Review: ‘The Last Dance’ (2024), starring Dayo Wong, Michael Hui, Michelle Wai and Chu Pak Hong

January 9, 2024

by Carla Hay

Michael Hui and Dayo Wong in “The Last Dance” (Photo courtesy of Emperor Motion Pictures)

“The Last Dance” (2024)

Directed by Anselm Chan

Cantonese with subtitles

Culture Representation: Taking place in Hong Kong in 2020, the dramatic film “The Last Dance” features an all-Asian group of people representing the working-class, middle-class and wealthy.

Culture Clash: A wedding planner becomes a funeral director and has to convince the Taoist mortuary owner that he is worthy of managing the business, as the owner’s children bicker over various issues.

Culture Audience: “The Last Dance” will appeal primarily to people who like to watch dramas that tackle serious and sometimes-controversial subjects with heartfelt relatability.

Chu Pak Hong and Michelle Wai in “The Last Dance” (Photo courtesy of Emperor Motion Pictures)

“The Last Dance” is a well-acted drama that adeptly balances complex issues about religion and gender equality. This story (about a wedding planner who becomes a funeral director) also has emotionally authentic perspectives of self-identity and reinvention. Although it’s a drama that addresses serious issues, there are many moments that have touches of comedy yet remain respectful of these issues.

Directed by Anselm Chan (who co-wrote “The Last Dance” screenplay with Cheng Wai-kei), “The Last Dance” takes place in Hong Kong in 2020, during the lockdowns of the COVID-19 pandemic. Dominic Ngai (played by Dayo Wong) is a wedding planner whose business has significantly decreased because of the lockdowns. Dominic (who is in his early 50s) is in debt and needs money, so he decides to switch jobs and become a funeral director.

The opportunity for Dominic to become a funeral director happens when Dominic’s longtime girlfriend Jane (played by Catherine Chau), who’s about 10 younger than Dominic, tells Dominic that her uncle Ming (played by Paul Chun), who owns a funeral parlor/mortuary, is retiring and wants someone to take over the business. Dominic has no experience in this type of work, so he gets the job because of nepotism.

Dominic has to work with an elderly Taoist priest named Master “Hello” Man (played by Michael Hui), who is strict traditionalist. Master Man technically owns the funeral parlor, but Dominic is expected to be Master Man’s business partner after completing a period of training. Dominic is eager to try new things to bring in more business, such as sell merchandise or accommodate a unusual requests for mummification

You know where all of this is going, of course. Dominic and Master Man have conflicts because of their contrasting styles. Master Man is especially offended by mummification because he believes that the dead person’s soul cannot transition properly if the body is mummified. Sensitive viewers, be warned: There are a few graphic scenes in this movie that show the process of a body being prepared for a funeral.

Master Man has two adult children. Older child Ben (played by Chu Pak Hong) is a married father who is also a Taoist priest. Master Man expects Ben to be Master Man’s successor in this mortuary business. Ben is married to a woman named Mandy (played by Kiki Cheung Hoi Kei), and they have one son, who’s about 6 or 7 years old. Master Man’s younger child is Yuet (played by Michelle Wai), who works as a paramedic.

Master Man is very conservative when it comes to gender roles. He thinks that women can’t be Taoist priests because he believes that women’s menstrual periods make them “impure” and unfit to be Taoist priests. He also disapproves of Yuet being a paramedic because thinks that women shouldn’t be paramedics. Needless to say, Master Man adamantly refuses to let Yuet participate in the traditional funeral ritual Break Hell’s Gate because he believes only men can perform this ritual.

It’s later revealed that Mandy practices Catholicism because she thinks it will increase her son’s chance of getting into a Catholic school because she believes this school can provide te best education for him. In a conversation during a family dinner, Ben admits that he will only practice Catholicism if it’s useful to him. This is the type religious duplicity is something that Master Man would think is blasphemous because Ben is a Taoist priest.

