Review: ‘Song Sung Blue’ (2025), starring Hugh Jackman and Kate Hudson

December 15, 2025

by Carla Hay

Hugh Jackman and Kate Hudson in “Song Sung Blue” (Photo courtesy of Focus Features)

“Song Sung Blue” (2025)

Directed by Craig Brewer

Culture Representation: Taking place from 1991 to 1993, primarily in Wisconsin, the dramatic film “Song Sung Blue” (inspired by true events) features a predominantly white cast of characters (with some African Americans and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A husband and a wife, who have a Neil Diamond tribute act together called Lightning & Thunder, experience various challenges in their relationship and in their career.

Culture Audience: “Song Sung Blue” will appeal primarily to people who are fans of Neil Diamond, the movie’s headliners, and dramatic depictions of how showbiz couples work together.

Hugh Jackman and Kate Hudson in “Song Sung Blue” (Photo courtesy of Focus Features)

In a drama about a Neil Diamond tribute act, expect to see some cornball moments, engaging pop music performances and plenty of heartbreak. “Song Sung Blue” (inspired by true events) delivers in all these areas. Kate Hudson is a standout.

Written and directed by Craig Brewer, “Song Sung Blue” is named after singer/songwriter Diamond’s 1972 hit of the same name. “Song Sung Blue” is also the name of director Greg Kohs’ 2008 documentary about Lightning & Thunder, the Neil Diamond tribute act consisting of a Milwaukee-based husband-and-wife duo named Mike Sardina and Claire Sardina, formerly known as Claire Stengl. In real life, Lightning & Thunder performed from 1989 to 2006.

However, the dramatic feature film “Song Sung Blue” truncates the Lightning & Thunder story by condensing it into a two-year period (from 1991 to 1993) and changing some facts to fit into the story’s timeline and narrative. Writer/director Brewer, who is also a producer of “Song Sung Blue,” has said he’s wanted to make this movie ever since he saw the “Song Sung Blue” documentary at the 2008 Indie Memphis Film Festival. Brewer’s “Song Sung Blue” movie had its world premiere at the 2025 edition of AFI Fest.

“Song Sung Blue,” which is told in chronological order, begins with a close-up of the face of divorced dad Mike Sardina (played by Hugh Jackman), as he talks about being an entertainer and his multiple music projects. He says his stage name is Lightning. He performs as a solo act and as a guitarist of a R&B band called the Esquires, where he says he’s the only white guy in the band. Mike brags that he’s like “Chuck Berry, Barry Manilow and the Beatles, all rolled into one.”

It all sounds like Mike is talking as if he’s in an audition. But as the camera pans away from his face, it’s revealed that Mike is really in a group meeting for Alcoholics Anonymous. Mike is a member of this group. And on this particular day, he proudly tells the group that this is the 20th anniversary of his sobriety. Mike is also a Vietnam War veteran with a heart condition.

Mike has an acoustic guitar with him and starts singing “Song Sung Blue.” This scene tells you right away that Mike is a hammy showoff if he’s the type of person who uses an Alcoholics Anonymous meeting to do a performance as if he’s the headliner at a dive bar. It’s at this point in the movie that viewers will be intrigued to see where the story is going, or will be immediately turned off and find it difficult to endure more.

Mike, carrying his acoustic guitar, then goes to the Wisconsin State Fair, where he is scheduled to perform as a Don Ho impersonator, as part of a “Legends” ensemble show with other celebrity impersonators, who imitate singers such as Elvis Presley, James Brown, Willie Nelson, Barbra Streisand, Buddy Holly and Patsy Cline. However, Mike changes his mind and announces in the dressing room that he wants to perform as Lightning, singing the rock cover songs that Mike wants to sing.

This decision does not go down well with the show’s management, which threatens to fire Mike. The Pasty Cline impersonator is a divorced mother named Claire Stengl (played by Hudson), who has been quietly observing this drama in the dressing room. Mike refuses to perform as Don Ho, so Claire suggests to Mike that he perform as Neil Diamond instead.

