Review: ‘Snack Shack,’ starring Conor Sherry, Gabriel LaBelle, Mika Abdalla, Nick Robinson and David Costabile

March 7, 2024

by Carla Hay

Gabriel LaBelle and Conor Sherry in “Snack Shack” (Photo courtesy of Republic Pictures and Paramount Global Content Distribution)

“Snack Shack”

Directed by Adam Rehmeier

Culture Representation: Taking place in Nebraska City, Nebraska (and briefly in Iowa), the comedy/drama film “Snack Shack” features a predominantly white cast of characters (with a few Latin people and African Americans) representing the working-class and middle-class.

Culture Clash: Two 14-year-old boys, who are best friends and who want to be “get rich quick” entrepreneurs, rent a concession stand at a public swimming pool for a summer, and they compete for the affections of a visiting teenage girl. 

Culture Audience: “Snack Shack” will appeal primarily to people who are interested in watching teen movies set in the early 1990s and don’t mind if the movie can’t figure out what it wants to be in its very inconsistent storytelling.

Mika Abdalla in “Snack Shack” (Photo courtesy of Republic Pictures and Paramount Global Content Distribution)

Erratic and unfocused, “Snack Shack” is a silly comedy for the first two-thirds of the movie and then tosses in serious drama in the last third of this sloppily edited film. It’s a derivative teen buddy tale that makes all of the female characters annoying. The movie’s abrupt turn into tearjerking territory looks very out of place, because it’s an obvious and unearned attempt for “Snack Shack” to manipulate emotions out of viewers, before the movie shrugs it off and ends in a “business as usual” way.

Written and directed by Adam Rehmeier, “Snack Shack” takes place in 1991, and was filmed in Nebraska City, Nebraska, where the story occurs. Rehmeier says in the movie’s production notes that “Snack Shack” was inspired by memories of his own teen years in the 1990s in Nebraska City. Those memories seem to be very fragmented, based on the choppy narrative of this substandard movie. Scenes are built up with suspense and then abruptly cut away to the next scene. It happens enough times to be noticeable and aggravating.

“Snack Shack” begins by showing the two 14-year-old guys who are best friends and are at the center of the story. AJ Carter (played by Conor Sherry) is gangly, awkward and mild-mannered. Bruce “Moose” Miller (played by Gabriel LaBelle) is bossy, arrogant and short-tempered. Yes, it’s another buddy movie where the two best pals have opposite personalities. “Snack Shack” mostly takes place during the boys’ summer break from school.

Moose and AJ both have dreams of being business partners in a “get rich quick” scheme. The problem is that they haven’t figured out yet what type of business they should have to become wealthy. First, they travel to Iowa to go to an off-track betting parlor to try to make some cash. But someone who knows AJ’s parents sees Moose and AJ at the betting parlor, and reports it to AJ parents. AJ had lied to his parents by saying that he and Moose were on a field trip.

When AJ and Moose go back to AJ’s house, AJ’s parents yell at them about crossing state lines to gamble, and then they tell AJ that he’s grounded. AJ’s mother Jean (played by Gillian Vigman) is overprotective, but she’s depicted as an irritating nag who’s ready to punish without trying to find out the real reason for a child’s discontent. AJ’s equally strict and rigid father (played by David Costabile) is a county district court judge. His first name is never mentioned in the movie; he’s just called Judge by AJ and other people.

AJ has a sister named Chrissy (played by June Scarlett Gentry, also known as June Gentry), who is about 12 or 13. Chrissy is so one-dimensional, her only purpose in the movie is to tattle on AJ to get him in trouble, and then gloat when he does get in trouble. If Moose has any siblings, they’re not seen or mentioned in the movie. The only glimpse into Moose’s family life is a brief scene of Moose’s mother Sherry (played by Kate Robertson Pryor) encountering AJ’s mother Jean in a grocery store while AJ and Moose are with their respective mothers.

