Review: ‘Freelance’ (2023), starring John Cena, Alison Brie, Juan Pablo Raba and Christian Slater

October 26, 2023

by Carla Hay

John Cena, Juan Pablo Raba and Alison Brie in “Freelance” (Photo courtesy of Relativity Media)

“Freelance” (2023)

Directed by Pierre Morel

Culture Representation: Taking place in the U.S. and in the fictional South American country of Paldonia, the action comedy film “Freelance” features cast of white, Latin and indigenous characters representing the working-class, middle-class and wealthy.

Culture Clash: A former U.S. Army special forces operative, who hates his current job as small-time attorney, is convinced to take a freelance job as a security guard for a journalist interviewing a South American dictator, who is the target of an assassination plot, putting all three of them in danger. 

Culture Audience: “Freelance” will appeal primarily to people who are fans of John Cena, Alison Brie and any mindless action flick with a lazy and predictable plot.

John Cena and Christian Slater in “Freelance” (Photo courtesy of Relativity Media)

Watching the horrible action comedy flick “Freelance” is like being stuck in a putrid cesspool of idiocy, much like the film’s main characters are stuck in a swampy jungle. The cast members have no chemistry with each other. The plot is formulaic junk. The dialogue and scenarios strain to be funny but just fall with a lumbering and clumsy thud.

Directed by Pierre Morel and written by Jacob Lentz, “Freelance” is a failure on every level except for the movie’s shoot-out scenes, which succeed at being obnoxious and are really just distractions for a flimsy story. All of the stars of “Freelance” look like they really don’t want to be there but couldn’t resist whatever they were paid for this embarrassing train wreck. It’s the worst type of comedy film: one that has no self-awareness of how atrocious the jokes are.

Morel’s main claim to fame is directing the first “Taken” movie, which was released in 2008. “Freelance” is Lentz’s debut as a feature film screenwriter, after being a TV writer who’s worked a lot with Jimmy Kimmel. It would explain why there’s a weak sitcom/sketch comedy tone to “Freelance” that does not work well in this feature film.

“Freelance” is just a mishmish of clichés and ripoffs from much better action flicks where a good-looking and macho “protector” is matched with an uptight and sarcastic woman who likes to think of herself as very independent. She doesn’t want him to be there, as they navigate their way through dangerous terrain. Throw in lazy and awful stereotypes of people from South American countries, and you have the sheer stupidity of “Freelance.”

The movie’s very thin concept is bloated by repetitive scenes of shootouts and other violence, in addition to an unrelenting stream of witless dialogue and acting that range from looking bored to being absolutely cringeworthy. In the beginning of the movie, viewers see the main protagonist is Mason Pettits (played by John Cena), who gives occasional self-pitying voiceover narration. As Mason tells it, he was in law school and on a fast track to a conventional and tedious life, when he dropped out of law school to join the U.S. Army.

While in the Army, he joined a special forces unit, which Mason says became his “true purpose” in life. “For the first time in my life, I was happy,” Mason remembers. One day, Mason and his team members were on a secret mission to assassinate a South American dictator named Juan Venegas (played by Juan Pablo Raba), the ruthless president of a fictional country called Paldonia. Mason and others were in a helicopter that was attacked by gunfire. The helicopter crashed, leaving Mason with injuries that forced him to honorably discharge from the Army.

After leaving his Army life behind, Mason graduated from law school and became an attorney. He got married to a woman named Jenny (played by Alice Eve), and they have a daughter named Casey. The movie does a quick montage to show these life milestones for Mason, until it fast-forwards to Casey (played by Molly McCann) being 8 years old. Mason now has his own law practice, where he is the only attorney. He makes a comfortable income where he can support his family and live a middle-class life.

The problem is that Mason hates his job and despises having a routine life. “I went back to the normal life I tried to avoid,” Mason says in a voiceover. “I couldn’t feel more like a failure.” Never mind that he doesn’t appreciate having good health and a loving family, because Mason’s narcissism knows no bounds. As an example of what type of work he’s doing as a lawyer, an early scene in the movie shows Mason being hired by a weirdo named Scott (played by Felipe Andrés Echavarría), who wants Mason to represent him in a billing dispute that Scott has with a phone company. Scott pays a retainer fee that’s a measly $500.

It’s around the same time that Mason is contacted by a former U.S. military colleague named Sebastian Earle (played by Christian Slater), whom Mason hasn’t seen in years. Sebastian used to work with Mason when they were in the U.S. Army’s special ops together. For the past seven years, Sebastian has owned and operated Contracted Defense Initiatives, a company that mostly does secretive security jobs that are related to politics or government.

Sebastian, who is a slick salesman type, tells Mason that he wants to hire Mason for a “one-off” security gig, where Mason would have to be the bodyguard for a TV journalist who’s doing an exclusive interview with Juan Venegas. Mason blames Juan for the botched mission that caused Mason’s injuries that ended Mason’s military career. Mason immediately says no for that reason and because Mason thinks he’s too old for that type of security job.

However, Mason can’t seem to leave his combat mentality behind. When Casey tells him that a boy has been bullying her at school, Mason advises Casey to punch the boy in the face and in the penis. But when Casey takes his advice, she gets into trouble at the school. The boy’s father is also a lawyer, according to Jenny, who has to deal with this mess.

It’s the last straw for Jenny, who feels that Mason has become bored with their marriage. Jenny also thinks that Mason is disrespectful of her wish to teach Casey how to deal with problems in a non-violent way. Jenny tells Mason that she wants a separation and will be moving in with her mother and taking Casey.

