Deon Taylor Archives – CULTURE MIX

Review: ‘Fear’ (2023), starring Joseph Sikora, Andrew Bachelor, Annie Ilonzeh, Ruby Modine, Iddo Goldberg, Terrence Jenkins, Jessica Allain and Tip ‘T.I.’ Harris

February 13, 2023

by Carla Hay

Joseph Sikora, Annie Ilonzeh, Ruby Modine and Andrew Bachelor in “Fear” (Photo courtesy of Hidden Empire Film Group)

“Fear” (2023)

Directed by Deon Taylor

Culture Representation: Taking place in 2020, primarily in Kyburz, California, the horror film “Fear” features a cast of predominantly white and African American characters (with a few Asians and Latinos) representing the working-class and middle-class.

Culture Clash: A group of friends gather at a remote lodge to celebrate one of the friend’s birthday, and their worst fears become a reality when they find out the lodge is cursed.

Culture Audience: “Fear” will appeal primarily to people who don’t mind watching horror movies that are bad in every single way.

Tip “T.I.” Harris in “Fear” (Photo courtesy of Hidden Empire Film Group)

With a COVID-19 pandemic theme, the horror flick “Fear” is an idiotic time waster with a muddled story, tacky visual effects and weak ideas that are ripoffs of better-made horror films. Avoid this boring junk. Although there are a few fairly well-known entertainers in the movie’s cast, that star power isn’t enough to save “Fear” from its utter stupidity.

Directed by Deon Taylor (who co-wrote the atrocious “Fear” screenplay with John Ferry), “Fear” is yet another horror movie about people stuck in a remote location while terror is inflicted on them. In the case of “Fear,” this remote location is the fictional Strawberry Lodge in Kyburz, California, which is in the Lake Tahoe area. A group of nine people have gathered at the lodge to celebrate the birthday of woman in her 30s named Bianca (played by Annie Ilonzeh), who has a Ph. D. in religion.

Bianca’s boyfriend Rom Jennings (played by Joseph Sikora) has arranged this gathering as a surprise for Bianca. Rom is an author whose specialty is writing books about the paranormal and the unexplained. The movie opens with Rom doing a TV interview, where he says that he’s working on his next book, which will be about “the mythology of the Americas.”

Rom says of his forthcoming book, “I can’t really tell you too much about it, but what I can say is that is does squarely focus on the mythos and the mythology surrounding fear and the concept of fear.” He adds that he’s researching an area in Northern California that “permeates fear.” Rom then makes this obvious statement: “Fear is very real.”

During Rom and Bianca’s car drive to the Strawberry Lodge, they’re listening to the radio and hear a news report about Angel Wilson, a woman who disappeared from the Lake Tahoe area in 2015, when she was 26, and she is still missing. Bianca asks Rom to change the radio channel. It’s at this point you know that Angel will be mentioned several more times in the movie.

The seven friends of Rom and Bianca who have gathered to celebrate her birthday have mostly generic personalities in this poorly written movie. There is barely any information given about them, such as what they do for a living or how they know Rom and Bianca. The lodge has been rented so that these friends can have the place all to themselves. (How convenient for a horror movie.)

The other people in the group include Michael (played by Iddo Goldberg), a Brit who is Rom’s agent. Lou (played by Tip “T.I.” Harris) has been Rom’s friend since they were in eighth grade. Accompanying Lou on this trip is his girlfriend Kim (played by Tyler Abron), who is a single mother to an underage son.

Benny (played by Andrew Bachelor, also known as social media personality King Bach) is a photographer and the most inquisitive and talkative person in the group. Two other friends are a dating couple named Russ (played by Terrence Jenkins) and Meg (played by Jessica Allain). Another person in the group is Serena (played by Ruby Modine), who is superstitious and wears a “lucky” necklace with her at all times.

Rom has told Lou and Russ that he wants to propose marriage to Bianca, but so far (including during the trip to Strawberry Lodge), Rom got scared and couldn’t go through with his marriage proposal. It’s mentioned that this is the fourth time that Rom has failed to propose to Bianca. This marriage proposal is mentioned so many times, you’d think it would be a buildup to a big part of the story, but it isn’t.

Upon arriving at the lodge, the guests are greeted by a creepy hostess named Miss Wrenrich (played by Michele McCormick), who says that her family bought the lodge and rebuilt it after the lodge burned down in 1853. The lodge was originally built in 1838. Later, through research on the Internet, Benny finds out that the area has a sinister history of a group of witches calling themselves Las Brujas, who defended themselves against criminal Gold Rush miners, who would kidnap, rape, and sometimes kill women in the area.

