DeWanda Wise Archives – CULTURE MIX

Review: ‘Poolman,’ starring Chris Pine, Annette Bening, DeWanda Wise, Stephen Tobolowsky, Clancy Brown, John Ortiz, Jennifer Jason Leigh and Danny DeVito

May 23, 2024

by Carla Hay

Chris Pine in “Poolman” (Photo courtesy of Vertical)

Directed by Chris Pine

Culture Representation: Taking place in Los Angeles, the comedy film “Poolman” features a predominantly white cast of characters (with a few African Americans and Latin people) representing the working-class, middle-class and wealthy.

Culture Clash: An apartment complex’s swimming pool cleaner, who is working on an environmental documentary about Los Angeles, investigates a corruption scheme involving a city council president and a property developer.

Culture Audience: “Poolman” will appeal primarily to people are fans of the movie’s headliners and don’t mind watching a time-wasting and poorly made movie.

“Poolman” is like a flimsy and faulty floating device that’s full of holes and quickly sinks due to its sheer incompetence. This comedy noir mystery is very unamusing and incoherent. Everyone involved should be embarrassed.

“Poolman” is the feature-film directorial debut of actor Chris Pine, who stars in the movie and co-wrote (with Ian Gotler) the abysmal screenplay. “Poolman” (which takes place in Los Angeles, where the movie was filmed on location) is clearly inspired by the Oscar-winning 1974 noir mystery “Chinatown,” starring Jack Nicholson and Faye Dunaway. However, “Poolman” removes all of the good filmmaking qualities that make “Chinatown” a classic. “Poolman” had its world premiere at the 2023 Toronto International Film Festival, which clearly chose this movie because of Pine’s fame, not because of the low quality of the film.

In “Poolman,” Darren Barrenman (played by Pine) is a long-haired, scruffy, wannabe documentarian who has a day job as the swimming pool cleaner for a shabby motel-like apartment complex called the Tahitian Tiki. Darren (who is the only employee of his Awesome Aquatics business) lives in a small trailer that is awkwardly located on the side of the Tahitian Tiki’s swimming pool. Darren is dating Tahitian Tiki manager Susan Kerkovich (played by Jennifer Jason Leigh), but their relationship seems to be stuck in a rut. Darren and Susan have boring conversations that go nowhere, such as when they are in bed and talk about how the owner of their favorite chicken restaurant has recently died.

Darren has an obsession with real-life environmental activist Erin Brockovich, so he is seen typing (on a typewriter) a letter to her every day. These letters, which are read out loud in voiceovers, are quite pathetic because Darren sounds like a jilted ex-lover in these letters, even though he has apparently never met Brockovich. Darren wants to make an important environmental documentary about Los Angeles and is against any property development that might harm the environment. One of the reasons why he’s directing this documentary is so he can impress Brockovich.

Darren has three friends who are helping him with this documentary: Diane Esplinade (played by Annette Bening), who seems to be a producer, constantly rambles about New Age self-care gibberish. Jack Denisoff (played by Danny DeVito) is a cinematographer, who often likes to talk about his glory days working as a television director. Wayne (played by John Ortiz), who is a production assistant, is described as Darren’s “best friend” and a “union analyst.”

“Poolman” is so poorly written, it isn’t made immediately clear what type of relationship Diane and Jack have with emotionally immature Darren. When Diane and Jack are first seen with Darren in the movie, Diane and Jack act like they are Darren’s parents, not his documentary co-worker/friends. Darren’s relationship with “best friend” Wayne is also strange, with no backstory.

Darren makes himself a nuisance at Los Angeles City Council meetings to protest anything that he thinks will harm the environment. Darren is very suspicious of an upcoming property development called the Very Venice Housing Project. At one of these meetings, Darren is ranting about an environmental study that he has completed. The president of the Los Angeles City Council is Stephen Toronkowski (played by Stephen Tobolowsky), who sees that Darren is attempting a filibuster, so he orders Darren to stop.

A bailiff named Reggie (played by Aflamu Johnson) tries to stop Darren, but Darren assaults Reggie. Darren is arrested, but he is bailed out of jail by June Del Rey (played by DeWanda Wise), who dresses and acts like she thinks she’s in a 1940s noir film. June tells Darren that she’s Stephen’s new executive assistant and says she needs Darren’s help in exposing Stephen as a corrupt politician. Darren has a romantic attraction to June that never looks believable in this dreadful movie.