This marital separation prompts Mason to change his mind about Sebastian’s job offer, since Mason wants to spend some time away from home to get away from his personal problems. When Mason arrives in Paldonia, he describes the nation this way: “It’s like a Tim Burton movie: colorful but creepy as fuck.” (“Freelance” was actually filmed in Colombia.) Mason’s unease with Paldonia is because the country is in political turmoil over Juan’s leadership. All signs indicate that Juan might be assassinated in a coup.

The TV journalist who is supposed to be protected by Mason is Claire Wellington (played by Alison Brie), who has recently been disgraced and forced to resign from her job because she used untruthful sources she didn’t verify. Lately, Claire has been doing superficial entertainment reporting, which Claire thinks is beneath her skills, because she would rather be covering hard news. The movie never really explains how Claire landed an exclusive interview wth Juan (who is described as someone who almost never does interviews), but she needs a bodyguard because being around Juan can be very dangerous.

Predictably, when Claire and Mason first meet each other, they have a clash of personalities. Vain and snooty Claire thinks that Mason is just an air-headed lug. She’s shocked to find out that Mason is an attorney, but she still treats him like a servant.

Meanwhile, Mason dislikes Claire’s condescending attitude and thinks she’s underestimating the danger they could be in for this interview. Thankfully, “Freelance” doesn’t do the stereotypical subplot of having sexual tension between Mason and Claire. There is no sexual tension, because these two characters (and the cast members portraying them) have no chemistry together.

Juan, who is a bachelor, is the type of dictator who dresses in designer suits and thinks he can charm anyone, especially women. Not surprisingly, he makes inappropriate comments to Claire in a pathetic attempt to seduce her. Juan is disliked by the “common folks” in his country, as evidenced by a schoolgirl of about 8 years old, who shows Juan her middle finger when his car is driving through a working-class area. “Freelance” is so poorly written and sloppily edited, it jumps from one scene to the next, with very little cohesion.

In a small caravan of SUVs driving through a jungle, one of the SUVs has Juan, Claire and Mason in it, when the caravan is attacked by gunshots. It’s an assassination attempt on Juan, but the would-be assassins are so moronic, they shoot at the wrong SUV. Juan, Claire and Mason then escape into the jungle. The rest of “Freelance” is a jumbled mess of shootouts and chase scenes, as Juan, Claire and Mason spend time together and apart, trying not to get killed by Juan’s enemies.

Other characters in this shoddy story are one-dimensional and vapid. Jorge Vásquez (played by Sebastián Eslava) is Juan’s buffoonish nephew, who wants to take control of Paldonia. Colonel Jan Koehorst (played by Marton Csokas) is a trusted military ally of Juan’s. There’s also a subplot involving an indigenous tribe, whose chief (played by Diego Vásquez) and other tribe members are such hollow characters, they aren’t even given names in the movie.

Cena is doing another version of the characters he tends to play: hulking brutes who need redemption. Brie seems to have put some effort to her performance, but her talent always looks out of place in this low-quality flick. Raba hams it up a little too much and plays Juan as a smarmy salesman instead of as a menacing dictator. And even though Slater shares top billing in “Freelance,” his Sebastian character is in the movie for less than 15 minutes.

“Freelance” alternates between being painful to watch and being downright dull. It’s like watching a stand-up comedian do jokes that bomb, one right after the other. But in this movie’s case, there really are explosive bombs and gunfire going off amid all the bad comedy. The action scenes, which could have been the saving grace of this dumpster film, are irritating to watch and have no credibility or suspense.

All the loud violence in the movie won’t be enough to erase the groans of disgust that some viewers might have when seeing how much “Freelance” insults viewers’ intelligence. Other viewers might be shocked into silence at how terrible “Freelance” is and might wonder if this lousy flop will get any worse. It does. The ending is trash and makes no sense—just like it makes no sense for anyone to watch “Freelance” after being warned about how worthless and annoying it is.

Relativity Media will release “Freelance” in U.S. cinemas on October 27, 2023.

2021 Tribeca Film Festival: TV and Now programming announced

April 29, 2021

Tribeca Film Festival - white logo
 

The following is a press release from the Tribeca Film Festival:

The 2021 Tribeca Festival, presented by AT&T, will debut a robust lineup of exciting new and returning TV series, new indie episodic storytelling, and an industry-facing Creators Market. The 20th anniversary celebration will take place city-wide June 9-20 and will be the first major film festival to host in person events.

After a year of couchsurfing, the Tribeca Festival will be an opportunity for people to toss their comfy sweatpants to the side and experience television programming on the big screen with their friends. The Tribeca TV lineup will include nine shows made up of six series premieres, one season premiere, two docuseries, and panel appearances including Christian Slater, Joshua Jackson, Jasmine Cephas Jones, and Helen Hunt.

The Tribeca Festival will feature, for the first time ever, a historic performance by rock icons, KISS. The event will open the Tribeca TV section with a special larger-than-life concert following the screening of A&E Biography: KISStory.

“When we launched Tribeca TV five years ago, we created space within the film festival to recognize the incredible, boundary-pushing work being done by filmmakers in the episodic format as official festival selections,” said Cara Cusumano, Festival Director and VP of Programming. “In a year defined by at-home entertainment, we are proud to continue that tradition with an exciting Tribeca TV lineup of new series from today’s top storytellers and unique new voices.”