Mike doesn’t think Diamond’s songs are rock’n’roll enough either, but he warms up to the idea when Claire reminds him that many of Diamond’s songs have rock beats and rock melodies. The Elvis impersonator, whose name is Earl and whose stage name is TCB (played by Jayson Warner Smith), gets upset when Mike says that Mike wants to perform Presley’s “Suspicious Minds” as part of Mike’s Lightning act that night.

Mike doesn’t get a chance to perform as Lightning at this state fair because he’s immediately fired. However, Claire made quite an impression on him. It isn’t long before Mike asks around and gets Claire’s contact information. (In real life, Mike and Claire met when they were still married to other people.) Brewer’s “Song Sung Blue” movie depicts Mike and Claire’s first date as starting off as platonic, but they have undeniable romantic chemistry together and share the same passion for performing in front of live audiences.

Claire and Mike aren’t interested in writing their own songs. They’re happy doing cover versions of other people’s hit songs. Claire is a talented pianist who works part-time as a hair stylist. She tells Mike one of her beauty salon co-workers can help give Mike a Neil Diamond makeover by changing his hair and providing a wardrobe that’s similar to what Diamond wore during his 1970s and 1980s heyday. (Expect to see a lot of big hair and sparkling clothes.)

On their first date, Claire brings Mike back to her home so they can jam on some of Diamond’s songs. Claire lives with her two children: daughter Rachel Cartright (played by Ella Anderson), who’s about 16 years old, and son Dana Cartright (played by Hudson Hensley), who’s 11 or 12 years old. Claire’s unnamed mother (played by Cecelia Riddett) also lives in the household, but Claire’s mother is about to move into a nursing home. Rachel, Dana and Claire’s mother all react with a certain amount of suspicion toward Mike when they first meet Mike. Rachel is the most stand-offish and rudest to Mike.

Mike works part-time as a mechanic. He lives alone in a small house, but he gets regular visits from his daughter Angelina Sardina (played by King Princess), who is about 17 years old when the story begins. Mike’s ex-wife has full custody of Angelina, a laid-back type who likes to smoke marijuana. Angelina is more accepting of Claire than Rachel is of Mike. However, when Angelina and Rachel meet each other for the first time, they become instant friends. Anderson excels in her role as Rachel (who goes through a lot of changes in the story) and gives the best performance of the younger principal cast members.

On their first date, Mike and Claire tell each other a little bit about their personal backgrounds, including their failed marriages. Claire (who changed her surname back to her maiden name Stengl after the divorce) says that her ex-husband was a “good guy” but he would laugh at her for her musical aspirations and made her “feel small.” Mike tells Claire that he was to blame for his divorce because he was the one who made his ex-wife “feel small” in the marriage. The ex-spouses of Mike and Claire are not seen in the movie.

Mike confesses that he used to be very angry and selfish. He also tells Claire that he’s recovering from alcoholism and has been sober for 20 years. It’s later revealed that Claire has her own personal struggles with mental health. Before and after she met Mike, she was on prescribed medication for depression.

In the beginning of the movie, Mike is financially struggling and three months behind on his house mortgage payments. Mike’s dentist/friend Dr. Dave Watson (played by Fisher Stevens) tells him during a dental checkup that Mike should sell Mike’s house, but Mike refuses because Mike says the house is the only consistent thing that he can offer to Angelina. During this dental appointment, Dave gives Mike a false tooth engraved with a lightning bolt to fill in a tooth gap on Mike’s upper mouth. Yes, it’s that kind of movie.

Mike and Claire quickly fall in love. And it isn’t long before Mike is convinced he can’t do his Neil Diamond tribute act without Claire on keyboards and backing vocals. In the movie, Mike is the one who comes up with the idea to give Claire the stage name Thunder. And so, Lightning & Thunder are born. Claire and Mike get married. Rachel and Dana eventually grow to love Mike and end up calling him Dad or Papa.

In real life, Lightning & Thunder did more than Diamond cover songs. Lightning & Thunder also performed songs by Cline, Blondie and ABBA. But it’s easy to see why the “Song Sung Blue” filmmakers only focused on the Diamond angle, in order to make the Lightning & Thunder story easier to market as a movie. Also, in real life, Claire didn’t start working with Mike until two years after she auditioned and was rejected for his band.