AJ and Moose are friendly with a man in his late 20s named Shane (played by Nick Robinson), who gives them rides in his truck and encourages them to rebel. There’s a brief mention of Shane being on leave from the military, which is why he’s never shown in the movie working at any job. Shane is never shown hanging out with adults, only teenagers.

“Snack Shack” doesn’t mention or acknowledge how it’s creepy and weird for a man in his late 20s to be spending so much of his free time and his social life with these 14-year-old boys. That’s because the movie aggressively pushes the narrative that Shane is supposed to be a “cool older guy” whom AJ and Moose look up to and respect.

Shane is also conveniently there when AJ needs advice on dating, even though the movie presents no evidence that Shane knows what it’s like to be in a healthy love relationship. And who in their right mind would want to date a man who hangs out so much with underage teenagers for his social life? But don’t tell that to the people who made “Snack Shack,” because it would ruin the narrative that Shane is supposed to be a quasi-hero of the story.

“Snack Shack” repeatedly shows and tells that Moose and AJ are supposed to be “rebellious” because they smoke marijuana and nicotine cigarettes. Shane is the one who gives AJ and Moose their first marijuana experiences. Shane also gives alcohol to AJ and Moose and invites them to underground parties.

Somehow, Shane has fooled AJ’s parents into thinking that Shane is a responsible role model, but it still doesn’t explain how the parents don’t see it as odd that Shane doesn’t seem to have any friends his own age and is hanging out so much with these children. Later in the movie, Shane invites AJ to go with Shane on a road trip to Alaska for the following summer, in July and August 1992. Shane tells AJ that the trip will cost AJ about $2,000.

AJ and Moose try starting their own homemade beer company called Real Beer, but that idea (just like the storyline for it) goes nowhere. The plans to start their own beer company end up being demolished when a neighbor angrily tells AJ’s father that the two teens have been illegally tapping into his pipe water supply to make the beer. Before the beer company idea went kaput, AJ and Moose gave Shane a sample taste of their homemade beer, which Shane described as “drinkable as fuck.”

There are a few very contrived and not-very-funny scenes of AJ mowing the front lawn of his family house as part of his chore punishment, but he keeps sneezing, because apparently AJ is allergic to the smell of freshly mowed grass. It’s during one of these sneezing bouts that AJ first sees the teenage girl who will be his love interest for the entire movie. Her name is Brooke (played by Mika Abdalla), who is supposed to be 16 or 17, but she looks like she’s in her 20s.

LaBelle as Moose also looks too old for his “Snack Shack” character’s age. He is never convincing as a 14-year-old in this movie. Sherry (who resembles a teenage Justin Bieber) was also in his 20s when he filmed “Snack Shack,” but he’s believable as a 14-year-old because of his baby face and the way he portrays AJ as an insecure and vulnerable teenager.

Brooke is visiting Nebraska City, and is temporarily staying with her cousin: a teenage girl named Leah (played by April Clark), whose family lives next door to AJ and his family. (Cue the predictable scenes of AJ being a voyeur when he’s ogling Brooke as he looks at her from his bedroom window.) Leah is supposed to be about 14 or 15 years old. Leah’s barely-there personality is only on display in a scene where she whines about being afraid to jump off a diving board into a swimming pool.

Brooke’s father is in the military, so Brooke moves around a lot. Brooke mentions at one point that it’s hard for her to maintain relationships because of all these relocations. It’s supposed to make viewers feel sympathy for Brooke, but it doesn’t excuse her frequently obnoxious personality.

Brooke happens to be outside when she sees AJ having one of his sneezing fits while he’s mowing the lawn. She immediately taunts AJ and calls him “shit pig,” which is what she calls him during the entire movie. Brooke thinks she’s being cute and clever with this derogatory name, but she’s just being disrespectful and stupid. She does a lot of things in this movie that are thoughtless and cruel, but “Snack Shack” wants viewers to ignore all that because Brooke is supposed to be the movie’s “dream girl” just because she looks physically attractive.