“We are thrilled to be back in person and presenting a specially curated selection of indie series at this year’s Festival,” said Liza Domnitz, Senior Programmer. “Eclectic, funny and wistful, these never-before-seen stories offer a peek at life throughout the decades of adulthood—from the flush of newfound independence in your 20s, all the way to the well-earned confidence that comes with living in your 80s. We can’t wait to introduce these one of a kind characters to the world.”

The Tribeca TV lineup includes an exciting array of world premieres including the highly anticipated Annie Murphy-led AMC series, Kevin Can F**K Himself, Peacock’s Dr. Death, and STARZ’s Blindspotting. Tina Fey leads a conversation with longtime partners, Robert Carlock, Meredith Scardino and Jeff Richmond, digging into the intricacies of consistently creating hilarious, poignant and whip-smart storytelling. In addition, Tribeca, which was founded in the aftermath of September 11th, is proud to announce the world premiere screening of National Geographic TV’s documentary series, 9/11, executive produced by Academy Award®-winning filmmakers, Dan Lindsay and T.J. Martin, and in partnership with the National September 11 Memorial & Museum.

Tribeca NOW discovers and celebrates independent episodic work, including short and long form pilots and series. The NOW section will showcase four indie pilots from creators telling original, smart, and contemporary stories. Since 2014, Tribeca has led the way in the festival world in recognizing the most exciting, emerging creators working in the episodic space, premiering ground-breaking projects such as High Maintenance (Katja Blichfeld and Ben Sinclair), Hello Cupid (Lena Waithe, Ashley Blaine Featherson, Numa Perrier, Dennis Dortch), The Gay and Wondrous Life of Caleb Gallo (Brian Jordan Alvarez), Dinette (Shaina Feinberg) and Kiss of the Rabbit God (Andrew Thomas Huang), among many others.

The Tribeca Creators Market is a one-of-a-kind, private industry pitch market for select emerging creators within the feature, episodic, immersive, games and podcast space to discuss their newest projects with a diverse array of companies and influential industry leaders. The Creators Market exists as another pillar of Tribeca’s commitment to supporting filmmakers in all stages of their careers, providing a curated group of intriguing talent and projects for industry to discover. The Creators Market will take place virtually, June 15th and 16th, 2021.

The 2020 Tribeca Pilot Season Program and NOW selections will be screened at the 2021 Festival and include 5 pilots and 10 NOW projects.

2021 Tribeca TV Selections:

Helen Hunt and Jasmine Cephas Jones in “Blindspotting” (Photo courtesy of Starz Entertainment)

9/11: One Day in America (National Geographic) – World Premiere
Executive Producer: David Glover
Emmy®-winning 72 Films (Inside North Korea’s Dynasty) and Academy Award®-winning executive producers Dan Lindsay and T.J. Martin (Undefeated and LA 92) came together to produce a documentary series marking 20 years since the attacks of 9/11. Made in official collaboration with the 9/11 Memorial & Museum..

Blindspotting (Starz) – World Premiere
Executive Producers: Rafael Casal, Daveed Diggs, Jess Wu Calder, Keith Calder, Ken Lee, Emily Gerson Saines, Tim Palen, Seith Mann
Cast: Jasmine Cephas Jones, Benjamin Turner, Candace Nicholas-Lippman, Atticus Woodward, Jaylen Barron, Helen Hunt, Rafael Casal
As Ashley (Jasmine Cephas Jones) is ready to ring in the new year with Miles (Rafael Casal), she finds him being dragged out of their apartment and into the back of a squad car.
 

After the Screening: A conversation with cast members Rafael CasalJasmine Cephas Jones and Helen Hunt

Biography: KISStory (A&E Network) – World Premiere 
Executive Producers: Leslie Greif, Jenny Daly, Elaine Frontain Bryant, Brad Abramson
Cast: Paul Stanley, Gene Simmons, Ace Frehley, Peter Criss, Dave Grohl, Tom Morello, Doc McGhee, Eddie Kramer, Bob Ezrin, Matt Pinfield, Tommy Thayer, Eric Singer
After 50 years, the No. 1 Gold Record-selling band of all time, KISS, is sharing their story of success in this definitive documentary. Founders Paul Stanley and Gene Simmons tell the wild story of the band’s iconic rise to superstardom before smashing their last guitar and extinguishing the fire-breathing demon

After the Screening: A special performance by KISS.

David Makes Man (Oprah Winfrey Network) – Season 2 World Premiere 
Executive Producers: Dee Harris-Lawrence, Tarell McCraney, Michael B. Jordan, Oprah Winfrey, John Strauss
Cast: Kwame Patterson, Arlen Escarpeta, Akili McDowell, Cayden Williams, Alana Arenas, Travis Coles
David (Kwame Patterson and Akili McDowell) is in his 30s, a rising businessman facing an opportunity that will change him and his community forever.

After the Screening: A conversation with series creator and executive producer, Tarell McCraney, and showrunner, Dee Harris-Lawrence.

Dr. Death (Peacock) – World Premiere 
Executive Producer: Patrick Macmanus
Cast: Joshua Jackson, Grace Gummer, AnnaSophia Robb, Christian Slater, Alec Baldwin 
Dr. Death is based on Wondery’s hit podcast detailing the terrifying true story of Dr. Christopher Duntsch (Joshua Jackson), a rising star in the Dallas medical community. Young, charismatic and ostensibly brilliant, Dr. Duntsch was building a flourishing neurosurgery practice when everything suddenly changed. As victims piled up, two fellow physicians, neurosurgeon Robert Henderson (Alec Baldwin) and vascular surgeon Randall Kirby (Christian Slater), as well as Dallas prosecutor Michelle Shughart (AnnaSophia Robb), set out to stop him.

