Review: ‘Back on the Strip,’ starring Wesley Snipes, J.B. Smoove, Gary Owen, Bill Bellamy, Spence Moore II, Raigan Harris, Faizon Love and Tiffany Haddish

August 18, 2023

by Carla Hay

Spence Moore II in “Back on the Strip” (Photo courtesy of GVN Releasing and Luminosity Entertainment)

“Back on the Strip”

Directed by Chris Spencer

Culture Representation: Taking place in Las Vegas and in Los Angeles, the comedy film “Back on the Strip” features a cast of predominantly African American people (with some white people, Asians and Latinos ) portraying the working-class and middle-class.

Culture Clash: A young, aspiring magician moves from Los Angeles to Las Vegas and gets a job as a stripper in an all-male reunited group of middle-aged strippers.

Culture Audience: “Back on the Strip” will appeal mainly to people who are fans of the movie’s headliners and enjoy watching idiotic movies that have a non-stop barrage of mindless dialogue and plotlines that make African Americans look trashy and stupid.

Tiffany Haddish and Spence Moore II in “Back on the Strip” (Photo courtesy of GVN Releasing and Luminosity Entertainment)

The filmmakers of “Back on the Strip” should have put this rotten screenplay back in the garbage where it belongs. This very unfunny comedy panders to negative racial stereotypes and looks like it’s from the mind of an emotionally stunted teenager. The plot gets worse and worse as it goes along, until the last third of the film just becomes a steaming pile of wretched stupidity.

Directed by Chris Spencer (who co-wrote the atrocious screenplay with Eric Daniel), “Back on the Strip” isn’t just a comedy with very stale and outdated jokes. It’s also quite boring and a waste of time for a movie that’s nearly two hours long and doesn’t have anything interesting to say. “Back on the Strip” is Spencer’s feature-film directorial debut, after he directed a handful of episodes for TV series such as TV One’s “Uncensored” and BET’s “Real Husbands of Hollywood.” Many of the cast members of “Back on the Strip” have celebrity name recognition, but they’ve also been in plenty of bad movies. “Back on the Strip” is another in a long list of their embarrassing flops.

In “Back on the Strip,” the annoying narrator is Verna Owens (played by Tiffany Haddish, one of the movie’s producers), a single mother living in Los Angeles with her young adult son Jason Owens (played by Spence Moore II), whose nickname is Merlin. He has this nickname because he’s been obsessed with becoming a professional magician, ever since he was 15 years old. In the beginning of the movie, Merlin is 20.

Verna says and does a lot of things that are cringeworthy in how they make African American women look low-class and ignorant. This junkpile movie doesn’t care to mention or show how Verna makes money. The “Back on the Strip” filmmakers made Verna’s only purpose in the movie to be a nasty stereotype of what racist people think most African American women are like. In other words, Haddish is doing more of her ghetto-minded schtick in a low-quality movie.

In the narration, Verna describes Merlin this way: “He only cares about two things: magic and Robin.” Actually, Robin isn’t a “thing.” She’s a human being. Robin (played by Raigan Harris) is Merlin’s girlfriend, and she’s completely supportive of Merlin’s dreams to become a magician. Robin has her own career goals: She wants to become a professional dancer and is attending the prestigious arts university Juilliard in New York City. Merlin worries that the long distance will end their relationship.

Merlin has entered a talent contest where he will do his magician act. Verna has accompanied him. Before going on stage, Merlin is taunted by a group of young white rappers saying that Merlin looks like a clown in his magician’s outfit. The group is led by an obnoxious bully (played by Alex Kersting), who calls Verna an “old lady” and a “bitch.” She reacts to these insults by hitting the bully leader on the head with her fist.

During the talent contest, Merlin is on stage for less than a minute when the bully leader, who’s watching backstage from stage left, gets revenge by pulling down Merlin’s trousers and underwear. (There is no actual nudity in “Back on the Strip.”) With his private parts exposed to the audience, Merlin is humiliated and runs off stage. He doesn’t notice an elderly woman in the audience standing and cheering, as she shouts that Merlin is “blessed” in his genital area. “Back on the Strip” makes several references to Merlin having a large penis.

In the beginning of the movie, Merlin repeatedly tells people that he’s not a clown when dressed as a magician. After his embarrassment at the talent show, “Back on the Strip” fast forwards to four years later, when 24-year-old Merlin actually is a clown. He’s at a kiddie birthday party, and he’s dressed as a clown who does magic tricks.

