Review: ‘Twisters’ (2024), starring Daisy Edgar-Jones, Glen Powell and Anthony Ramos

July 18, 2024

by Carla Hay

Daisy Edgar-Jones, Anthony Ramos and Glen Powell in “Twisters” (Photo by Melinda Sue Gordon/Universal Pictures)

“Twisters” (2024)

Directed by Lee Isaac Chung

Culture Representation: Taking place in Oklahoma and briefly in New York City, the action film “Twisters” ( a continuation of the franchise that started with 1996’s “Twister”) features a racially diverse cast of characters (white, Latin, African American and Asian) representing the working-class, middle-class and wealthy.

Culture Clash: A meteorologist, who feels guilty over the death of her three close friends in a tornado five years before, is persuaded to temporarily join a group of scientific tornado chasers, who are competing against a non-scientific group of YouTube tornado chasers.  

Culture Audience: “Twisters” will appeal primarily to people are fans of the 1996 “Twister” movie and similar movies about weather disasters.

Glen Powell and Daisy Edgar-Jones in “Twisters” (Photo by Melinda Sue Gordon/Universal Pictures)

“Twisters” is not as suspenseful as 1996’s “Twister,” but “Twisters” still has plenty of action thrills in this franchise story about tornado chasers. The characters’ relationships are predictable but elevated by believable chemistry and good acting. As expected, “Twisters” has better visual effects than “Twister,” but the pacing of “Twisters” somewhat drags in the middle of the movie. Overall, it’s a crowd-pleasing film that does what is advertised.

Directed by Lee Isaac Chung and written by Mark L. Smith, “Twisters” has an entirely new set of cast members from “Twister,” but there are similarities between the two movies. Both movies have the tornadoes taking place in Oklahoma. Both movies feature storylines of “corporate-sponsored” tornado chasers versus “scrappy independent” tornado chasers.

Both movies have bickering between the leading male character and the leading female character because they’re in a power struggle, and they both want to deny an attraction that exists between them. The woman in this would-be couple is the more intellectual scientist, while the man is the less-educated by equally passionate tornado chaser. One of them has tremendous guilt over the tornado death of at least one person close to them. In both movies, the storm-chasing team that aims to find a way to diffuse tornadoes does so by using equipment with names inspired by characters in “The Wizard of Oz.”

“Twister” (directed by Jan de Bont and written by Michael Crichton and
Anne-Marie Martin) had Helen Hunt and Bill Paxton starring as divorcing couple Dr. Jo Harding and meteorologist Bill Harding, who unexpectedly get thrown back together into tornado chasing, after Bill says he has retired from tornado chasing. They try to put a stop to high-level tornadoes.

Jo is motivated to be a tornado chaser because she witnessed her farmer father die in a tornado when she was about 5 or 6 years old. Bill visits Jo in Oklahoma because he wants her to sign their divorce papers. Bill has brought his fiancée Dr. Melissa Reeves (played by Jami Gertz), a psychotherapist, along for this trip. Jo and her tornado-chasing team use equipment that they call Dorothy.

“Twisters” updates the franchise by having a racially diverse cast, compared to the all-white cast of “Twister.” Another 21st century update to “Twisters” is YouTube is a big part of the plot because one of the rival tornado-chasing groups has a YouTube channel where the group does many livestreams. “Twisters” also makes more of an effort to show the tornado chasers helping strangers who are tornado victims after a tornado has turned a community into a disaster area. In “Twister,” the tornado chasers were definitely more self-absorbed and more willfully oblivious to helping communities recover from tornado disasters.

“Twisters” begins in an unnamed city in Oklahoma, the U.S. state where the movie was filmed on location. A group of tornado chasers, led by Ph.D. candidate Kate Carter (played by Daisy Edgar-Jones), is chasing a tornado as part of an experiment to see if the scientific powder and data sensory devices and they’ve created will diffuse and track the tornado. They use equipment that they call Dorothy, which is a nod to the first “Twister” movie. The plan is to open barrels of the powders and data sensory devices in the eye of a tornado.

Kate calls this experiment the Tornado Tamer Project, which is part of her Ph.D. thesis about disrupting tornado dynamics. If Kate’s theory works, she hopes that she can get grant funding for the Tornado Tamer Project. The other young people in the group are Kate’s loving and supportive boyfriend Jeb (played by Daryl McCormack) and their close friends Javier “Javi” Rivera (played by Anthony Ramos), who is energetic and opinionated; Addy (played by Kiernan Shipka), who is perky and sweet-natured; and Praveen (played by Nik Dodani), who is thoughtful and nerdy.

