaur police officer. Ian and Barley’s father Wilden Lightfoot (voiced by Kyle Bornheimer) died when Ian was a bay and Barley was about three years old. Ian is about to turn 16, while Barley is 18 or 19. (His mother Laurel mentions that Barley is taking a “gap year.”)

Barley isn’t in school and he doesn’t seem to have a job, so he spends a lot of time at home being the kind of brother who often annoys Ian, who is studious and socially awkward. The two things that Barley is passionate about the most are his beat-up purple van that he’s named Guinevere and his encyclopedic knowledge of historical traditions in magic that hardly anyone around him seems to care about.

Barley also seems to be living in a “Bill & Ted’s Excellent Adventure”/”Wayne’s World” time warp, because he dresses and acts like a playful metalhead, just like those movies’ characters of Bill and Ted and Wayne and Garth. Guinevere is also decked out like something out of the late ’80s/ early ’90s, with the bumper stickers to prove it. Ian is often embarrassed by Barley, because he thinks of himself as intellectually superior to Barley, whose behavior is sometimes like a hyper puppy.

In one scene that shows the tension between the two brothers, Ian has worked up the nerve to ask some of his classmates to his upcoming 16th birthday party. He’s delighted when they say yes. But when Barley shows up at Ian’s school, he embarrasses Ian so much that Ian tells his classmates that the party has been cancelled. What Ian doesn’t tell his classmates is he doesn’t want them to be around Barley, who would be at the party.

For Ian’s birthday, he gets a wizard’s staff that his father Wilden had set aside for Ian to get specifically when Ian turned 16. He uses the staff to make a wish to bring his father back to life for 24 hours. But something goes wrong during the spell, and only the lower half of Wilden’s body (from the waist down) has come back to life. The upper half of his body exists but is invisible.

And so begins Ian and Barley’s race against time to find the magical item that will fully transform Wilden Lightfoot back to his normal self. The item that has the power to do that is a rare, mystical gem that’s hidden. For most of the film, Ian and Barley go off on a frantic quest to find the gem in time before their father disappears when the sun comes up. Just like a video game, they have to complete a challenge to get to the next level in the puzzle that will led them to the gem.

Along the way, they meet a lively group of characters, most notably the sassy Manticore (voiced by Octavia Spencer), also known as a restaurateur named Corey. She’s the owner of Manticore’s Tavern, where she has gone to reinvent herself as a “respectable” member of society after having a wild past. Ian and Barley also encounter a biker gang of pixies that clash with the two brothers.

Meanwhile, the story takes on a “Weekend at Bernie’s” vibe when Ian and Barley have to dress the upper half of their father’s body, including making him wear sunglasses, so that they can see him better. Ian and Barley lead him around by a leash-like belt that’s wrapped around his waist. At times it looks a little creepy, but it’s all played for laughs. In his half-body state, Wilden can’t see or talk, but apparently he can hear sometimes. It’s a plot hole that has to be overlooked in order to enjoy this movie.

The visual effects in “Onward” are perfectly fine and much better than most animated films. But compared to other Pixar movies (such as the Oscar-winning “Toy Story” movies, “Up,” “Finding Nemo,” “Inside Out” and “The Incredibles”), “Onward” is on the lower end of the quality scale. And although “Onward” covers a lot of the same ideas that other “race against time” fantasy/adventure stories have done before, near the end of the film, one of the brothers does something slightly unpredictable that affects how he feels about his family. It’s a tear-jerking moment that a lot of viewers won’t see coming. And it wouldn’t be a Pixar movie if there isn’t a scene that’s meant to make people cry.

Disney/Pixar Animation Studios released “Onward” in U.S. cinemas on March 6, 2020.

UPDATE: Because of the widespread coronavirus-related closures of movie theaters worldwide, Disney will make “Onward” available on digital and on Movies Anywhere, as of March 20, 2020, and on the Disney+ streaming service, as of April 3, 2020.