The next step for Lightning & Thunder is to book gigs. They get help from Mike’s long-suffering friend Mark Shurilla (played by Michael Imperioli), the movie’s Buddy Holly impersonator, who has been let down and betrayed by Mike many times in the past, but the movie doesn’t go into details. It’s through Mark that Mike and Claire meet a talkative and enthusiastic event promoter named Tom D’Amato (played by Jim Belushi), who mainly works with venues in the Midwest.

Dave and a James Brown impersonator named Sex Machine (played by Mustafa Shakir) are also supportive friends who help Mike and Claire in the couple’s career as Lightning & Thunder. A married Thai couple named Somechai (played by Shyaporn Theerakulstit) and Ranee (played by Chacha Tahng), who own a restaurant/bar with karaoke entertainment, are shown later in the movie as people who help Mike and Claire make a Lightning & Thunder comeback, after a major setback nearly derails the career of Lightning & Thunder.

Lightning & Thunder’s first show is a disaster because they’re accidentally booked for a show at a bar attended by motorcycle bikers who want to hear classic rock and hard rock. Mike starts a fist fight with a heckler, and the fight turns into a massive brawl where Tom gets involved. By contrast, a high point in Lightning & Thunder’s career (as already shown in a trailer for “Song Sung Blue”) is when Lightning & Thunder get a gig as the opening act for Pearl Jam, whose lead singer Eddie Vedder (played by John Beckwith) personally requested Lightning & Thunder as the opening act for Pearl Jam’s show at a large theater in Milwaukee.

One of the recurring scenarios in the movie is Mike’s fixation on Diamond’s 1970 song “Soolaimón,” a tune inspired by African rhythms. It’s the Diamond song that Mike loves to perform the most because he thinks it’s Diamond’s most underrated single. Mike doesn’t hate a crowd-pleasing Diamond song like 1969’s “Sweet Caroline,” but Mike thinks “Sweet Caroline” is more of an obligation than a joy to perform.

Mike stubbornly wants “Soolaimón” to be the first song in Lightning & Thunder’s performance set instead of any of the more well-known Diamond songs that other tribute artists would’ve chosen. He wants “Sweet Caroline” to be the encore song. This decision leads to some conflicts in the movie. Other songs from Diamond performed in the movie include “I Am I Said,” “Cracklin’ Rosie,” “Cherry Cherry,” “Play Me,” “Crunchy Granola Suite,” “Forever in Blue Jeans,” “Holly Holy,” “I’m a Believer,” “Brother Love’s Travelling Salvation Show,” “I’ve Been This Way Before” and Diamond’s version of the Christmas classic “O Holy Night.”

There is much more to “Song Sung Blue” than a tribute act trying to make their mark in showbiz. Mike, Claire and their blended family experience some unexpected difficulties that are not revealed in the “Song Sung Blue” trailers. One of these challenges is hinted at in the trailer but won’t be revealed in this review since most viewers won’t know the real-life story before seeing the movie.

The absolute highlight of “Song Sung Blue” is Hudson’s performance, which shows her best acting range in years. She fully commits to her Wisconsin accent and gives the movie’s most emotionally moving performance. Claire is effervescent but has enormous struggles that Hudson depicts realistically in this movie. And unlike many of her actress peers who’ve Botoxed their faces to look like stiff-looking aliens from outer space, Hudson isn’t afraid to look her authentic age, including wrinkles, body flab, and all the physical things that most people have in middle-age. The movie has several unfiltered closeups of people’s faces, so the camera isn’t letting any of the cast members hide what their faces really look like.

Jackman, who is Australian in real life, sometimes lets his real accent slip through when he tries to sound American in “Song Sung Blue.” It’s a distraction and it’s why Jackman isn’t completely believable as a Wisconsin native. Mike is great at lifting people’s spirits and is a charismatic performer, but he’s also a bit of an egotistical dictator/control freak. And because he’s the lead singer, he often treats Claire like a sidekick instead of an equal partner.

Jackman doesn’t disappoint when it comes to his singing in the movie, but his singing talent has been on display for years because of all the musicals he’s done in his career. Hudson, who released her first album (“Glorious”) in 2024, is the more effective singer in this movie because of the wider range of emotions that she expresses. If Mike is the heart of Lightning & Thunder, then Claire is the soul.