AJ is instantly smitten with Brooke, and she knows it. Brooke’s nasty attitude with AJ sets the tone for most of their relationship. She does what can be described as “insult flirting,” where she tries to get a rise out of a guy she likes by pretending that she doesn’t really like him and insulting him to his face. Brooke doesn’t even tell AJ what her name is until after they’ve talked to each other a few times. Brooke takes photos as a hobby and likes to snap pictures of people when they’re caught off-guard.

Moose and AJ gripe to Shane about their woes in finding a way to make money for the summer. That’s when Shane tells AJ and Moose that the local public swimming pool called Steinhart Pool has a concession stand called Snack Shack, which is owned by the city and overseen by the city’s parks and recreation department. (In real life, Steinhart Pool’s name is Steinhart Aquatic Center.) Snack Shack is up for rental to the highest bidder every summer. Whoever wins the bid is responsible for operating Snack Shack for the summer.

In one of the movie’s most illogical plot holes, Shane says Moose and AJ are too young to be lifeguards at the pool (the minimum age to be a lifeguard is 16), so he suggests that Moose and AJ bid for the Snack Shack instead. The movie wants viewers to not know or forget that people under the age of 18 (even in 1991) can’t get a contract for this type of business without a parent or guardian’s permission and co-signature. Needless to say, AJ and Moose don’t want their parents to know about their plans to bid for Snack Shack.

But there would be no “Snack Shack” movie if these realistic details about contracts were in the movie. Moose and AJ scheme to outbid two local brothers named Jeff Bravo (played by Dawson Mullen) and Chris Bravo (played by Christian J. Velez), who are in their 20s and who have been operating Snack Shack for the past few years. Moose and AJ meet up with Jeff and Chris to find out how much they plan to bid, without letting the Bravo brothers know that AJ and Moose want to bid on Snack Shack too.

It leads to a moronic sequence of events where Chris and Jeff tell Moose and AJ that they plan to bid $3,000. Moose and AJ go to a bank to withdraw $3,000 from AJ’s savings account that had money saved for his future college tuition. AJ and Moose arrive at the bank “disguised” in matching business suits and sunglasses to look like adults, but they just really look like pathetic teen Blues Brothers wannabes. And what is the point of these disguises when the bank employees don’t seem to care that Moose and AJ are under 18 and withdrawing this amount of cash?

Moose and AJ go to the city council meeting, where the bidding will take place. Moose and AJ bid $3,001—and find out too late that the Bravo brothers bid only $300. This isn’t spoiler information since all of the movie’s marketing materials show that AJ and Moose end up operating Snack Shack.

AJ’s parents find out that he foolishly blew his savings on this overinflated bid. They get even angrier with AJ over this screw-up than they did about the homemade beer and gambling fiascos, but that doesn’t stop AJ from eventually coming and going as he pleases. What happened to AJ being grounded? Don’t expect any answers to that question. There are so many inconsistencies and plot holes in this mindless movie, it’s ridiculous. That’s why it looks completely unbelievable when AJ’s mother makes vague threats to send AJ to military school.

To make matter worse, dimwits AJ and Moose bid on Snack Shack before even knowing what it looked like on the inside. They find out that they’re stuck with a filthy dump that has no refrigerator and no stove. Moose and AJ end up getting these appliances by buying them as used discounts. The refrigerator they buy is dirty and was previously used by a mortuary. Ick.

In addition to buying appliances, AJ and Moose have to pay for the food and drinks they’re gong to sell. The movie never really explains where they get the extra start-up money. Moose sees himself as the “alpha male” wheeler dealer and AJ as the “beta male” who’s supposed to take orders from Moose. AJ ends up cleaning up Snack Shack by himself during the refurbishing process, while Moose vaguely says he has to be somewhere else to “make deals.” You will see a lot of AJ being treated like a doormat in this movie.

And what a coincidence: Brooke mentions to AJ that she’s looking for a summer job, shortly after AJ finds out that Steinhart Pool has a job opening for a lifeguard. Guess who will be the lifeguard at Steinhart Pool for the summer? It’s all just a contrivance so that Brooke will be close by on the job when the inevitable love triangle happens.