2018 Teen Choice Awards: Meghan Trainor, Lauv added as performers; Chris Pratt, Anna Kendrick among presenters

July 24, 2018

Grammy® Award-winning singer-songwriter and expert panelist on FOX’s THE FOUR: BATTLE FOR STARDOM Meghan Trainor will perform her latest single, “Let You Be Right,” on TEEN CHOICE 2018. Additionally, Lauv will perform his hit Platinum single, “I Like Me Better.” Airing LIVE from the Forum on Sunday, Aug. 12 (8:00-10:00 PM ET live/PT tape-delayed) on FOX, the choicest, star-studded, two-hour event will celebrate this year’s top teen icons in television, music, film, sports, comedy and digital. TEEN CHOICE 2018 nominees Chris Pratt (Choice Summer Movie Star: Male; and Choice Liplock), Olivia Holt (Choice Female Hottie), Lauren Jauregui (Choice Female Hottie) and Anna Kendrick (Choice Movie Actress: Comedy; and Choice Twitter Personality) are scheduled to appear. As previously announced, Nick Cannon will host TEEN CHOICE 2018, and Lele Pons will serve as co-host. Other performances include Khalid, who will perform a special medley of hit songs. Additional celebrity appearances include Lucy Hale, Hudson Yang, Maddie Ziegler, Nina Dobrev, Chloe Grace Moretz, Noah Cyrus, Red Gerard, Chloe Kim, Auli’i Cravalho and Jojo Siwa. Tickets for TEEN CHOICE 2018 at the Forum are now on sale to the general public at http://bit.ly/TEENCHOICE18. TEEN CHOICE is executive-produced by Bob Bain and Audrey Morrissey. Nick Cannon serves as a co-executive producer. “Like” TEEN CHOICE 2018 on Facebook at facebook.com/TeenChoiceAwards. Follow the action on Tw
Meghan Trainor (Photo by Brian Friedman/iHeartRadio via Freeform)

The following is a press release from Fox:

Grammy® Award-winning singer-songwriter and expert panelist on FOX’s “The Four: Battle for Stardom” Meghan Trainor will perform her latest single, “Let You Be Right,” on Teen Choice 2018. Additionally, Lauv will perform his hit Platinum single, “I Like Me Better.” Airing LIVE from the Forum on Sunday, Aug. 12 (8:00-10:00 PM ET live/PT tape-delayed) on FOX, the choicest, star-studded, two-hour event will celebrate this year’s top teen icons in television, music, film, sports, comedy and digital.

Teen Choice 2018 nominees Chris Pratt (Choice Summer Movie Star: Male; and Choice Liplock), Olivia Holt (Choice Female Hottie), Lauren Jauregui (Choice Female Hottie) and Anna Kendrick (Choice Movie Actress: Comedy; and Choice Twitter Personality) are scheduled to appear.

As previously announced, Nick Cannon will host Teen Choice 2018, and Lele Pons will serve as co-host. Other performances include Khalid, who will perform a special medley of hit songs. Additional celebrity appearances include Lucy Hale, Hudson Yang, Maddie Ziegler, Nina Dobrev, Chloe Grace Moretz, Noah Cyrus, Red Gerard, Chloe Kim, Auli’i Cravalho and Jojo Siwa.

Tickets for TEEN CHOICE 2018 at the Forum are now on sale to the general public at http://bit.ly/TEENCHOICE18.

TEEN CHOICE is executive-produced by Bob Bain and Audrey Morrissey. Nick Cannon serves as a co-executive producer. “Like” TEEN CHOICE 2018 on Facebook at facebook.com/TeenChoiceAwards.

James Gunn scandal: ‘Guardians of the Galaxy’ director fired over controversial tweets; ‘Guardians of the Galaxy’ stars react

July 23, 2018

by Colleen McGregor

James Gunn
James Gunn (Photo courtesy of Marvel Studios)

James Gunn, the writer and director of the first two of Marvel Studios’ “Guardians of the Galaxy” films, was abruptly fired by Marvel parent company Walt Disney Studios on July 20, 2018, after tweets that he made from 2008 to 2011 in which he made crude jokes about rape and pedophilia were brought to the public’s attention on social media. After he was fired, Gunn made a public apology, saying in part that “when I made these shocking jokes, I wasn’t living them out.” Reactions from Hollywood celebrities have been mostly sympathetic to Gunn. Actor/comedian Bobcat Goldthwait and actress Selma Blair have publicly defended Gunn and demanded that Disney hire him back. Meanwhile, several “Guardians of the Galaxy” stars have publicly stated directly or indirectly that they support Gunn, with Dave Bautista being the most vocal by expressing his outrage over Gunn’s firing.