After the Screening: A conversation with cast members Joshua JacksonChristian Slater and Grace Gummer, executive producer/writer/showrunner Patrick Macmanus and director Maggie Kiley.

Kevin Can F**K Himself (AMC) – World Premiere 
Executive Producers: Valerie Armstrong, Craig DiGregorio, Rashida Jones, Will McCormack
Cast: Annie Murphy, Mary Hollis Inboden, Eric Petersen, Alex Bonifer, Brian Howe, Raymond Lee 
Kevin Can F**K Himself probes the secret life of the sitcom wife (Annie Murphy). Alternating between single-camera realism and multi-camera comedy, the formats inform one another as the audience imagines what happens when she escapes her confines and takes the lead in her own life.

Monsters At Work & The Mysterious Benedict Society (Disney +) // Family Double Feature Screening

Monsters At Work – World Premiere
Executive Producer: Roberts “Bobs” Gannaway
Cast: Ben Feldman, Mindy Kaling, Billy Crystal, John Goodman, Henry Winkler, Lucas Neff, Alanna Ubach
Monsters At Work tells the story of Tylor Tuskmon (Ben Feldman) and his dream to become a Jokester, as well as his misadventures with MIFT, the crew that keeps Monsters, Inc. running.

The Mysterious Benedict Society – World Premiere
Executive Producers: Phil Hay, Matt Manfredi, Todd Slavkin, Darren Swimmer, Jaime Tarses, Karen Kehela Sherwood, Deepak Nayar, James Bobin 
Cast: Tony Hale, Kristen Schaal, MaameYaa Boafo, Ryan Hurst , Gia Sandhu, Mystic Inscho, Seth B. Carr, Emmy DeOliveira, Marta Kessler

Placed undercover at a boarding school, a group of orphans must foil a nefarious plot with global ramifications while creating a new sort of family along the way.

Reservation Dogs (FX) – World Premiere 
Executive Producer: Sterlin Harjo, Taika Waititi, Garrett Basch
Cast: D’Pharaoh Woon-A-Tai, Devery Jacobs, Paulina Alexis, Lane Factor
One year after the death of their friend, four Native teens commit crimes to fund their efforts to leave their home in rural Oklahoma.

After the Screening: A conversation with Executive Producer Sterlin Harjo and select cast members

A Conversation with Tina Fey, Robert Carlock, Meredith Scardino and Jeff Richmond
Woven within the framework of such massively popular series like Unbreakable Kimmy SchmidtMr. Mayor and the soon to debut, Girls5eva, exists a writing, composing, producing and directing collaboration that has proven itself to be consistently brilliant. Join us for a conversation with longtime collaborators Tina Fey, Robert Carlock, Meredith Scardino and Jeff Richmond as they dig into the intricacies of creating year after year of hilarious, poignant and whip-smart storytelling replete with some of the most memorable TV characters of the past 2 decades.

2021 NOW Showcase

Steve Zahn and Rick Gomez in “An Uncandid Portrait” (Photo by Jennifer Tuell)

An Uncandid Portrait, created by Rick Gomez, Steve Zahn (United States) – Episodes 1 & 2 (World Premiere)
An Uncandid Portrait is a series of fabricated documentaries that follow the lives of fictional artists.  Just because it’s made up doesn’t mean there isn’t some truth to it. With Steve Zahn and Rosemarie Dewitt.

Rick Gomez is an actor, writer, and director. He portrayed George Luz in the HBO miniseries Band of Brothers. He co-wrote, produced, and starred in The Week, and is currently in production on his feature directorial debut, Hot Fruit, starring Steve Zahn and Judy Greer.

Steve Zahn has spent over thirty years working as an actor in Theatre, Film and Television. He was nominated twice for an Independent Spirit Award and won for best supporting actor in Happy Texas

In the Cards, created by Colin Kane Healey (United States) – Episode 1 (World Premiere)
A dark comedy series that follows a notorious psychic scammer on the dirty road she takes to riches—and a spot on the FBI’s Most Wanted list. With Eleanore Pienta, Sherilyn Fenn, Michael Drayer and Catherine Curtin.

Colin Kane Healey is a writer, director, and copywriter. The New York Times called his award-winning feature film Homemakers “a raggedy ode to the DIY ethos.”

if i’m alive next week…, created by Jennifer Morris, Robbie Sublett (United States) – Episodes 1, 2, & 3 (World Premiere)
When a foul-mouthed, 80-year-old grandma gets dumped and booted from her boyfriend’s brownstone, she’s forced to return to the rent-stabilized apartment housing of her broke, ungrateful kids. WIth Joyce Van Patten, Peter Friedman, Jennifer Morris and Robbie Sublett.

Jennifer R. Morris and Robbie Collier Sublett are a writing and directing team based in New York. Their play You Better Sit Down premiered at The Flea Theater. As actors, they’ve appeared both on and off Broadway and in numerous films and TV shows. if i’m alive next week… is their directorial debut.

VIRAL, created by Miles Blim, Camille Casmie, Chloe Howard (United States) –Episodes 1 & 2 (World Premiere)
VIRAL is a nonlinear comedy about memory, identity, and the insidious effects of the algorithm. With Miles Blim and Chloe Howard.