Meanwhile, Darren’s investigation involves a wealthy property developer named Theodore “Teddy” Hollandaise (played by Clancy Brown), the CEO of Big Dutch Group, the company behind the Very Venice Housing Project. There’s also another rich mogul named William Van Patterson (played by Ray Wise), who becomes part of the story. Darren and his documentary film pals get involved in amateurish and bumbling spying on suspicious characters.

Everything in “Poolman” is sloppily conceived and clumsily executed. Bening does the best that she can in a terribly written role, while the other cast members’ performances are mediocre-to-horrible. Pine constantly mugs for the camera and smirks in ways that quickly become irritating, as Darren shows how much of a moronic “investigator” he can be.

The secrets and surprise “reveals” for some of the characters just add to the movie’s idiocy. There are plenty of low-budget, independent movies that are of low quality, but “Poolman” didn’t have to be this bad, considering the well-known talent involved. All of that talent is wasted and goes down the drain quicker than obnoxious poolman Darren can empty a pool.

Vertical released “Poolman” in select U.S. cinemas on May 10, 2024.

Review: ‘Imaginary’ (2024), starring DeWanda Wise, Tom Payne, Taegen Burns, Pyper Braun, Veronica Falcon and Betty Buckley

March 8, 2024

by Carla Hay

Pyper Braun in “Imaginary” (Photo by Parrish Lewis/Lionsgate)

“Imaginary” (2024)

Directed by Jeff Wadlow

Culture Representation: Taking place in New Orleans, the horror film “Imaginary” features a predominantly white cast of characters (with a few African Americans and Latin people) representing the working-class and middle-class.

Culture Clash: A children’s book author/illustrator with a traumatic past moves back into her childhood home, where one of her underage stepdaughters finds a mysterious teddy bear, makes it her imaginary friend, and unwittingly unleashes terror in the house.

Culture Audience: “Imaginary” will appeal primarily to people who don’t mind watching silly horror movies.

Pyper Braun and DeWanda Wise in “Imaginary” (Photo by Parrish Lewis/Lionsgate)

“Imaginary” could’ve been a campy horror classic about a menacing toy that unleashes terror. But this idiotic junk goes downhill quickly and becomes a boring mess with tacky-looking monsters. For a movie that uses the characters’ imagination as a crucial part of its plot, “Imaginary” lacks imagination for that plot, which becomes worse as the movie stumbles along to its very weak ending.

Directed by Jeff Wadlow, “Imaginary” was co-written by Wadlow, Greg Erb and Jason Oremland. The movie takes place and was filmed in New Orleans, but everything is so generic-looking about the locations in the movie, it really could’ve been filmed in many other cities, and it wouldn’t have made a difference to the story. “Imaginary” starts off as a basic horror movie, but the plot and dialogue get increasingly stupid, to the point where viewers will either laugh or get angry (or do both) at all the ridiculousness.

“Imaginary” begins by showing children’s book author/illustrator Jessica (played by Wanda DeWise) bursting through a minature door in the wall of the house. She looks terrified and says, “I’m sorry we couldn’t finish our game.” She’s soon grabbed by a large, burly man who has blood on him and whose eyes are all white from damage or because he’s possessed. He mumbles something about being afraid that Jessica is never coming back. It’s later revealed that the man chasing Jessica is her father Ben Barnes (played by Samuel Salary), who is a widower.

But surprise! This scene is nothing but a nightmare experienced by Jessica, who has been having several nightmares lately about her past. Jessica is newly married to a British-born musician named Max (played by Tom Payne), who has full custody of his two daughters from his previous marriage: 15-year-old sulky Taylor (played by Taegen Burns) and playful Alice (played by Pyper Braun), who’s about 7 or 8 years old. Taylor doesn’t like Jessica very much, while Alice is much more accepting and friendlier to stepmother Jessica.

Jessica’s father Ben is currently at an assisted living community called Azalea Acres. Jessica’s childhood home is currently vacant. And so, Jessica and Taylor decide that they will get a fresh start by moving the family from their small apartment into this house. And you know what that means in a horror movie where someone in the house is having nightmares about her past.

It doesn’t take long for Alice to find a teddy bear in the basement. She names the bear Chauncey. This toy bear becomes Alice’s constant companion and her imaginary friend. Jessica and Max often hear Alice talking to Chauncey, with the bear talking back in a voice that sounds a lot like Alice’s voice. Jessica and Max think all of this is adorable.