Bautista tweeted: “I will have more to say but for right now all I will say is this. @James Gunn is one of the most loving, caring, good natured people I have ever met. He’s gentle and kind and cares deeply for people and animals. He’s made mistakes. We all have. Im NOT ok with what’s happening to him.”

He later added, in reference to Gunn’s tweets being exposed by politically conservative pundits: “What happened here is so much bigger then G3 @JamesGunn, myself, @Disney etc. This was a #cybernazi attack that succeeded. Unless we start to unite together against this crap, whether people are offended are not! …it’s going to get much worse. And it can happen to anyone.”

Blair has advocated for people to sign a Change.org petition for Gunn to be re-hired by Disney. By July 23, the petition had nearly 170,000 signatures.

Goldthwait went as far as asking Disney to remove his voice from an upcoming Disney attraction. Goldthwait posted on Instagram on July 23: “I love James Gunn. He’s a loyal friend, super talented, passionate and kind. I wanted to say something, here it is: Dear Disney, I would hate for you to come off as hypocritical, so I’m suggesting that you remove my voice from an attraction that’s coming to your park. It’s called WORLD OF COLOR – VILLAINOUS, and I reprise the tole of Pain, a role I played in Hercules.”

Dave Bautista, Michael Rooker, Pom Klementieff, James Gunn,  Chris Pratt, Zoe Saldana, Elizabeth Debicki, Kurt Russell and Karen Gillan from “Guardians of the Galaxy Vol. 2” at Comic-Con International in San Diego on July 23, 2016. (Photo by Alberto E. Rodriguez/Getty Images for Disney)

“Guardians of the Galaxy” stars Chris Pratt, Zoe Saldana, Karen Gillan, Pom Klementieff and Michael Rooker made comments on Twitter that did not ask Gunn to be rehired, but seemed to imply sympathy for him.

Pratt tweeted: “‘Understand this, my dear brothers and sisters. Let every person be quick to listen, slow to speak, slow to anger.’ JAMES 1:19.”

Saldana tweeted: “It’s been a challenging weekend I’m not gonna lie. I’m pausing myself to take everything in before I speak out of [turn]. I just want everyone to know I love ALL members of my GOTG family. Always will.”

Gillan tweeted: “Love to every single member of my GOTG family.”

Klementieff, who joined the “Guardians of the Galaxy” cast for the second film in the series, tweeted: “We are Groot. We are a family. We stand together.”

Rooker tweeted: “This account will be inactive after today. We’re very tired & upset over the ongoing BULLS–T… neither I nor my rep will use Twitter again. Twitter sucks and I want nothing to do with it.  Thank you to all who gave kind words & support. See you on Instagram.”

“Guardians of the Galaxy” co-stars Bradley Cooper and Vin Diesel (who voice animated characters in the films) have not yet commented on the controversy. Marvel Studios president Kevin Feige has also made no comment yet about Gunn’s dismissal.

Most of Gunn’s controversial tweets talked about pedophilia, rape and other sexual abuse of children. Disney’s firing of Gunn wasn’t the first time he got in trouble over remarks he made on Twitter. In 2012, he issued a public apology for homophobic and sexist tweets he made in 2011, when he speculated on what it would be like to have sex with fictional superheroes.

Walt Disney Studios chairman Alan Horn issued this statement on July 20, 2018: “The offensive attitudes and statements discovered on James’ Twitter feed are indefensible and inconsistent with our studio’s values, and we have severed our business relationship with him.”

Gunn then made this statement: “In the past, I have apologized for humor of mine that hurt people. I truly felt sorry and meant every word of my apologies. For the record, when I made these shocking jokes, I wasn’t living them out. I know this is a weird statement to make, and seems obvious, but, still, here I am, saying it.

