Culture Representation: Taking place in an unnamed U.S. city, the horror film “Consumed” features an all-white group of people who experience terror in a remote wooded area.
Culture Clash: During a camping trip in this remote wooded area, a married couple and a mysterious stranger become the targets of an evil spirit that possesses people who get lost in the woods.
Culture Audience: “Consumed” will appeal mainly to people who will watch any horror movie, not matter how terrible it is.
Mark Famiglietti in “Consumed” (Photo courtesy of Brainstorm Media)
“Consumed” is not only the title of this inept and tedious horror movie, but it also describes how “Consumed” soullessly eats up viewers’ time and patience when watching this dreck. It’s nothing but repetitive scenes of poorly staged terror in a wooded area. This isn’t even the type of feature-length movie that would have been better as a short film because the basic plot of “Consumed” is just a mishmash of clichés and superficial characters with very little substance.
Directed by Mitchell Altieri and written by David Calbert, “Consumed” takes place in an unnamed U.S. city. (“Consumed” was actually filmed in New Jersey.) Married couple Beth McCormick (played by Courtney Halverson) and her husband Jay (played by Mark Famiglietti) are on a camping trip in a remote wooded area. The only thing you will learn about this couple during the entire movie is that Beth is recovering from cancer, and this trip is supposed to be the couple’s celebration that Beth’s cancer is in remission.
The opening scene of “Consumed” shows a frightened Beth running through a wooded area, with the cinematography for the scene drenched in red light, so you know that it’s supposed to be some type of nightmare. As she runs through the woods, she sees a leaf-covered body on a slab in the middle of the area where she’s at. All of a sudden, a hand reaches out and grabs Beth, who is bald in this red-light scene. The movie then abruptly cuts to the next scene, which shows Beth and Jay hiking in the woods.
During their hiking and camping, Beth and Jay hear strange and alarming noises, such as gunshots and a screeching sound that sounds like a giant bird. Most people would leave or at try to find out if they’re in immediate danger. Because this is a stupid horror movie, Beth and Jay don’t do that and therefore become sitting ducks for the terror that’s about to hit them.
After a hike, Jay and Beth come back to their camp and find the entire campsite trashed and covered in mysterious slime. Jay and Beth still don’t do anything. It isn’t until they hear these screeching sounds again and see black smoke coming out from behind a tree that they get scared and run.
It should come as no surprise that someone falls and gets injured. It’s Jay, who then gets even more bad luck when his left leg gets caught in a bear trap. And because this is a mindless horror movie, these people have gone camping in a remote area and didn’t think of a way to contact help in case of an emergency. There are no cell phones at all in this dreadful movie.
Somehow, Beth and an injured Jay find an underground bunker that has a trap door as an entrance. Inside the bunker, they see a mysterious and disheveled stranger dressed in skinned animal fur, as if he’s the poster child for Survivalists R Us. The stranger says his name is Quinn (played by Devon Sawa), who babbles about Wendigo, an evil spirit who possesses people who are lost in the woods.
Jay goes in and out of consciousness and can’t really move without assistance because of his injured leg. Somehow, Quinn coerces Beth to try to hunt down the menacing creature that seems to be after them. Quinn snarls to Beth: “I can’t let you leave the bunker until I kill that thing.” The rest of “Consumed” is about this hunt.
“Consumed” plods along with weak jump scares, idiotic dialogue, unimpressive acting, and mediocre visual effects—all of it extremely boring and incoherent. People watching this movie will be thinking the entire time, “Why should we care about these characters? There’s no real information about them.”
Toward the end of “Consumed,” it’s revealed that Quinn has a personal connection to what’s going on, but this revelation is too little, too late. The movie throws in more red-light scenes of bald Beth running around in a terrified manner. Why? Don’t expect an explanation for that either, except it seems to be the movie’s tacky way of showing that Beth has a fear of her cancer coming back. “Consumed” is just a cesspool of uninspired and lackluster scenes that add up to a complete waste of time.
Brainstorm Media released “Consumed” in select U.S. cinemas, on digital and VOD on August 16, 2024.
Culture Representation: Taking place in unnamed rural area of Canada, the horror flick “Hunter Hunter” features a predominantly white cast of characters (and one indigenous person) representing the middle-class and working-class.