Miles Blim is a Chicago-born, New York-based artist. He recently graduated from Northwestern where he studied theatre. He’s performed in several professional productions and is eager to explore the full range of his artistic interests beginning with VIRAL, his first foray into writing, directing, and screen acting.

Camille Casmier is a director who lives in Brooklyn, NY. Since graduating from Northwestern University’s directing program, she has directed theatre, music videos, promo videos, and shorts. She also works in development at Tiny Reparations.

Chloe Howard is a New York-based actor and artist originally from the California Bay Area. She is a graduate of Northwestern University where she studied theatre, musical theatre, and acting for screen. 

2021 NOW Special Screening

“Incarceration Nations: Global Docuseries”

Incarceration Nations: A Global Docuseries, created by Dr. Baz Dreisinger (World Premiere)
Mass incarceration is a global calamity. From England to El Salvador, Argentina to the USA, Brazil and Lebanon to South Africa and Sierra Leone, its harms and horrors look strikingly similar. INN-TV is the first docuseries to tell this border-crossing story. Narrated entirely by those who have lived incarceration around the world, the ten episodes expose an international crisis while also spotlighting solutions, showcasing the work of the justice partners in the Incarceration Nations Network, from one continent to another.

Dr. Baz Dreisinger is a professor at John Jay College of Criminal Justice, the Executive Director of Incarceration Nations Network (INN) and founder of the Prison-to-College Pipeline program. A Global Fulbright Scholar and Fulbright Specialist, she is the author of Incarceration Nations: A Journey to Justice in Prisons Around the World and Near Black: White-to-Black Passing in American Culture.

Tribeca Creators Market

Kendra Arimoto & Justin Michael Jeffers (Feature Narrative)

Kendra Arimoto is a writer, performer, and mother on a mission to tell powerful stories thematically focused on Japanese American ancestral memory and intergenerational trauma, queer identity, and Otherness. Current projects include feature screenplays “Starshine and Clay” and “Before I Disappear”; and short “Pachuke”.

Justin Michael Jeffers is a multimedia visual artist from Seattle currently paving his own lane as a freelance Director/DP. Drawing inspiration from 90’s street art, hip hop, and social activism, Justin brings his visions to reality by growing, learning, and gaining new experiences. 

Sabrina Barca (Narrative Series)

Finding the absurdity in everyday life, Sabrina Barca created a web series inspired by highly relatable situations that highlight the tragic comedy behind a typical day. She is an Argentinian, NY-based multidisciplinary content creator, and has worked in media for 10 years. She engages audiences through honest, innovative storytelling.

Tessa Bartholomew & Christina Kinsleigh Licud (Fiction Podcast)

Tessa Bartholomew is a Filipino-American Producer, Writer, Actor, and Horror Film Fanatic living in her hometown of LA. Currently appearing in commercials for Sony and Disney+, she’s ecstatic to be a part of projects that highlight Women and People of Color, from behind and in front of the camera.

Christina Kingsleigh Licud is a Filipino-American filmmaker. She earned her MFA in Screenwriting from American Film Institute and won its Writers’ Room Ready and William J. Fadiman Awards. An alum of the PGA Power of Diversity Master Workshop, she uses horror and dramedy to explore issues like cultural identity.

Heidi Burkey & Julie Hook (Documentary Feature)

Based in Los Angeles, Heidi Burkey is a documentary filmmaker committed to elevating stories that explore social, political and environmental issues through the lens of the human experience. Her work has been distributed on Netflix, Amazon, Google Play, iTunes, Fusion TV, and DirectTV.

Julie Hook began her career in Austin, TX working on notable feature films such as Jeff Nichols’ Midnight Special and Oscar-nominated, Loving, as well as Terrence Malick’s IMAX documentary Voyage of Time. Julie recently produced My Love, a Netflix documentary series on love & companionship in six different countries.

Jordan Crafton (Fiction Podcast)

Jordan Crafton is a 33-year-old award winning filmmaker. His work has been featured in: Huffington Post, CNN, USA Today, and Billboard Magazine. He has also performed multiple production roles for movies and television shows such as Kevin Hart’s What Now?, MTV’s WildNOut, Nickelodeon’s TeenNick Top 10, and many more.

Anaïs Dupuis, Cécile C. Simon & Anaïs Carayon (Nonfiction Podcast)

Anaïs Dupuis loves telling stories on both a social and a professional level. She started her career in the movie industry in France and Germany where she had the opportunity to work on fictions and documentaries. She also has been selected at the Berlin Festival Talent Campus, and was a recipient of the Nipkow Programm grant.

Cécile C. Simon is a photographer and a director based in Paris. Her work has been exhibited and published in various books and magazines. She’s been running a creative studio with Céline Barrère for 10 years now. They commit to a large scope of commissioned work : portraits, music videos, editorials, fashion films and advertisement.

Anaïs Carayon started her career as a journalist in a Parisian hip hop magazine. A few years later, she founded her own magazine, Brain. She also wrote several books (La Chose revue pop-porn, Lolchats, Nos commerçants ont du talent), produced close to 10 podcasts and more than a hundred episodes, and organized many events in Paris.

Alton Glass & Donovan de Boer (Immersive Project)

Alton Glass is a visionary entrepreneur who leads a team of new media gurus who are – tackling contemporary issues through immersive storytelling. Glass is the Co-Creator of TIME’s The March executive produced by Viola Davis. The March is an immersive installation on the 1963 March on Washington in virtual reality.