The family has a nosy neighbor named Gloria (played by Betty Buckley), who likes to lurk outside to see what’s going on in the house. When Jessica introduces herself to Gloria, Jessica is surprised when Gloria says that she used to be Jessica’s babysitter when Jessica lived in the house as a child. Jessica doesn’t remember Gloria at all. Jessica also doesn’t remember that she had a teddy bear that looked exactly like Chauncey.

“Imaginary” has several flashbacks to Jessica’s childhood, with Rhythm Hurd in the role of Jessica as a 5-year-old girl. The story of Jessica’s past is eventually revealed in bits and pieces. There are clues, such as the illustrations she used to draw on the house wall as a child. The phrase “never ever” is also repeated in the movie because it has a certain meaning.

Jessica has had a turbulent relationship with her father, who had a mental breakdown shortly after Jessica’s mother died when Jessica was 5 years old. Jessica has a burn scar on her arm from an incident in her childhood where her father was accused of attacking her. Ben lost custody of Jessica, and she was raised by her grandmother.

Alice also has a burn scar on her arm. It was caused by her mother Samantha Dooley (played by Alix Angelis), who is currently in a lockdown facility for mental health and addiction issues. Samantha appears in the movie for some cheap jump scares. Although Max doesn’t really talk about what happened in the marriage, its implied that the problems with Samantha are what caused their divorce. Samantha and Max got divorced long before he and Jessica got involved with each other.

It should come as no surprise that there’s something very sinister about Chauncey, as people who are in the house eventually find out. One of them is a drug-using teenage neighbor named Liam (played by Matthew Sato), who has an immediate, mutual attraction to Taylor. Jessica has a rule that Taylor and Alice can’t let strangers into the house when Jessica and Max aren’t there, but Taylor breaks this rule to have Liam over for a visit when Max is away on tour and Jessica leaves the house for a few hours.

Chauncey is quite the demanding companion. Alice insists that when she is served meals, Chauncey should get a serving too, because Chauncey is always “hungry.” Alice says that Chauncey also gave her a list of things that Alice must find on a scavenger hunt. Alice carries the list with her, but she tells Jessica that what’s on the list is a secret.

Alice later tells Taylor: “Don’t tell Dad or Jess, but Chauncey will take me to a special place after I finish my list.” One of the things that Jessica knows is on the list is “something happy,” which Alice requests from Jessica, who gives her a small blue rubber ball that Jessica paints with a smiley face. Later, Jessica finds the list and sees other items that need to be found include something that burns, a bowl and a paintbrush.

Alice’s attachment to Chauncey becomes alarming enough for her to get a visit from a therapist named Dr. Soto (played by Veronica Falcón), who tells Jessica about a boy patient who had similar issues with a stuffed animal that was an imaginary friend. The boy ended up mutilating his thumb, and then he disappeared. Dr. Soto shows Jessica a video that she recorded of one of Dr. Soto’s sessions with the boy.

Jessica has a book series about an insect named Molly the Millipede, whose nemesis is Simon the Spider. There are several references to Jessica’s book series in “Imaginary,” but the movie does a very poor job of making effective horror out of it. “Imaginary” has a laughable part of the movie where Jessica tells Max that Alice’s weirdness with Chauncey has helped Jessica with her writer’s block.

“Imaginary” lead actress Wise puts in a committed performance as Jessica, while Braun brings a lot of enthusiasm to the role of Alice. Even with these admirable efforts, “Imaginary” still has mediocre-to-bad acting in too many parts of the film—especially near the end of the movie, which becomes an exposition dump where characters over-explain all the ludicrous things that are obvious. The movie becomes more convoluted when it doesn’t need to be.

Puppets were used for some of the monsters—including the monster version of Chauncey called Bear Beast—but they look like something you would see in an amateur haunted house. There are scarier-looking costumes at any given Comic-Con. “Imaginary” has a combination of computer-generated and practical visual effects. There are some creepy images in the movie, but nothing in “Imaginary” is truly terrifying.

There’s also a fake-out ending, which is slightly better than the atrociously limp real ending, which hints at the possibility of a sequel or spinoff. The teddy bear in “Imaginary,” which has a different name for every person who owns the bear, is nowhere close to being as iconic as the toy dolls Chucky and M3GAN, which are the center of their respectively successful horrors franchises. The stuffing that’s inside a real teddy bear has more substance than what disappointing dreck such as “Imaginary” has to offer.

Lionsgate released “Imaginary” in U.S. cinemas on March 8, 2024. The movie will be released on VOD on March 26, 2024. “Imaginary” will be released on digital on May 7, 2024, and on Blu-Ray and DVD on May 14, 2024.

