Review: ‘Fackham Hall,’ starring Damian Lewis, Katherine Waterston, Thomasin McKenzie, Ben Radcliffe and Tom Felton

December 20, 2025

by Carla Hay

Thomasin McKenzie, Katherine Waterston, Damian Lewis and Tom Felton in “Fackham Hall” (Photo courtesy of Bleecker Street)

“Fackham Hall”

Directed by Jim O’Hanlon

Culture Representation: Taking place in 1931, in an unnamed city in England, the comedy film “Fackham Hall” features a predominantly white cast of characters (with a few black people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: An artisocratic family is in danger of losing the family’s longtime manor, named Fackham Hall, unless one of their daughters gets married, to ensure that there will be a male heir in the family.

Culture Audience: “Fackham Hall” will appeal primarily to people who are fans of the movie’s headliners and movies that mix slapstick comedy with racy jokes.

Ben Radcliffe and Thomasin McKenzie in “Fackham Hall” (Photo courtesy of Bleecker Street)

“Fackham Hall” is like “Downton Abbey” meets “The Naked Gun.” Some jokes get too repetitive, but it’s an overall entertaining blend of social satire and slightly naughty comedy with word puns and sight gags. The talented cast members commit to the absurdity.

Directed by Jim O’Hanlon, “Fackham Hall” was written by Jimmy Carr, Patrick Carr, Tim Inman, Andrew Dawson and Steve Dawson. With all these credited screenwriters, the “Fackham Hall” screenplay sometimes looks like it suffers from “too many cooks in the kitchen” syndrome. However, the jokes often land on their intended targets fairly well.

“Fackham Hall” takes place in 1931, during the Great Depression, in an unnamed city in England. The movie was actually filmed in and around Yorkshire, England. Fackham Hall is the manor of the aristocratic Davenport family, which has presided over Fackham Hall for the past 400 years.

The Davenports are beholden to an archaic tradition that will allow them to keep Fackham Hall owned by the family if the family has at least one living male heir: either a son or a son-in-law. A recurring joke in the movie is that the Davenports have a tendency to marry their first cousins in arranged marriages. (Underneath the plaque on Fackham Hall’s front gate are the words “Incestus ad Infinitum,” which is supposed to loosely translate in Latin to “Incest Forever.”)

In the beginning of “Fackham Hall,” patriarch Lord Humphrey Davenport (played by Damian Lewis) and his wife Lady Davenport (played by Katherine Waterston) are relieved that one of their two daughters is engaged to be married. The couple’s fickle younger daughter Poppy (played by Emma Laird) is engaged to her first cousin Archibald (played by Tom Felton), even though Archibald is a boorish dolt.

Lord Davenport and Lady Davenport think that their older daughter Rose (played by Thomasin McKenzie) is a disappointment. Rose (who is 23 years old) is independent-minded, unconventional (she sometimes wears men’s clothes and drives cars), and is in no rush to get married. As far as Rose’s parents are concerned, Rose is an “old maid.”

Or as Lady Davenport describes Rose: “a dried-up husk of a woman: barren, desiccated, a wizened old walnut of a spinster.” As Lady Davenport gives this withering description, the camera pans away to show that Rose is sitting right next to her in the room. “Fackham Hall” repeatedly pokes fun at “upper crust” society people who can be just as crude and uncouth as the “common people” who are considered “lower class.”

It’s explained early on in the movie that Lord Davenport and Lady Davenport had four adult sons, who all died in freak accidents. John died in the Hindenburg. Paul was struck by lightening. George died on the Titanic. Ringo died from auto-erotic asphyxiation. Beatles fans will immediately get the joke about the significance of these son’s names.

“Fackham Hall” shows glimpses into the contrast between the “upstairs” aristocrats and the “downstairs” servants. The servants are mostly underdeveloped characters in the movie. However, two of the longtime employees stand out by having the most screen time out of all of the servants: uptight chief of staff Mrs. McAllister (played by Anna Maxwell Martin) and slightly goofy butler Cyril (played by Tim McMullan).