It’s mentioned several times in “Twister” that Kate has an uncanny ability to predict which are the most dangerous tornadoes to follow. It’s an instinct that her farmer mother Cathy Carter (played by Maura Tierney), who’s shown later in the movie, says Kate has had since Kate was a little girl. Kate is an only child who was raised by her single mother. Kate’s father is not seen or mentioned in the movie, although one of Kate’s friends calls Cathy “Mrs. Carter.” She welcomes Kate’s friends into her home and likes to cook meals for them.

In the beginning of “Twisters,” Kate and her Tornado Tamer crew are chasing a tornado where they plan to do their experiment. Unfortunately, Kate miscalculated about what level the tornado was: It turns out to be F5 (highest level of destruction) tornado. Kate, Jeb, Addy and Praveen are all in the same vehicle and are caught right in the middle of the tornado. They escape from the car, but only Kate is the only one of the four to survive. Javi was in a safer area in a separate vehicle, so he also survived.

Five years later, Kate is now working as a meteorologist for the National Weather Service in New York City. Through conversations in the movie, it’s revealed that after the tornado tragedy, Kate dropped out of her Ph.D. program and gave up on tornado chasing. At this point in her life, Kate has also been avoiding her mother’s phone calls and has rarely visited Oklahoma since moving away.

One day, Kate gets an unexpected visitor at her office: Javi, who tells her that he also moved away from Oklahoma after the tragedy. Javi says that after he graduated from their university program, he went back to his hometown of Miami and enlisted in the military. He also tells Kate that while he was in the military, he worked with portable radars that detect missiles. Javi has access to the prototypes and says they can use these radars for tornadoes, to make three points in the shape of a 3-D type of triangle. Later, it’s revealed that these radars are called Tin Man, Scarecrow and Lion, and their power control center is called Wizard.

Kate turns down Javi’s offer to work with him. Javi is persistent though. Later, he calls Kate and tells her that he’s put together a great team of scientists called Storm Par to help him. Storm Par also has corporate sponsorship for funding. Kate is persuaded to help Storm Par because of Javi’s radar idea and because Oklahoma is having an outbreak of tornadoes. However, Kate tells Javi that she will only work with Storm Par for one week.

One of the flaws of 1996’s “Twister” is that it never explained why so many tornadoes were happening in such a short period of time. “Twisters” avoids that flaw by repeatedly showing flashes of TV news reports saying that Oklahoma is having a “once in a generation” outbreak of tornadoes. In “Twisters,” the tornadoes arrive with little to no warning. If there is any warning, it could be as short as two or three minutes.

Soon after arriving in Oklahoma, an emotionally guarded Kate and the Storm Par team encounter a scrappy group of tornado-chasing YouTubers from Arkansas. The leader of the group calls himself a “tornado wrangler.” The group is led by cocky and frequently smirking Tyler Owens (played by Glen Powell), who is the star of this YouTube channel, which has about 1 million subscribers. Tyler’s tornado-chasing motto is: “If you feel it, chase it.” Like many YouTube content creators, Tyler sells a lot of branded merchandise.

Tyler is the only person in his group with experience as a meteorologist. (He also mentions later that he used to be a rodeo rider, as if the movie wants to prove that Tyler has cowboy credentials too.) The other people in Tyler’s group are camera operator Boone (played by Brandon Perea), a scruffy sidekick who does a lot of whooping and hollering; middle-aged Dexter (played by Tunde Adebimpe), who talks like a science nerd, even if he doesn’t have a college degree; Lily (played by Sasha Lane), a friendly hippie; and Dani (played by Katy O’Brian), an androgynous person who likes to hawk a lot of the group’s merchandise.

Tyler and his group loudly ride around and like to do daredevil things for their YouTube channel, such as set off fireworks in tornadoes. The Tornado Wranglers are being accompanied by a London-based reporter named Ben (played by Harry Hadden-Paton), who is doing an article about storm chasers. Ben, who is bespectacled and often nervous, is the token “buttoned-up” person who feels out of place and does the most screaming in fear as a passenger during these tornado-chasing runs. Dr. Melissa Reeves had that role in the 1996 “Twister” movie.