The timeline in “Song Sung Blue” is a little jumbled and contradictory, which makes some of this movie’s screenwriting look sloppy. Toward the end of the movie, Mike says he’s celebrating his 22nd year of sobriety, but something happens, and it’s shown that the year he made this comment was in 1997, not 1993. There’s no way that this movie could take place in a period longer than two years because Dana (the youngest child in the family) still looks the same from the beginning of the movie until the end.

“Song Sung Blue” would’ve benefited from having a story timeline that takes place over a longer period of time. Certain things happen a little too fast in the movie that makes some parts of the story look contrived, even though these things happened in real life—just not the way it was depicted so quickly in the movie. In addition, some of the movie’s dialogue will make cynics roll their eyes in how hokey it sounds. Despite these flaws, “Song Sung Blue” should appeal to anyone who tolerates or enjoys musical tribute acts and who can appreciate what many of these much-maligned artists often go through in their struggles to make a living and survive.

Focus Features will release “Song Sung Blue” in U.S. cinemas on December 25, 2025. A sneak preview of the movie was shown in U.S. cinemas on December 14, 2025.

Review: ‘Coming 2 America,’ starring Eddie Murphy, Arsenio Hall, Jermaine Fowler, Leslie Jones, KiKi Layne, Shari Headley and Wesley Snipes

March 4, 2021

by Carla Hay

Bella Murphy, Akiley Love, Arsenio Hall, Eddie Murphy, Shari Headley, KiKi Layne and Paul Bates in “Coming 2 America” (Photo by Quantrell D. Colbert/Paramount Pictures/Prime Video)

“Coming 2 America”

Directed by Craig Brewer

Culture Representation: Taking place in the fictional African country of Zamunda and briefly in the New York City borough of Queens, the comedy sequel “Coming 2 America” features a predominantly black cast of characters (with a few white people) representing African royalty, working-class Africans and Americans of various classes.

Culture Clash: An African royal, who is shamed for not having a male heir, finds out that he has an illegitimate American son, who is brought to Africa to be groomed as an heir to the throne.

Culture Audience: “Coming 2 America” will appeal primarily to fans of 1988’s “Coming to America,” but this sequel lacks the charm of the original movie.

Wesley Snipes, Jermaine Fowler and Leslie Jones in “Coming 2 America” (Photo by Quantrell D. Colbert/Paramount Pictures/Prime Video)

The comedy film “Coming 2 America,” which is the sequel to 1988’s “Coming to America,” is a perfect example of a movie that was not worth the wait. It’s a dull and disappointing mess that trashes or wastes the character relationships that made the “Coming to America” a crowd-pleasing hit. Co-stars Eddie Murphy and Arsenio Hall, who were a dynamic duo in “Coming to America,” don’t have very many scenes together in “Coming 2 America.”

The new characters that are introduced in “Coming 2 America” are bland or obnoxious. An endearing romance/courtship that was at the heart of “Coming to America” is largely absent from “Coming 2 America,” which rushes a predictable relationship between a young couple who have almost no believable chemistry with each other. And “Coming 2 America” is filled with misogyny and racist stereotypes about black people, from a mostly white team of filmmakers.

The title of this dreadful and boring sequel shouldn’t have been “Coming 2 America.” It should have been titled “Shucking and Jiving in Zamunda.” That’s essentially what all the main characters do throughout this idiotic movie that takes place mostly in the fictional African country of Zamunda, not in America.

The “fish out of water” premise of culture shock that worked so well in “Coming to America” is muddled and mishandled in “Coming 2 America,” which was directed by Craig Brewer. This entire film looks like a tacky TV-movie instead of what it should have been: a cinematic triumph in comedy. (It’s easy to see why Paramount Pictures chose not to release “Coming 2 America” in theaters and sold it to Prime Video instead.) It doesn’t help that the movie’s musical score is schlocky sitcom music by Jermaine Stegall. Kenya Barris, Barry W. Blaustein and David Sheffield wrote the awful and lazy screenplay for “Coming 2 America.”