The movie is titled “Snack Shack,” but most of the movie does not take place at Snack Shack. Don’t expect “Snack Shack” to show anything substantial about the customers who are regulars at Snack Shack, because this unimaginative movie isn’t about any interesting relationships that AJ and Moose could have developed by getting to know their customers. Don’t expect anyone in the movie to question why a city would allow two 14-year-old, inexperienced children to operate a city-owned concession stand by themselves. (Can you say, “Insurance disaster waiting to happen”?)

“Snack Shack” doesn’t care about those pesky, realistic details. It’s too preoccupied with regurgitating teen movie stereotypes. At least half of the story is about the rivalry that AJ and Moose have over Brooke. Moose knew from the beginning that AJ had a crush on Brooke, but Moose puts the moves on Brooke anyway. Brooke plays mind games with both of them. Arguments and a lot of pouting ensue. It all becomes so tedious after a while.

And here comes another teen movie cliché: the bullies who are supposed to get their comeuppance. In “Snack Shack,” these lunkheads are muscular brothers Randy Carmichael (played by Michael Bonini) and Rodney Carmichael (played by Christian James), who both have some kind of past feuding with AJ and Moose that’s never really explained in the movie. You just know that every time one or both of the Carmichael brothers show up, it’s only to start a fight with AJ and Moose.

Because AJ is the only one of the two pals whose home life is shown, and because he’s such a passive pushover when it comes to his relationships, viewers are obviously supposed to root for him the most. Of all the “Snack Shack” cast members, Sherry gives the best performance in a sea of mostly mediocre performances. However, “Snack Shack” goes overboard in pushing the sympathy card for AJ before you start to wonder if he has any kind of self-esteem deserving of respect. AJ has trouble finding a spine, just like “Snack Shack” doesn’t have a backbone of a cohesive and well-written story that doesn’t fumble the balance that was needed for the movie’s comedy and drama.

Republic Pictures and Paramount Global Content Distribution will release “Snack Shack” in select U.S. cinemas on March 15, 2024. The movie will be released on digital and VOD on April 2, 2024.

Review: ‘The Devil You Know’ (2022), starring Omar Epps, Michael Ealy, Glynn Turman, Vanessa Bell Calloway, Will Catlett, Theo Rossi and Erica Tazel

March 30, 2022

by Carla Hay

Omar Epps and Michael Ealy in “The Devil You Know” (Photo courtesy of Lionsgate)

“The Devil You Know” (2022)

Directed by Charles Murray

Culture Representation: Taking place in Los Angeles, the dramatic film “The Devil You Know” features a cast of predominantly African American characters (with some white people) representing the working-class and middle-class.

Culture Clash: A recovering alcoholic, who’s trying to get his life back on track, struggles with finding out that his younger brother was involved in a home invasion that resulted in the murders of two people. 

Culture Audience: “The Devil You Know” will appeal primarily to people interested in stories about African American families, but this dull misfire is not a well-made film, and it perpetuates many negative stereotypes of African American men.

Will Catlett and Omar Epps in “The Devil You Know” (Photo courtesy of Lionsgate)

Relentlessly dull and with a lot of cringeworthy acting, “The Devil You Know” tries to be a gritty drama, but the movie does nothing innovative or special. It also repeats negative, racist stereotypes that African American men are most likely to become criminals—even the ones who come from “good families.” It’s unfortunate that some filmmakers think they need to have a criminal angle in stories about African American families in order to sell a movie. There are plenty of African American people who come from families who don’t have criminal records. But you don’t see many movies made about these law-abiding African American families, because those stories don’t pander to racist people’s ideas that African American families are usually about crime, poverty or drugs.

Written and directed by Charles Murray, “The Devil You Know” has a lot of other problems besides wallowing in pathetic, negative stereotypes. It’s a crime drama that’s supposed to be suspenseful, but there is no suspense to be had when the movie reveals fairly on who the obvious villain is. A lot of time is wasted with monotonous scenes and conversations that drag everything out until the movie’s predictable ending. Most of the actors seem bored in their roles and give performances where they just recite their lines, with no noticeable emotional connection to their characters.