And here comes another “Merlin’s got a large penis” gag: The birthday girl’s unnamed father (played Kevin Hart) gets annoyed and starts yelling at Merlin because Merlin’s big bulge can be seen in Merlin’s trousers when he’s jumping on a trampoline. Some of the women at the party like what they see though. Needless to say, Merlin gets fired from this party job.

Merlin gets even worse news when he attends a party for Robin, who drops a bombshell: She’s dating a conceited actor named Blaze (played by Ryan Alexander Holmes), who’s also a social media star because of his viral videos and his TV prank show. Robin is a dance mentor on a dance talent contest called “Hollywood and Grind,” which is described in the movie as “Dancing With the Stars” for black people. Blaze was paired with Robin, and the two of them began dating each other. Robin also has a meddling best friend named Gia (played by Piper Curda), who has a secret infatuation with Blaze.

Merlin is crushed by the news that Robin has a new boyfriend, and he feels very inadequate compared to Blaze. At the party, Merlin impulsively makes up a lie and tells Robin and some other party attendees that he has a magician job in Las Vegas. Verna overhears Merlin tells this lie and decides to do something about it, with the hope that it will also help ease Merlin’s heartbreak over Robin: Verna gives Merlin a one-way plane ticket to Las Vegas.

Verna used to work in Las Vegas and refers Merlin to a former co-worker named Rita (played by Colleen Camp), a disheveled marijuana smoker who currently owns a run-down hotel called the Vagrant Inn Vegas. A “joke” in the movie is that the hotel’s outdoor sign only has these letters lit up: “vag” in Vagrant, “in” in Inn and “a” in Vegas. Merlin lives at the hotel and notices that the letters “vag,” “in” and “a” put together spell “vagina.” This revelation is supposed to be “hilarious” in the movie.

Merlin convinces a reluctant Rita to let him do his magic act one night at the hotel’s nearly deserted bar/nightclub. The audience consists of less than seven people. Merlin does his act and bombs with the audience. But then once again, his trousers come down when they catch on fire (don’t ask), the women in the audience see how “well-endowed” Merlin is, and suddenly, they love the show.

Also witnessing this spectacle is Luther Ellis (played by Wesley Snipes, one of the producers of “Back on the Strip”), a former member of an all-male stripper group called the Chocolate Chips, who were very popular in Las Vegas about 30 years ago. Luther’s stage name in the group was Mr. Big. After seeing Merlin’s physique, Luther gets the idea to reunite the Chocolate Chips and add Merlin as a new member. Luther, who uses a cane because of a leg injury, will not be a dancer in this reunited group, but he will be the group’s manager and emcee.

Merlin says no at first to Luther’s stripper job offer, until Merlin changes his mind because he needs the money. “Back on the Strip” then goes through very tedious and not-funny-at-all sequences of Luther and Merlin tracking down the other former members of the Chocolate Chips, who all still live in the Las Vegas area. Each former member has something about himself that makes him a less-than-ideal candidate for this stripper reunion.

Desmond “Da Body” Day (played by Faizon Love) was known for being the most physically fit member of the Chocolate Chips. Desmond is now very overweight. Tyriq “Da Face” Cox (played by Bill Bellamy) was known as the “pretty boy” of the Chocolate Chips. Now, Tyriq is a happily married father who’s busy with infant quadruplet daughters.

Amos “Slim Sexy” Fowler (played by J.B. Smoove) was known for being the raunchiest dancer when he was a member of the Chocolate Chips. Now, Amos is a born-again Christian pastor with an equally religious wife named Eve Fowler (played by Caryn Ward), who knows about Amos’ past as a stripper. Eve immensely dislikes the thought of Amos being a stripper. Eve used to be Desmond’s girlfriend. There’s a useless subplot of Desmond and Eve going on platonic dates together without Amos knowing.

The Chocolate Chips got their name because they were marketed as a stripper group consisting only of black men. One of the group’s former members is Xander (played by Gary Owen), whose stripper stage name was Dr. X. Xander is now a real-life doctor (he’s a plastic surgeon) with a trophy wife named Bambi (played by Emelina Adams), who looks like she’s no stranger to plastic surgery.