Besides Javi, the only Storm Par member whose personality is shown in “Twisters” is a frequently scowling or pouting colleague named Scott (played by David Corenswet), a scientist snob. Scott’s uncle Marshall Riggs (played by David Born) is the property developer mogul who is Storm Par’s chief investor. You can easily predict why Marshall would be interested in swooping in on victims of tornado disasters who lost their homes. Scott, who shows hints of sexism, is jealous/mistrustful of Kate.

Just like in “Twister,” the two rival groups of tornado chasers in “Twisters” compete to see who can get to the most dangerous tornadoes first. In “Twister,” the rival group to Jo’s independent group is a corporate-sponsored group led by sneering jerk named Dr. Jonas Miller (played by Cary Elwes), who is such an obvious villain, if he had a moustache, he would’ve twirled it. In “Twister,” Jo has the “underdog” group, which includes a wacky stoner named Dustin Davis (played by scene-stealing Philip Seymour Hoffman). In “Twisters,” Tyler’s group is the “underdog” group.

In “Twisters,” there is no love triangle, although there are hints that Javi is attracted to Kate, but he knows he has no chance of dating her because she sees him only as a platonic friend. The same can’t be said for Tyler. The back-and-forth sniping between Kate and Tyler is the type we’ve seen in many other movies where two people meet under competitive circumstances, they annoy each other with insults, but you know they’re really attracted to each other. After a while, Tyler makes his romantic intentions obvious, but Kate is the one who plays hard to get.

Because of advances in technology, the visual effects in “Twisters” are superior to what’s seen in “Twister.” Oddly though, “Twisters” does not show any signs that animals get killed in these tornadoes. In “Twister,” there’s a memorable scene where Jo and Bill see a cow caught up in the tornado. Maybe the “Twisters” filmmakers avoided showing animals getting swept up in tornadoes because they didn’t want animal rights activists to be offended.

As for the would-be romance, the circumstances are different in “Twister” and “Twisters.” “Twister” is about a couple with a marriage history together, and now a third person is involved. That’s in contrast to “Twisters,” which has a would-be couple who haven’t really begun dating each other. The relationships in “Twister” are more interesting to watch than the relationships in “Twisters.”

After the tornado tragedy happens in the beginning of “Twisters,” Kate is emotionally disconnected from almost everyone for most of the story, until she starts to warm up a little and show her vulnerabilities. Tyler is a stereotype of an overconfident heartthrob, but Powell brings undeniable charisma to this character. Edgar-Jones and Ramos also do quite well in their roles. “Twisters” could have told or showed more personal information about the other people in Tyler’s group. The movie never reveals what motivated these other members to become tornado chasers.

As it stands, “Twisters” capably handles what can be expected from movies about weather disasters, even if some of the scenes (just like in “Twister”) look unrealistic in how people are able to survive situations that would kill people in real life. The scientific aspects of the “Twisters” story are simplified so that the average non-scientist can understand. It’s obvious from the way that “Twisters” ends, many of these characters will be seen again in another movie in the franchise.

Universal Pictures will release “Twisters” in U.S. cinemas on July 19, 2024. A sneak preview of the movie was shown in U.S. cinemas on July 17, 2024.

Review: ‘Pearl’ (2022), starring Mia Goth, David Corenswet, Tandi Wright, Matthew Sunderland and Emma Jenkins-Purro

September 15, 2022

by Carla Hay

Mia Goth in “Pearl” (Photo by Christopher Moss/A24)

“Pearl” (2022)

Directed by Ti West

Some language in German with subtitles

Culture Representation: Taking place in Texas in 1918, the horror film “Pearl” features an all-white cast of characters representing the working-class and middle-class.

Culture Clash: A mentally ill young woman, who’s desperate to become a famous entertainer and move away from her family’s rural farm, will stop at nothing to achieve her goals. 

Culture Audience: “Pearl” (which is a prequel to the 2022 horror movie “X”) will appeal primarily to people who are fans of “X,” filmmaker Ti West, star Mia Goth and slasher movies that are just as effective in showing psychological horror.