Miss Wrenrich takes Bianca’s hand and says to her: “You carry the light, my dear. You’re a beacon.” This movie isn’t subtle at all about who’s most likely to survive the murder and mayhem that will ensue. Before she leaves, Miss Wrenrich insists on taking a group photo of the guests. She uses a Polaroid camera.

The COVID-19 pandemic is mentioned several times in conversations, although no one is social distancing or wearing masks. Because no one in the movie mentions being vaccinated, the movie appears to take place in 2020, before a COVID-19 vaccine was available. It’s mentioned briefly that Michael asked all of the guests (except for Bianca, since this gathering was a surprise to her) to take COVID tests before coming to the lodge, and all they all agreed. However, several of the guests become paranoid because Lou has been coughing frequently. Lou gets defensive when he finds out that some of the people in ths group suspect that Lou might be infected with COVID-19.

While gathered outside around a small bonfire one night, the friends confess their biggest fears. And it’s at that moment that you know that their fears will happen at some point in the movie. Bianca’s biggest fear used to be losing her religion, but more recently, her biggest fear has been losing the ability to breathe. Serena, who had a traumatic car accident when she was a child, says her biggest fear is losing control.

Russ says his biggest fear is blood. Kim says her biggest fear is not being able to take care of her son. Meg can’t swim, so her biggest fear is drowning. Lou says his biggest fear is not being trusted, especially by the people who depend on him. Benny was once handcuffed in a police brutality incident, so his biggest fear has anything to do with cops and handcuffs. Rom says his biggest fear is losing Bianca.

The rest of “Fear” has nothing but dull and not-very-interesting jump scares. As for the missing person Angel Wilson, who is mentioned numerous times in the movie, that’s a subplot that is badly mishandled and ends up being worthless. “Fear” is also completely worthless if people are looking for an entertaining horror movie.

Hidden Empire Film Group released “Fear” in U.S. cinemas on January 27, 2023.

Review: ‘The House Next Door: Meet the Blacks 2,’ starring Mike Epps and Katt Williams

June 19, 2021

by Carla Hay

“The House Next Door: Meet the Blacks 2”

Directed by Deon Taylor

Culture Representation: Taking place in Atlanta, the horror comedy film “The House Next Door: Meet the Blacks 2” features a predominantly African American cast of characters (with a few white people and Latinos) representing the middle-class.

Culture Clash: A married father and his bachelor cousin are convinced that their new next-door neighbor is a vampire.

Culture Audience: “The House Next Door: Meet the Blacks 2” will appeal primarily to people who don’t mind watching crass and unimaginative movies filled with derogatory name-calling of women and black people.

Shamea Morton, Katt Williams and Sisse Marie in “The House Next Door: Meet the Blacks 2” (Photo courtesy of Lionsgate)

The good news is that “The House Next Door: Meet the Blacks 2” knows that it’s a silly and vulgar comedy. The bad news is that this movie fails miserably at being funny. This idiotic film also has rampant sexism and thinks that black people calling each other the “n” word is automatically supposed to make people laugh. It’s just a pathetic excuse for a comedy film.

“The House Next Door: Meet the Blacks 2” is the follow-up to the 2016 horror comedy “Meet the Blacks,” both directed and co-written by Deon Taylor, a filmmaker who’s known for churning out low-quality movies with predominantly African American casts. In “Meet the Blacks,” which Taylor co-wrote with Nicole DeMasi, the Black family relocated from Chicago to Beverly Hills, California, where they encountered horror that was ripped off directly from 2013’s “The Purge,” a movie about a United States where all crime is legal, for a designated 12-hour period one day out of the year.

In “The House Next Door: Meet the Blacks 2,” which Taylor co-wrote with Corey Harrell, the Black family is now in a horror scenario that’s a direct ripoff of the 1985 movie “Fright Night.” Family patriarch Carl Black (played by Mike Epps) and his goofy cousin Cronut (played by Lil Duval), a bachelor who lives in Carl’s backyard, begin to suspect that their new next-door neighbor is a vampire, but no one believes them at first. The other members of the Black family are Carl’s wife Lorena (played by Zulay Henao); their college-age daughter Allie (played by Bresha Webb); and their underage teen son Carl Jr. (played by Alex Henderson). Allie and Carl Jr. are Carl’s kids from a previous marriage.