Review: ‘The Harder They Fall’ (2021), starring Jonathan Majors, Idris Elba, Zazie Beetz, Regina King, LaKeith Stanfield, RJ Cyler and Danielle Deadwyler

December 4, 2021

by Carla Hay

Danielle Deadwyler, Jonathan Majors and Zazie Beetz in “The Harder They Fall” (Photo by David Lee/Netflix)

“The Harder They Fall” (2021)

Directed by Jeymes Samuel

Culture Representation: Taking place in Texas in the mid-1880s, the Western action drama “The Harder They Fall” has a predominantly black cast of characters (with some white people, Latinos and Native Americans) representing the working-class, middle-class, wealthy and the criminal underground.

Culture Clash: When cowboy Nat Love finds out that his arch-enemy Rufus Buck has escaped from prison, Nat assembles a posse that battles against Rufus’ gang.

Culture Audience: “The Harder They Fall” will appeal primarily to people who are interested in well-acted, action-oriented Western dramas about the underrepresented African American cowboy culture of the 1880s, but viewers of the movie should have a high tolerance for over-the-top violence.

Regina King, Idris Elba and LaKeith Stanfield in “The Harder They Fall” (Photo courtesy of Netflix)

With grisly violence that is almost cartoonish, “The Harder They Fall” puts a well-acted spotlight on real-life African American cowboys of the 1880s. The movie’s excessive violence might be a turnoff to some viewers. But for viewers who can tolerate all the blood and gore, “The Harder They Fall” is a bumpy and thrilling ride with a top-notch cast.

“The Harder They Fall” is the second feature film of director Jeymes Samuel, who co-wrote “The Harder They Fall” screenplay with Boaz Yakin. Samuel, also composed the movie’s score, has said in interviews that the title of the movie was inspired by the 1972 movie “The Harder They Come,” starring reggae singer Jimmy Cliff—not the 1956 Humphrey Bogart/Rod Steiger movie “The Harder They Fall.” Samuel is a British filmmaker (he’s the younger brother of pop star Seal) who grew up adoring Western movies. However, Samuel eventually found out that these Westerns often gave inaccurate demographic depictions of what post-Civil War life was like the Old West of the 19th century.

In reality, people of color and women had much more agency and independence in Old West culture than what’s shown in most old-time Western movies, which usually portray only white men as leaders of cowboy posses. “The Harder They Fall” aims to course-correct these historical exclusions by doing a fictional portrayal of real-life African American posse members from the 19th century. In case it wasn’t clear enough, a caption in the movie’s introduction states in big and bold letters: “While the events are fictional, the people are real.” (At least the movie’s main characters are based on real people.)

“The Harder They Fall” also doesn’t sugarcoat the reality that there were good and bad cowboy posses. Black people are no exception. The African Americans in the movie are not portrayed as subservient stereotypes, but they aren’t exactly saintly either. Most are just trying to get by and live good lives, while there are some hardened criminals who create chaos for people who have the misfortune of crossing their paths. “The Harder They Fall” takes place in various parts of Texas, but the movie was actually filmed in New Mexico.

“The Harder They Fall” opens with a 10-year-old boy named Nat Love (played by Chase Dillon) witnessing the brutal murder of his parents—Reverend Love (played by Michael Beach) and wife Eleanor Love (played by DeWanda Wise)—during a home invasion. The gangsters shoot Nat’s parents, but they spare Nat’s life. The leader of this gang uses a knife to carve a cross on Nat’s forehead.

About 20 years later, Nat (played by Jonathan Majors) still has the scar on his forehead. And he’s had a lifelong obsession with getting revenge on the gangsters who killed his parents. Nat knows that Rufus Buck (played by Idris Elba) is the gang leader who is the main culprit for the murders. Rufus has recently been in prison for armed robbery and murder.

However, Nat finds out that Rufus has made a prison escape. Two of Rufus’ loyal cronies—ruthless Trudy Smith (played by Regina King) and smooth-talking Cherokee Bill (played by LaKeith Stanfield)—have hijacked the train where prisoner Rufus was being transported, and they broke Rufus out of the cell where he was being kept.

After Nat discovers that Rufus is now a free man (but still wanted by law enforcement), Nat assembles his own posse to get revenge. The other members of the Nat Love Gang are Mary Fields (played by Zazie Beetz), who is Nat’s feisty love interest; Bill Pickett (played by Edi Gathegi), who is a loyal and logical; Jim Beckwourth (played by RJ Cyler), who is a cocky young cowboy; and Cuffee (played by Danielle Deadwyler), who lives as a transgender man.