“The Devil You Know,” which takes place in Los Angeles, centers on a tight-knit African American family whose last name is Cowans. The family is headed by patriarch Lloyd Cowans (played by Glynn Turman) and his wife Della Cowans (played by Vanessa Bell Calloway), who have a healthy and loving relationship with each other. Lloyd and Della have four sons, whose ages range from their 50s to 30s. Lloyd and Della’s marriage is one of the few positive relationships shown in the movie, but that relationship is overshadowed by the criminal acts that cause trauma in the family.

Eldest sons Anthony Cowans (played by Curtiss Cook) and Marcus Cowans (played by Omar Epps) are in completely opposite points in their lives. Anthony, who is the most level-headed and stable of the four brothers, is steadily employed and happily married. Marcus, who is a bachelor, is a recovering alcoholic who’s trying to get his life back on track after spending time in rehab and in prison for an unnamed crime or crimes. Marcus has recently gotten a job as a city bus driver, thanks to Lloyd’s connections.

Youngest sons Drew Cowans (played by Will Catlett) and Terry Cowans (played by Vaughn W. Hebron) are also almost polar opposites too. Drew is a hothead who has been hiding the fact that he’s been unemployed for the past six months. Terry, the youngest son, is mild-mannered and easygoing. The movie skimps on the details about what anyone in this family, except for Marcus, does for a living.

“The Devil You Know” opens with three masked men invading the home of 58-year-old Nicholas Gervich (played by Jeph Loeb), his 52-year-old wife Wendy Gervich and their 17-year-old son Kyle Gervich (played by Conor Sherry), during an armed robbery that takes place at night. The horrific violence that happens in that household is not shown in the movie. However, the crime scene is shown in the aftermath, when police detective Joe McDonald (played by Michael Ealy) shows up with his team to investigate the murders and other crimes that took place in the Gervich home. Nicholas and Wendy have been shot dead. Kyle was brutally assaulted, but he survived. A number of items, including some cash, have been stolen from the Gervich home.

Because the trailer and synopsis for “The Devil You Know” already reveal that Drew was involved in this home invasion, it should come as no surprise who the home invaders are. Drew hangs out with two shady thugs named Al Edwards (played by Theo Rossi) and Stacy Griffin (played by B.J. Britt), who don’t do much in this movie but show up and try to look menacing. Al has a constant smirky grin and takes the lead when making threats, while Stacy is more likely to be a follower instead of a leader.

For someone who’s in charge of the investigation, Detective McDonald isn’t in the movie as much as viewers might think he should be. Ealy’s total screen time in “The Devil You Know” is about 15 minutes. And he’s doing the kind of performance where he might as well wear a T-shirt that says: “I’m just here for the paycheck.” Ealy and Epps both have the title of executive producer of “The Devil You Know,” but that doesn’t mean their acting in the movie is exemplary.

“The Devil You Know” has a not-very-interesting subplot of Marcus dating a hospital nurse named Eva Dylan (played by Erica Tazel), who met Marcus at a Cowans family dinner. It was a matchmaking set-up from Marcus’ sister-in-law Tisha Cowans (played by Keisha Epps), who is Anthony’s wife. Unfortunately, Omar Epps and Tazel (who acts in a stiff and robotic manner) have no believable chemistry together as romantic couple Marcus and Eva, who fall in love with each other. It probably would’ve been a better casting choice to have Keisha Epps, who is Omar Epps’ real-life wife, as Marcus’ love interest in the movie.

Viewers of this movie are stuck having to sit through bland scenes where Marcus and Eva have a very tedious romance with snoozeworthy conversations. Even though Eva tries to play hard-to-get when she first meets Marcus, she’s the one who makes the first move, by asking Marcus out on a dinner date. Over dinner at a restaurant, Eva says that she hasn’t dated anyone in two years, while Marcus says that he’s a “born-again virgin.” While they’re trading “celibates are us” stories, their waitress asks Marcus and Eva if they are celebrating something, because the waitress says that Marcus and Eva look like they’re in happy and in love. No, they look like two actors who aren’t doing a very good job of acting like they have romantic chemistry together.