Murphy and Hall do their expected schticks of portraying various characters (some in prosthetic makeup), just like they did in “Coming to America.” It brings some mildly amusing moments that are fleeting and recycled. (The barbershop scene is back, and it’s not as funny as it was in the first “Coming to America” movie.) But these moments are not enough to save “Coming 2 America,” which is ruined by too many stale jokes that would’ve been outdated in 1988.

In fact, there’s almost nothing modern about “Coming 2 America,” except for some of the contemporary costumes. The song selections and musical numbers that are used as filler in this movie are straight out of the early 1990s, as if the filmmakers are trying to relive the music of their youthful days. And there are several celebrity cameos from African American entertainers, to distract from the movie’s silly plot. However, sticking a bunch of talented black people in front of the camera doesn’t make the writing and directing of “Coming 2 America” any less moronic and cliché.

In the beginning of “Coming 2 America,” Prince Akeem (played by Murphy) and his loyal sidekick/best friend Semmi (played by Hall) are living an uneventful life in Zamunda. Akeem and his American wife Lisa (played by Shari Headley)—who met, fell in love, and got married in “Coming to America”—are now celebrating their 30th wedding anniversary, as well as peace and prosperity in Zamunda. Semmi is still portrayed as a bachelor who has nothing better to do with his life but to be Akeem’s glorified lackey.

Akeem and Lisa have three children, all daughters: eldest Meeka (played by KiKi Layne), who’s in her mid-to-late 20s, is the only daughter with a distinct personality, since she’s the most assertive and outspoken of the three. Middle teenage daughter Omma (played by Bella Murphy, one of Eddie Murphy’s real-life daughters) and youngest pre-teen daughter Tinashe (played by Akiley Love) don’t have much dialogue in the movie. Their only moments where they get to shine are in some choreographed fight scenes.

Lisa’s father Cleo McDowell (played by John Amos) has expanded his fast-food McDowell’s restaurant business to Zamunda. McDowell’s blatantly copies McDonald’s, even down to having a “golden arches” sign in the shape of the letter “M.” This copycat gag leads to a not-very-funny segment in the beginning of the movie about how much McDowell’s imitates McDonald’s. Cleo quips, “They’ve got Egg McMuffins. We’ve got Egg McStuffins.” That’s what’s supposed to pass as comedy in this horribly written film.

Oscar-winning “Black Panther” costume designer Ruth E. Carter did the costumes for “Coming 2 America.” The costumes in “Coming 2 America” are among the few high points of the movie. Unlike “Black Panther,” which treated its female and male characters as equals, “Coming 2 America” is a parade of misogyny that makes the female characters look inferior to the male characters in subtle and not-so-subtle ways.

The running “joke” in the film is that Zamunda is a socially “backwards” country with laws where women can’t be the chief ruler of the nation, and women can’t own their own businesses. The Zamundan culture is that women exist only to cater to men. Females can’t make any big decisions without the approval of the closest patriarch in her family. It’s sexism that could be ripe for parody, if done in a funny and clever way. But “Coming 2 America” bungles it throughout the entire movie, except for the end when a predictable decision is made to resolve a certain problem related to Zamunda’s sexist laws.

That decision is rushed in toward the very last few minutes of the movie. And it looks like what it is: the filmmakers’ way of pandering to feminism. However, this fake feminist plot development doesn’t erase all the ways that “Coming 2 America” marginalizes and “dumbs down” the women in the movie in a way that’s so foul and unnecessary.

“Black Panther” proved you don’t have to make black women in an African country look like they’re incapable of being smart and strong leaders. The “Coming 2 America” filmmakers try to rip off a lot of “Black Panther’s” visual style, but it’s all a smokescreen for the way “Coming 2 America” makes the African country of Zamunda (and therefore the people who live there) look like a very ignorant culture that’s behind the times.

In “Coming 2 America,” the “rank and file” black female citizens in Zamunda are just there to literally shake their butts in the dance routines; act as servants who are required to bathe or groom the royal men; or be preoccupied with marriage and/or motherhood. Akeem is shamed and ridiculed by a rival named General Izzi (played by Wesley Snipes) because Akeem has no male heirs. Izzi is portrayed as a cartoonishly buffoon villain who’s power-hungry and jealous of Akeem’s status as a royal heir.