The “joke” about Xander is that when he was in the Chocolate Chips, he always wore a full-face mask. Now, all these years later, his former Chocolate Chip mates are shocked to find out that Xander is white. (Xander used dark makeup and tanning on the rest of his body to pass himself of as a black man while working as a stripper.)

The rest of “Back on the Strip” shows this ragtag group of middle-aged strippers and a young newcomer (Merlin’s stripper stage name is Black Magic), as the Chocolate Chips make a comeback, beginning in Rita’s tacky hotel nightclub. Meanwhile, Robin and Blaze get engaged. And then, the Chocolate Chips are hired to work at a bachelorette party. You know where this is going, of course.

“Back on the Strip” could have actually been a very entertaining film because the movie’s overall concept had the potential to be a good movie. Unfortunately, “Back on the Strip” is such an unrelenting pile-on of idiocy and terrible jokes, there’s no redeeming it, no matter how many famous people are in the cast. The stripping scenes are lackluster, the acting is unimpressive, and there are asinine plot developments that truly insult viewers’ intelligence.

Don’t expect to see much of Merlin’s so-called “magician’s talent” in the movie, which shoves the magician storyline out of the way to make room for the stripper storyline. The magician storyline is only brought back briefly toward the end of the movie. By then, most viewers won’t really care. The only real magic act in “Back on the Strip” is how it makes any quality filmmaking disappear the more this witless abomination drags on to its irritating end.

GVN Releasing and Luminosity Entertainment released “Back on the Strip” in U.S. cinemas on August 18, 2023.

Review: ‘Monstrous’ (2022), starring Christina Ricci

July 17, 2022

by Carla Hay

Christina Ricci in “Monstrous” (Photo by Mercy Hasselblad/Screen Media Films)

“Monstrous” (2022)

Directed by Chris Sivertson 

Culture Representation: Taking place in California, the horror film “Monstrous” has an all-white cast of characters representing the working-class and middle-class.

Culture Clash: A divorced mother moves from Mesa, Arizona, to California, where she and her 7-year-old son start being attacked a ghostly monster that appears to live in a backyard lake.

Culture Audience: “Monstrous” will appeal primarily to people who are fans of star Christina Ricci and anyone who doesn’t mind watching dull haunted house movies that recycle the same old clichés.

A scene from “Monstrous” (Photo courtesy of Screen Media Films)

The only thing that’s monstrous about the limp and boring horror film “Monstrous” is how it’s a waste of time for viewers and a waste of Christina Ricci’s talent. It’s yet another unimaginative horror flick about a family living in an isolated wooded area while being attacked by an evil spirit. There’s a surprise “reveal” toward the end of the movie which is not shocking at all because viewers can see the very obvious clues long before this plot twist is divulged.

Directed by Chris Sivertson and written by Carol Chrest, “Monstrous” is a poorly conceived misfire from start to finish. The movie appears to take place in the mid-1950s, based on the cars in the movie and the way that Ricci’s lead character Laura Butler dresses and styles her hair. Laura, who is divorced, has secretly moved from Mesa, Arizona, to an unnamed city in California with her 7-year-old son Cody (played by Santino Barnard), a generic horror movie kid whose only purpose is to act wide-eyed and scared. You can almost do a countdown to when Cody starts having nightmares.

Laura and Cody are living in a rental farmhouse in an isolated wooded area near a lake. The house owners are an elderly couple named Mr. Langtree (played by Don Durrell, also known as Don Baldaramos) and his wife Leonora (played by Colleen Camp), who both live not too far from the farmhouse. Mr. Langtree (whose first name is never mentioned in the movie) is a lot friendlier than Leonora, who is cranky and suspicious of Laura. Observant viewers who notice how Leonora talks and how she’s dressed won’t be surprised by the “twist” that comes later in the movie.

Laura starts a new job as a typist/secretary in a 1950s-styled office. There’s really no point to these office scenes except to show that Laura’s co-worker Jane (played by Carol Anne Watts) appeared in a prior nonsensical hallucinatory type scene where Laura imagined herself as a terror victim in a 1950s-styled horror movie. Jane appears in this imaginary horror flick and tells Laura, “Don’t be afraid.”