“The Last Dance” shows the ups and downs that these characters experience as they, in their individual ways, assert themselves in what they believe to be the right things that need to be done. Ngai and Hui are the obvious standouts in their scenes of co-workers with opposite personalities, but the other cast members perform quite well too. The movie has themes about making decisions and facing moral dilemmas about honest when it’s for a self-serving purpose versus being deceptive if it’s for the benefit of other people. And when any tearjerker moments happen in “The Last Dance,” they are earned and might have a lingering impact long after the movie ends.

Emperor Motion Pictures released “The Last Dance” in select U.S. cinemas on December 6, 2024. The movie was released in Hong Kong on November 9, 2024.

Review: ‘A Guilty Conscience’ (2023), starring Dayo Wong, Tse Kwan Ho, Louise Wong, Renci Yeung, Fish Liew, Adam Pak and Michael Wong

January 26, 2023

by Carla Hay

Renci Yeung and Dayo Wong in “A Guilty Conscience” (Photo courtesy of Edko Films Ltd.)

“A Guilty Conscience” (2023)

Directed by Wai-Lun Ng

Cantonese with subtitles

Culture Representation: Taking place in Hong Kong, the dramatic film “A Guilty Conscience” features an all-Asian cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A defense attorney, who dislikes his co-lead counsel and corrupt rich people, represents a single mother accused of killing of 7-year-old daughter. 

Culture Audience: “A Guilty Conscience” will appeal primarily to people who are fans of courtroom dramas and murder mysteries that have touches of sarcastic comedy.

Louise Wong in “A Guilty Conscience” (Photo courtesy of Edko Films Ltd.)

“A Guilty Conscience” is a well-paced legal thriller about a prickly defense attorney representing a single mother accused of killing her 7-year-old daughter. Vivid character personalities and occasionally comedic moments help make this movie compelling. If you like stories about defense attorneys who put extra effort into doing their own investigating, then “A Guilty Conscience” is your type of movie.

Directed by Wai-Lun Ng, “A Guilty Conscience” (which takes place in Hong Kong) was co-written by Ng, Jay Cheung and Terry Lam. The movie begins by showing the flawed and memorable protagonist Adrian Lam, also known as Lam Leung Shui (played by Dayo Wong), keeping people in a courtroom waiting, just because he can. Adrian is a defense attorney in criminal law who can be arrogant, self-absorbed and difficult. But he has a strong sense of right and wrong. He especially dislikes rich people who abuse their power.

Adrian has recently become frustrated with his job. He has a new boss named Christine whom he doesn’t really like, and he gets into frequent arguments with her. He also has to share co-counsel duties with Evelyn Fong (played by Renci Yeung), a younger woman whom he doesn’t really respect because he thinks she’s not on the same level as he is because she is less experienced in being an attorney.

Adrian also doesn’t like dealing with cases that he thinks are frivolous and a waste of his time. For example, in the beginning of the movie, he is shown in court defending someone who was charged with using obscene language on a subway. Adrian will soon get caught up in a more substantial case that’s literally a matter of life and death.

One day, Adrian finds out about a young, single mother named Jolene Tsang (played by Louise Wong), who has been accused of attempted murder of her 7-year-old daughter Elsa Tsang (played by Sherlock Mack), who is mute and can only communicate in sign language. Elsa was found beaten and bloodied on the living room floor in the home where she lives with Jolene, who was the only known person in the home during the time that Elsa was assaulted. Elsa is now in a coma in a hospital. This shocking crime has been all over the local news.

Jolene vehemently denies that she had anything to do with this crime. Jolene says that on the night of the assault, she was drunk and passed out in another room. Jolene also says there’s no way that she was so drunk that she could have blacked out and committed the crime. However, because Jolene was the one who found Elsa, and it’s common for attackers to pretend to be innocent witnesses, Jolene automatically comes under suspicion. With no other suspects, and because Jolene admits she was in the home during the attack, she is arrested.