Carl has a shady past as a thief. As seen in “Meet the Blacks,” he’s been trying to leave his criminal life behind. In the beginning of “The House Next Door: Meet the Blacks 2,” it’s mentioned that Carl wrote a best-selling non-fiction book about the horror he experienced that was shown in the “Meet the Blacks” movie. However, irresponsible Carl blew all the money he made from the book, and the family has now been forced to downsize to a smaller home in Atlanta. Carl is currently unemployed, while Lorena is the family’s breadwinner—and she’s very unhappy that she has to carry all the financial weight for the family.

Meanwhile, Cronut (who is also unemployed) lives in an oversized camper in the family’s backyard. It’s a promotional camper that’s left over from a book tour that Carl did, and it still has images of Carl and the book emblazoned on the sides of the camper. Carl has some hard feelings toward Cronut, because Cronut talked Carl into some bad business deals that led to Carl losing his money.

The family’s financial problems have resulted in Allie dropping out of college, because Carl wrote a tuition check that bounced. Allie is dating a disabled man, who’s about the same age as Allie, named Freezee (played by Andrew Bachelor, also known as King Bach), who uses arm braces in order to walk. Carl is very prejudiced against Freezee because Carl doesn’t want Allie to date a disabled man. Carl gets even more upset when Allie says she wants to move away and live with Freezee.

Cronut is immediately suspicious of the new neighbor Dr. Mamuwalde (played by Katt Williams, who’s styled to look like Leon Russell from the 1970s) because Dr. Mamuwalde moved into the house next door well past midnight, and the only activity in the house seems to happen at night. During the first house party that Dr. Mamuwalde has at his home, it looks like a swingers party is going on in the backyard. Dr. Mamuwalde also seems to be avoiding meeting his new neighbors.

When Dr. Mamuwalde surfaces, he is almost always seen with two scantily clad women named Salt (played by Sisse Marie) and Pepper (played by Shamea Morton), who are both dressed in lingerie and are mute for most of the movie. Dr. Mamuwalde has a creepy servant named Monty (played by Cory Zooman Miller), who gives vague answers about Dr. Mamuwalde when nosy Cronut goes over to pay a visit. Carl eventually encounters Monty too, and Carl also thinks that something unusual is going on at Dr. Mamuwalde’s house.

At first, Carl thinks Cronut has a wild imagination about Dr. Mamuwalde being a vampire. Carl thinks that Dr. Mamuwalde is probably a pimp. It turns out that Dr. Mamuwalde is a vampire and a pimp. Later in the movie, Dr. Mamuwalde kidnaps Lorena and Allie because he wants them to be his sex slaves. In a lowbrow comedy like this, would you expect anything else?

Other neighbors who are in this story are wide-eyed and fearful Rico (played by Tyrin Turner), who disappears and has a fate that’s very easy to predict; tough guy Hugo (played by Danny Trejo), who doesn’t say much, but he observes more than he lets on to other people; and married couple Clive (played by Gary Owen) and Bunny (played by Jena Frumes), who are both completely useless to the movie’s plot. Owen was in “Meet the Blacks,” but playing a different character named Larry. In “The House Next Door: Meet the Blacks 2,” Owen plays the token white guy who’s supposed to be racist.

Clive is a military veteran who uses a wheelchair and is a proud supporter of Donald Trump. (Clive wears a red “Make America Great Again” baseball cap, in case it wasn’t clear what his politics are.) Meanwhile, Bunny’s only purpose in the movie is to look like a basic Instagram model—she wears a bikini top and Daisy Duke cutoff shorts that leave little to the imagination—so that Carl and some other men can ogle her.

In fact, all of the women with significant speaking roles in the movie are exploited as sex objects at some point. Mother and daughter Lorena and Allie are both stripped down to their underwear in separate scenes. Not surprisingly, they’re wearing the type of lingerie that makes it look like they’re trying to be like Victoria’s Secret models.

Meanwhile, the men are fully clothed, except for one not-very-funny scene where a shirtless Cronut tries to seduce Bunny. There’s also a disgusting incest joke where Cronut suggests to his second cousin Allie that they have sex. He tells her that because they’re second cousins, it would be legal for them to have sex in Georgia. Not surprisingly, a repulsed Allie says no to Cronut’s sexual come-on.