Donovan de Boer is an award-winning producer, visual artist, an accomplished writer/director, and responsible for the creative development and successful launch of a wide variety of multi-million dollar entertainment, hospitality, film and television marketing campaigns. He holds over 20 years of experience in project development, creative direction, film marketing, branding, and high performance visual communications.

Steye Hallema (Immersive Project)

As the son of a magician, Steye Hallema too tries to create magic and wonder. He loves to use immersive technologies for their ability to make the audience part of the magic. Like for example with The Smartphone Orchestra: A platform for group experiences using the smartphones of the audience members themselves.

Vanna James (Narrative Series)

Vanna James graduated from Clark Atlanta University where her talents took her to Los Angeles. In a pursuit to change the culture through storytelling, Vanna invested in her creativity and began producing original content. Vanna vows to create media that illuminates all facets of black culture.

Yuqi Kang, Dana Kalmey & Ina Fichman (Documentary Feature)

Yuqi Kang was born in Inner Mongolia, China. Growing up as an ethnic minority in China, art became the medium through which Yuqi began to confront and begin to articulate her lived experience. She is an alumnus of Tribeca institute, Hotdocs Crosscurrent, and TIFF Talents.

Dana Kalmey is a filmmaker, Impact Partners Producing Fellow, and former architect and college soccer coach. Her films include the award-winning Trapped (2016), Well Groomed (2019), (Dis)Honesty: The Truth About Lies (2015), and E-Team (2014). She currently directs sports documentaries, while producing 7 Beats Per Minute.

Ina Fichman has been producing award-winning documentary and fiction films, and interactive projects. In 2018, Ina was the recipient of the Don Haig Award from Hotdocs. She is currently chair of the national board of the Documentary Association of Canada and a member of the Academy of Motion Picture Arts and Sciences.

Sergio Karmy & Jaime Villarreal (Documentary Series)

Sergio Karmy (MBA) is an executive producer of original content at Blackstar. Developing TV and films from Chile with a worldwide perspective, Sergio is focused on projects that have a strong social impact and can position Chile as a hub for amazing stories that can change the world.

Jaime Villarreal is a Chilean journalist and filmmaker. He is the CEO of Blackstar, a production company that specializes in producing entertainment content throughout Latin America. Blackstar is based in Santiago, Ciudad de Mexico and Los Angeles, producing a catalogue of more than 15 projects, in different stages of development for different platforms.

Jalena Keane-Lee & Amber Espinosa-Jones (Documentary Feature)

Jalena Keane-Lee is a filmmaker who explores intergenerational trauma and healing through an intersectional lens. Jalena is the director of Standing Above the Clouds which follows Native Hawaiian mother daughter activists and has been supported by Pacific Islanders in Communication, Nia Tero, CNN Films, and Points North Institute.

Amber Espinosa-Jones is an independent producer and racial equity strategist from Oakland, CA. She currently serves as Manager of the Outreach & Inclusion Department at Sundance Institute where she supports artists from underrepresented communities through intersectional fellowships, community programs and network building.

James Kim & Brooke Iskra (Fiction Podcast)

James Kim is a Los Angeles based podcast creator. Previously, he worked on Radiotopia’s StrangersMarketplaceDeadly MannersThe Dinner Party DownloadKPCC, and Gimlet Media. Most recently, he made the fiction show MOONFACE, which landed on the “Best of 2019” lists from Vulture, Spotify, Time Magazine, and The A.V. Club. 

Brooke Iskra is a UCLA grad and Film Industry Professional. With a background in Film Sales, Distribution and Festivals, she has spent the past decade championing Independent Storytelling.

Mari Kussman & Mitchell Hart (Documentary Series)

Mari Kussman(真理) is Japanese/American, by way of Tokyo and the Pacific Northwest. As a designer she has worked in leadership roles for various tech startups, and designed collections shown at NY Fashion Week. Her passion lies in sustainability, and she is currently producing a docuseries, Cycles.

Mitchell Hart has been producing creative work across film, technology and design in a variety of mediums for 15 years. He holds a degree in journalism and when not at work he enjoys the outdoors and composing music.

Alessandra Lacorazza & Daniel Tantalean (Narrative Feature)

Alessandra Lacorazza is a queer Colombian-American writer-director and editor based in Brooklyn. Her work deals with personal and cultural memory, and incorporates themes of migration, alienation, community, and resilience. In 2020 she became a screenwriting fellow with WGA-east and FilmNation, with their support she wrote her next second feature SOLA. 

Daniel Tantalean is a 2020 NALIP Latino Media Market Fellow and Award-Winning Latinx Producer based in Los Angeles. As a producer, he focuses on Latinx and Indigenous filmmakers in narrative and documentary. He has had films shown at Aspen ShortsFest, SFFilm, Hot Docs, and Big Sky Documentary Film Festival.

Olivia Luengas & Odín Acosta Ascencio (Documentary Feature)

Olivia Luengas has worked as DOP in projects such as Maripepa and La Hora de la Siesta. Her debut feature Away from Meaning, which she directed and shot, won the TFI Latin American fund, the support of the Grodman Foundation UDG USA and the Star Prize in the Havana Film Festival in NY.

Odín Acosta Ascencio has collaborated on more than 100 projects as a sound designer, sound editor and mixer. He makes his debut as producer of the documentary film Away from Meaning by Olivia Luengas Magaña, is co-producer of The Blue Years by Sofía Gómez Córdova and co-producer of Tío Yim by Luna Maran.