Why did Laura and Cody abruptly and secretly move to California? It’s because Laura is living in fear of her abusive ex-husband Scott (voiced by Matt Lovell), who is never seen in the movie but is heard on the phone when he makes menacing calls to Laura. Scott’s physical and emotional abuse of Laura, which Cody has witnessed, is the main reason why Laura divorced Scott.

Laura has sole custody of Cody, but Scott has visitation rights. Laura has decided she wants to go into hiding because she doesn’t want Scott to see her and Cody anymore. Somehow, Scott finds out Laura’s new phone number. And when Scott calls her, she’s horrified and hangs up immediately before any conversation can happen.

Soon afterward, Laura’s mother (voiced by Nancy O’Fallon) calls. Laura tells her mother (who doesn’t have a first name in the movie) that Scott called Laura just a few minutes earlier. And then, Laura’s mother admits that she went against Laura’s wishes to keep Laura’s new phone number a secret, and she gave Laura’s new phone number to a few people. Scott could’ve have gotten the phone number from one of those people.

Laura scolds her mother for this breach of trust. And now, Laura fears that Scott might be coming to California for a confrontation. Laura’s mother says to her: “He just wants to talk to you. He feels so bad.”

Laura replies, “I don’t care how he feels. I don’t know how you can speak to him after what he did. You’re supposed to be on our side. Grandma would be!”

The “grandma” Laura is speaking about is the mother of Laura’s mother. “Monstrous” has some tedious flashbacks of Laura remembering her childhood that she spent with her grandmother. (Lola Grace, also known as Lola Grace Holmes, portrays Laura as a child.) These flashbacks are filmed in a hokey way.

For example, the adult Laura is seen sitting in a chair underneath a blanket, which segues to a flashback of Laura as a child sitting underneath a blanket in the attic of her childhood home. Her grandmother (played Rachael Edlow) then approaches Laura, removes the blanket, and then says to Laura, “I thought it was Mrs. Seton’s ghost.”

The purpose of the flashback scenes is to show that Laura’s grandmother had psychic abilities to see ghosts. And maybe Laura does too. When Cody starts having nightmares, he tells her that a female ghost comes out of the backyard lake and attacks him. At first, Laura doesn’t believe Cody until it starts happening to Laura.

Cody wants to go back to Mesa, and he says he’s forgiven his father. However, Laura feels the opposite way. Expect to see some arguing back-and-forth between Laura and Cody over these issues. Oscar-winning “Green Book” co-writer Nick Vallelonga has a small and useless role as a legionnaire who dances with Laura when she goes to a bar to meet new people.

The monster continues to appear at the farmhouse and takes many forms, with none being truly terrifying. Sometimes it looks like a creature with tentacles. Sometimes it looks like a swamp woman. During one laughably bad part of the movie, the monster ends up on the house’s roof, looking like someone in a cheap Halloween costume.

Laura tells the Langtrees about the monster attacks, but these two landlords are skeptical. Leonora insists that Laura probably just saw a raccoon. And then another horror cliché kicks into gear: The woman who’s attacked by an evil spirit is not believed, and people start to think she’s mentally ill and that she’s the one who’s the problem.

Laura has a psychiatrist in Arizona named Dr. Weaver (voiced by Chris Mullinax), whom she calls and asks if she can go back on the medication she was on before she moved to California. He tells her it’s not a good idea. Laura also calls a local Catholic church to report that there’s a demon in her house. A nun named Sister Agnes (voiced by Anjoum Agrama), takes the call, but then hangs up on Laura.

All of it is just so mind-numbingly predictable, as the movie drags on and on with more uninspired scenarios of the monster emerging from the lake and continuing to go after Cody and Laura. “Monstrous” is such a relentlessly dull horror move, the intended jump scares could put people to sleep. Ricci seems to be trying hard to make everything convincing, but she’s stuck in a horror movie that is thoroughly unconvincing at being scary or even the bare minimum of interesting.

The “reveal” in “Monstrous” is quite anti-climactic, but you can tell the “Monstrous” filmmakers thought it would be a clever twist, even though there are many other horror movies that have already done versions of this plot twist. In other words, it’s not clever at all. It just exposes more plot holes in “Monstrous.” Viewers will forget this dreadful movie quicker than you can say “M. Night Shyamalan ripoff.”

Screen Media Films released “Monstrous” in select U.S. cinemas, on digital and VOD on May 13, 2022. The movie was released on Blu-ray and DVD on July 5, 2022.

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