Culture Clash: A husband, wife and their 12-year-old daughter, who live together in a remote area, have to deal with a suspected killer wolf and encounter some surprises.
Culture Audience: “Hunter Hunter” will appeal primarily to people who are interested in “slow burn” horror films that have unexpected twists.
Devon Sawa and Summer H. Howell in “Hunter Hunter” (Photo courtesy of IFC Films/IFC Midnight)
The horror flick “Hunter Hunter” has a relatively small cast, but the movie is big on gradually building suspense, which culminates in a shocking and very gruesome ending. This is not a movie for people who get easily squeamish at the sight of blood. But if you can tolerate blood-drenched scenes in a movie, then “Hunter Hunter” might make you curious enough to see what’s going to happen in the movie’s much-talked-about ending.
Written and directed by Shawn Linden, “Hunter Hunter” starts off as more of a psychological thriller before it turns into a gorefest. And it takes a long time (the first third of the movie) before any real action takes place. It’s a “slow burn” movie that might trick viewers into thinking that it’s going to be a predictable horror flick. It’s not a typical horror film, but the ending of the movie has such an abrupt switch in tone that it’s a climax that will no doubt confuse or anger some viewers.
“Hunter Hunter” takes place in an unnamed remote, wooded area of Canada, where a family of three people live in a modest wood house and get most of their food from hunting or growing food on their land. (The movie was actually filmed in the Canadian provinces of Manitoba and Alberta.) Joseph “Joe” Mersault (played by Devon Sawa) and his wife Anne (played by Camille Sullivan) live as quiet recluses with their homeschooled 12-year-old daughter Renee (played by Summer H. Howell), who is a very inquisitive and perceptive child. The family has also has a male dog named Tova.
Although the Mersaults live in a very primitive way (they don’t have electricity or phone service), they aren’t completely cut off from the world. They have a truck, which is the main way that they can make money for their fur trappings or get any needed help. Joe and Anne mostly have contact with the nearest general store, where they drive to get supplies and sell fur or other animal products.
This farming season hasn’t been a good one for the family. The harsh winter weather has yielded a smaller number of crops than usual. And money is tight. When Anne goes to the general store, she doesn’t have enough cash to buy what she needs. She offers to do a trade deal with the store’s manager, but it’s still not enough to get all the items that she wants.
To make matters worse, there are signs that there’s a wolf on the loose that’s been eating the rabbits, racoons and other animals that the family depends on for meat. While out hunting, Joe and Renee find a racoon’s paw in a trap, with the paw showing signs that the rest of the body was chewed off.
When Anne is at the general store, she notices a real-estate flyer on the bulletin board. The flyer is advertising a house for sale in the suburban city of Kearney. Anne takes the flyer. Astute viewers will also notice that the bulletin board also has a missing-person flyer for a brunette woman in her 30s named Lynne Petit.
While the family is having dinner, the topic of the nuisance wolf comes up. Anne and Joe suspect it’s the same elusive wolf that they’ve been trying to catch for a while. (The movie never goes into details of how Anne and Joe have been trying to get the wolf.)
Joe says of the wolf: “Something’s bringing it back. Either it’s food or it’s a female. If I could figure out what it’s attracted to, I could bait it.” Anne says, “It’s attracted to us. I already know. We’re a steady food supply.”
Whatever is attracting the wolf, Joe makes it clear that he wants to be the only one to handle trapping the wolf. He insists that it’s too dangerous for Anne and Renee. However, Renee persistently begs to tag along with her father, until he eventually relents later in the story. Joe teaches Renee how to look for signs of wolves and bears, how to lay animal traps, and how to skin animals. He also instructs Renee that if she ever encounters a wild animal that can kill humans, she should not run but instead she should calmly walk away.
Anne shows Joe the real-estate flyer for the house in Kearney and mentions that it might be a good idea to buy the home. Joe thinks it’s a crazy idea, since they can barely afford to feed themselves. Anne is insistent that they at least think about moving to a more modern home in a more populated area.
Sensing that they’re going to have an argument about this topic, Joe asks Renee to temporarily leave the table so he can Anne can have the rest of their conversation in private. It’s a tense discussion that Joe really doesn’t want to have. But in order to avoid a major argument, he tells Renee that he’ll at least think about moving, and they can discuss it later.