The Davenports will soon get a new employee, who joins the butler staff unexpectedly. His name is Eric Noone (played by Ben Radcliffe), whose surname is pronounced No One. Eric (who is in his mid-to-late 20s) is first seen visiting the nun-operated children’s home (Norfolks Orphanage) where he grew up.

Eric has been summoned to the orphanage by Sister Jude (played by Karen Henthorn), who introduces Eric to a mysterious man whose name is later revealed to be Austin Blaine (played by Ian Bartholomew). Austin asks Eric to go to Fackham Hall to personally deliver a sealed letter to Lord Davenport. Eric thinks the Davenports are elitist snobs, so he says “Fuck ’em all,” which is used in the movie as a play on words for Fackham Hall.

While riding his bike at Fackham Hall, Eric accidentally gets hit by a car driven by Rose. Luckily, Eric isn’t hurt. Rose makes profuse apologies. And it’s attraction at first sight for Eric and Rose. Eric is distracted by the accident and meeting Rose. The letter is almost forgotten until a turning point in the story.

Eric needs a job. And it just so happens that the Davenports need an extra butler. And so, Eric is hired for this position. He has to share a small room with five other male servants. His first big task is serving during the engagement party for Poppy and Archibald.

The engagement party is one of the weaker aspects of the movie. The only purpose of this party is to introduce several “high society” characters who are somewhat meaningless in the overall plot. Archibald’s best man is Bert Chester (played by Adam Woodward), who brings his materialistic and wealthy American lover Fifi Valentine (played by Lily Knight) as his date. Fifi wants to buy Fackham Hall, but Lord Davenport admantly tells her that Fackham Hall is not for sale.

Other party guests with speaking roles are on the fringes of the main story and don’t do much but show up in scenes and make quipping jokes. These vague supporting characters include bachelorette identical twins Mary Bechdel and Constance Bechdel (both played by Erin Austen); Lord Davenport’s attorney Darvesh Khalid (played by Ramon Tikaram), who keeps telling his World War I combat stories; and JRR Tolkein (played by Jason Done), who is an unpublished author, long before he became famous for “The Lord of the Rings.”

Another member of the Davenport family who is in the movie is Great Aunt Bonaparte (played by Sue Johnston), a foul-mouthed elderly woman, doing the tired comedy stereotype of “old ladies who curse are automatically supposed to be funny.” Phyllis Davenport (played by Lizzie Hopley) is Lord Davenport’s sister and Archibald’s mother. She’s given even less to say in the movie than Great Aunt Bonaparte.

The “Fackham Hall” trailers already reveal that Lord Davenport dies at Fackham Hall. His body is found with a knife through his chest. What the trailers don’t reveal is that this death doesn’t happen until the last third of the movie. The person who shows up to lead the investigation is Inspector Robert Watt (played by Tom Goodman-Hill), who thinks he’s as brilliant as Sherlock Holmes, but Inspector Watt is really a clumsy and bungling cop who has a habit of dropping things and overlooking clues.

“Fackham Hall” co-writer Jimmy Carr (who is a famous stand-up comedian) has a small role as a priest or minister who misreads text during church services and then has to correct himself. This type of joke is amusing but over-used in the movie. The movie’s fart jokes are predictable and get tiresome very quickly.

McKenzie, Lewis and Waterston show the best comedic timing of all the “Fackham Hall” principal cast members. Some parts of the movie fly by quickly, while other parts drag. “Fackham Hall” is nothing more than escapist comedy that doesn’t get too dark with its satire. It’s flawed but funny enough for people inclined to like wacky comedy that leans into slapstick scenarios and intentionally silly jokes.

Bleecker Street released “Fackham Hall” in U.S. cinemas on December 5, 2025. The movie was released in the United Kingdom on December 12, 2025.