Mia Goth and Tandi Wright in “Pearl” (Photo by Christopher Moss/A24)

In this prequel to director Ti West’s 2022 horror flick “X,” Mia Goth shows why she is one of the all-time great actresses in horror movies. Her disturbing performance as the title character in “Pearl” is a master class in horror excellence. Viewers don’t need to see “X” before seeing “Pearl” (both movies were directed by West), but seeing “X” before seeing “Pearl” gives much better context to “Pearl” in foreshadowing what’s to come for this unhinged serial killer.

“Pearl” was filmed immediately after “X” was filmed. The two movies were released six months apart, which is unusual for a prequel movie. The main location for “Pearl” and “X” is an isolated Texas farm in an unnamed rural town. (“Pearl” and “X” were both actually filmed in New Zealand.”) It’s at this farm where a lot of murder and mayhem take place. “X” was written by West, whereas West and Goth co-wrote “Pearl.”

In “X,” the year is 1979, and a group of six people from a big city in Texas have gone to the farm to make a porn movie called “The Farmer’s Daughter.” The movie’s producer rented the farm. The owners of the farm are an elderly couple named Pearl (played by Goth) and Howard (played by Stephen Ure), who is nicknamed Howie. Pearl and Howard don’t know until after the fact that their farm is being used to film a porn movie. And when Pearl and Howard find out, all hell breaks loose.

The actress who plays the title role in “The Farmer’s Daughter” is Maxine Minx (also played by Goth), an ambitious performer in her 20s who thinks that this porn movie will make her a big star. Pearl becomes fixated on Maxine, who reminds Pearl of how Pearl used to be when Pearl was a young woman who dreamed of becoming a famous entertainer, with a specialty in dancing. Pearl ends up being a voyeur who spies on Maxine, and this voyeurism triggers a deadly rage in Pearl.

The movie “Pearl” is this character’s origin story that shows she’s been mentally ill long before she encountered this unlucky group of pornographers. In “Pearl,” the year is 1918. Pearl (who is an only child) is in her late teens and living on the same farm with her parents. The name of the property is Powder Keg Farms, which is a nod to something that happens in “X.”

Pearl is married to Howard (played by Alistair Sewell), but he is a military man who’s away because he’s serving in World War I. She appears to be sweet, innocent and a hopeless romantic. Pearl keeps Howard’s love letters to her as if they are her greatest treasures. However, Pearl’s seemingly harmless exterior masks someone who is capable of a great deal of harm.

The infleunza pandemic is plaguing the United States, so people wear face masks in public. (It’s a chilling parallel to the COVID-19 pandemic, during which “Pearl” and “X” were filmed and released.) Pearl’s one goal in life is to become a movie star, especially in musicals. She frequently goes to the local movie theater to watch her beloved films, such as “Palace Follies,” which she has seen multiple times.

Pearl finds her home life very stifling and will do anything to get away from the farm and follow her dreams. There’s a scene where Pearl is alone and prays out loud: “Please, Lord, make me the biggest star the world has ever known, so I can get far away from this place.” Pearl’s strict and religious mother Ruth (played by Tandi Wright), who is a German immigrant, frequently berates and punishes Pearl if Ruth thinks Pearl did anything wrong. Ruth thinks being an entertainer is a sinful lifestyle, and she expects Pearl to live on the farm for the rest of Pearl’s life.

There are some scenes that show how cruel Ruth can be. One of these scenes takes place during a family dinner at the dining table. Pearl admits that she had some candy on the way back from the movie theater. Ruth gets angry and takes away Pearl’s dinner before Pearl can finish and says that Pearl gave up her right to the meal because Pearl spent money on candy. Pearl says she’s “starving” and pleads with Ruth to let her finish the dinner, but Ruth remains unmoved.

Pearl’s father (played by Matthew Sunderland), who does not have a name in the movie, is catatonic for unnamed health reasons. He is usually seen in a wheelchair, as he watches the love/hate turmoil between Pearl and Ruth, with sadness and fear in his eyes. It’s never made clear if his muteness is voluntary or involuntary.

At various times, Pearl and Ruth express resentment over having to take care of him. Ruth shows signs of mental distress too, when later in the movie, she unleashes a rage-filled rant at Pearl about how much Ruth hates being a caretaker for her husband, and Ruth thinks that Pearl is not doing enough to help. Ruth also knows that something is very wrong with Pearl, when she shouts at Pearl during an argument: “You are not well, Pearl! Something is festering inside of you!”