Adrian and Evelyn become Jolene’s co-lead attorneys, but Adrian is the one who spends most of the time investigating, with help from junior attorney Kam Yuen Shan (played by Tse Kwan Ho). At first, Adrian doesn’t know what to think about Jolene’s guilt or innocence. But the more he interviews her and the more looks at some of the evidence, the more he is convinced that someone else committed the crime.

And where is Elsa’s father during this family crisis? Jolene says that Elsa’s father left her when he found out that Jolene was pregnant, and he was never invovled with raising EIsa. I’s already revealed in the trailer for “A Guilty Conscience” trailer that Elsa tells Adrian that Elsa has been having an affair with a married man named Dr. Desmond Chung (played by Adam Pak), who married into a wealthy and powerful family.

Desmond’s wife is the aloof and glamorous Victoria Chung (played by Fish Liew), who is close to her mother Madam Chung (played by Alannah Ong), domineering matriarch who is obsessed with the family having the right image. Also part of this clan is Victoria’s uncle James Tung (played by Michael Wong), an attorney who helps the family with legal matters, such as administering trust funds.

Jolene’s case gets a serious damage when a witness named neighbor named Ball Chan (played by Mak Tze Wan) testifies in court that on the night of the assault on Elsa, he was patrolling the area to do a neighborhood safety check. He says that he saw Jolene in her house, and she was struggling with a small person near a sliding glass door facing the street. The timeline matches the time that Elsa was attacked.

The case takes another turn when Elsa wakes up from her coma. Adrian and Kam rush to the hospital to interview Elsa and ask if her mother was the one who assaulted her. Through sign language, Else says no, it was someone else, but she can’t describe the person because Elsa didn’t get a good look at the attacker. Shortly after making this victim statement, tragedy strikes: Elsa falls into a coma and dies. Jolene is now charged with voluntary manslaughter.

“A Guilty Conscience” has some plot developments that are very easy to predict, but there are also a few twists that that make this a very engaging thriller. In addition to the investigation, the movie’s courtroom scenes stand out because of Adrian’s very dramatic style and sarcastic jokes that sometimes get him in trouble with the judge. You can see some “Perry Mason” influences in this movie from how Adrian’s questions in court are also part of the investigation, as evidence is still being uncovered during the trial.

Dayo Wong, an entertainer who’s known for being a stand-up comedian, brings a lot of comedic flair to his performance as Adrian. And balancing the comedy with the drama is not an easy thing to do in a movie that has the serious subject of parent on trial for killing a child. Adrian’s frequent outbursts are meant to be comic relief in the movie. In real life, much of it wouldn’t be as funny.

Most scripted movies about criminal cases will portray defense attorneys in one of two extremes: as crusading and saintly do-gooders, or as sleazy lowlifes who will do anything to get their guilty clients acquitted. Adrian is neither. He can be pompous and self-righteous in his search of justice for disadvantaged people he thinks has the system rigged against them. But he also has a nasty temper and can be very unprofessional inside and outside the courtroom.

And although he is compassionate with Jolene, there are signs that Adrian has some sexism toward his female colleagues. During the course of this case, he has to come to terms with his narrow-minded views about is female work colleagues who are in a position of authority. During this case, Adrian starts of thinking that he knows everything, but is then humbled to find out that he has a lot more to learn.

Louise Wong’s portrayal of Jolene is heartbreaking and a little melodramatic, but viewers will feel Jolene’s anguish of grieving over Elsa’s death and being locked up in jail for this crime that Jolene swears she didn’t commit. Yeung is quite good in her underdeveloped role as Evelyn, who is often overshadowed by Adrian and his controlling and showoff ways. The rest of the cast members are serviceable in their roles.

“A Guilty Conscience” is more than a courtroom drama. It’s an exploration of how gender dynamics affect people’s egos and interactions in the workplace. It’s also an astute observation of how social class can affect people’s perceptions of a defendant in a criminal case.