The movie then fast-forwards three months later. Marcus and Eva are now dating, and they have settled comfortably in their relationship. Marcus takes the big step of giving Eva her own set of keys to his home. Eva tells Marcus, “If I take this, you ain’t getting rid of me.” Marcus replies, “That is the point.” Get used to a lot of simplistic and uninspired dialogue in “The Devil You Know,” because this movie is full of it.

It isn’t until about halfway through the movie that Marcus finds out about Drew’s involvement in the home invasion. While watching a TV news report about the home invasion, Marcus sees assault survivor Kyle being interviewed, and it’s mentioned that a distinctive baseball card collection was stolen from the Gervich family during this robbery. It’s the same baseball card collection that has recently come into Drew’s possession.

When Marcus confronts Drew about it, Drew says he got the card collection from Stacy, who told Drew that Stacy got the card collection from a “crackhead.” Knowing this is stolen property, Marcus calls in an anonymous tip to tell the police that Stacy and Al were probably the robbers/murderers in the deadly home invasion. But if Marcus’ plan was for Stacy and Al to get in trouble, the plan somewhat backfires, because Stacy and Al blame Drew for the robbery, assault and murders.

Drew is arrested and questioned by police, but he vehemently denies to Detective McDonald and the other cops that he had anything to do with the home invasion. Drew is let out on bail. Privately, Drew admits to Marcus that he was the getaway driver, but Drew insists that he had nothing to do with the murders, because Drew says that he was waiting in the car when the assault and murders happened. Considering that three men were seen entering the house, it’s already easy to figure out if Drew is telling the truth or not. And even without that big clue, the title of this movie says it all.

None of this is spoiler information, when so much of the plot is already revealed in the movie’s trailer. The only real mystery in the story is if Marcus and the rest of the family will continue to believe Drew, and if Drew will be punished for his part in the home invasion. “The Devil You Know” is so poorly written, the family is never seen discussing getting an attorney for Drew. Instead, there are several boring scenes that are the equivalent of handwringing, where family members wonder who among them snitched to the police.

There’s not much to the story about the Cowans family to give any background on them and what their family dynamics are. The movie just shows a series of scenes of family get-togethers that have an increasing number of arguments, as tensions begin to rise over Drew’s legal problems. Meanwhile, Al and Stacy are lurking around to make the expected threats to Drew, which can only lead to the inevitable result where not everyone in this trio of robbers will make it out alive by the end of the movie.

For a movie about a family drama to work well, there has to be more than just scenes of conversations strung together. The cast members have to look like they embody these characters in an authentic and believable way. And there has to be more to the story than just the tired, over-used stereotypes of an African American family dealing with someone in the family being accused of a serious crime.

“The Devil You Know” doesn’t care about showing who Marcus is beyond what the movie wants to define him as: someone who’s been involved in addiction and crime and trying to turn his life around for the better, but he gets pulled back into criminal entanglements because of his loser brother. Too many movies and TV shows have gone down that stereotypical route in ways that lack creativity. “The Devil You Know” is just another one of those forgettable movies.

In addition, the drab direction of “The Devil You Know” moves at such a sluggish pace, viewers will have a hard time keeping interest in a story where the characters are underdeveloped, there’s no real excitement or suspense, and the dialogue is bottom-of-the-barrel basic. If people want to see this movie for a lot of action scenes, such as shootouts or car chases, “The Devil You Know” comes up short in that area too. There’s some extreme melodrama thrown into the film in the last 15 minutes, but it’s not enough to save a movie that doesn’t deliver a story and characters that viewers can connect with in a meaningful way.

Lionsgate will release “The Devil You Know” in U.S. cinemas on April 1, 2022.

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