In order to gain power in Zamunda, Izzi would rather form some kind of alliance with Akeem, instead of fighting Akeem. When Izzi storms the royal palace with an army of men, Izzi tells Akeem: “I came here for blood, but not the murder kind. Family blood, marriage blood.” Izzi suggests that Izzi’s son Idi (played by Rotimi Akinosho) marry Meeka, but Akeem rejects the offer.

Akeem’s widower father King Jaffe Joffer (played by James Earl Jones) thinks he’s going to die soon. And the king isn’t happy that Akeem doesn’t have a son. “The throne must pass to a male heir,” King Jaffe declares. Jones, who is a majestic presence in many other movies, has his talent squandered in “Coming 2 America,” which makes him look like a sexist old fool who doesn’t think any of his granddaughters could be worthwhile leaders.

Izzi tells Akeem that it’s too bad that Akeem doesn’t have a male heir, because Izzi think his daughter Bopoto (played by Teyana Taylor) would be a perfect match for any son of Akeem’s. And just like that, Semmi and a crotchety elderly man named Baba (played by Hall, who’s made to look like a tall, African version of Gollum) tell Akeem that he actually does have a son that Akeem didn’t know about for all of these years. Akeem doesn’t really believe it, until he’s reminded of something that happened when he and Semmi were in the New York City borough of Queens, during the time that the “Coming to America” story took place.

Meanwhile, King Jaffe announces, “My funeral should be spectacular. Let’s have it now, while I’m alive.” This was apparently an excuse for the “Coming 2 America” filmmakers to have one of several dance numbers in the movie as a gimmick to fill up time.

King Jaffe’s “funeral party” features Morgan Freeman introducing performances by En Vogue and Salt-N-Pepa, who perform the 1993 hit “Whatta Man.” Also performing at the party is Gladys Knight, who is forced to embarrass herself in butchering her 1973 classic “Midnight Train to Georgia” because the filmmakers made her change the song to “Midnight Train to Zamunda.” At any rate, King Jaffe dies at the party (he falls asleep and doesn’t wake up), which is a good thing for Jones, because the less screen time he has in this garbage movie, the better.

After his father’s death, Akeem becomes king, but Akeem is now desperate to find a male heir. Akeem’s son (who is constantly called a “bastard” in this movie) was the result of a one-night stand that Akeem had in Queens. “Coming 2 America” then shows how this son was conceived. Akeem and Semmi, who were in Queens to look for a woman to marry Akeem, were at a nightclub, when Semmi spotted an American woman named Mary Junson (played by Leslie Jones) at the bar. (“Coming 2 America” uses flashbacks from “Coming to America” and some visual effects to recreate this moment.)

Semmi struck up a conversation with Mary and told her that he was working for an African prince who was looking for a bride. Mary takes one look at Akeem and doesn’t need any encouragement to hook up with Akeem. She invites Akeem back to her place. And as Akeem remembers it in the present day, Mary blew smoke from marijuana (which he calls “wild herbs”) in his face, thereby impairing his judgment.

Akeem describes Mary and his sexual encounter with her in this way: “A wild boar [Mary] burst into the room and rammed me and rammed me.” The sex is shown in a flashback in a very problematic scene, because it portrays Mary as someone who sexually assaulted Akeem. He definitely wasn’t a willing partner, by the way it’s portrayed in the movie, but it’s played off as something to laugh at in the movie. It makes Mary look like she’s so desperate for sex that she will incapacitate and rape a man.

And the dialogue in this sexual assault scene is just so cringeworthy. Before Mary attacks Akeem, she says to him, “I hope you like pumpkin pie, ’cause you goin’ to get a whole slice.” Mary can’t speak proper English in the movie because the filmmakers want to make her look as dumb and uneducated as possible.

It’s also downright sexist and racist to call a black woman a “boar,” which is an animal that is an uncastrated male swine. It doesn’t make it okay if another black person says this insult, just because he was paid to say it as an actor. It should be mentioned that two out of the three screenwriters of this crappy “Coming 2 America” screenplay are white. Had there been more black people on the filmmaking team, it’s doubtful that there would have been so many insulting and offensive portrayals of black people (especially black women) in this trash dump of a movie.