Edko Films Ltd. released “A Guilty Conscience” in select U.S. cinemas on January 21, 2023.

https://www.youtube.com/watch?v=nDO8RWkq2Jo

Review: ‘Table for Six’ (2022), starring Dayo Wong, Louis Cheung, Chan Charm Man, Stephy Tang, Ivana Wong and Lin Min-Chen

November 3, 2022

by Carla Hay

Dayo Wong and Lin Min-Chen in “Table for Six” (Photo courtesy of GSC Movies)

“Table for Six” (2022)

Directed by Sunny Chan

Cantonese with subtitles

Culture Representation: Taking place in Hong Kong, the comedy/drama film “Table for Six” features an all-Asian cast of characters representing the working-class and middle-class.

Culture Clash: A photographer has a very awkward dinner with his two younger brothers and their girlfriends when he finds out that his middle brother’s new girlfriend is a woman he used to date, and he hasn’t completely gotten over their breakup.

Culture Audience: “Table for Six” will appeal primarily to fans of romantic comedy/dramas that look like they could be stage plays, but the movie tends to try too hard with its slapstick comedy and mushy dramatics.

Pictured clockwise, from upper left: Stephy Tang, Louis Cheung, Ivana Wong and Chan Charm Man in “Table for Six” (Photo courtesy of GSC Movies)

“Table for Six” awkwardly mixes slapstick comedy and sentimental drama with uneven acting. It’s a trite movie where people get angry and uncomfortable about romantic relationships. The movie’s central conflict eventually becomes very stale and tiresome in a film that did not need to drag out for nearly two hours.

Written and directed by Sunny Chan, “Table for Six” (which takes place in Hong Kong) starts out as a jumbled mess as it introduces the six characters who are at the center of the story.

  • Steve Chan (played by Dayo Wong), a middle-aged photographer who used to be famous, is the eldest of three bachelor brothers. He lives in an apartment that used to be a barbeque pork factory, which he inherited from his deceased parents.
  • Bernard Chan (played by Louis Cheung, also known as Louis Cheong Kai Chung) is Steve’s stepbrother, who is in his early 40s. Bernard’s biological mother was married to Steve’s biological father.
  • Lung Chan (played by Chan Charm Man, also known as Peter Chan Charm Man), an aspiring e-sports star in his 30s, is the younger half-brother of Steve and Bernard. Lung and Steve have the same biological father. Lung and Bernard have the same biological mother.
  • Monica (played by Stephy Tang), a marketing executive, is Steve’s ex-girlfriend and is now Bernard’s girlfriend.
  • Josephine (played by Ivana Wong), an aspiring chef, is Lung’s girlfriend of 12 years, and she has grown frustrated that he hasn’t proposed marriage to her yet.
  • Meow Ah (played by Lin Min-Chen), originally from Taiwan, is a model who is a cat enthusiast (she likes to dress in cat-decorated clothes and costumes), who is hired by Lung to be a mascot, and she becomes Steve’s casual girlfriend.

With a few exceptions, “Table for Six” takes place mostly in Steve’s apartment, where he has a home photography studio. Steve prides himself on being an excellent cook who likes to prepare the meals when he has dinner parties. The main conflict in the movie happens at one of these dinner parties.

Before that fateful dinner party happens, “Table for Six” has a flurry of activity that is scrambled together with a lot of sniping back and forth between Lung and Josephine. Lung wants to get rich from e-sports, but so far, he’s basically unemployed and nearly financially broke. “My e-sports team is headed for glory,” he tells Steve. “All we need is funding.”

Josephine is upset because Lung doesn’t have a steady income, which means they can’t really afford to get married. She nags him about it and keeps hinting that she’ll break up with him if he doesn’t find a steady job and propose marriage to her. Lung gets angry because he thinks Josephine doesn’t have enough faith and patience.