Veena Rao & Dara Kell (Documentary Series)

Veena Rao is a New York-based filmmaker whose work has screened at festivals worldwide,  been featured in The New York Times Op-Docs, The Atlantic, and Vimeo Staff Picks, and supported by Independent Television Service, NYC Mayor’s Office of Media and Entertainment, and the New York State Council on the Arts. 

Dara Kell  is an award-winning filmmaker and fiction writer. Her documentaries have been broadcast on PBS, TVFrance and Netflix, and screened at film festivals worldwide. She has made films in South Africa, Brazil, Azerbaijan, Egypt, and China, and is currently making a film about Reverend William Barber and poverty in America.

Tisha Robinson-Daly & Jonathan Mason (Narrative Feature)

Tisha Robinson-Daly is an African American filmmaker based in Philadelphia. She is a Sundance and Knight foundation fellow whose work has been supported by the Sundance Institute, Stowe Story Labs, SAGindie and the National Endowment for the Arts. She is also an advocate for telecommunication and broadcast tower climbers.

Jonathan Mason is a French/American filmmaker based in Philadelphia. His work has been supported by the Sundance Institute, IFP, Cinephilia, and Stowe Story Labs. He co-wrote the upcoming Untitled Heist Movie with Braulio Mantovani (City of God), and co-created the series The Order, currently in development at MGM/OrionTV.

Annie Saunders (Immersive Project)

Annie Saunders is a multidisciplinary creator and director of site-specific experiences, and has created award-winning multi-platform projects for major arts institutions including the Public Theater, The Los Angeles Philharmonic, the Broad Stage and Summerhall, as well as site-specific projects in disused spaces set for demolition and experiential campaigns for multinational brands. 

Desiree Staples & Nate Trinrud (Narrative Series)

Desiree Staples is a producer, filmmaker, and actress. Circus Person, produced by Staples, was a Tribeca NOW 2020 showcase selection. Staples’ dramedy pilot It’s What She Would Have Wanted, and comedy pilot The Influencers, that she co-created and produced have together screened at over 25 festivals in the US and Internationally.

Nate Trinrud is a graduate of Northwestern University and USC’s School of Cinematic Arts. His work has been recognized at festivals internationally, including nominations for Berlinale’s Teddy Award and Crystal Bear. Nate most recently worked with Cate Shortland on Black Widow and is currently writing a graphic novel for HMHCo.

Michèle Stephenson, Joe Brewster & Yasmin Elayat (Immersive Project)

Michèle Stephenson pulls from her Panamanian and Haitian roots and international experience as a human rights attorney. She tells compelling, deeply personal stories that are recreated by, for and about communities of color and resonate beyond the margins. Her most recent film, American Promise, was nominated for three Emmys and won the Jury Prize at Sundance.

Joe Brewster is a Harvard-trained psychiatrist who uses his psychological training as the foundation in approaching the social issues he tackles as an artist and filmmaker. Brewster has created stories using installation, narrative, documentary and print mediums that have garnered support from critics and audiences internationally. He is a 2016 Guggenheim Fellow.

Yasmin Elayat is an Emmy-award winning immersive director and Co-Founder at Scatter, an immersive company pioneering Volumetric Filmmaking. Yasmin directed Scatter’s Zero Days VR (Sundance 2017) and is the co-creator of 18DaysInEgypt. Her work has been exhibited at various festivals including Sundance, Tribeca, SIGGRAPH, Festival de Cannes, and the World Economic Forum.

Larin Sullivan, Isabel Marden & Kim Bailey (Narrative Feature)

Larin Sullivan is an LGBT+ filmmaker and founder of Trinket Films. She has written and directed documentaries for Showtime, ABC Australia, campaigns for Samsung and Lexus, and several scripted festival shorts. She graduated from Columbia University with an MFA in Directing. The Young King is her first narrative feature.

Kim Bailey started her career at Paradigm Talent Agency, then as a Creative Executive at e2b Capital, working on films such as Dallas Buyers Club and The Butler. She worked at Fortitude International as Director of Acquisitions and at Tang Media Partners before leaving to form Corporate Witchcraft.

Isabel Marden began her career in Beijing, as a production executive at Bona Film Group. She worked in development at Sony/Columbia before leaving to found Corporate Witchcraft. Corporate Witchcraft’s first feature Clementine premiered at Tribeca and was picked up for distribution by Oscilloscope Laboratories. She is a graduate of USC’s Peter Stark Producing Program.

Denzel Whitaker & John Trefry (Narrative Series)

Since age 10, Denzel Whitaker has widely been known for his on-screen talents, with titles including: The Great DebatersBlack PantherCut Throat CityTraining Day and many more. In 2011, Denzel stepped behind the lens to direct films and music videos; he’s been developing both sides of the camera since.

John Trefry is a filmmaker with extensive narrative and documentary credits and his films have competed at festivals including SXSW, Tribeca, DOC NYC, and dozens more. John has a proven track record marketing and distributing his work, generating tens of millions of views to engage with audiences around the world.

Also participating in the Creators Market are 2021 NOW Showcase indie episodic creators Rick Gomez & Steve Zahn, Jennifer Morris & Robbie Sublett, Miles Blim, Camille Casmie & Chloe Howard, and Colin Kane Healey. Additional participants to be announced.

2020 NOW & Pilot Season Selections

NOW SHOWCASE A: Soul Connection
A collection of sweet and surprising intimacies that culminate in an examination of faith, love, and human connection. (4 Narrative Short/Episodic Projects) 

The Letter Room
Created by Elvira Lind
The Letter Room is a dark prison comedy about the secret life of a correctional officer who gets transferred to a job in the letter room, where a new world suddenly opens to him.