Review: ‘Dream Horse,’ starring Toni Collette and Damian Lewis

May 23, 2021

by Carla Hay

Toni Collette and Owen Teale in “Dream Horse” (Photo by Kerry Brown/Bleecker Street and Topic Studios)

“Dream Horse” 

Directed by Euros Lyn

Culture Representation: Taking place from 2002 to 2009, in various parts of the United Kingdom (particularly in Wales), the dramatic film “Dream Horse” features an almost all-white cast of characters (with one person of Indian/South Asian heritage) representing the working-class, middle-class and wealthy.

Culture Clash: A middle-aged woman, who works as a bartender and a supermarket cashier, convinces people in her working-class neighborhood to pool their money to breed a racehorse, despite knowing that they have a lot of odds stacked against them that the horse will become a champion.

Culture Audience: “Dream Horse” will appeal primarily to people who are interested in “against all odds” stories and movies about horse racing.

Pictured in front row: Owen Teale, Toni Collette and Damian Lewis in “Dream Horse” (Photo by Kerry Brown/Bleecker Street and Topic Studios)

“Dream Horse” is an against-all-odds horse racing story that is utterly formulaic but completely charming, thanks to admirable performances from the cast, led by Toni Collette and Damian Lewis. The movie is based on a true story, which is why even some of the far-fetched moments have a tone of authenticity. You don’t have to be a fan of horse racing to enjoy the movie, because it’s ultimately a story about the triumph of underdogs and anyone who is often underestimated.

Directed by Euros Lyn and written by Neil McKay, “Dream Horse” begins in 2002, with a look at the humdrum life of Jan Vokes (played by Collette), a middle-aged Brit who is barely making ends meet with two jobs in the former mining village of Cefn Fforest in South Wales. By day, she works as a supermarket cashier. By night, she’s a bartender at a social club whose attendees are mostly middle-aged and elderly people. In addition, Jan has to care for her elderly, ailing parents Bert (played by Alan David) and Elsie (played by Lynda Baron), who has to use a wheelchair after experiencing a fall.

Jan’s home life and marriage are pretty stagnant at the beginning of the story. Her husband Brian (played by Owen Teale) barely pays attention to her, especially when he’s watching farming shows on TV. Brian used to be physically active, but his arthritis has left him unable to work, so Jan is the breadwinner for the household. Jan mentions to Brian that it would be easier to take care of her parents if her parents lived with her and Brian, but Brian doesn’t really respond to that suggestion.

Jan and Brian have two adult children named Dennis and Sasha, who are mentioned but not seen in the movie, since they no longer live with Jan and Brian. These “empty nest” spouses love animals, so they have ducks, a whippet and several pigeons that are part of their household too. Jan bears most of the responsibility for taking care of everyone in her household. And it’s starting to weigh heavily on her.

Brian and Jan are in no danger of breaking up, but Jan feels underappreciated, bored and stuck in a rut. One evening, while working at her bartender job, Jan ovehears a man talking happily and enthusiastically about the race horse that he used to own with a syndicate. The man is sitting at a table with a group of five other men, and he has the group enraptured with his stories.

Jan asks her boss Gerwyn Evans (played by Steffan Rhodri) about this charismatic man. She finds out that his name is Howard Davies (played by Lewis), and he’s a horse racing enthusiast who nearly lost everything (his life savings, house and marriage) after his horse racing syndicate went out of business. Howard now works as a corporate accountant for wealthy clients, and most of his job entails helping his clients legally avoid paying taxes.

Jan is so intrigued by Howard’s passion for horse racing that she begins to research what it takes to own a race horse. She starts by picking up a Horse & Hound magazine at her job. In the magazine, she sees an ad for the latest edition of “Directory of the Turf: The International Guide to Horse Racing.” She buys the book and finds out that it would be possible to breed a racehorse with people in her working-class neighborhood if they pooled their resources for a few years.