In another scene in the movie, it’s revealed that Joe and Anne use to have a modern life somewhere else, and it was entirely Joe’s idea to move in a remote area, where they could live off of the land. Anne is really starting to regret that decision. She also thinks that Renee should be raised in an environment where Renee can be around other children.
Anne says to Joe: “It feels like the world has left us behind. There isn’t another generation left.” Joe replies, “There is if we make one. Nothing pushes us out of our life. Not even you.” Anne says the only reason why she chose the life they’re living now is because she chose Joe.
This marital friction is later put on the backburner when strange things start happening. While looking to trap the wolf in the woods, Joe makes a horrifying discovery, which won’t be described in this review, but it’s something that most people would immediately report to police. Oddly, Joe does not tell anyone what he found. When he goes home, he pretends that everything is normal.
And then, the family dog Tova goes missing. Renee is very upset and fears that the wolf might have killed the dog. Anne suspects the same thing, which is why she won’t let Renee accompany her when looking for the Tova in the woods. When Anne goes to look for the dog, she makes a discovery that she also keeps a secret.
Later, Joe goes in the woods again to look for the wolf. And he doesn’t come back when he was expected. After waiting several hours and there’s still no sign of Joe, Anne goes out in the woods to look for him. She can’t find him.
A worried Anne then goes to the nearest place of authority to get help: the Municipal Conservation Department, which mostly responds to complaints about wild animals on people’s property and takes care of cleaning up any roadkill. The two employees on duty are named Barthes (played by Gabriel Daniels) and Lucy (played by Lauren Cochrane), who are both in their 30s.
Barthes and Lucy have a wisecracking banter with each other. They like to sarcastically tease each other with mild insults. But underneath the joking, it’s clear that these co-workers respect each other in a platonic way. When Anne shows up to report that Joe has been missing, she’s disappointed and frustrated when Barthes tells her that there’s nothing that this department can do because the Marsaults live on federal land, which is out of the department’s jurisdiction.
This is where there’s a noticeable plot hole in “Hunter Hunter,” because most worried spouses would then find out which authorities would handle this missing-person case and file the missing-person report there. But Anne doesn’t do that. She just goes home and continues to look for Joe in the woods. She might have been reluctant to go to other authorities because Barthes questioned if the Marsault family had a right to live on federal land, and Anne had a defensive reaction to that line of questioning.
One night, Anne hears some noises coming from the woods. She thinks it might be Joe calling for help, so she takes a risk and goes outside to find out who or what is causing these noises. Instead of finding Joe, she finds an unknown man with an injured leg. He’s barely conscious.
Anne doesn’t hesitate to help this stranger. She brings him into her house and treats the bleeding gash on his leg while he’s passed out. When he regains consciousness, it’s revealed that his name is Lou (played by Nick Stahl), and he says he’s a photographer who foolishly got lost in the woods. It seems as if his legs got tangled in some thorny bushes. When Anne asks Lou if he saw anyone fitting her husband’s description, he says no.
Anne tells Lou that she can drive him to the nearest hospital because he needs professional medical care. Anne mentions that she has limited medical supplies and she doesn’t want his wound to get infected. However, Lou is very reluctant to go to the hospital. Renee wonders why Anne is going to all this trouble to help a stranger, and Anne tells her that it’s what good people are supposed to do. But will this act of kindness be a mistake?
“Hunter Hunter” keeps people guessing on whether or not there’s a supernatural element to the story. Viewers won’t get a clear answer until the last third of the film, where most of the horror takes place. Linden’s twist-filled writing and direction make “Hunter Hunter” a true mystery where the clues aren’t obvious, but they make sense in hindsight to viewers who are really paying attention.
The cast members all do good jobs with their performances, but Sullivan is the clear standout. It’s not just because she has the most screen time, but it’s mainly because her Anne character goes through a metamorphosis from being a dutiful wife to taking charge of the household once her husband goes missing. Because of something extreme that happens at the end of the movie, some viewers will have trouble reconciling it with the rest of the story. However, it’s clear that “Hunter Hunter” doesn’t want to offer easy answers on issues relating to morality or death.
IFC Films/IFC Midnight released “Hunter Hunter” in select U.S. cinemas and on digital and VOD on December 18, 2020.