Portraying Mary as a desperate sexual assaulter isn’t the only problematic thing about this character. The entire character of Mary is problematic, because it’s all about reinforcing the worst negative stereotypes that movies and TV have about black women who are single mothers: loud, crude, stupid, broke/money-hungry and promiscuous. Mary (who doesn’t seem to have a job) calls herself a “ho” multiple times in the movie.

Akeem also calls Mary a “morally bereft” woman when he describes his memory of her. And when Akeem and Semmi inevitably go back to Queens to find Mary and the mystery son, Mary isn’t sure if Akeem is the father of her child. That is, until she finds out how rich Akeem is (Semmi accidentally drops open a suitcase full of cash in front of her), and suddenly Mary can’t wait to move to Zamunda and live in the royal palace.

The filmmakers go out of their way to make Mary as mindless and vulgar as possible. When Mary goes to Zamunda and she’s served caviar, she doesn’t know what this delicacy is and calls it “black mashed potatoes.” And in another scene in the movie, Mary shouts, “I am so hungry, I could eat the ass out of a zipper!”

Mary and Akeem’s son Lavelle Junson (played by Jermaine Fowler) is a good guy overall. But the filmmakers force a negative stereotype on him, by making him yet another black male who breaks the law. Lavelle and his Uncle Reem (played by Tracy Morgan, using the same shady clown persona that he usually has in his movies and TV shows) are ticket scalpers. Clearly, the “Coming 2 America” filmmakers wanted yet another ghetto stereotype of black people who commit illegal acts to make money.

“Coming 2 America” has a very racially condescending scene of Lavelle and Reem (who is Mary’s brother) at a corporate office on Lavelle’s 30th birthday. Lavelle is at this company (a firm called Duke & Duke) to apply for some kind of computer job. Lavelle tells Reem that he’s tired of having an unstable income from ticket scalping, and he wants to earn an honest living in a steady job. Reem thinks Lavelle is a dolt for wanting to get a legitimate job, and he asks Lavelle if he’s going to use his “white voice” in the interview.

In the interview with the firm’s racist scion named Calvin Duke (played by Colin Jost), Lavelle is subjected to a barrage of bigoted assumptions that are meant to make Lavelle feel inferior. When Calvin finds out that Lavelle was raised by a single mother who’s unemployed (she got laid off from her job), Calvin makes a snide remark: “They say that not having a dominant male figure at home is detrimental to a child.” There are some more racist insults (Calvin asks Lavelle if his mother is addicted to drugs or gambling), before the interview ends predictably, with Lavelle angrily telling Calvin he doesn’t want the job.

The thing is that even though the character of Calvin is supposed to represent white elitists who are racists, the “Coming 2 America” filmmakers do everything to make a lot of the movie’s black characters (especially Mary) the very degrading stereotype that racists like Calvin have of black people. And that’s why the movie’s job interview scene is very phony in its intentions to make it look like racists are most likely to be spoiled white rich kids. The reality is that people from all walks of life can be racists.

It turns out that Lavelle isn’t going to need a job because Akeem soon finds Lavelle (who’s scalping tickets outside of Madison Square Garden), introduces himself as Lavelle’s long-lost father, and tells Lavelle that his new identity is as a wealthy royal heir in Zamunda. Lavelle says he won’t move out of New York without his mother. And quicker than you can say “stupid comedy sequel,” Lavelle and Mary are in Zamunda. And this time, the Americans are the ones who are the “fish out of water.”

Lisa isn’t too happy that Akeem has a son that they didn’t know about until recently. However, she’s willing to forgive Akeem because Lavelle was conceived before Akeem met Lisa. Someone who is even less thrilled about Lavelle is Meeka, who sees Lavelle as a threat to any leadership power she hoped to inherit as a legitimate member of this royal family. The sibling rivalry scenes predictably ensue.

Meanwhile, Lavelle meets a hair stylist named Mirembe (played by Nomzamo Mbatha), who works for the royal family. She’s single and available, so you know where this is going. Mirembe changes Lavelle’s hairstyle from the Kid ‘n Play-inspired fade that he had in Queens to a short-cropped locks hairstyle that Erik Killmonger from “Black Panther” would wear, but with a rat tail braid in the back.