“Pearl” is the type of horror movie that takes its time to build to the actual horror, because the movie is a psychological portrait of Pearl’s mental illness. Pearl is seen talking to the farm animals, who are the only audience she’s had to practice her dance moves and act out her fantasies of being a famous actress. Out in the farm’s field, she dances with a scarecrow. And then, she starts kissing the scarecrow passionately and simulating sex with the scarecrow as her personal sex doll.

The farm is located near a swamp that has an alligator, which Pearl thinks of as a pet. An early scene in the movie shows Pearl killing a goose on the farm and feeding the goose to the alligator. There’s also an alligator in the same swamp in “X,” which does exactly what you think a horror movie does when there’s an alligator in a swamp. At one point in “Pearl,” it looks like Pearl is going to push her father into the swamp, where the father would surely be eaten by the alligator. Will Pearl commit this murder?

Two things change the trajectory of Pearl’s life in a short period of time. First, she meets the local movie theater’s projectionist (played by David Corenswet), who is a bachelor in his late 20s. The movie’s credits only list this character’s name as The Projectionist, but at one point in the movie, Pearl calls him Johnny. Whatever his name is, there is an immediate attraction between him and Pearl when they first meet.

He’s smooth talker who flirts with Pearl when she’s outside of the theater after she’s seen “Palace Follies” once again. He tells Pearl that she’s welcome to see a movie for free anytime when the theater is closed, and he’s there to operate the film projector. One night, after Pearl has another conflict with Ruth, she rides her bike to the theater and takes him up on his offer.

The other turning point in Pearl’s life happens when Howard’s perky younger sister Misty (played by Emma Jenkins-Purro) stops by the farm to visit and tells Pearl that there will be dancer auditions held in the near future at the local church. Misty will be going to the auditions and suggests that Pearl audition too. Pearl sees this opportunity as her chance to get in the big leagues of the entertainment industry. Pearl is determined to go to the auditions, knowing full well that her mother Ruth would disapprove.

“Pearl” has several nods to “X,” such as the audition scene where Pearl goes on the audition stage, and there’s a big “X” to literally mark her spot. When she meets up with her new projectionist acquaintance, he shows her a softcore porn movie and predicts that this type of adult movie will eventually be legal in the United States. He also mentions that he wants to make these types of movies, and that Pearl would be a big star if she did these types of movies too.

He suggests that Pearl move to Europe, because he says entertainers in Europe have more freedom to express their sexuality. All he will say about his background is that he’s a bohemian who lives a nomadic existence. Pearl is intrigued and awestruck by him and takes his advice to heart.

Viewers who are expecting a typical slasher flick, where the first murder happens within the first 15 minutes of the movie, might be disappointed at how slow-paced “Pearl” seems to be in the first third of the movie. The middle of the movie picks up the pace. And by the last third of “Pearl,” there are several tension-filled, gruesome moments that culminate in a scene that’s a cinematic knockout.

Goth has two major standout moments in the film that don’t involve showing any bloody murders: In one scene, she delivers a long monologue that is a window into her troubled and twisted soul. And the final scene and the closing credits in “Pearl” will be talked about by horror fans for years.

What also makes “Pearl” so notable as a prequel is that it doesn’t try to copy “X” or confuse people who haven’t seen “X.” (And people who see “Pearl” without seeing “X” first will be curious to see “X” after watching Pearl.”) “Pearl” is a true stand-alone film that has an entirely different look and tone from “X”—quite an achievement, considering all most all the crew members were the same for both films.

The cinematography by Eliot Rockett in “X” was dark and gritty, inspired by the bleakness of many 1970s horror movies. Tyler Bates’ musical score also reflected the angst of a freewheeling 1970s American society on the verge of the 1980s, a decade that ushered in a cultural explosion of financial greed and political conservatism. As stated in the production notes for “Pearl,” West and Rockett were inspired by Technicolor films for “Pearl.” Bates’ musical score is sweeping, lush and romantic—all meant to reflect the elaborate fantasies in Pearl’s mind.

Pearl’s fantasies don’t always match up with reality. That is her personal horror, which manifests itself in the rampage that takes place in the movie. People who saw “X” already know what happened to Pearl as an elderly woman. However, Maxine Minx’s story continues in the sequel “MaXXXine,” which is due on a date to be announced. West and Goth have a great partnership in this movie saga. It’s a partnership that has resulted in horror movies that are instant classics.

A24 will release “Pearl” in U.S. cinemas on September 16, 2022.

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