Snoop Dogg has a small role, portraying himself as a TV talk show host who interviewed Carl in the past when Carl was promoting his book. One day, when a depressed Carl is at home, watching TV, and feeling sorry for himself, he sees an African man named Mr. Wooky (played by Michael Blackson) being interviewed on the show. Mr. Wooky claims to be a supernatural expert who can get rid of ghosts, vampires and other unwanted paranormal entities. Guess who Carl ends up hiring to get rid of the vampire next door?

All the so-called “jokes” in the movie are forgettable, and most are awful. Many of the jokes are about perpetuating the despicable and negative stereotype that black men hate themselves and don’t respect women. The visual effects are cheap-looking and not scary at all.

And all of the cast members are unremarkable in their roles, although Williams seems to be having some fun with his campy Dr. Mamuwalde character. Carl Jr. is barely in the movie; his total screen time is about five minutes. Rick Ross has a cameo as Mr. Saturday Night, who’s enlisted to help Carl and Cronut battle Dr. Mamuwalde. Mr. Saturday Night is another unnecessary character that was created just so the filmmakers could put hip-hop star Ross in the movie.

And a mid-credits scene announces the third movie in this series will be called “Chapter 3: The Ghost Squad,” starring Carl, Cronut, Mr. Wooky, Snoop Dogg and Hugo as the Ghetto Ghostbusters. Whether are not this “Ghost Squad” movie is really going to happen, you’ve been warned.

Lionsgate released “The House Next Door: Meet the Blacks 2” in select U.S. cinemas on June 11, 2021. The movie will be released on digital and VOD on July 9, 2021, and on Blu-ray and DVD on August 10, 2021.

https://www.youtube.com/watch?v=1O86V9_9Lb8

Review: ‘Fatale,’ starring Hilary Swank and Michael Ealy

December 27, 2020

by Carla Hay

“Fatale”

Directed by Deon Taylor

Culture Representation: Taking place in Los Angeles and briefly in Las Vegas, the dramatic thriller “Fatale” features a racially diverse cast (African Americans and white people, with some Asians and Latinos) representing the middle-class.

Culture Clash: After a married man has a one-night stand with a woman he met at a nightclub in Las Vegas, he’s shocked to find out that the woman is a police officer who now wants to make his life hell.

Culture Audience: “Fatale” will appeal primarily to people who like watching cheap, inferior ripoffs of “Fatal Attraction.”

Hilary Swank and Damaris Lewis in “Fatale” (Photo by Scott Everett White/Lionsgate)

If Tyler Perry wanted to make his own version of 1987’s “Fatal Attraction,” it would look a lot like “Fatale.” Here’s the checklist, just so you know. Is there a married couple having relationship problems in the movie? Check. Did the husband cheat on the wife? Check. Is there a completely ludicrous plot twist in the story? Check.

Deon Taylor actually directed “Fatale,” whose uninspired screenplay was written by David Loughery. And even though “Fatale” has an Oscar winner (Hilary Swank) in its cast, it still doesn’t give any class to this completely tacky thriller. (Taylor and Swank are two of the producers of “Fatale.”) Everything about “Fatale” looks like it was made for a TV network or streaming service instead of for cinemas, where people have to pay money to see this substandard schlock that is “Fatale” in its initial release.

“Fatale” uses the same template of “Fatal Attraction,” except that it adds an element that could have been very intriguing: The psycho mistress is a cop. However, “Fatale” bungles that aspect of the story by having the cop do a lot of things that she would be very unlikely to get away with so easily in real life.

The movie starts out by showing sports agent Derrick Taylor (played by Michael Ealy) driving in his car somewhere in Los Angeles, where he lives. Derrick says in a cringeworthy voiceover narration: “I was always the smart one, the one who played to win. I was damn good at it and was the best. Then I took my eye off of the ball. And just like that, the rules of the game changed. I was no longer playing to win. This was a new game. I’m playing for my life now.”

Translation: “I went to Vegas, cheated on my wife, and now the psycho I slept with won’t leave me alone and might kill me.”

Before viewers get to that predictable point in the story, it’s shown that Derrick and his wife Traci (played by Damaris Lewis) are stuck in a marital rut. Derrick (who’s in his 40s) and Traci (who’s about 15 years younger than Derrick) do not have children, and the spouses have both been working long hours and haven’t been spending a lot of time together. When they do spend time together, Derrick and Traci don’t seem to like each other very much. The romantic passion they once had is in danger of leaving their marriage permanently.