“Regardless of how much time has passed, I understand and accept the business decisions taken today. Even these many years later, I take full responsibility for the way I conducted myself then. All I can do now, beyond offering my sincere and heartfelt regret, is to be the best human being I can be: accepting, understanding, committed to equality, and far more thoughtful about my public statements and my obligations to our public discourse. To everyone inside my industry and beyond, I again offer my deepest apologies. Love to all.”

Gunn was a relatively unknown director of independent films such as 2006’s “Slither” and 2010’s “Super” before he was hired to write and direct “Guardians of the Galaxy.” The first “Guardians of the Galaxy” film, released in in 2014, made $775 million at the box office worldwide, according to Marvel. “Guardians of the Galaxy Vol. 2,” released in 2017, made $860 million at the box office worldwide.

Before he was fired, Gunn had been set to write and direct “Guardians of the Galaxy Vol. 3,” which is expected to be released sometime in 2020. Gunn’s replacement for that film has not yet been announced.

On July 20, Gunn had been scheduled to be on a Comic-Con International panel in San Diego to promote a still-untitled horror film starring Elizabeth Banks that he is producing for Sony Pictures. His Comic-Con appearance was canceled, and Sony has not commented on the controversy or if Gunn is still involved in the movie or not. David Yarovesky will direct the movie, which will be written by Brian Gunn (James Gunn’s brother) and Mark Gunn (James Gunn’s cousin). The H Collective will fully finance the movie and produce it with James Gunn’s company Troll Court Entertainment. During the Comic-Con panel, James Gunn was not mentioned at all.

In a lengthy post on Twitter and Instagram, James Gunn’s younger brother Sean Gunn ( a “Gilmore Girls” actor who had small roles in the first two “Guardians of the Galaxy” movies) commented that being part of the Disney/Marvel world had changed James Gunn: “I saw that he was more open-hearted than the guy who needed to get a rise out of people by making nasty or offensive jokes … So I guess my hope is that fans continue to watch and appreciate the Guardians movies, not despite the fact that the filmmaker used to be kind of a jackass, but because of it. They are, after all, movies about discovering your best self. Working on those movies made my brother a better person, and they made me one too. I’m proud of that. Peace.”

July 30, 2018 UPDATE: As of this writing, nearly 350,000 people have signed the Change.org petition for Disney/Marvel to re-hire James Gunn. “Guardians of the Galaxy” stars Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Karen Gillan, Pom Klementieff, Michael Rooker and Sean Gunn have all signed a group statement that has been posted on social media accounts and various other Internet outlets. The statement has called for James Gunn to be re-instated as the writer/director of “Guardians of the Galaxy” movie franchise. Here is the complete statement:

“We fully support James Gunn. We were all shocked by his abrupt firing last week and have intentionally waited these ten days to respond in order to think, pray, listen, and discuss. In that time, we’ve been encouraged by the outpouring of support from fans and members of the media who wish to see James reinstated as director of Volume 3 as well as discouraged by those so easily duped into believing the many outlandish conspiracy theories surrounding him.

“Being in the “Guardians of the Galaxy” movies has been a great honor in each of our lives. We cannot let this moment pass without expressing our love, support, and gratitude for James. We are not here to defend his jokes of many years ago but rather to share our experience having spent many years together on set making Guardians of the Galaxy 1 and 2. The character he has shown in the wake of his firing is consistent with the man he was every day on set, and his apology, now and from years ago when first addressing these remarks, we believe is from the heart, a heart we all know, trust, and love. In casting each of us to help him tell the story of misfits who find redemption, he changed our lives forever. We believe the theme of redemption has never been more relevant than now.

“Each of us looks forward to working with our friend James again in the future. His story isn’t over — not by a long shot.

“There is little due process in the court of public opinion. James is likely not the last good person to be put on trial. Given the growing political divide in this country, it’s safe to say instances like this will continue, although we hope Americans from across the political spectrum can ease up on the character assassinations and stop weaponizing mob mentality.

“It is our hope that what has transpired can serve as an example for all of us to realize the enormous responsibility we have to ourselves and to each other regarding the use of our written words when we etch them in digital stone; that we as a society may learn from this experience and in the future will think twice before we decide what we want to express; and in so learning perhaps can harness this capability to help and heal instead of hurting each other. Thank you for taking the time to read our words.”

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