Home
Created by Héctor Silva Núñez & Lu Urdaneta
Home is a drama series spoken in Spanglish, following two young Latina immigrants (Lu Urdaneta, Camila Rodríguez) in a journey of self-discovery as they try to make a new home together in Miami.

Backsliders
Created by Keylee Koop-Sudduth & Micah Sudduth (USA) – Episodes 1, 3 & 6
Blurring the lines between narrative and documentary, Texas filmmakers Keylee Koop-Sudduth (grew up in a megachurch) and Micah Sudduth (born into a Christian cult) deconstruct their evolving beliefs for everyone to see.  

Circus Person
Created by Britt Lower & Alex Knell
Using live action, circus arts, and animated body paint, Circus Person brings whimsy to the drama of building a family when you feel you have none.

NOW SHOWCASE B: Lost & Found

An exploration highlighting human adaptation and nostalgia beside the changing aesthetics of technology. (6 Documentary Short/Episodic Projects) 

Dying Business
Created by Alden Nusser & Ben Fries
Dying Business is a character-driven documentary series about people working in the death industry that sheds light on the working stiffs making a living among the dead.

Awkward Family Photos
Created by Mike Bender & Doug Chernack
The families behind some of the most viral photos from AwkwardFamilyPhotos.com tell their unique stories and recreate their original photos in a hilarious, odd, and heartfelt exploration of the imperfect family experience.

Museum of Fleeting Wonders
Created by Tomas Gomez Bustillo
The Museum of Fleeting Wonders is a curated collection of small moments of magic, from the perspective of the people who witnessed them.

Bobbie Blood
Created by Ava Warbrick
Bobbie Blood is a short documentary series shot on 16mm film chronicling the love life of a newlywed octogenarian couple and the story that brought them together. 

Allumuah
Created by Curtis Essel
Allumuah explores the way the internet enables a lineage of aesthetics passed between African diaspora artists.

The Seeker
Created by Lance Edmands
The Seeker explores a crisis of faith within Maine’s Amish community, the pain and anguish of separating from loved ones, and ways to find solace and spirituality afterwards.

2020 Pilot Season

Unemployable
Executive Producer: Mike Ott, Gregory Dylan Harris
31-year-old Cory lives with his mom. Despite a set of serious life choices facing him, Cory’s main priority is to get a new tattoo sleeve, which he can hardly afford, so he sets out to get a job with the support of his only friend, his tattoo artist Louie.

Magic Hour
Executive Producer: Che Grayson
Bella is a peculiar woman labeled a monster by the man who created her. Trapped in a hotel room, she braves the outside world where she meets Eiko. Will Bella successfully break free from her creator and find her humanity? Or will she fall prey to his deadly prophecy? 

Becoming a Man in 127 EASY Steps: But What About The Children
Executive Producer: Scott Turner Schofield
While transgender men are rarely visible in the cultural imagination, amid tropes of transition and turmoil, the filmed interpretation of Scott Turner Schofield’s live work of the same name generated 127 pieces of short content (Steps) that deeply explore themes such as childhood, masculinity, love, sex, death, and survival.

Pretty People
Executive Producer: Shelby Blake Bartelstein
Best friends Rachel and Greg have undeniable chemistry, but it’s been simmering and unspoken for the last three years. When Rachel’s casual and unexpected hook-up sparks Greg’s feelings of jealousy, they’ll be forced to say what’s on their minds—the whole FAT truth of it. 

Deceased Ones
Executive Producer: Emily Kron, Kate Hopkins
When two friends, Max and Fiona, get involved in the niche service of role playing the dead, they’re forced to help heal grieving strangers through a surreal game of make believe, while confronting deeply buried emotional traumas arising within themselves.
 

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Passes and Tickets for the 2021 Tribeca Film Festival
Festival passes are on sale now. Tribeca At Home tickets go on sale Monday, May 3 @ 11:00am EST.  Tickets to attend the outdoor in-person screenings / events are available starting Monday, May 10 @11:00am EST. Visit: https://www.tribecafilm.com/festival/tickets

About the Tribeca Festival
The Tribeca Festival, presented by AT&T, brings artists and diverse audiences together to celebrate storytelling in all its forms, including film, TV, VR, gaming, music, and online work. With strong roots in independent film, Tribeca is a platform for creative expression and immersive entertainment. Tribeca champions emerging and established voices; discovers award-winning filmmakers and creators; curates innovative experiences; and introduces new technology and ideas through premieres, exhibitions, talks, and live performances.

The Festival was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World Trade Center. Tribeca will celebrate its 20th year June 9 – 20, 2021. www.tribecafilm.com/festival

In 2019, James Murdoch’s Lupa Systems, a private investment company with locations in New York and Mumbai, bought a majority stake in Tribeca Enterprises, bringing together Rosenthal, De Niro, and Murdoch to grow the enterprise.

About the 2021 Tribeca Festival Partners:
The 2021 Tribeca Festival is presented by AT&T and with the support of our corporate partners: Alfred P. Sloan Foundation, Audible, Bloomberg Philanthropies, CHANEL, City National Bank, CNN Films, Diageo, DoorDash, FreshDirect, Hudson Yards, Indeed, Montefiore-Einstein, NYC Mayor’s Office of Media and Entertainment, P&G, PwC, Roku, Spring Studios New York.

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