Derrick has a successful sports agency called Vista Entertainment, which he co-founded with his best friend Rafe Grimes (played by Mike Colter), who is thinking about cashing out to become an instant multimillionaire. It’s revealed later in the story that talent agency giant William Morris Endeavor (WME) has been eyeing Vista for a corporate buyout. Rafe thinks that he and Derrick should take the offer if it comes. Derrick doesn’t want to sell the company, and it’s in Derrick and Rafe’s contract with each other that Vista won’t be sold unless they both agree to it.

Rafe is an extroverted bachelor who is dating a woman named Micaela (played by Kali Hawk), and the relationship seems to be going well. While Rafe and Micaela are visiting Derrick and Traci in their home, the two couples have drinks together and make small talk that’s pleasant but superficial. However, Traci is noticeably cold to Derrick.

One day, Derrick and Traci have a tense conversation because she stayed out past midnight the night before, without telling him where she was. During this discussion, Traci says that she was celebrating with some clients and didn’t want to be rude by going home early. Derrick accepts that excuse, but he expresses concern over how much her career seems to be taking time away from their relationship. Traci accuses Derrick of having a double standard because his job is also demanding, but she doesn’t complain about it as much as he complains about the time she spends on her job.

By the time Derrick and Rafe travel to Las Vegas for a bachelor party of a mutual friend, Derrick and Traci’s relationship has reached a stalemate. At the nightclub where the party is held, Derrick confides in Rafe by telling him that he and Traci used to have a “perfect marriage,” but now they feel like “strangers” to each other. Rafe’s response is to tell Derrick to take off his wedding ring and pretend “for the next 24 hours, you’re a single man.”

It doesn’t take long for Derrick to act on that advice. At the nightclub, he spots a woman (played by Swank), who’s around his age and who seems to be having a good time on the dance floor. When she sits down at the bar by herself, Derrick notices the woman rebuff the advances of a man who somewhat aggressively approaches her.

Derrick decides he’ll strike up a conversation with her and see what happens. He leans in close, in a way that makes it obvious that he finds her attractive. The woman, who introduces herself as Val, comments about the man she rejected: “It’s Vegas. It brings out the predators.” Derrick replies, “And the clowns.”

Derrick and Val have some drinks together. At one point, he accidentally spills his drink on Val because someone standing next to Derrick accidentally bumped into him. Derrick makes a sheepish apology. And when he grabs a napkin to give to Val, she suggestively tells him that he can wipe off the drink himself since he made the mess. It’s an excuse for Derrick to gently rub Val near her cleavage area. Judging by the smirk on her face, she enjoys it.

Derrick tells Val that he’s at the nightclub for a bachelor party, but he lies by telling Val that his name is Darren Johnson and that he’s visiting from Seattle. Val says that she’s in Vegas by herself because she has a high-stress job and she goes to Vegas to relieve the stress. “I let myself go insane,” she tells Derrick. “I highly recommend it.”

Val asks Derrick to dance, and they start dancing suggestively on the dance floor. One thing leads to another. They kiss passionately and end up having sex in Val’s hotel room. The next morning is the first sign that something is “off” with Val. While Derrick gets dressed and is ready to leave, he notices that he can’t find his phone. Val tells Derrick that she locked his phone in the room’s safe.

Derrick asks Val to give him his phone because he doesn’t want to miss his plane flight at the airport. Val refuses to give him the combination to the safe until he has sex with her again. “What? You want me to fuck it out of you?” Derrick says to Val about the safe’s combination, as he decides to give her what she wants.

Back in Los Angeles, Derrick thinks that Val is just a one-night stand he’ll never see again. The fling seems to have boosted his sexual confidence, because now he’s acting like a romantic and attentive husband to Traci. She comes home one evening and is surprised to find out that Derrick has made dinner for her. The passion in their marriage is rekindled and things seem to be getting back on track for Derrick and Traci.

But there would be no “Fatale” movie if it had a happy ending right there. One night, while Derrick and Traci are in the middle of having sex in their bedroom, they hear noises inside their house. It’s a masked man who’s an intruder with a gun. When Derrick goes to investigate the noise, a scuffle breaks out between the intruder and Derrick that causes Derrick to be slightly injured. And the intruder escapes without taking anything.

Derrick and Traci call 911. And guess who’s the police detective who shows up at the house to interview the couple and lead the investigation into the crime? It’s Detective Valerie Quinlan, also known as Val, the same woman who had the fling with Derrick in Las Vegas. Derrick and Val are shocked to see each other, but they play it cool and act as if they’ve met for the first time.