Meanwhile, Lung sees that Meow is a popular influencer on social media, so he comes up with the idea to hire her to be the mascot for his e-sports team. He asks Meow to come to Steve’s place for a photo shoot. During this photo shoot, where Meow poses with a kitchen container (which doesn’t make sense if she’s supposed to be an e-sports mascot), she flirts with Steve because she’s had a crush on him since she was a child.

Steve then remembers fan mail that Meow wrote to him years ago, when she signed the letters as Kitty Cat. It’s obvious that Meow wants to date Steve, but he tells her up front that he’s not ready to be in a relationship. That’s because Steve is still heartbroken over the end of his relationship with Monica, whom he considers to be the love of his life. One of the few scenes that takes place outside the apartment shows that Monica is a hard-driving employee who yells at her co-workers if things aren’t up to her standards.

One evening, Steve has a small dinner party with Bernard, Lung and Josephine as guests. But an uninvited guest shows up: Monica. And she drops some bombshell news. She is Bernard’s girlfriend. Monica and Bernard have been dating each other for an unspecified period of time. It’s the first time that Steve finds out about this relationship.

Naturally, Steve is upset, but then he pretends that’s he’s okay with Monica and Bernard dating each other. (Deep down, Steve really isn’t okay with it.) Bernard tells Steve that he’s sorry that he didn’t tell Steve earlier about being in a relationship with Monica. Steve appears to forgive Bernard, but during the course of the movie, Steve’s lingering romantic feelings for Monica, as well as Steve’s resentment toward Bernard, eventually come to the surface.

Because of Lung’s financial problems, Steve generously lets Lung and Josephine move in with him, on the condition that they work for Steve as his assistants. He’s in for a shock when he finds out that Josephine is a huge collector of Hong Kong decorations and trinkets, which she brings with her when she and Lung move into the already cramped apartment. Steve’s surprise about Josephine’s collection is supposed to be a funny sight gag in the movie, but the joke just falls flat.

Most of “Table for Six” is about the love triangle between Steve, Monica and Bernard. Steve has been pining for Monica, and he wants to win her back. Monica seems to show hints that she’s interested in Bernard and Steve. Up until a certain point, Monica keeps people guessing about which brother she will choose. Meanwhile, Lung and Josephine continue to bicker about where their own relationship is headed. As for Meow, she shows up once in a while like a fangirl who wants any type of attention from Steve, even though she eventually finds out that he’s still got feelings for Monica.

All of these love entanglements could have been made into a well-written comedy/drama with clever dialogue, but the movie’s scenes are either very mediocre or they try too hard to have over-the-top physical comedy. There’s a very unrealistic sequence where, during a very petty argument, everyone in the room suddenly starts smashing things. It only seems to be in the movie for some slapstick comedy that looks very ill-placed.

Another problem with this movie is that the chemistry isn’t very believable or appealing between the cast members portraying the couples, who are all mismatched characters. Monica seems to be too selfish and flaky for Bernard and Steve. Meow (who’s about 25 to 30 years younger than Steve) is infatuated with Steve, based more on fan worship than a real romance. Lung and Josephine are the type of argumentative couple who probably shouldn’t get married because they just aren’t very compatible with each other.

What makes “Table for Six” grating is that it becomes repetitive very quickly. It doesn’t help that the conversations are witless and forgettable. None of the acting by the cast is special. The entire movie might have been better as a short film.

After trying to overstuff the plot with the back-and-forth contrivances and friction over the story’s love triangle, “Table for Six” then takes complicated issues and turns them into over-simplified resolutions and schmaltz. It leaves the movie with a tone that’s very off-balance. Some viewers might enjoy this disjointed movie, but others who are looking for a more compelling story, interesting conversations and engaging characters will not be as impressed with “Table for Six.”

GSC Movies released “Table for Six” in select U.S. cinemas on October 28, 2022. The movie was released in China, Hong Kong and Singapore on September 8, 2022.

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