Mirembe says that she would love to open her own hair salon one day (her biggest inspiration is the 2005 movie “Beauty Shop”), but she’s sad and discouraged because the law in Zamunda doesn’t allow women to own their own businesses. Lavelle thinks this law is wrong and he promises her that when he has the power, he’s going to change the law. Lavelle and Mirembe are good-looking, but there’s no believable romantic spark between them, so their inevitable courtship is very boring.

The only thing that looks authentic between them is a meta moment when Mirembe and Lavelle have a conversation about which of the “Barbershop” movies is the best of the series, and how sequels usually aren’t as good as the original. Mirembe says, “This is true about sequels. Why ruin it?” If only the “Coming 2 America” filmmakers took that advice for this movie.

It should come as no surprise that the movie relies on the cliché of a love triangle. Now that Akeem has a male heir, Izzi ramps up the pressure for Bopoto to become Lavelle’s wife. Akeem is open to the idea after Bopoto does a sexy dance for the royal family while showing her ample cleavage. However, Bopoto is deliberately written as a submissive airhead. More than once in the story, Lavelle says he wants to be with an intelligent and independent-minded woman, so it’s obvious which woman he’ll choose in the love triangle.

Fowler has an appealing screen presence as Lavelle, but he’s hemmed in by a character that’s written as average and unremarkable. “Coming 2 America” is also very unfocused, since it can’t decide if the story should be more about the Lavelle/Mirembe romance or the Lavelle/Meeka rivalry. Truth be told, even though Layne plays Lavelle’s half-sister, her scenes with Fowler are more dynamic and have more energy than the scenes with Fowler and Mbatha. Layne’s considerable talents are underappreciated in “Coming 2 America,” because her Meeka character isn’t in the movie as much as people might think she should be.

Continuing with the fixation on early 1990s music, there’s another out-of-place musical number where people do a big sing-along to Prince’s “Gett Off,” led by Akeem’s servant Oha (played by Paul Bates). And there’s an atrociously written scene where Queen Lisa gets drunk with Mary at a party, and they start dancing to Digital Underground’s “The Humpty Dance.” This scene is supposed to make it look like Lisa is getting back in touch with her New York hip-hop roots.

But when they have Lisa and Mary repeat the lines, “Uppity bitch what?,” it just goes back to making the black women in this movie look like they have a ghetto mentality. It says a lot that the “Coming 2 America” filmmakers make the woman who is literally the movie’s black queen incapable of being completely dignified. They try to make it look like Lisa has been suppressing her “true” self as a trashy party girl, when Lisa was never that way in the first “Coming to America” movie. Almost all the black women in this movie are marginalized as either existing only in the story because they’re appendages to the men, as wives/love interests/sex partners, servants or daughters.

One of the signs of a creatively bankrupt movie is when it relies too much on celebrity cameos without bringing any genuine laughs. (John Legend sings during a mid-credits scene, and it’s a useless appearance that has no bearing on the movie’s story.) Trevor Noah makes a quick and inconsequential cameo as a TV newscaster named Totatsi Bibinyana of the Zamunda News Network.

Eddie Murphy, who is the main attraction for the “Coming to America” franchise, should have been a producer and/or writer of “Coming 2 America.” His company Eddie Murphy Productions helped finance the movie, but Murphy himself was not a credited producer responsible for the movie’s content and day-to-day operations. If he had been a producer or writer, Eddie Murphy could have brought better creative clout to this movie, which makes him do silly sketches that are way beneath his talent. The comedy and tone, including the slapstick scenes, are monotonous and unimaginative.

Lavelle goes through an initiation process that includes taming a tiger and a “circumcision” ritual that are ineptly written and filmed. As part of his “royal training,” Lavelle gets criticism from Semmi, who yells at him: “You walk like an American pimp!” Lavelle shouts back, “You dress like a slave from the future!”

Doing a high-profile, highly anticipated sequel such as “Coming 2 America” isn’t just about the paychecks. It’s about making good entertainment and a fairly accurate representation of cultures to make the story look relatable. And it should be about celebrating people, instead of making them demeaning caricatures that embody what racist and sexist bigots believe.

Prime Video will premiere “Coming 2 America” on March 5, 2021.

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