However, Val messes with Derrick a little bit when she asks him in front of Traci: “Do I know you?” Traci tells Val that Val probably recognizes Derrick from seeing him on TV. Traci explains that Derrick used to be a college basketball star. He’s also been interviewed on TV because of his work as a sports agent. Val pretends to accept the explanation, but gives Derrick a knowing look, as if to say, “Don’t mess with me or I’ll tell our secret to your wife.”

Because of this investigation, Val finds out that Derrick not only lied to her about his name and the city where he lives, but he also lied about being married. During their tryst in Las Vegas, Val showed signs of being unreasonable and controlling. And now that she found out that Derrick lied to her, she doesn’t take it lightly. She’s going to get revenge.

The rest of “Fatale” is basically what you might expect from a movie that borrows heavily from “Fatal Attraction,” with a mentally unbalanced scorned woman acting out in twisted ways to get revenge on the man she feels did her wrong. It’s shown that Val has a very troubled past as an alcoholic who lost custody of her daughter Haley (played by Oakley Bull), who is now 7 or 8 years old.

A flashback reveals that the incident that caused Val to lose custody of Haley happened about three years ago, when Val was passed out drunk and left her daughter in the room with a loaded gun that had its safety off. Haley picked up the gun and fired it. Luckily, no one was hurt, but Val’s ex-husband Carter Haywood (played by Danny Pino) was upset enough to ask for and get full custody of Haley. Val doesn’t even have visitation rights to Haley.

Carter is now married to another woman (played by Lexa Gluck), and he has a restraining order against Val. You can imagine what Val did to get that restraining order against her. At one point in the story, Val says that she’s been sober for the last three years, with the implication being that the gun incident with Haley motivated Val to get sober. However, when it comes to Val, sobriety doesn’t equal sanity.

Carter is no angel either. In the beginning of the movie, a TV news report shows that he’s a politician in Los Angeles who’s been accused of siphoning funds from the South Central Urban Renewal Project. Let’s see: There’s a possibly corrupt politician who’s got a vengeful ex-wife who’s become more unhinged now that she feels humiliated by a one-night stand who wants nothing to do with her. What could possibly go wrong?

There’s another character who plays a role in the messy drama that ends up happening as the story unfolds. Tyrin Abernathy (played by Tyrin Turner) is Derrick’s cousin who has a shady past. Derrick has been like a mentor to Tyrin. It’s implied that Tyrin has been in trouble with the law, but Derrick has helped Tyrin clean up his act. Tyrin helps Derrick by doing errands for him and looking out for Derrick’s widowed mother Valeria (played by Denise Dowse), who has a close relationship with Derrick.

However, Rafe doesn’t completely trust Tyrin and doesn’t like it when Tyrin comes to the Vista office to visit Derrick. Apparently, Tyrin is too “ghetto” for Rafe, who thinks that Tyrin hanging out at the office isn’t good for the upscale company image that Rafe wants to project. Derrick thinks that Rafe is judging Tyrin too harshly.

“Fatale” piles on some plot twists, some of which are more believable than others. What’s unintentionally hilarious about the movie is that every time something bad happens to Derrick, Val seems to be the only cop in the big city of Los Angeles who just happens to be called to the scene and who investigates. She’s not a high-ranking officer, so in the real world, she wouldn’t have the clout to be involved with so many separate incidents that involve Derrick. And if she did have the clout, it would raise suspicions with her colleagues why she keeps showing up in Derrick’s life on “police business.”

There are double-crosses and other betrayals that become increasingly ridiculous and play out like a very cheesy soap opera. As far as villains go, Swank’s portrayal of Val isn’t terrible, but it’s very generic. Ealy and most of the rest of the cast turn in very mediocre performances, except for Lewis who is downright awful with her wooden acting.

Taylor’s direction of “Fatale” is pedestrian and looks every bit like the low-budget tawdry thriller that it is. (Taylor and Ealy previously worked together on the 2019’s “The Intruder,” a second-rate and predictable thriller in which Ealy plays a married man stalked by a vengeful psycho, played by Dennis Quaid, because of jealousy over home ownership.) “Fatale” really is not much different from a basic cable TV-movie covering the same subject matter, except that “Fatale” has fouler language and sex scenes that are more suggestive than what’s on basic cable. Just like low-quality counterfeit merchandise that ends up falling apart, “Fatale” is a flimsy and forgettable rehash of the formula that made “Fatal Attraction” a classic.

Lionsgate released “Fatale” in U.S. cinemas on December 18, 2020. The movie’s VOD release date is January 8, 2021.