Nat makes a living by finding “wanted dead or alive” criminals for reward money. Nat has no qualms about killing these criminals if he thinks they deserve it. That’s what happens in an early scene in the movie when Nat shoots and kills a wanted criminal who shows up at a Catholic church with the intention of robbing the church. Nat’s reward is $5,000.

It turns out that Nat and his gang are outlaws too, because they make money by stealing from robbers. Therefore, one of their least-favorite people is Bass Reeves (played by Delroy Lindo), a U.S. marshal who’s determined to put a stop to all this criminal activity. In addition to seeking revenge on Rufus, the Nat Love Gang also wants to avoid capture by Reeves and his law enforcement team. The posse members on both sides are also mistrustful of Wiley Esco (played by Deon Cole), the Redwood City mayor whose allegiances can be murky.

It should be noted that in real life, Bass Reeves is the inspiration for the Lone Ranger character, which has been played by white actors in movies and television. Reeves was considered a pioneer for African Americans in law enforcement, because he did a lot to change American viewpoints that white people aren’t the only race who can become U.S. marshals. In real life, Reeves worked closely with Native American leaders. It’s an alliance that’s depicted in the movie too.

In many ways, “The Harder They Fall” follows a lot of the traditions of typical Westerns, with gun shootouts and chases on horseback. There’s also some romance, as Mary and Nat have an on-again, off-again relationship. Mary, who works as a saloon singer, has a hard time trusting Nat because he’s cheated on her in the past. Nat is an emotionally wounded rebel who’s trying to win back Mary’s heart, but first he has to learn how to heal his own broken heart.

And there’s inevitable fighting among posse members. Most of the friction in Nat’s gang comes from Jim and Bill having personality clashes with each other. Bill thinks Jim is arrogant and reckless, while Jim thinks that Bill is uptight and too cautious. It’s the classic older cowboy/younger cowboy conflict that’s often seen in Westerns.

There are also some gender issues with Cuffee, who wants to live life as a man, but some people think that Cuffee is a woman just doing a drag act. There are parts of the movie where people aren’t sure whether to call Cuffee a “he” or a “she,” since the word “transgender” did not exist at the time. And when Cuffee has to wear a dress (for reasons what won’t be revealed in this review), it makes Cuffee very uncomfortable. After seeing Cuffee in a dress, Jim blurts out that he now knows why was kind of attracted to Cuffee.

Damon Wayans Jr. has a small role in the movie as Monroe Grimes, someone who is captured by Nat’s posse members to get information about Rufus. As for Rufus, he’s a cold-blooded killer who has enough of a twinkle in his eye and swagger in his walk to indicate why his posse subordinates find him so magnetic. Mary can give Rufus a run for his money, in terms of being fearless in battle. Cherokee Bill is violent too, but he’s more likely to use psychology to try to outwit an opponent.

“The Harder They Fall” isn’t particularly innovative in the story structure and dialogue, but there are some impressive camera shots from cinematographer Mihai Malaimare Jr., and the movie delivers when it comes to adrenaline-filled action scenes. A standout camera shot is in a scene where the camera zooms in with a bullet-like trajectory at a group of posse members to then reveal that there are others standing behind them. Also adding to the striking visuals of “The Harder They Fall” is the first-rate costume design by Antoinette Messam, who brought a practical yet fashionable look to many of these Old West characters.

All of the actors perform well in their roles, with the best scene-stealing moments coming from Majors, King, Elba, Beetz, Stanfield and Deadwyler. Where the movie falters a bit is in how it abandons its mostly gritty realism for some stunts that are so heavily choreographed, it takes you out of the realism and just becomes a reminder that this movie’s fight scenes can sometimes look like ultra-violent parodies of fight scenes in Westerns.

What doesn’t come across as a parody is how credibly the cast members portray their characters. These engaging characters bring real heart and soul to “The Harder They Fall.” (There’s also a poignant plot twist/reveal at the end of the movie that might or might not be surprising to some viewers.) Even though not everyone makes it out alive by the end of the movie, it’s clear by the movie’s last shot that there’s room for a sequel for a spinoff.

Netflix released “The Harder They Fall” in select U.S. cinemas on October 22, 2021. The movie’s Netflix premiere was on November 3, 2021.