The first person Jan shares this idea with is Brian, who is immediately skeptical. His reaction is to laugh and say, “It’s absolute madness!” Undeterred, Jan convinces Brian to help her buy a mare named Rubell. The next step will be to take the mare to get impregnated by a stud stallion, which costs money that Jan and Brian don’t have.

It’s now 2003, and Jan puts her plan into motion to get people in the economically depressed neighborhood to pool their resources and form a horse racing syndicate. When Jan sees Howard at her bartender job, she tells him about her idea for the townspeople to form a syndicate, and she asks him for his expert advice. Howard tells Jan, “It’s mostly wealthy, professional men who go for this kind of thing.”

Jan replies with a huff, “I wasn’t asking for your help anyway.” Because she’s strong-willed and determined, Jan decides to see what she can do on her own to form the syndicate. She makes flyers that say, “Breed a Horse to Get on Course!” The flyers are for the first meeting for potential syndicate members. But when Jan hands out the flyers on the street outside of a facility that takes bets on horse races, she experiences unenthusiastic and apathetic responses.

Jan also puts up flyers around the neighborhood about this first meeting, which will be held at the social club where she works as a bartender. The evening of the meeting, the turnout starts out as dismal: The only attendees are Jan, Brian, Howard and Gerwyn. About 15 minutes after the meeting starts, just as they start to think that they should cancel the meeting, one person arrives, then another, and then another, and so on.

Eventually, 18 people decide to join the syndicate (some of them joined after the first meeting), with Jan as the unofficial leader, since the syndicate was her idea. Most of the group consists of middle-aged people, but there are a few people under the age of 40 and a few who are elderly. During their first meeting, they also agree that no major decisions will be made without putting the decisions up for a group vote. Howard also warns the group that there’s less than a 1% chance that the horse they’ll breed will win a race, but no one backs out of this risky business venture.

The next order of business is to get Rubell impregnated. The syndicate raises enough money for Jan and Brian to take Rubell to a stud farm, where Rubell is matched with a stallion with a race horse lineage. Rubell gives birth to a colt, but she dies shortly after giving birth. Jan and Brian feel even more dedicated to taking care of this colt, now that he is an orphan.

During a syndicate meeting, the group votes on what to name the colt. Jan comes up with the name Dream Alliance (which is a nod to their group), and this name suggestion gets the most votes. Dream Alliance is now on his way to becoming a race horse, but only after he gets the proper training, which requires more money. Because of his experience as an accountant, Howard takes on accounting duties for the syndicate.

By 2006, the syndicate has raised enough money for Dream Alliance (now 3 years old) to be sent to a race horse trainer. Howard suggests Philip Hobbs (played by Nicholas Farrell), who runs one of the best horse racing training facilities in Wales. Jan and Brian bring Dream Alliance to the training facility, with the assumption that Howard made an appointment for them.

But to Jan and Brian’s dismay, Philip tells him that he’s never heard of Howard, and he doesn’t have time for them if they don’t have an appointment. Jan angrily says she can take Dream Alliance to a competitor. Philip sees that Dream Horse might have potential, based on the horse’s physique, and that Jan and Brian have already traveled a long distance to get to the facility. And so, Philip changes his mind and agrees to give Dream Alliance a test run.

You know what happens next: The horse starts off kind of shaky, but then gets the hang of it and starts running like a potential champion. Philip agrees to take on Dream Alliance for training. Then there’s the predictable scene of Jan giving an emotional goodbye to Dream Alliance, since the horse now has to live at the training facility.

The rest of the movie is exactly what you would expect it to be. There are victories and disappointments. And there’s one major championship race at the very end (the 2009 Welsh National), where Dream Alliance faces his biggest challenge after a potentially career-ending setback. Getting him to that race is also fraught with tension because members of the syndicate have different opinions on whether or not Dream Alliance should be in that race.

In “Dream Horse,” Jan is depicted as the driving force and leader of the syndicate, but there are other members whose personalities get some screen time. Brian is Jan’s supportive husband who usually takes her side when the group members disagree. Their involvement in the syndicate also puts a spark back into their marriage.

However, they have a big argument where Jan tells Brian that she thinks he’s become too complacent in life. Jan shouts, “When I first met you, you were a fighter! Now, you just accept things, and you don’t fight anymore!” Brian replies in a resigned tone, “So what your dad said was right: You could’ve done a lot better for yourself.”

There’s another hint that Jan has “daddy issues” when she gets upset with her father Bert for not seeming to care about her horse racing activities whenever she brings up the subject to him. Bert’s seeming indifference is hurtful to Jan, because when she was a child, Bert and Jan spent a lot of father-daughter time getting involved in animal races. These memories are part of one of the most tearjerking scenes in the movie.

Howard is extremely passionate about horse racing, but it’s come at a cost of nearly losing the trust of his wife Angela Davies (played by Joanna Page), who has made Howard promise her that he won’t get involved in horse racing again after it nearly ruined them financially. At one point in the movie, Howard confides in Jan about something from his family’s past (which won’t be revealed in this review) that heavily influenced him to follow his dreams in horse racing. There comes a point in the story when Howard has to decide how much longer he can keep his return to horse racing a secret from Angela and if he wants to stay in the corporate accounting job that he despises.

Other members of the syndicate who get notable screen time include:

  • Gerwyn Evans, Jan’s bartender boss, who is the most likely to see Dream Alliance as a money-making entity.
  • Maldwyn Thomas (played by Anthony O’Donnell), a know-it-all who likes to do a lot of research.
  • Anthony Kerby (played by Karl Johnson), who’s a “no filter” drunk in his 70s and who provides most of the movie’s comic relief.
  • Maureen Jones (played by Siân Phillips), a lonely retiree who has a fondness for eating Tunnock’s milk chocolate tea cakes.
  • Peter Woodall (played by Asheq Akhtar), a co-worker of Howard’s and the only person of color in the group.
  • Gordon Hogg (played by Brian Doherty), a co-worker of Howard’s.
  • Kevin “Kev” French (played by Rhys ap William), a neighbor of Howard’s.
  • A goofy man in his early 20s nicknamed “Goose” (played by Darren Evans), the youngest member of the group.
  • Nerys Driscoll (played by Di Botcher), who likes wearing straw hats.
  • Lee Baldwin (played by Gerald Royston Horler), who is Alun Baldwin’s brother.
  • Alun Baldwin (played by Rhys Horler), who is Lee Baldwin’s brother.

There are times when the syndicate has to choose between greed and the well-being of Dream Alliance. Naturally, when Dream Alliance starts winning major races, he catches the attention of a wealthy horse owner named Lord Avery (played by Peter Davison), whose champion horse Fearless Pursuit is one of Dream Alliance’s competitors. Not surprisingly, there’s conflict in the group over money issues and control.

It’s easy to predict which members of the syndicate will clash the most with Jan, who is not motivated by making money from Dream Alliance but is motivated by the pride and joy that Dream Alliance is bringing to their community. And it also isn’t too surprising when some members of the group remind Jan that she’s not allowed to have too much power in the syndicate, since all of the members of the group have to vote on major decisions together.

“Dream Horse” has perfectly satisfactory direction in its thrilling horse race scenes, as well as the interactions that the humans have with each other. Collette’s Jan character is really the heart and soul of the story though. When she finally starts to smile and feel like her life matters, her happiness is infectious to the people around her and to people who watch this movie. Jan’s transformation is a reflection of this movie’s message that this race horse was never about the prize money but about what can happen when people take big risks on a dream, even with seemingly huge obstacles in their way.

Bleecker Street and Topic Studios released “Dream Horse” in U.S. cinemas on May 21, 2021. The movie’s VOD and digital release date is June 11, 2021.

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